Songs like So Yesterday by MercyMe
Based on a tempo of (+/- 10%) and a similar genre
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Jamie Grace
Come to Me
160 bpm • A Maj • 03:31 • -3.62db
29% Popularity • 56% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 56% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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MercyMe
You Found Me
160 bpm • F Maj • 03:31 • -4.7db
36% Popularity • 40% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
36% Popularity • 40% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Elle Limebear
Holding Me Still
160 bpm • C Maj • 04:29 • -7.51db
26% Popularity • 45% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 45% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Katy Nichole
Jesus, Thank You
160 bpm • D Maj • 03:27 • -4db
46% Popularity • 46% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
46% Popularity • 46% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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Jared Anderson
Keep Your Eyes on Jesus
160 bpm • G Maj • 03:52 • -5.86db
15% Popularity • 34% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 34% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Jonny Diaz
Scars
160 bpm • E Maj • 03:33 • -6.42db
29% Popularity • 47% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 47% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Mac Powell
When Love Sees You (Jesus)
161 bpm • D# Maj • 04:57 • -8db
42% Popularity • 18% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 18% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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MercyMe
Mighty to Save
160 bpm • B Maj • 04:14 • -5.38db
37% Popularity • 25% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
37% Popularity • 25% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
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David Leonard
Good Lord
158 bpm • F# Maj • 03:19 • -5.14db
32% Popularity • 49% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
32% Popularity • 49% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Katy Nichole
Jesus Changed My Life
160 bpm • F# Maj • 03:42 • -4db
49% Popularity • 46% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
49% Popularity • 46% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Ryan Ellis
All My Praise
162 bpm • A# Maj • 03:27 • -5db
36% Popularity • 54% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 54% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Third Day
Show Me Your Glory
158 bpm • D Maj • 03:19 • -6.65db
45% Popularity • 36% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 36% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
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Mass Anthem
To Get To Me
158 bpm • E Maj • 03:14 • -6.9db
32% Popularity • 50% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
32% Popularity • 50% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
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Cory Asbury
The Father's House - Studio
162 bpm • C# Maj • 04:13 • -5db
62% Popularity • 41% Danceability • 71% Energy • 63% Liveness
0% Instrumentalness • 33% Positiveness
62% Popularity • 41% Danceability • 71% Energy • 63% Liveness
0% Instrumentalness • 33% Positiveness
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Rhett Walker
Gospel Song
158 bpm • C Maj • 03:13 • -4.25db
52% Popularity • 57% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
52% Popularity • 57% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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CAIN
My Father In Me
158 bpm • D Maj • 03:49 • -5.33db
34% Popularity • 44% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 44% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Consumed By Fire
Hope Says
158 bpm • A# Maj • 02:48 • -7.31db
33% Popularity • 66% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
33% Popularity • 66% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Church of the City
Joy Comes In The Morning - Live
158 bpm • C Maj • 04:00 • -4db
37% Popularity • 40% Danceability • 77% Energy • 88% Liveness
0% Instrumentalness • 11% Positiveness
37% Popularity • 40% Danceability • 77% Energy • 88% Liveness
0% Instrumentalness • 11% Positiveness
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Riley Clemmons
All Of My Days
158 bpm • G# Maj • 03:14 • -3.76db
28% Popularity • 52% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 52% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Cory Asbury
The Father’s House
162 bpm • C# Maj • 04:05 • -7db
58% Popularity • 54% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
58% Popularity • 54% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Cade Thompson
Tears
162 bpm • F min • 03:22 • -5db
29% Popularity • 44% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 44% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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CAIN
I'm So Blessed - Aaron Cole Mix
158 bpm • D Maj • 02:55 • -4db
51% Popularity • 54% Danceability • 84% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
51% Popularity • 54% Danceability • 84% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
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Love & The Outcome
Only Ever Always
164 bpm • F# Maj • 02:59 • -5.41db
36% Popularity • 52% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 52% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
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Jason Gray
Be Kind
157 bpm • C Maj • 03:38 • -3.78db
35% Popularity • 54% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 54% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Colton Dixon
All That Matters
164 bpm • C Maj • 03:36 • -3.99db
44% Popularity • 39% Danceability • 89% Energy • 59% Liveness
0% Instrumentalness • 49% Positiveness
44% Popularity • 39% Danceability • 89% Energy • 59% Liveness
0% Instrumentalness • 49% Positiveness
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Consumed By Fire
I Need You God
164 bpm • C# Maj • 03:45 • -6db
46% Popularity • 50% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
46% Popularity • 50% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Cade Thompson
You Can
164 bpm • C Maj • 03:08 • -4.83db
