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Soft Hand
Songs like
Soft Hand
by
Willard Grant Conspiracy
Based on a tempo of (+/- 10%) and a similar genre
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Willard Grant Conspiracy
Soft Hand
107 bpm • D Maj • 05:43 • -6.72db
17% Popularity • 74% Danceability • 59% Energy • 7% Liveness
15% Instrumentalness • 95% Positiveness
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The Go-Betweens
Quiet Heart - 2004 Digital Remaster
107 bpm • D Maj • 05:20 • -8.6db
22% Popularity • 61% Danceability • 84% Energy • 32% Liveness
2% Instrumentalness • 79% Positiveness
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The Waterboys
I Can See Elvis
107 bpm • B Maj • 05:47 • -13.53db
23% Popularity • 65% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 48% Positiveness
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Josh Rouse
Middle School Frown
107 bpm • C# Maj • 03:23 • -8.23db
16% Popularity • 71% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Jackie Leven
Exit Wound
107 bpm • B min • 06:28 • -12.02db
10% Popularity • 72% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 43% Positiveness
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Stephen Malkmus
Ballad of a Thin Man
107 bpm • B min • 06:49 • -6.49db
27% Popularity • 44% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Jay Farrar
Hoping Machine
108 bpm • C Maj • 04:52 • -8.51db
15% Popularity • 31% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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T Bone Burnett
Over You
106 bpm • G Maj • 02:20 • -10.89db
21% Popularity • 54% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Beth Orton
Best Bit
106 bpm • A Maj • 04:16 • -8db
18% Popularity • 61% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Frank Black
Sing for Joy
108 bpm • E Maj • 04:57 • -9.85db
10% Popularity • 61% Danceability • 56% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Jeff Tweedy
The Ballad of the Opening Band
108 bpm • D Maj • 04:27 • -10db
33% Popularity • 68% Danceability • 60% Energy • 20% Liveness
1% Instrumentalness • 60% Positiveness
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Grinderman
Palaces of Montezuma - Cenzo Mix
108 bpm • E Maj • 03:15 • -6.33db
11% Popularity • 45% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 27% Positiveness
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Deer Tick
Dirty Dishes
106 bpm • F Maj • 03:17 • -5.19db
35% Popularity • 68% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Willard Grant Conspiracy
Another Man Is Gone
108 bpm • B min • 03:22 • -7.2db
4% Popularity • 65% Danceability • 38% Energy • 14% Liveness
2% Instrumentalness • 15% Positiveness
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Spain
She Haunts My Dreams
108 bpm • A min • 03:11 • -6.85db
21% Popularity • 54% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
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Green On Red
That's What Dreams Were Made For
106 bpm • G Maj • 04:23 • -5.27db
16% Popularity • 36% Danceability • 79% Energy • 18% Liveness
31% Instrumentalness • 66% Positiveness
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Pete Molinari
One Stolen Moment
108 bpm • A# Maj • 03:41 • -7.56db
12% Popularity • 59% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Richard Thompson
I Misunderstood
109 bpm • D min • 04:05 • -17.92db
27% Popularity • 87% Danceability • 25% Energy • 11% Liveness
2% Instrumentalness • 82% Positiveness
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The Folk Implosion
Chained To The Moon
109 bpm • E Maj • 04:53 • -6.96db
9% Popularity • 66% Danceability • 75% Energy • 10% Liveness
1% Instrumentalness • 68% Positiveness
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Willard Grant Conspiracy
Share the Load
109 bpm • F# min • 01:39 • -14.08db
2% Popularity • 44% Danceability • 19% Energy • 11% Liveness
56% Instrumentalness • 7% Positiveness
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Sunhouse
Monkey Dead
105 bpm • C# Maj • 03:42 • -7.51db
15% Popularity • 62% Danceability • 58% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
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Conor Oberst
Big Black Nothing
109 bpm • F# min • 03:39 • -5.51db
2% Popularity • 53% Danceability • 81% Energy • 19% Liveness
1% Instrumentalness • 80% Positiveness
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Ron Sexsmith
Summer Blowin' Town
109 bpm • C Maj • 02:18 • -8.12db
16% Popularity • 60% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
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Cherry Ghost
Mathematics
105 bpm • A Maj • 04:33 • -3.62db
30% Popularity • 44% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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Tindersticks
