Songs like So so Satisfied by Ashford & Simpson
Based on a tempo of (+/- 10%) and a similar genre
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Rose Royce
Would You Please Be Mine
80 bpm • F Maj • 03:48 • -15.49db
24% Popularity • 45% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
24% Popularity • 45% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Cameo
It's Over
80 bpm • A# Maj • 04:16 • -11.72db
18% Popularity • 70% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 70% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
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Heatwave
Happiness Togetherness
81 bpm • C Maj • 04:02 • -14db
31% Popularity • 49% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 49% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Angela Winbush
Keep Turnin' Me On
79 bpm • A# min • 06:29 • -8db
29% Popularity • 61% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
29% Popularity • 61% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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The Manhattans
Am I Losing You
81 bpm • D min • 03:47 • -11db
14% Popularity • 57% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 57% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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The Brothers Johnson
Treasure
81 bpm • G Maj • 04:11 • -17db
32% Popularity • 51% Danceability • 22% Energy • 8% Liveness
4% Instrumentalness • 14% Positiveness
32% Popularity • 51% Danceability • 22% Energy • 8% Liveness
4% Instrumentalness • 14% Positiveness
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Isley, Jasper, Isley
I Can Hardly Wait
81 bpm • B min • 04:12 • -7.58db
13% Popularity • 64% Danceability • 70% Energy • 62% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 64% Danceability • 70% Energy • 62% Liveness
0% Instrumentalness • 88% Positiveness
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Lamont Dozier
Let Me Make Love To You
81 bpm • B min • 05:54 • -9.69db
21% Popularity • 42% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
21% Popularity • 42% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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The Emotions
Me for You
79 bpm • G Maj • 04:16 • -11db
28% Popularity • 50% Danceability • 44% Energy • 18% Liveness
4% Instrumentalness • 71% Positiveness
28% Popularity • 50% Danceability • 44% Energy • 18% Liveness
4% Instrumentalness • 71% Positiveness
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Ashford & Simpson
Street Opera, Pt. 2: Who Will They Look ...
79 bpm • G Maj • 03:00 • -10.57db
8% Popularity • 34% Danceability • 46% Energy • 58% Liveness
0% Instrumentalness • 31% Positiveness
8% Popularity • 34% Danceability • 46% Energy • 58% Liveness
0% Instrumentalness • 31% Positiveness
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The Manhattans
Am I Losing You
81 bpm • D min • 03:45 • -10db
26% Popularity • 54% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 54% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Evelyn "Champagne" King
Kisses Don't Lie
79 bpm • F# Maj • 04:47 • -14.66db
29% Popularity • 66% Danceability • 39% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 66% Danceability • 39% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
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Freddie Jackson
Do Me Again
78 bpm • C Maj • 04:58 • -14db
32% Popularity • 61% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
32% Popularity • 61% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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One Way
Lost Inside Of You
78 bpm • A# Maj • 07:32 • -18db
28% Popularity • 59% Danceability • 26% Energy • 39% Liveness
30% Instrumentalness • 47% Positiveness
28% Popularity • 59% Danceability • 26% Energy • 39% Liveness
30% Instrumentalness • 47% Positiveness
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Angela Winbush
You're My Everything
82 bpm • A# min • 05:37 • -10db
17% Popularity • 65% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 65% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Love Unlimited
I Love You So, Never Gonna Let You Go
82 bpm • G min • 03:20 • -6.78db
24% Popularity • 58% Danceability • 68% Energy • 37% Liveness
0% Instrumentalness • 55% Positiveness
24% Popularity • 58% Danceability • 68% Energy • 37% Liveness
0% Instrumentalness • 55% Positiveness
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The Bar-Kays
Flying High On Your Love
82 bpm • A min • 03:50 • -12.68db
24% Popularity • 67% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
24% Popularity • 67% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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The Manhattans
It Feels so Good to Be Loved so Bad
78 bpm • C min • 04:38 • -9db
41% Popularity • 54% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
41% Popularity • 54% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Shirley Brown
Passion
78 bpm • A# Maj • 04:01 • -11.89db
22% Popularity • 58% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
22% Popularity • 58% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
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The Memphis Horns
Just for Your Love
78 bpm • D Maj • 04:39 • -8db
25% Popularity • 48% Danceability • 53% Energy • 35% Liveness
10% Instrumentalness • 52% Positiveness
25% Popularity • 48% Danceability • 53% Energy • 35% Liveness
10% Instrumentalness • 52% Positiveness
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Angela Winbush
Sensitive Heart
82 bpm • C# min • 05:04 • -7.76db
17% Popularity • 71% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
17% Popularity • 71% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Love Unlimited
If You Want Me, Say It
82 bpm • C# Maj • 05:38 • -13db
28% Popularity • 62% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
28% Popularity • 62% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Rose Royce
Angel in the Sky
77 bpm • F Maj • 04:59 • -19.7db
19% Popularity • 48% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
19% Popularity • 48% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Double Exposure
Can We Be in Love
77 bpm • F min • 06:00 • -13.38db
13% Popularity • 43% Danceability • 45% Energy • 60% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 43% Danceability • 45% Energy • 60% Liveness
0% Instrumentalness • 51% Positiveness
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Heatwave
Sho'Nuff Must be Luv
83 bpm • D min • 04:05 • -13db
32% Popularity • 46% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 46% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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The New Birth
Pains of Love
83 bpm • F min • 05:18 • -13.12db
16% Popularity • 44% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 44% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Brenda Russell
It's Something
83 bpm • D Maj • 03:31 • -11.87db
29% Popularity • 60% Danceability • 40% Energy • 3% Liveness
8% Instrumentalness • 34% Positiveness
29% Popularity • 60% Danceability • 40% Energy • 3% Liveness
8% Instrumentalness • 34% Positiveness
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Eddie Kendricks
Darling Come Back Home
83 bpm • A min • 04:13 • -14db
22% Popularity • 54% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
22% Popularity • 54% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Ashford & Simpson
I'll Be There For You
83 bpm • D# min • 04:41 • -12.18db
15% Popularity • 60% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 60% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Slave
Starting Over
83 bpm • B Maj • 04:27 • -8db
22% Popularity • 60% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
22% Popularity • 60% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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The Stylistics
And I'll See You No More
77 bpm • G# min • 03:46 • -11.02db
27% Popularity • 56% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 56% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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The Jones Girls
Children of the Night
83 bpm • G min • 05:11 • -11db
27% Popularity • 84% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 84% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Isley, Jasper, Isley
Insatiable Woman
76 bpm • G# Maj • 05:12 • -8db
31% Popularity • 70% Danceability • 57% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
31% Popularity • 70% Danceability • 57% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
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The Emotions
So I Can Love You
84 bpm • F Maj • 02:49 • -15.42db
44% Popularity • 65% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 93% Positiveness
44% Popularity • 65% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 93% Positiveness
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Rene & Angela
Everything We Do
76 bpm • D Maj • 05:25 • -8db
13% Popularity • 54% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 54% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Harold Melvin & The Blue Notes
I Really Love You
84 bpm • F# Maj • 05:22 • -9.18db
24% Popularity • 65% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 65% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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The Stylistics
Children of the Night
76 bpm • F# min • 07:04 • -15.43db
30% Popularity • 56% Danceability • 27% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 56% Danceability • 27% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
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Glenn Jones
Show Me
84 bpm • C# min • 03:58 • -11db
42% Popularity • 68% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
42% Popularity • 68% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Al Jarreau
We Got By
76 bpm • E Maj • 05:05 • -17.86db
23% Popularity • 36% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 36% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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The Emotions
Blessed
84 bpm • G min • 04:38 • -8.98db
27% Popularity • 58% Danceability • 60% Energy • 13% Liveness
2% Instrumentalness • 78% Positiveness
27% Popularity • 58% Danceability • 60% Energy • 13% Liveness
2% Instrumentalness • 78% Positiveness
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Minnie Riperton
Memory Lane - Remastered
85 bpm • E Maj • 03:30 • -8.84db
29% Popularity • 66% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 66% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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The Brothers Johnson
All About The Heaven
85 bpm • D min • 03:59 • -18.11db
31% Popularity • 61% Danceability • 24% Energy • 9% Liveness
5% Instrumentalness • 49% Positiveness
31% Popularity • 61% Danceability • 24% Energy • 9% Liveness
5% Instrumentalness • 49% Positiveness
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The Jones Girls
This Feeling's Killing Me
85 bpm • F Maj • 03:30 • -10db
37% Popularity • 71% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
37% Popularity • 71% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Freddie Jackson
Hey Lover
85 bpm • G min • 05:11 • -10.51db
31% Popularity • 66% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 66% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Stacy Lattisaw
Every Drop Of Your Love
76 bpm • D min • 04:48 • -7.62db
18% Popularity • 71% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 71% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Danny Pearson
What's Your Sign Girl
75 bpm • A# Maj • 04:20 • -6.1db
15% Popularity • 56% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 56% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Meli'sa Morgan
Love Changes (Duet With Kashif) - 2013 -...
75 bpm • G Maj • 04:44 • -9.17db
26% Popularity • 64% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 64% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Kashif
Love Changes
75 bpm • G Maj • 04:45 • -11.61db
33% Popularity • 65% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
33% Popularity • 65% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Atlantic Starr
Let's Get Closer
75 bpm • C Maj • 05:22 • -18db
39% Popularity • 58% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
39% Popularity • 58% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
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Enchantment
Moment of Weakness
75 bpm • B Maj • 03:46 • -9.15db
10% Popularity • 59% Danceability • 40% Energy • 15% Liveness
1% Instrumentalness • 35% Positiveness
10% Popularity • 59% Danceability • 40% Energy • 15% Liveness
1% Instrumentalness • 35% Positiveness
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Ashford & Simpson
Honey I Love You
75 bpm • F Maj • 04:03 • -14.06db
17% Popularity • 62% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 62% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Curtis Hairston
(You're My) Shining Star
86 bpm • D# Maj • 05:48 • -14db
16% Popularity • 66% Danceability • 50% Energy • 61% Liveness
0% Instrumentalness • 68% Positiveness
16% Popularity • 66% Danceability • 50% Energy • 61% Liveness
0% Instrumentalness • 68% Positiveness
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Meli'sa Morgan
Now Or Never
75 bpm • G Maj • 04:45 • -17.75db
17% Popularity • 58% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 58% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Debra Laws
Be Yourself
86 bpm • C Maj • 05:01 • -9.07db
20% Popularity • 56% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
20% Popularity • 56% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Miles Jaye
I've Been A Fool For You
86 bpm • B min • 05:27 • -12.57db
19% Popularity • 20% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
19% Popularity • 20% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
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The Spinners
How Could I Let You Get Away
74 bpm • G Maj • 03:49 • -13db
38% Popularity • 60% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
38% Popularity • 60% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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Samuel Jonathan Johnson
What the World Needs Now is Love
74 bpm • F# Maj • 04:26 • -10.85db
14% Popularity • 17% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 17% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 12% Positiveness
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The Sylvers
That's What Love Is Made Of
74 bpm • C# Maj • 03:18 • -10.14db
14% Popularity • 64% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 64% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Keith Washington
Closer
74 bpm • G# Maj • 05:01 • -7.9db
21% Popularity • 56% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 56% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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Ashford & Simpson
Cherish Forever More
86 bpm • C Maj • 03:52 • -13.29db
12% Popularity • 61% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 61% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Dazz Band
Heartbeat
87 bpm • E min • 05:15 • -11db
24% Popularity • 76% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
24% Popularity • 76% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Vesta Williams
You Make Me Want To (Love Again)
87 bpm • G# Maj • 04:59 • -14db
13% Popularity • 66% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 66% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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The Independents
Leaving Me
74 bpm • C# Maj • 03:22 • -10.07db
31% Popularity • 62% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 62% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Cameo
Sparkle
73 bpm • D Maj • 04:51 • -13.53db
47% Popularity • 55% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
47% Popularity • 55% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Kashif
Send Me Your Love
87 bpm • A# min • 05:11 • -13.18db
24% Popularity • 67% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 67% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Eddie Kendricks
I Did It All For You
88 bpm • C Maj • 03:08 • -10.56db
11% Popularity • 60% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
11% Popularity • 60% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Rene & Angela
You Don't Have To Cry
73 bpm • F min • 05:35 • -12db
47% Popularity • 60% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
47% Popularity • 60% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
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The Bar-Kays
Attitudes
73 bpm • A# min • 03:46 • -16.13db
12% Popularity • 66% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 66% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 83% Positiveness
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O'Bryan
Still Water (Love)
88 bpm • A Maj • 04:08 • -7db
28% Popularity • 62% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 62% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Keith Washington
When It Comes to You
88 bpm • G Maj • 04:45 • -8.07db
26% Popularity • 65% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 65% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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The Spinners
There's No One Like You
88 bpm • D# min • 04:19 • -9.24db
26% Popularity • 58% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 58% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
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Marlena Shaw
Yu-Ma/Go Away Little Boy
73 bpm • C Maj • 06:50 • -11.93db
27% Popularity • 38% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 38% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 20% Positiveness
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Keith Barrow
You Know You Want to Be Loved
73 bpm • D Maj • 03:38 • -10.42db
28% Popularity • 55% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 55% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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The Manhattans
Just One Moment Away
73 bpm • A min • 04:26 • -14.13db
10% Popularity • 61% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 61% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Blue Magic
Summer Snow
89 bpm • F# min • 05:03 • -13db
26% Popularity • 63% Danceability • 47% Energy • 41% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 63% Danceability • 47% Energy • 41% Liveness
0% Instrumentalness • 58% Positiveness
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Nu Soul Habits
Cross Your Heart
89 bpm • C# Maj • 04:46 • -12.4db
15% Popularity • 69% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
15% Popularity • 69% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Cameo
Hangin' Downtown
72 bpm • A# min • 05:07 • -13.7db
33% Popularity • 60% Danceability • 41% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 60% Danceability • 41% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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D.J. Rogers
Say You Love Me
72 bpm • C Maj • 05:44 • -14db
27% Popularity • 48% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
27% Popularity • 48% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Anita Baker
Will You Be Mine
89 bpm • A min • 05:29 • -13.88db
30% Popularity • 72% Danceability • 40% Energy • 3% Liveness
0% Instrumentalness • 75% Positiveness
30% Popularity • 72% Danceability • 40% Energy • 3% Liveness
0% Instrumentalness • 75% Positiveness
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The Manhattans
Just One Moment Away
72 bpm • C Maj • 04:29 • -13db
12% Popularity • 65% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 65% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
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Gene Dunlap
Before You Break My Heart
89 bpm • B min • 06:09 • -16db
28% Popularity • 64% Danceability • 35% Energy • 48% Liveness
3% Instrumentalness • 62% Positiveness
28% Popularity • 64% Danceability • 35% Energy • 48% Liveness
3% Instrumentalness • 62% Positiveness
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Al Johnson
I'm Back for More
90 bpm • F# min • 05:09 • -11db
41% Popularity • 63% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
41% Popularity • 63% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Cameo
Why Have I Lost You
72 bpm • G Maj • 04:48 • -13.45db
21% Popularity • 63% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 63% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Jermaine Jackson
You Like Me Don't You
90 bpm • C# Maj • 05:00 • -13db
37% Popularity • 74% Danceability • 59% Energy • 2% Liveness
0% Instrumentalness • 86% Positiveness
37% Popularity • 74% Danceability • 59% Energy • 2% Liveness
0% Instrumentalness • 86% Positiveness
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Bobby Hutton
Twenty Years Later,after So Many Years
90 bpm • C min • 05:35 • -11.19db
22% Popularity • 68% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
22% Popularity • 68% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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The Bar-Kays
You Can't Run Away
90 bpm • E min • 04:51 • -10.02db
28% Popularity • 64% Danceability • 65% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 64% Danceability • 65% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
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Patti Austin
In And Out Of Love
90 bpm • F# min • 03:54 • -8db
33% Popularity • 79% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
33% Popularity • 79% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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The Stylistics
Mine All Mine
90 bpm • C Maj • 04:30 • -10db
41% Popularity • 78% Danceability • 61% Energy • 11% Liveness
10% Instrumentalness • 71% Positiveness
41% Popularity • 78% Danceability • 61% Energy • 11% Liveness
10% Instrumentalness • 71% Positiveness
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Harold Melvin & The Blue Notes
You Know How to Make Me Feel so Good
91 bpm • B min • 05:16 • -11.82db
44% Popularity • 53% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
44% Popularity • 53% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
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Cameo
Don't Be Lonely
91 bpm • E min • 05:16 • -17db
29% Popularity • 79% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
29% Popularity • 79% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Shirley Murdock
The One I Need
91 bpm • C# Maj • 04:40 • -9db
15% Popularity • 64% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 64% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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One Way
Lady You Are
92 bpm • F# Maj • 05:23 • -7db
31% Popularity • 73% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 73% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Samuel Jonathan Johnson
Just Us
70 bpm • F Maj • 02:58 • -9.56db
15% Popularity • 45% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
15% Popularity • 45% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Force M.D.'s
Love Is A House
92 bpm • G# Maj • 05:12 • -15.69db
48% Popularity • 68% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
48% Popularity • 68% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Ashford & Simpson
Street Opera, Pt. 4: Times Will Be Good ...
92 bpm • G# Maj • 02:36 • -8.81db
6% Popularity • 55% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
6% Popularity • 55% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
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The Natural Four
Love That Really Counts
93 bpm • G# Maj • 04:23 • -15.78db
15% Popularity • 60% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 60% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Heatwave
Mind Blowing Decisions
92 bpm • C Maj • 04:19 • -11.38db
45% Popularity • 70% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
45% Popularity • 70% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Cameo
We're Goin' Out Tonight
93 bpm • G Maj • 04:44 • -12.75db
25% Popularity • 74% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
25% Popularity • 74% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness