Songs like São Paulo by David Amram
Based on a tempo of (+/- 10%) and a similar genre
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Joe Roland
Indian Summer
111 bpm • G Maj • 02:41 • -24.69db
19% Popularity • 54% Danceability • 6% Energy • 8% Liveness
48% Instrumentalness • 36% Positiveness
19% Popularity • 54% Danceability • 6% Energy • 8% Liveness
48% Instrumentalness • 36% Positiveness
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Jessica Williams
I’ll Always Be in Love With You
111 bpm • D min • 05:24 • -20.07db
8% Popularity • 52% Danceability • 6% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
8% Popularity • 52% Danceability • 6% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
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Eddie Daniels
Solfeggietto / Metamorphosis
111 bpm • G min • 06:35 • -16db
10% Popularity • 42% Danceability • 25% Energy • 13% Liveness
77% Instrumentalness • 27% Positiveness
10% Popularity • 42% Danceability • 25% Energy • 13% Liveness
77% Instrumentalness • 27% Positiveness
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David Amram
São Paulo
111 bpm • D min • 04:18 • -14.12db
0% Popularity • 30% Danceability • 33% Energy • 12% Liveness
86% Instrumentalness • 36% Positiveness
0% Popularity • 30% Danceability • 33% Energy • 12% Liveness
86% Instrumentalness • 36% Positiveness
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The Billy Taylor Trio
Warming Up
112 bpm • A# min • 02:29 • -16.2db
18% Popularity • 58% Danceability • 39% Energy • 26% Liveness
91% Instrumentalness • 67% Positiveness
18% Popularity • 58% Danceability • 39% Energy • 26% Liveness
91% Instrumentalness • 67% Positiveness
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Happy Traum
Deep Blue Sea
111 bpm • F Maj • 05:06 • -12.17db
1% Popularity • 62% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
1% Popularity • 62% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Claudia Zannoni
Exactly like you
112 bpm • C min • 03:52 • -12.62db
19% Popularity • 66% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 66% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Ian Shaw
Something To Live For - At PizzaExpress ...
112 bpm • G Maj • 05:38 • -13.98db
7% Popularity • 53% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
7% Popularity • 53% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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César Cardoso
Interchange
112 bpm • F min • 04:49 • -11.45db
11% Popularity • 46% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 72% Positiveness
11% Popularity • 46% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 72% Positiveness
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Rubio Faviere
Such a Great Job George, Thank You
110 bpm • D# Maj • 01:45 • -16.77db
24% Popularity • 34% Danceability • 8% Energy • 11% Liveness
5% Instrumentalness • 7% Positiveness
24% Popularity • 34% Danceability • 8% Energy • 11% Liveness
5% Instrumentalness • 7% Positiveness
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Chillwave Kid
Dancing in the Summer Rain
110 bpm • F# min • 00:56 • -23.54db
12% Popularity • 85% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 78% Positiveness
12% Popularity • 85% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 78% Positiveness
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Nat Adderley
You, Baby
110 bpm • D min • 02:49 • -20.47db
13% Popularity • 55% Danceability • 31% Energy • 8% Liveness
89% Instrumentalness • 78% Positiveness
13% Popularity • 55% Danceability • 31% Energy • 8% Liveness
89% Instrumentalness • 78% Positiveness
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Victor Goines
Miss Tyson
112 bpm • D min • 04:59 • -9.92db
8% Popularity • 28% Danceability • 26% Energy • 18% Liveness
2% Instrumentalness • 6% Positiveness
8% Popularity • 28% Danceability • 26% Energy • 18% Liveness
2% Instrumentalness • 6% Positiveness