No Place So Alone
105 bpm • B Maj • 03:10 • -7.66db
7% Popularity • 56% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Willard Grant Conspiracy
Drunkards Prayer
105 bpm • G Maj • 03:35 • -7.72db
2% Popularity • 45% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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The Walkabouts
The Stopping-Off Place
105 bpm • A Maj • 03:24 • -6.18db
13% Popularity • 43% Danceability • 81% Energy • 10% Liveness
34% Instrumentalness • 54% Positiveness
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Edwyn Collins
If You Could Love Me - Acoustic Version
105 bpm • C Maj • 04:07 • -9.73db
9% Popularity • 47% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Joe Henry
Our Song
105 bpm • G Maj • 06:19 • -10.12db
21% Popularity • 57% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Grant Lee Buffalo
Honey Don't Think
105 bpm • B Maj • 02:43 • -8.98db
37% Popularity • 56% Danceability • 45% Energy • 33% Liveness
0% Instrumentalness • 21% Positiveness
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Clem Snide
Let's Explode
105 bpm • C Maj • 04:10 • -7.45db
7% Popularity • 38% Danceability • 49% Energy • 35% Liveness
59% Instrumentalness • 22% Positiveness
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Howie Payne
Dangling Threads - Remastered
109 bpm • A Maj • 02:43 • -11db
12% Popularity • 43% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Giant Sand
Detained
110 bpm • A min • 03:13 • -9.01db
15% Popularity • 57% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Stuart A. Staples
This Old Town
104 bpm • C Maj • 04:00 • -15.46db
14% Popularity • 38% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Cracker
Turn On Tune In Drop Out With Me
110 bpm • C Maj • 04:11 • -4.59db
31% Popularity • 68% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Howe Gelb
Vortexas
110 bpm • C Maj • 04:18 • -18.92db
16% Popularity • 74% Danceability • 35% Energy • 9% Liveness
20% Instrumentalness • 55% Positiveness
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The Walkabouts
The Light Will Stay On
110 bpm • G# Maj • 04:16 • -9.58db
14% Popularity • 35% Danceability • 39% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
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Freedy Johnston
The Lucky One
104 bpm • G Maj • 03:09 • -15.3db
20% Popularity • 65% Danceability • 43% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
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Beth Orton
Someone's Daughter
110 bpm • B Maj • 03:35 • -5.91db
21% Popularity • 72% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Badly Drawn Boy
One Last Dance
104 bpm • G Maj • 04:48 • -5.93db
15% Popularity • 47% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Richard Buckner
Surrounded
110 bpm • C# min • 02:47 • -12.82db
36% Popularity • 51% Danceability • 31% Energy • 11% Liveness
26% Instrumentalness • 24% Positiveness
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Ron Sexsmith
Former Glory
104 bpm • F Maj • 02:55 • -6.68db
16% Popularity • 69% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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The Waterboys
Sweet Thing - 2006 Remaster
104 bpm • A Maj • 07:12 • -6db
41% Popularity • 37% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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J Mascis
Wide Awake
111 bpm • G Maj • 03:30 • -13.62db
33% Popularity • 48% Danceability • 29% Energy • 12% Liveness
1% Instrumentalness • 21% Positiveness
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Eels
Things the Grandchildren Should Know
111 bpm • C Maj • 05:22 • -11.67db
25% Popularity • 59% Danceability • 48% Energy • 7% Liveness
8% Instrumentalness • 51% Positiveness
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Evan Dando
Rudy with a Flashlight
111 bpm • A Maj • 02:37 • -15db
29% Popularity • 67% Danceability • 30% Energy • 12% Liveness
60% Instrumentalness • 43% Positiveness
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Richard Hawley
Heart of Oak
111 bpm • D Maj • 04:26 • -10.4db
31% Popularity • 48% Danceability • 53% Energy • 7% Liveness
38% Instrumentalness • 43% Positiveness
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The Triffids
Too Hot To Move, Too Hot To Think
103 bpm • E Maj • 04:01 • -7.05db
7% Popularity • 50% Danceability • 57% Energy • 64% Liveness
0% Instrumentalness • 21% Positiveness
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Crooked Fingers
Sleep All Summer
103 bpm • A Maj • 04:42 • -11.08db
27% Popularity • 41% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 50% Positiveness
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The House of Love
Beatles And Stones
103 bpm • G Maj • 04:20 • -19.17db