22% Popularity • 58% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
22% Popularity • 58% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Mac Powell
The Center Of It All
164 bpm • B Maj • 03:16 • -5.57db
35% Popularity • 47% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
35% Popularity • 47% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Ben Fuller
But the Cross
156 bpm • C Maj • 03:18 • -5.44db
30% Popularity • 46% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 46% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
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Jason Gray
Remind Me You're Here
156 bpm • C Maj • 03:53 • -6.72db
41% Popularity • 53% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 53% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Love & The Outcome
If I Dont Have You
156 bpm • A Maj • 03:34 • -4db
20% Popularity • 40% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
20% Popularity • 40% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Jordan St. Cyr
Be My Defender
155 bpm • C Maj • 03:11 • -6.49db
31% Popularity • 52% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 52% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Cade Thompson
Lost Without You
164 bpm • G# Maj • 02:59 • -4.49db
44% Popularity • 50% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
44% Popularity • 50% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Katy Nichole
Take It To The Cross
166 bpm • C# Maj • 02:59 • -3.38db
39% Popularity • 53% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
39% Popularity • 53% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Anne Wilson
That's What We Need
166 bpm • F# Maj • 03:37 • -5.79db
44% Popularity • 52% Danceability • 80% Energy • 4% Liveness
0% Instrumentalness • 33% Positiveness
44% Popularity • 52% Danceability • 80% Energy • 4% Liveness
0% Instrumentalness • 33% Positiveness
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Pat Barrett
Beautiful Life
154 bpm • C Maj • 03:18 • -3.66db
56% Popularity • 52% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
56% Popularity • 52% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Patrick Mayberry
The King Has Set Me Free
154 bpm • G Maj • 03:33 • -6.59db
25% Popularity • 43% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 43% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
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Third Day
I Need A Miracle
166 bpm • E Maj • 03:42 • -6.32db
53% Popularity • 40% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
53% Popularity • 40% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Rhett Walker
Like Your Father Does
153 bpm • C Maj • 03:49 • -7db
27% Popularity • 51% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 51% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Mitch Wong
Reputation
168 bpm • A# Maj • 04:02 • -9.5db
29% Popularity • 45% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 45% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Anne Wilson
God Thing
154 bpm • F# Maj • 03:19 • -4.3db
46% Popularity • 52% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
46% Popularity • 52% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Leeland
Better Word - Single Version
168 bpm • B Maj • 03:22 • -7.88db
42% Popularity • 41% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
42% Popularity • 41% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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Pat Barrett
No Weapon
154 bpm • A Maj • 03:38 • -6.05db
34% Popularity • 41% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
34% Popularity • 41% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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CAIN
Yes He Can
168 bpm • G# Maj • 03:19 • -6.71db
59% Popularity • 45% Danceability • 67% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
59% Popularity • 45% Danceability • 67% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
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Jonny Diaz
Hear That Story Too
168 bpm • C# Maj • 02:53 • -7.78db
18% Popularity • 68% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
18% Popularity • 68% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Joseph O'Brien
Saved
168 bpm • C Maj • 02:54 • -7db
64% Popularity • 61% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 61% Positiveness
64% Popularity • 61% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 61% Positiveness
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Cade Thompson
New Normal
152 bpm • A Maj • 03:18 • -6.92db
23% Popularity • 43% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 43% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Katy Nichole
By The Grace Of God
152 bpm • C Maj • 03:36 • -3.68db
37% Popularity • 53% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
37% Popularity • 53% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
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Rhett Walker
Alright
152 bpm • G Maj • 03:08 • -6.59db
31% Popularity • 65% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
31% Popularity • 65% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Jordan St. Cyr
Rescue
170 bpm • F# Maj • 03:41 • -5.21db
47% Popularity • 25% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
47% Popularity • 25% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Andrew Ripp
Fill My Cup (Gospel Version)
170 bpm • F Maj • 03:21 • -6db
37% Popularity • 46% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 46% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Apollo LTD
Redemption Song
170 bpm • F# min • 02:47 • -5.45db
46% Popularity • 47% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
46% Popularity • 47% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
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Cade Thompson
The One
168 bpm • D Maj • 02:49 • -3.64db
43% Popularity • 54% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
43% Popularity • 54% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Joel Vaughn
I Would Be Lost
170 bpm • F# min • 03:41 • -3.92db
24% Popularity • 47% Danceability • 89% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 47% Danceability • 89% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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Cochren & Co.