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Muhal Richard Abrams
Afrisong
112 bpm • G# Maj • 05:09 • -26db
17% Popularity • 34% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 34% Positiveness
17% Popularity • 34% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 34% Positiveness
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The Los Angeles Jazz Ensemble
Li'l Darlin'
109 bpm • A min • 02:06 • -9.93db
7% Popularity • 77% Danceability • 15% Energy • 10% Liveness
9% Instrumentalness • 59% Positiveness
7% Popularity • 77% Danceability • 15% Energy • 10% Liveness
9% Instrumentalness • 59% Positiveness
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Lennart Ginman
The Bliss of Sonic Swing
113 bpm • D min • 04:20 • -19.56db
13% Popularity • 55% Danceability • 28% Energy • 31% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 55% Danceability • 28% Energy • 31% Liveness
0% Instrumentalness • 36% Positiveness
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Zoot Sims Quartet
9.20 Special
109 bpm • C Maj • 04:53 • -19.34db
10% Popularity • 56% Danceability • 17% Energy • 25% Liveness
62% Instrumentalness • 68% Positiveness
10% Popularity • 56% Danceability • 17% Energy • 25% Liveness
62% Instrumentalness • 68% Positiveness
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Don Byron
St. Louis Blues
109 bpm • G Maj • 02:53 • -9.19db
12% Popularity • 71% Danceability • 43% Energy • 25% Liveness
80% Instrumentalness • 61% Positiveness
12% Popularity • 71% Danceability • 43% Energy • 25% Liveness
80% Instrumentalness • 61% Positiveness
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World Saxophone Quartet
Hal's Blues
113 bpm • D min • 02:54 • -8.53db
9% Popularity • 48% Danceability • 31% Energy • 26% Liveness
85% Instrumentalness • 10% Positiveness
9% Popularity • 48% Danceability • 31% Energy • 26% Liveness
85% Instrumentalness • 10% Positiveness
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BGM channel
I Hope He's Good For You
109 bpm • D# min • 03:51 • -17.42db
15% Popularity • 70% Danceability • 30% Energy • 24% Liveness
96% Instrumentalness • 32% Positiveness
15% Popularity • 70% Danceability • 30% Energy • 24% Liveness
96% Instrumentalness • 32% Positiveness
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Jonathan Bar Giora
Voices From the Iand of the Wind - Piano...
109 bpm • G# Maj • 03:09 • -20.33db
9% Popularity • 20% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Lennart Ginman
Waiting Room Anxiety Blues
113 bpm • G# Maj • 03:01 • -13.62db
15% Popularity • 63% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
15% Popularity • 63% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Olivier Anthony Theurillat
Yardbird Suite
109 bpm • C min • 04:10 • -13.66db
19% Popularity • 70% Danceability • 34% Energy • 4% Liveness
0% Instrumentalness • 71% Positiveness
19% Popularity • 70% Danceability • 34% Energy • 4% Liveness
0% Instrumentalness • 71% Positiveness
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Shovin' Sunshine
Three A.M.
113 bpm • D Maj • 02:09 • -19.34db
18% Popularity • 49% Danceability • 6% Energy • 16% Liveness
1% Instrumentalness • 29% Positiveness
18% Popularity • 49% Danceability • 6% Energy • 16% Liveness
1% Instrumentalness • 29% Positiveness
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David Amram
Zohar for Solo Flute
109 bpm • D min • 03:31 • -19.4db
0% Popularity • 45% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 91% Positiveness
0% Popularity • 45% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 91% Positiveness
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Michelle Moeller
Corridor
109 bpm • D# min • 03:27 • -15.93db
9% Popularity • 51% Danceability • 37% Energy • 11% Liveness
89% Instrumentalness • 76% Positiveness
9% Popularity • 51% Danceability • 37% Energy • 11% Liveness
89% Instrumentalness • 76% Positiveness
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Werner Mengel
Milonguismos para trompeta y guitarra
113 bpm • C Maj • 04:49 • -14db
8% Popularity • 71% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
8% Popularity • 71% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
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John Surman
The Dandelion, Pt. 1
109 bpm • G# Maj • 04:18 • -19.17db
25% Popularity • 32% Danceability • 25% Energy • 10% Liveness
9% Instrumentalness • 26% Positiveness
25% Popularity • 32% Danceability • 25% Energy • 10% Liveness
9% Instrumentalness • 26% Positiveness
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Piero Piccioni
Gioventu' di notte - Seq. 4
114 bpm • F Maj • 02:29 • -14.52db
3% Popularity • 37% Danceability • 24% Energy • 10% Liveness
9% Instrumentalness • 39% Positiveness
3% Popularity • 37% Danceability • 24% Energy • 10% Liveness
9% Instrumentalness • 39% Positiveness
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Tobin Mueller
The Waitress
114 bpm • G Maj • 04:44 • -11.59db
0% Popularity • 59% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 59% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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David Amram
Muy Caliente
109 bpm • G Maj • 08:31 • -16.21db
0% Popularity • 54% Danceability • 42% Energy • 9% Liveness
73% Instrumentalness • 57% Positiveness
0% Popularity • 54% Danceability • 42% Energy • 9% Liveness
73% Instrumentalness • 57% Positiveness
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Marco Mezquida
Opening + Popular Noise
108 bpm • E min • 01:03 • -13.84db
10% Popularity • 62% Danceability • 37% Energy • 9% Liveness
7% Instrumentalness • 38% Positiveness
10% Popularity • 62% Danceability • 37% Energy • 9% Liveness
7% Instrumentalness • 38% Positiveness
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Ike Quebec
Blue Samba (Bossa Nova Soul Samba)
114 bpm • G min • 05:24 • -22.91db
10% Popularity • 75% Danceability • 8% Energy • 9% Liveness
76% Instrumentalness • 51% Positiveness
10% Popularity • 75% Danceability • 8% Energy • 9% Liveness
76% Instrumentalness • 51% Positiveness
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HipPopArt
Vampin´Brownies
108 bpm • F Maj • 04:06 • -12.13db
9% Popularity • 65% Danceability • 15% Energy • 13% Liveness
91% Instrumentalness • 66% Positiveness
9% Popularity • 65% Danceability • 15% Energy • 13% Liveness
91% Instrumentalness • 66% Positiveness
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Rui Hallvares Andrade Paes
Saga
108 bpm • A# min • 06:33 • -16.99db
11% Popularity • 44% Danceability • 24% Energy • 11% Liveness
73% Instrumentalness • 10% Positiveness
11% Popularity • 44% Danceability • 24% Energy • 11% Liveness
73% Instrumentalness • 10% Positiveness
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Charlie Rouse
Back to the Tropics
108 bpm • F Maj • 03:52 • -18.8db
13% Popularity • 75% Danceability • 37% Energy • 12% Liveness
42% Instrumentalness • 90% Positiveness
13% Popularity • 75% Danceability • 37% Energy • 12% Liveness
42% Instrumentalness • 90% Positiveness
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David Amram
Lack of Cashflow Blues
114 bpm • C Maj • 04:28 • -14.14db
0% Popularity • 61% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
0% Popularity • 61% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Ralph Burns
Spring In Naples
114 bpm • F min • 04:31 • -20.89db
8% Popularity • 28% Danceability • 4% Energy • 16% Liveness
80% Instrumentalness • 22% Positiveness
8% Popularity • 28% Danceability • 4% Energy • 16% Liveness
80% Instrumentalness • 22% Positiveness
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Houston Person
I Hadn't Anyone Till You
108 bpm • C Maj • 06:56 • -9.82db
7% Popularity • 57% Danceability • 48% Energy • 70% Liveness
48% Instrumentalness • 69% Positiveness
7% Popularity • 57% Danceability • 48% Energy • 70% Liveness
48% Instrumentalness • 69% Positiveness
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Kevin Oliver, Jr.
Little Happy Song
108 bpm • C Maj • 05:24 • -13.03db
15% Popularity • 52% Danceability • 45% Energy • 30% Liveness
70% Instrumentalness • 48% Positiveness
15% Popularity • 52% Danceability • 45% Energy • 30% Liveness
70% Instrumentalness • 48% Positiveness
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Schwarz Rot Atemgold 09
Take The A-Train
115 bpm • B min • 01:32 • -24.36db
17% Popularity • 49% Danceability • 46% Energy • 4% Liveness
93% Instrumentalness • 60% Positiveness
17% Popularity • 49% Danceability • 46% Energy • 4% Liveness
93% Instrumentalness • 60% Positiveness
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Joe Hisaishi
2 Pieces 2020 for Strange Ensemble: 1. F...
108 bpm • F min • 08:31 • -18.14db
8% Popularity • 47% Danceability • 39% Energy • 11% Liveness
8% Instrumentalness • 18% Positiveness
8% Popularity • 47% Danceability • 39% Energy • 11% Liveness
8% Instrumentalness • 18% Positiveness
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Arkadia Jazz All-Stars
Parker's Mood
115 bpm • C# Maj • 04:25 • -17.23db
19% Popularity • 60% Danceability • 22% Energy • 71% Liveness
0% Instrumentalness • 46% Positiveness
19% Popularity • 60% Danceability • 22% Energy • 71% Liveness
0% Instrumentalness • 46% Positiveness
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Vitor Siqueira
Lenora
115 bpm • E min • 05:16 • -16.7db
8% Popularity • 74% Danceability • 30% Energy • 10% Liveness
87% Instrumentalness • 15% Positiveness
8% Popularity • 74% Danceability • 30% Energy • 10% Liveness
87% Instrumentalness • 15% Positiveness
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Arne Domnérus
On the Alamo
115 bpm • G min • 02:31 • -14.99db
23% Popularity • 40% Danceability • 23% Energy • 14% Liveness
64% Instrumentalness • 24% Positiveness
23% Popularity • 40% Danceability • 23% Energy • 14% Liveness
64% Instrumentalness • 24% Positiveness
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Alessandro Alessandroni
A Little Sad
107 bpm • E min • 02:29 • -16.76db
11% Popularity • 61% Danceability • 28% Energy • 10% Liveness
22% Instrumentalness • 59% Positiveness
11% Popularity • 61% Danceability • 28% Energy • 10% Liveness
22% Instrumentalness • 59% Positiveness
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Kai Gluska
One for Mikey
115 bpm • C# Maj • 07:24 • -11.92db
11% Popularity • 54% Danceability • 35% Energy • 16% Liveness
81% Instrumentalness • 28% Positiveness
11% Popularity • 54% Danceability • 35% Energy • 16% Liveness
81% Instrumentalness • 28% Positiveness
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Dayna Stephens
A New Spring
115 bpm • A Maj • 04:06 • -14.28db
12% Popularity • 34% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
12% Popularity • 34% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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JazzCat
Salut D'amour In E Major Op.12_uptempo S...
115 bpm • C# min • 01:28 • -11.98db
17% Popularity • 65% Danceability • 43% Energy • 20% Liveness
84% Instrumentalness • 80% Positiveness
17% Popularity • 65% Danceability • 43% Energy • 20% Liveness
84% Instrumentalness • 80% Positiveness
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Mose Allison
Wildman
107 bpm • C# Maj • 05:15 • -19.14db
11% Popularity • 57% Danceability • 30% Energy • 29% Liveness
90% Instrumentalness • 85% Positiveness
11% Popularity • 57% Danceability • 30% Energy • 29% Liveness
90% Instrumentalness • 85% Positiveness
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Coffee Shop Jazz
Cool Jazz Memories
115 bpm • C Maj • 01:46 • -15.35db
19% Popularity • 70% Danceability • 10% Energy • 10% Liveness
44% Instrumentalness • 24% Positiveness
19% Popularity • 70% Danceability • 10% Energy • 10% Liveness
44% Instrumentalness • 24% Positiveness
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Armando Trovajoli
I pianeti contro di noi - Night Club
116 bpm • G Maj • 02:57 • -13.97db
8% Popularity • 43% Danceability • 12% Energy • 10% Liveness
83% Instrumentalness • 27% Positiveness
8% Popularity • 43% Danceability • 12% Energy • 10% Liveness
83% Instrumentalness • 27% Positiveness
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Remersaro Trío
Re Me Bop
116 bpm • D# Maj • 01:00 • -15.77db
10% Popularity • 61% Danceability • 24% Energy • 9% Liveness
97% Instrumentalness • 75% Positiveness
10% Popularity • 61% Danceability • 24% Energy • 9% Liveness
97% Instrumentalness • 75% Positiveness
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Teus Nobel
Harlem Nocturne
106 bpm • C min • 02:55 • -13.58db
19% Popularity • 46% Danceability • 11% Energy • 11% Liveness
31% Instrumentalness • 19% Positiveness
19% Popularity • 46% Danceability • 11% Energy • 11% Liveness
31% Instrumentalness • 19% Positiveness
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The Los Angeles Jazz Ensemble
Count Your Change
116 bpm • F min • 02:26 • -15.77db
18% Popularity • 62% Danceability • 38% Energy • 22% Liveness
4% Instrumentalness • 75% Positiveness
18% Popularity • 62% Danceability • 38% Energy • 22% Liveness
4% Instrumentalness • 75% Positiveness
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Eddie Harris
Exodus - Single Version
116 bpm • A min • 02:02 • -12.26db
8% Popularity • 56% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 56% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Quantum Gears