33% Popularity • 52% Danceability • 40% Energy • 16% Liveness
1% Instrumentalness • 48% Positiveness
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Camera Obscura
Tougher Than the Rest
103 bpm • C# Maj • 03:44 • -6.89db
31% Popularity • 50% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Daniel Lanois
Sleeping in the Devil's Bed
103 bpm • D Maj • 03:03 • -16.38db
20% Popularity • 68% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 27% Positiveness
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Willard Grant Conspiracy
Cuckoo
111 bpm • D Maj • 04:59 • -7.76db
1% Popularity • 68% Danceability • 58% Energy • 6% Liveness
87% Instrumentalness • 88% Positiveness
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Karl Blau
That's How I Got to Memphis
111 bpm • E Maj • 04:03 • -9.43db
26% Popularity • 50% Danceability • 63% Energy • 25% Liveness
87% Instrumentalness • 48% Positiveness
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Badly Drawn Boy
Pissing in the Wind
111 bpm • C Maj • 04:19 • -6db
29% Popularity • 35% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Phosphorescent
I Don't Care If There's Cursing
111 bpm • F Maj • 04:55 • -9.42db
20% Popularity • 40% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Lucinda Williams
Out Of Touch
111 bpm • E Maj • 05:29 • -9.54db
21% Popularity • 53% Danceability • 56% Energy • 12% Liveness
4% Instrumentalness • 26% Positiveness
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Ed Harcourt
Apple of My Eye
103 bpm • G Maj • 04:02 • -5.82db
18% Popularity • 65% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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The Blue Aeroplanes
Your Ages - 2006 Remaster
112 bpm • A Maj • 04:30 • -7db
21% Popularity • 42% Danceability • 81% Energy • 13% Liveness
7% Instrumentalness • 65% Positiveness
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Richard & Linda Thompson
Wall of Death
112 bpm • A Maj • 03:42 • -15db
25% Popularity • 61% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Steve Wynn
Carolyn
112 bpm • G Maj • 03:56 • -12db
12% Popularity • 61% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Chuck Prophet
Jesus Was a Social Drinker
112 bpm • D Maj • 04:54 • -3.85db
28% Popularity • 56% Danceability • 71% Energy • 8% Liveness
19% Instrumentalness • 72% Positiveness
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Chris Eckman
Nothing Left to Hate
112 bpm • G# min • 04:50 • -11.41db
16% Popularity • 61% Danceability • 40% Energy • 34% Liveness
36% Instrumentalness • 35% Positiveness
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Megafaun
The Fade
112 bpm • E min • 02:54 • -6.78db
27% Popularity • 66% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Ron Sexsmith
Just My Heart Talkin'
102 bpm • D# Maj • 02:22 • -10.65db
20% Popularity • 55% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Tindersticks
Travelling Light
112 bpm • D Maj • 04:51 • -18db
36% Popularity • 49% Danceability • 23% Energy • 18% Liveness
3% Instrumentalness • 28% Positiveness
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Bell X1
Feint Praise
102 bpm • F min • 03:09 • -9.08db
32% Popularity • 80% Danceability • 43% Energy • 12% Liveness
1% Instrumentalness • 50% Positiveness
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Pernice Brothers
Crestfallen
113 bpm • G Maj • 03:53 • -6db
19% Popularity • 32% Danceability • 67% Energy • 41% Liveness
0% Instrumentalness • 33% Positiveness
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The Walkabouts
Loom of the Land
102 bpm • F min • 05:58 • -11.98db
23% Popularity • 64% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Spain
Before It All Went Wrong
102 bpm • B min • 03:36 • -13.76db
29% Popularity • 76% Danceability • 31% Energy • 10% Liveness
82% Instrumentalness • 89% Positiveness
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Green On Red
You Couldn't Get Arrested
102 bpm • C Maj • 05:49 • -16.79db
13% Popularity • 76% Danceability • 30% Energy • 10% Liveness
2% Instrumentalness • 58% Positiveness
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Grant Lee Buffalo
You Just Have to Be Crazy
113 bpm • C# Maj • 03:36 • -17db
36% Popularity • 67% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Evan Dando
Rancho Santa Fe
113 bpm • D min • 04:22 • -11.32db
14% Popularity • 28% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Richard Hawley
Just Like the Rain
113 bpm • G Maj • 03:17 • -10db
36% Popularity • 56% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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The Dream Syndicate
Whatever You Please
113 bpm • D Maj • 03:45 • -9.33db
9% Popularity • 66% Danceability • 52% Energy • 20% Liveness
1% Instrumentalness • 28% Positiveness
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Ron Sexsmith
Disappearing Act
114 bpm • G# Maj • 03:40 • -6db
13% Popularity • 66% Danceability • 85% Energy • 54% Liveness
0% Instrumentalness • 49% Positiveness
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Richard Buckner
Ariel Ramirez
101 bpm • D Maj • 02:17 • -12.63db
30% Popularity • 54% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Clem Snide
When We Become
114 bpm • E Maj • 05:17 • -10.82db
13% Popularity • 60% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Willard Grant Conspiracy
Chasing Rabbits
114 bpm • C Maj • 03:40 • -16.02db
6% Popularity • 38% Danceability • 26% Energy • 11% Liveness
73% Instrumentalness • 22% Positiveness
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Francisco Puente
Alone Reaction
100 bpm • E Maj • 01:59 • -6.7db
8% Popularity • 40% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
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Vic Chesnutt
Flirted With You All My Life
100 bpm • F Maj • 04:41 • -12db
36% Popularity • 61% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Ron Sexsmith
Still Time
100 bpm • E Maj • 03:12 • -9db
17% Popularity • 54% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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The Stands
I Will Journey Home
100 bpm • G Maj • 02:16 • -10db
11% Popularity • 57% Danceability • 54% Energy • 34% Liveness
1% Instrumentalness • 72% Positiveness
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Kathleen Edwards
One More Song The Radio Won't Like
114 bpm • D Maj • 04:24 • -7.07db
17% Popularity • 53% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Grant Lee Buffalo
Bethlehem Steel
100 bpm • C# Maj • 06:03 • -9db
25% Popularity • 67% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Golden Smog
Lost Love
114 bpm • F Maj • 03:00 • -5.99db
26% Popularity • 62% Danceability • 76% Energy • 11% Liveness
4% Instrumentalness • 72% Positiveness
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The Feelies
Morning Comes
100 bpm • F# min • 04:12 • -9.32db
13% Popularity • 76% Danceability • 50% Energy • 8% Liveness
11% Instrumentalness • 84% Positiveness
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Jesse Malin
Queen Of The Underworld
115 bpm • G# Maj • 03:43 • -5.82db
8% Popularity • 56% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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The Stands
When This River Rolls Over You
114 bpm • G Maj • 02:57 • -6.12db
10% Popularity • 57% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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The Jayhawks
Quiet Corners & Empty Spaces
115 bpm • C# min • 03:06 • -6.28db
36% Popularity • 54% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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Willard Grant Conspiracy
Do No Harm
100 bpm • A Maj • 04:12 • -9.67db
2% Popularity • 42% Danceability • 45% Energy • 9% Liveness
70% Instrumentalness • 76% Positiveness
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Vic Chesnutt
Lucinda Williams
99 bpm • F Maj • 02:47 • -8.85db
21% Popularity • 47% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Billy Bragg
There Will Be a Reckoning
115 bpm • G Maj • 03:30 • -9.74db
11% Popularity • 66% Danceability • 54% Energy • 10% Liveness
2% Instrumentalness • 70% Positiveness
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Giant Sand
Can Do
99 bpm • B Maj • 03:08 • -8.75db
18% Popularity • 71% Danceability • 72% Energy • 10% Liveness
51% Instrumentalness • 60% Positiveness
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Tarka Cordell
Lovely new york
115 bpm • C# min • 03:03 • -10.97db
11% Popularity • 55% Danceability • 54% Energy • 14% Liveness
8% Instrumentalness • 75% Positiveness
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Sunhouse
Hard Sun
99 bpm • F min • 04:37 • -12.95db
14% Popularity • 43% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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The Triffids
Love And Affection
99 bpm • E Maj • 01:56 • -7.01db
12% Popularity • 67% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 75% Positiveness
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The Walkabouts
These Proud Streets
116 bpm • A min • 04:12 • -9.05db
13% Popularity • 39% Danceability • 53% Energy • 25% Liveness
5% Instrumentalness • 32% Positiveness
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Jason Molina
Twenty Cycles To The Ground
99 bpm • B Maj • 03:07 • -14.07db
25% Popularity • 55% Danceability • 32% Energy • 10% Liveness
51% Instrumentalness • 66% Positiveness
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The Czars
Killjoy
116 bpm • G Maj • 05:26 • -5.69db
16% Popularity • 54% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Soft Hand