Future Glory
170 bpm • F Maj • 03:07 • -5.38db
52% Popularity • 44% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
52% Popularity • 44% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Walker Hayes
Craig
170 bpm • B Maj • 03:35 • -6.31db
42% Popularity • 56% Danceability • 80% Energy • 45% Liveness
0% Instrumentalness • 56% Positiveness
42% Popularity • 56% Danceability • 80% Energy • 45% Liveness
0% Instrumentalness • 56% Positiveness
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Third Day
Trust In Jesus
150 bpm • C Maj • 04:07 • -4.29db
46% Popularity • 34% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
46% Popularity • 34% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Pat Barrett
Morning By Morning (I Will Trust) - Radi...
150 bpm • C Maj • 03:41 • -3.5db
42% Popularity • 40% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
42% Popularity • 40% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Cade Thompson
Never Too Late
152 bpm • G# Maj • 03:20 • -4.67db
28% Popularity • 59% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 59% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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David Crowder Band
How He Loves - Radio Edit
150 bpm • C Maj • 04:04 • -5db
39% Popularity • 45% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
39% Popularity • 45% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Cochren & Co.
Thank God For Sunday Morning
150 bpm • C Maj • 03:28 • -7.32db
64% Popularity • 57% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
64% Popularity • 57% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Blessing Offor
How Much You Mean To Me
150 bpm • C Maj • 03:38 • -6.62db
36% Popularity • 63% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 63% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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David Leonard
Plans
150 bpm • A Maj • 04:57 • -6.66db
23% Popularity • 57% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 57% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Caitie Hurst
Answers
172 bpm • B Maj • 03:23 • -8db
19% Popularity • 31% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
19% Popularity • 31% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Steph Alessi Muiña
Wouldn't Change a Thing
172 bpm • D# Maj • 03:16 • -5.83db
40% Popularity • 55% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
40% Popularity • 55% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Matt Hammitt
He Always Wins
150 bpm • B Maj • 04:12 • -6.28db
31% Popularity • 47% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 47% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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MercyMe
All of Creation
172 bpm • A# Maj • 03:56 • -5.42db
47% Popularity • 37% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
47% Popularity • 37% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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The Sound
Never Not God
172 bpm • D# Maj • 02:57 • -7.07db
30% Popularity • 52% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 52% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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Local Sound
Heartache
172 bpm • A# Maj • 03:28 • -6.06db
30% Popularity • 44% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
30% Popularity • 44% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Jon Reddick
In The Room - Studio Version
148 bpm • F min • 04:24 • -13db
47% Popularity • 33% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
47% Popularity • 33% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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CAIN
Keep Following
148 bpm • A# Maj • 03:06 • -5.88db
40% Popularity • 61% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
40% Popularity • 61% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Matt Hammitt
Footprints
148 bpm • G Maj • 03:57 • -5.94db
24% Popularity • 47% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 47% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
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Riley Clemmons
Irreplaceable
148 bpm • E min • 03:38 • -5.72db
32% Popularity • 58% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 58% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Lauren Daigle
Power to Redeem
148 bpm • D Maj • 03:45 • -7.8db
51% Popularity • 49% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
51% Popularity • 49% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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Rhett Walker
When Mercy Found Me
148 bpm • D# Maj • 03:58 • -4.04db
45% Popularity • 36% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 30% Positiveness
45% Popularity • 36% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 30% Positiveness
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Jon Reddick
Don't Fight Alone
148 bpm • B Maj • 04:00 • -5.72db
60% Popularity • 37% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