Turbocharged Dreams
117 bpm • F# min • 01:01 • -18.8db
14% Popularity • 45% Danceability • 6% Energy • 14% Liveness
92% Instrumentalness • 26% Positiveness
14% Popularity • 45% Danceability • 6% Energy • 14% Liveness
92% Instrumentalness • 26% Positiveness
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Joe Alterman
Gone On and Get That Church
116 bpm • C Maj • 03:07 • -13.31db
11% Popularity • 61% Danceability • 46% Energy • 12% Liveness
87% Instrumentalness • 51% Positiveness
11% Popularity • 61% Danceability • 46% Energy • 12% Liveness
87% Instrumentalness • 51% Positiveness
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Fulsome X
Second Heaven
117 bpm • G Maj • 07:22 • -18.04db
8% Popularity • 61% Danceability • 4% Energy • 70% Liveness
73% Instrumentalness • 22% Positiveness
8% Popularity • 61% Danceability • 4% Energy • 70% Liveness
73% Instrumentalness • 22% Positiveness
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Yusef Lateef
Sea Breeze
106 bpm • F Maj • 03:09 • -20.13db
14% Popularity • 48% Danceability • 17% Energy • 11% Liveness
82% Instrumentalness • 49% Positiveness
14% Popularity • 48% Danceability • 17% Energy • 11% Liveness
82% Instrumentalness • 49% Positiveness
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Gabriel Andrés Gallegos
Una lágrima en el océano
117 bpm • D# Maj • 02:06 • -20.72db
14% Popularity • 31% Danceability • 5% Energy • 14% Liveness
91% Instrumentalness • 14% Positiveness
14% Popularity • 31% Danceability • 5% Energy • 14% Liveness
91% Instrumentalness • 14% Positiveness
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Monty Alexander
I'll Never Smile Again
106 bpm • G Maj • 04:18 • -13.18db
23% Popularity • 55% Danceability • 35% Energy • 10% Liveness
5% Instrumentalness • 36% Positiveness
23% Popularity • 55% Danceability • 35% Energy • 10% Liveness
5% Instrumentalness • 36% Positiveness
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Antonio Iorio
Sunday Morning
117 bpm • F Maj • 05:29 • -33.82db
8% Popularity • 60% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
8% Popularity • 60% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
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Milt Hinton
A Hot Time In The Old Town Tonight
117 bpm • G Maj • 01:58 • -14.24db
15% Popularity • 56% Danceability • 47% Energy • 10% Liveness
47% Instrumentalness • 80% Positiveness
15% Popularity • 56% Danceability • 47% Energy • 10% Liveness
47% Instrumentalness • 80% Positiveness
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Lennart Ginman
See You Again at the Carnegie Hall
105 bpm • D min • 02:25 • -16.84db
13% Popularity • 47% Danceability • 31% Energy • 5% Liveness
48% Instrumentalness • 47% Positiveness
13% Popularity • 47% Danceability • 31% Energy • 5% Liveness
48% Instrumentalness • 47% Positiveness
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Coffee Shop Jazz
Moonlight Jazz Serenade
117 bpm • G min • 01:50 • -19.04db
18% Popularity • 45% Danceability • 7% Energy • 14% Liveness
6% Instrumentalness • 15% Positiveness
18% Popularity • 45% Danceability • 7% Energy • 14% Liveness
6% Instrumentalness • 15% Positiveness
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David Amram
Violin Sonata: I. Allegro moderato
117 bpm • D Maj • 05:55 • -15.61db
0% Popularity • 48% Danceability • 12% Energy • 6% Liveness
28% Instrumentalness • 33% Positiveness
0% Popularity • 48% Danceability • 12% Energy • 6% Liveness
28% Instrumentalness • 33% Positiveness
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Cedar Walton
Fantasy In D (Ugetsu) - Remastered 2024
117 bpm • D Maj • 08:44 • -19.41db
9% Popularity • 39% Danceability • 43% Energy • 12% Liveness
72% Instrumentalness • 53% Positiveness
9% Popularity • 39% Danceability • 43% Energy • 12% Liveness
72% Instrumentalness • 53% Positiveness
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Houston Person
Nice 'n' Easy
105 bpm • C Maj • 06:40 • -13.9db
14% Popularity • 66% Danceability • 18% Energy • 70% Liveness
60% Instrumentalness • 45% Positiveness
14% Popularity • 66% Danceability • 18% Energy • 70% Liveness
60% Instrumentalness • 45% Positiveness
► Preview
Jeff Toyne
Old Stone Puss
118 bpm • D min • 04:12 • -14.13db
12% Popularity • 39% Danceability • 26% Energy • 11% Liveness
89% Instrumentalness • 26% Positiveness
12% Popularity • 39% Danceability • 26% Energy • 11% Liveness
89% Instrumentalness • 26% Positiveness
► Preview
Piero Umiliani
Omicron - Swing poliziesco
105 bpm • G min • 01:01 • -10.15db
19% Popularity • 61% Danceability • 19% Energy • 8% Liveness
5% Instrumentalness • 68% Positiveness
19% Popularity • 61% Danceability • 19% Energy • 8% Liveness
5% Instrumentalness • 68% Positiveness
► Preview
Robin Whitehead Tichenor
Wayfaring Stranger
118 bpm • D min • 03:46 • -6.27db
2% Popularity • 46% Danceability • 23% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
2% Popularity • 46% Danceability • 23% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Bibbius
Little Farm
118 bpm • A# Maj • 02:17 • -22.37db
9% Popularity • 41% Danceability • 2% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
9% Popularity • 41% Danceability • 2% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
► Preview
David Amram
Three Songs for Marlboro for Horn and Ce...
118 bpm • G min • 04:44 • -26.31db
0% Popularity • 32% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 14% Positiveness
0% Popularity • 32% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 14% Positiveness
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Michel Portal
Les beaux jours
104 bpm • F Maj • 01:03 • -17.87db
28% Popularity • 59% Danceability • 11% Energy • 11% Liveness
22% Instrumentalness • 61% Positiveness
28% Popularity • 59% Danceability • 11% Energy • 11% Liveness
22% Instrumentalness • 61% Positiveness
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George Russell
Ye Hypocrite, Ye Beelzebub
118 bpm • A# min • 03:50 • -12.29db
12% Popularity • 60% Danceability • 50% Energy • 14% Liveness
48% Instrumentalness • 65% Positiveness
12% Popularity • 60% Danceability • 50% Energy • 14% Liveness
48% Instrumentalness • 65% Positiveness
► Preview
Songs of Birdland
Birdlington's Lullaby C
104 bpm • C Maj • 01:47 • -14.74db
13% Popularity • 18% Danceability • 10% Energy • 10% Liveness
46% Instrumentalness • 13% Positiveness
13% Popularity • 18% Danceability • 10% Energy • 10% Liveness
46% Instrumentalness • 13% Positiveness
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Piero Umiliani
Solitudine
118 bpm • G Maj • 03:55 • -8.98db
13% Popularity • 46% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
13% Popularity • 46% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
► Preview
Wynton Marsalis
Cornet Chop Suey
104 bpm • F Maj • 03:59 • -9.15db
8% Popularity • 67% Danceability • 50% Energy • 67% Liveness
92% Instrumentalness • 59% Positiveness
8% Popularity • 67% Danceability • 50% Energy • 67% Liveness
92% Instrumentalness • 59% Positiveness
► Preview
Pete Fountain
Blues De Sorrento
104 bpm • F Maj • 02:58 • -18db
17% Popularity • 57% Danceability • 24% Energy • 10% Liveness
96% Instrumentalness • 63% Positiveness
17% Popularity • 57% Danceability • 24% Energy • 10% Liveness
96% Instrumentalness • 63% Positiveness
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Jessica Williams
Krieselwelle
104 bpm • G Maj • 03:37 • -20.2db
16% Popularity • 47% Danceability • 28% Energy • 9% Liveness
81% Instrumentalness • 8% Positiveness
16% Popularity • 47% Danceability • 28% Energy • 9% Liveness
81% Instrumentalness • 8% Positiveness
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Mike Glick
Come by Here
104 bpm • A Maj • 04:17 • -17.56db
0% Popularity • 53% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 53% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Jaazy Jazz
Key of Harmony
119 bpm • B min • 01:14 • -13.19db
28% Popularity • 77% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
28% Popularity • 77% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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David Amram
Straight No Chaser (Live in Germany, 201...
119 bpm • G# Maj • 07:34 • -11.83db
0% Popularity • 44% Danceability • 66% Energy • 74% Liveness
1% Instrumentalness • 68% Positiveness
0% Popularity • 44% Danceability • 66% Energy • 74% Liveness
1% Instrumentalness • 68% Positiveness
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David Friedman
Catch Me
103 bpm • F Maj • 02:10 • -15.66db
11% Popularity • 74% Danceability • 40% Energy • 11% Liveness
82% Instrumentalness • 42% Positiveness
11% Popularity • 74% Danceability • 40% Energy • 11% Liveness
82% Instrumentalness • 42% Positiveness
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Chet Baker
Lament
103 bpm • F Maj • 07:39 • -20.05db
12% Popularity • 51% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
12% Popularity • 51% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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The Magic Breeze
The Magic Breeze
119 bpm • A Maj • 01:40 • -10.82db
18% Popularity • 29% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 29% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 43% Positiveness
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Laurent De Wilde
Monk's Mix
103 bpm • A# min • 03:39 • -25.98db
9% Popularity • 65% Danceability • 16% Energy • 10% Liveness
86% Instrumentalness • 59% Positiveness
9% Popularity • 65% Danceability • 16% Energy • 10% Liveness
86% Instrumentalness • 59% Positiveness
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Piero Umiliani
Free In Minore
103 bpm • G min • 02:08 • -14.69db
23% Popularity • 40% Danceability • 5% Energy • 11% Liveness
5% Instrumentalness • 15% Positiveness
23% Popularity • 40% Danceability • 5% Energy • 11% Liveness
5% Instrumentalness • 15% Positiveness
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David Amram
En memoria de Chano Pozo
103 bpm • A min • 09:57 • -20.17db
0% Popularity • 44% Danceability • 28% Energy • 6% Liveness
49% Instrumentalness • 12% Positiveness
0% Popularity • 44% Danceability • 28% Energy • 6% Liveness
49% Instrumentalness • 12% Positiveness
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Kenyon Hopkins
Main Title (Stop & Go)
120 bpm • C Maj • 01:55 • -11.34db
8% Popularity • 61% Danceability • 50% Energy • 14% Liveness
3% Instrumentalness • 64% Positiveness
8% Popularity • 61% Danceability • 50% Energy • 14% Liveness
3% Instrumentalness • 64% Positiveness
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François de Roubaix
Michelin Radial
120 bpm • F Maj • 01:31 • -17.32db
15% Popularity • 65% Danceability • 31% Energy • 24% Liveness
94% Instrumentalness • 81% Positiveness
15% Popularity • 65% Danceability • 31% Energy • 24% Liveness
94% Instrumentalness • 81% Positiveness
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Franco Cerri
Generazia
120 bpm • G Maj • 01:19 • -23.51db
15% Popularity • 49% Danceability • 13% Energy • 14% Liveness
93% Instrumentalness • 23% Positiveness
15% Popularity • 49% Danceability • 13% Energy • 14% Liveness
93% Instrumentalness • 23% Positiveness
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Jon Lloyd Quartet
Cinq Feuilles
120 bpm • C Maj • 05:27 • -16.8db
11% Popularity • 52% Danceability • 14% Energy • 17% Liveness
56% Instrumentalness • 39% Positiveness
11% Popularity • 52% Danceability • 14% Energy • 17% Liveness
56% Instrumentalness • 39% Positiveness
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Ray Bryant
The Blue Scimitar
103 bpm • G# Maj • 04:19 • -9db
14% Popularity • 46% Danceability • 62% Energy • 22% Liveness
81% Instrumentalness • 62% Positiveness
14% Popularity • 46% Danceability • 62% Energy • 22% Liveness
81% Instrumentalness • 62% Positiveness
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Elena Jazz
Harmonies in Freedom
120 bpm • C min • 01:30 • -10.1db
17% Popularity • 63% Danceability • 47% Energy • 8% Liveness
22% Instrumentalness • 59% Positiveness
17% Popularity • 63% Danceability • 47% Energy • 8% Liveness
22% Instrumentalness • 59% Positiveness
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Sabrina
Rushing wind
120 bpm • F# min • 02:20 • -12.95db
14% Popularity • 56% Danceability • 28% Energy • 7% Liveness
62% Instrumentalness • 72% Positiveness
14% Popularity • 56% Danceability • 28% Energy • 7% Liveness
62% Instrumentalness • 72% Positiveness
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Coffee Shop Jazz
Night Jazz Groove
102 bpm • C# Maj • 02:09 • -19.63db
20% Popularity • 37% Danceability • 7% Energy • 11% Liveness
62% Instrumentalness • 6% Positiveness
20% Popularity • 37% Danceability • 7% Energy • 11% Liveness
62% Instrumentalness • 6% Positiveness