60% Popularity • 37% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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CAIN
Hey Jesus
148 bpm • C Maj • 04:40 • -5.27db
36% Popularity • 38% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
36% Popularity • 38% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Anne Wilson
Scatter
148 bpm • D Maj • 03:14 • -5.15db
53% Popularity • 44% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
53% Popularity • 44% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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Dan Bremnes
Wouldn't Change A Thing
174 bpm • C Maj • 02:39 • -5.65db
29% Popularity • 64% Danceability • 64% Energy • 70% Liveness
0% Instrumentalness • 77% Positiveness
29% Popularity • 64% Danceability • 64% Energy • 70% Liveness
0% Instrumentalness • 77% Positiveness
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Riley Clemmons
When Nothing Hurts
174 bpm • E Maj • 03:25 • -6.02db
33% Popularity • 40% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
33% Popularity • 40% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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For the Fatherless
Poetry
174 bpm • C# Maj • 03:25 • -4.64db
25% Popularity • 53% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 53% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Ben Fuller
Man on Fire
174 bpm • G Maj • 03:32 • -4.99db
43% Popularity • 35% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
43% Popularity • 35% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Alive City
Lay 'Em Down
147 bpm • G# Maj • 03:15 • -4.08db
43% Popularity • 42% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
43% Popularity • 42% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
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Joel Vaughn
More Than Good Enough
174 bpm • C# Maj • 03:38 • -4.17db
32% Popularity • 50% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
32% Popularity • 50% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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Mack Brock
Do It Again
174 bpm • A# Maj • 05:33 • -8.29db
32% Popularity • 42% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 42% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Joseph O'Brien
Helpless One
147 bpm • D Maj • 03:15 • -7.56db
47% Popularity • 66% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 35% Positiveness
47% Popularity • 66% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 35% Positiveness
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John Waller
But God
147 bpm • C Maj • 04:02 • -5.96db
21% Popularity • 55% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 55% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Ryan Ellis
Keep My Eyes Up
146 bpm • D Maj • 03:15 • -4.65db
37% Popularity • 44% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 44% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Riley Clemmons
Over And Over
146 bpm • F Maj • 03:38 • -5.66db
45% Popularity • 54% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
45% Popularity • 54% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Rush Of Fools
Build My Life
146 bpm • F# Maj • 05:21 • -7.45db
23% Popularity • 45% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 45% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Mack Brock
What A Good God
146 bpm • C Maj • 03:10 • -4.63db
42% Popularity • 57% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
42% Popularity • 57% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Anne Wilson
Devil
146 bpm • F min • 03:24 • -5.07db
52% Popularity • 46% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
52% Popularity • 46% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Dante Bowe
Champion - Studio Version
146 bpm • A# Maj • 03:57 • -8.08db
46% Popularity • 48% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
46% Popularity • 48% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Third Day
Cry Out To Jesus
146 bpm • C Maj • 04:42 • -5.54db
33% Popularity • 35% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
33% Popularity • 35% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Riley Clemmons
Over And Over
146 bpm • F Maj • 03:38 • -5.66db
31% Popularity • 54% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 54% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Pat Barrett
Better Hands
146 bpm • C Maj • 04:00 • -5.69db
43% Popularity • 55% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
43% Popularity • 55% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Mack Brock
Even The Impossible - Studio Version
146 bpm • A Maj • 04:55 • -7.24db
36% Popularity • 50% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
36% Popularity • 50% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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City Harbor
You're There
146 bpm • G Maj • 03:48 • -4db
28% Popularity • 51% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 51% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness