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Soarin'
Songs like
Soarin' - From Soarin' Over California®
by
Jerry Goldsmith
Based on a tempo of (+/- 10%) and a similar genre
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Andrew Lockington
Goodbye Max
77 bpm • A Maj • 02:44 • -26.41db
12% Popularity • 14% Danceability • 2% Energy • 11% Liveness
65% Instrumentalness • 4% Positiveness
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Wojciech Kilar
Mina / Dracula
77 bpm • E min • 04:48 • -26db
17% Popularity • 7% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Joel McNeely
Flight Through Never land
76 bpm • C Maj • 02:41 • -15db
33% Popularity • 27% Danceability • 29% Energy • 16% Liveness
84% Instrumentalness • 15% Positiveness
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Geoff Zanelli
Storybook
77 bpm • A min • 01:22 • -20.87db
51% Popularity • 44% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 37% Positiveness
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Nicholas Hooper
A Journey to Hogwarts
78 bpm • A min • 02:52 • -22db
48% Popularity • 9% Danceability • 14% Energy • 36% Liveness
93% Instrumentalness • 3% Positiveness
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Henry Jackman
Cap's Promise
78 bpm • A Maj • 03:45 • -14db
37% Popularity • 13% Danceability • 33% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
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Trevor Jones
Chandara Bus Station
76 bpm • A min • 02:57 • -21.24db
15% Popularity • 13% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Carter Burwell
The Showdown
78 bpm • G Maj • 06:41 • -18db
14% Popularity • 7% Danceability • 13% Energy • 24% Liveness
94% Instrumentalness • 4% Positiveness
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Thomas Wander
Welcome to the Moon
76 bpm • B Maj • 01:17 • -16db
25% Popularity • 16% Danceability • 19% Energy • 12% Liveness
80% Instrumentalness • 3% Positiveness
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John Frizzell
On The Porch
78 bpm • C Maj • 02:31 • -37.88db
12% Popularity • 13% Danceability • 0% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
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Marc Streitenfeld
Walter's Burial
78 bpm • G min • 03:04 • -22db
48% Popularity • 7% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Hans Zimmer
Am I Not Merciful?
76 bpm • D min • 06:33 • -21.19db
37% Popularity • 8% Danceability • 8% Energy • 11% Liveness
56% Instrumentalness • 4% Positiveness
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Jay Chattaway
Set Course for Home
78 bpm • A Maj • 03:32 • -23.56db
15% Popularity • 17% Danceability • 5% Energy • 11% Liveness
59% Instrumentalness • 4% Positiveness
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Carter Burwell
Deep Sludge
78 bpm • C min • 02:03 • -21.89db
31% Popularity • 21% Danceability • 6% Energy • 30% Liveness
85% Instrumentalness • 7% Positiveness
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Joel McNeely
Prepix Montage/Main Title
78 bpm • C Maj • 03:02 • -14db
15% Popularity • 36% Danceability • 35% Energy • 13% Liveness
88% Instrumentalness • 29% Positiveness
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Dave Grusin
Doubloon
78 bpm • F# min • 01:47 • -19.27db
24% Popularity • 21% Danceability • 12% Energy • 8% Liveness
18% Instrumentalness • 3% Positiveness
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M.S.
Batman Begins: Main Theme
75 bpm • G min • 02:44 • -19db
30% Popularity • 35% Danceability • 28% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
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William Ross
Hometown Hero
79 bpm • G# Maj • 01:59 • -21.2db
45% Popularity • 15% Danceability • 6% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
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Mychael Danna
Homestead
76 bpm • A# Maj • 02:11 • -17.45db
40% Popularity • 26% Danceability • 19% Energy • 9% Liveness
95% Instrumentalness • 17% Positiveness
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Thomas Wander
Great Speech
79 bpm • G Maj • 01:37 • -21.74db
8% Popularity • 17% Danceability • 10% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
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Carter Burwell
Opening Fanfare / Max's Dream
79 bpm • D# Maj • 01:49 • -17.97db
32% Popularity • 14% Danceability • 14% Energy • 10% Liveness
84% Instrumentalness • 5% Positiveness
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Fred Steiner
Main Title And Closing Theme
79 bpm • A min • 01:23 • -13.66db
24% Popularity • 16% Danceability • 34% Energy • 5% Liveness
95% Instrumentalness • 4% Positiveness
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Angelo Badalamenti
Stalingrad Overture (Universal Theme)
75 bpm • A Maj • 03:18 • -19.54db
17% Popularity • 7% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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William Ross
Saying Goodbye
79 bpm • F Maj • 05:26 • -23.4db
30% Popularity • 16% Danceability • 5% Energy • 11% Liveness
61% Instrumentalness • 3% Positiveness
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Joel McNeely
Reunion
75 bpm • C Maj • 02:20 • -18.3db
34% Popularity • 21% Danceability • 14% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
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Stephen Warbeck
The Amendment
75 bpm • D# Maj • 01:22 • -22.53db
47% Popularity • 17% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Bill Conti
The Kerchief
75 bpm • D Maj • 02:16 • -27.93db
10% Popularity • 15% Danceability • 4% Energy • 11% Liveness
80% Instrumentalness • 9% Positiveness
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Jerry Goldsmith
Semantics
79 bpm • F min • 02:41 • -21.7db
23% Popularity • 12% Danceability • 8% Energy • 10% Liveness
55% Instrumentalness • 7% Positiveness
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Marc Streitenfeld
Robin Speaks
79 bpm • D Maj • 02:33 • -19.82db
45% Popularity • 7% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Andrew Lockington
The Center Of The Earth
80 bpm • G Maj • 04:44 • -24.26db
13% Popularity • 10% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Cliff Eidelman
Birth
74 bpm • D Maj • 03:06 • -16.61db
14% Popularity • 8% Danceability • 14% Energy • 21% Liveness
82% Instrumentalness • 5% Positiveness
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David Shire
Opening Sequence (With Sweetners)
80 bpm • F# min • 03:10 • -27.26db
11% Popularity • 14% Danceability • 6% Energy • 15% Liveness
69% Instrumentalness • 4% Positiveness
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Harald Kloser
Sam!
74 bpm • G# Maj • 01:18 • -28db
40% Popularity • 20% Danceability • 7% Energy • 8% Liveness
70% Instrumentalness • 3% Positiveness
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Dave Grusin
Plumbing
80 bpm • D min • 01:25 • -14db
35% Popularity • 68% Danceability • 27% Energy • 15% Liveness
94% Instrumentalness • 37% Positiveness
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Nick Glennie-Smith
I'll Go With You
80 bpm • A# min • 01:17 • -16db
33% Popularity • 23% Danceability • 38% Energy • 18% Liveness
90% Instrumentalness • 9% Positiveness
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Nicholas Hooper
The Friends
74 bpm • C Maj • 02:00 • -26.45db
48% Popularity • 21% Danceability • 7% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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Jerry Goldsmith
Overture
74 bpm • A Maj • 02:50 • -18.33db
28% Popularity • 10% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Max Steiner
I'll Never Be Hungry Again!
80 bpm • C Maj • 06:08 • -14db
16% Popularity • 7% Danceability • 25% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Returning the Crown
74 bpm • G Maj • 01:13 • -13.58db
50% Popularity • 49% Danceability • 53% Energy • 9% Liveness
86% Instrumentalness • 17% Positiveness
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Dave Grusin
Fratelli Chase
80 bpm • D min • 02:47 • -13db
36% Popularity • 74% Danceability • 44% Energy • 12% Liveness
34% Instrumentalness • 48% Positiveness
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HeimburgerMusic
Stargate Overture
80 bpm • A min • 02:58 • -17.16db
16% Popularity • 12% Danceability • 21% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Shirley Walker
Batman: The Animated Series - Alternate ...
80 bpm • D min • 01:08 • -13.44db
25% Popularity • 37% Danceability • 45% Energy • 33% Liveness
88% Instrumentalness • 21% Positiveness
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Cliff Eidelman
The Battle For Peace - Star Trek VI/Soun...
80 bpm • G# Maj • 08:02 • -21.56db
19% Popularity • 16% Danceability • 10% Energy • 8% Liveness
62% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Amazons Of Themyscira
80 bpm • E min • 06:47 • -21db
38% Popularity • 8% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Marc Shaiman
Kaffe
74 bpm • D min • 02:16 • -20.53db
12% Popularity • 7% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Carter Burwell
Hi Dad Soup
74 bpm • D Maj • 01:31 • -28.67db
32% Popularity • 12% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Alexander Courage
Star Trek (Main Title)
73 bpm • A# Maj • 01:04 • -15db
23% Popularity • 25% Danceability • 26% Energy • 36% Liveness
95% Instrumentalness • 15% Positiveness
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Maurice Jarre
Main Title
81 bpm • A# Maj • 01:58 • -12db
17% Popularity • 24% Danceability • 37% Energy • 10% Liveness
91% Instrumentalness • 37% Positiveness
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Cliff Eidelman
Star Trek VI: The Undiscovered Country: ...
73 bpm • F Maj • 07:45 • -19db
25% Popularity • 15% Danceability • 19% Energy • 30% Liveness
90% Instrumentalness • 4% Positiveness
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Don Davis
Logos / The Matrix Main Title
81 bpm • F Maj • 00:53 • -17.84db
40% Popularity • 8% Danceability • 34% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
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Leonard Rosenman
Crash-Whale Fugue
81 bpm • G Maj • 08:15 • -17.06db
10% Popularity • 12% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Dave Grusin
Wishing Well And The Fratellis Find Coin
81 bpm • A min • 02:49 • -15.9db
15% Popularity • 15% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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John Debney
The Princess Diaries Medley - Score
73 bpm • F Maj • 03:23 • -20db
38% Popularity • 20% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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Kevin Kiner
Anakin and Padmé
81 bpm • G min • 01:48 • -14.36db
46% Popularity • 16% Danceability • 24% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Dennis McCarthy
Star Trek: Generations: Overture
81 bpm • C min • 03:51 • -14.83db
25% Popularity • 10% Danceability • 28% Energy • 6% Liveness
91% Instrumentalness • 9% Positiveness
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Don Davis
Bullet-Time
73 bpm • E min • 01:10 • -14db
29% Popularity • 26% Danceability • 58% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Geoff Zanelli
My Favorite Day
82 bpm • C Maj • 02:42 • -17.49db
22% Popularity • 22% Danceability • 15% Energy • 9% Liveness
55% Instrumentalness • 8% Positiveness
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Dave Grusin
The Reunion And Fratellis On Beach
81 bpm • E Maj • 03:39 • -12.77db
12% Popularity • 25% Danceability • 19% Energy • 10% Liveness
82% Instrumentalness • 20% Positiveness
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Harald Kloser
Sea Of Sand
82 bpm • C# Maj • 02:41 • -13.85db
39% Popularity • 15% Danceability • 39% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Farewell Aragog
82 bpm • G Maj • 02:08 • -25db
46% Popularity • 12% Danceability • 3% Energy • 8% Liveness
6% Instrumentalness • 5% Positiveness
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Dennis McCarthy
The Enterprise B / Kirk Saves The Day
73 bpm • A# Maj • 03:13 • -19.65db
19% Popularity • 33% Danceability • 28% Energy • 20% Liveness
90% Instrumentalness • 4% Positiveness
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John Bacchus Dykes
Roll Tide
82 bpm • D min • 07:33 • -16db
44% Popularity • 8% Danceability • 18% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Stephen Warbeck
The Letter
82 bpm • D Maj • 01:18 • -21.08db
45% Popularity • 17% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Ramin Djawadi
Perseus
72 bpm • A min • 06:33 • -13.69db
26% Popularity • 13% Danceability • 34% Energy • 17% Liveness
83% Instrumentalness • 11% Positiveness
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Bill Conti
Breaking The Sound Barrier
72 bpm • C Maj • 04:46 • -11.77db
23% Popularity • 31% Danceability • 38% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
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Jerry Goldsmith
Bail Out
72 bpm • C# Maj • 02:56 • -17.79db
7% Popularity • 35% Danceability • 16% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
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Harald Kloser
Alien vs. Predator Main Theme
82 bpm • A# Maj • 03:29 • -13.77db
17% Popularity • 16% Danceability • 35% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Wojciech Kilar
End Credits
83 bpm • F Maj • 06:42 • -31.58db
25% Popularity • 11% Danceability • 1% Energy • 10% Liveness
38% Instrumentalness • 3% Positiveness
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Richard Bellis
Main Title (Stephen King's IT)
72 bpm • F Maj • 01:53 • -19.47db
25% Popularity • 15% Danceability • 15% Energy • 21% Liveness
74% Instrumentalness • 4% Positiveness
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Max Steiner
Casablanca - Suite
83 bpm • D# Maj • 06:54 • -17db
17% Popularity • 13% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Cliff Eidelman
Rainfall
72 bpm • F Maj • 01:37 • -32db
19% Popularity • 16% Danceability • 4% Energy • 8% Liveness
24% Instrumentalness • 6% Positiveness
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Pinar Toprak
High Score
83 bpm • A min • 02:35 • -33.32db
34% Popularity • 8% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Harald Kloser
Body Heat
83 bpm • A min • 01:50 • -27.42db
28% Popularity • 8% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Rob Lane
The Burdens of Duty
72 bpm • C min • 02:11 • -24db
41% Popularity • 19% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Jerry Goldsmith
End Credits
72 bpm • A# Maj • 03:20 • -15.07db
20% Popularity • 18% Danceability • 27% Energy • 22% Liveness
92% Instrumentalness • 15% Positiveness
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Ludwig Göransson
The Baby
83 bpm • C Maj • 03:20 • -18.83db
33% Popularity • 22% Danceability • 6% Energy • 4% Liveness
56% Instrumentalness • 7% Positiveness
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Carter Burwell
Nemesis
71 bpm • E min • 04:29 • -19db
14% Popularity • 10% Danceability • 12% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
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Leonard Rosenman
Company Of The Ring
83 bpm • B min • 01:39 • -14.68db
13% Popularity • 11% Danceability • 28% Energy • 15% Liveness
83% Instrumentalness • 12% Positiveness
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Cliff Eidelman
Clear All Moorings - Star Trek VI/Soundt...
71 bpm • D Maj • 01:39 • -23db
26% Popularity • 14% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Praying
83 bpm • A min • 05:49 • -13.18db
43% Popularity • 8% Danceability • 37% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Jerry Goldsmith
Mulan's Decision
83 bpm • A# min • 03:23 • -19.27db
42% Popularity • 21% Danceability • 26% Energy • 14% Liveness
81% Instrumentalness • 6% Positiveness
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Ludwig Göransson
The Mandalorian - Orchestral Version
83 bpm • D min • 02:20 • -13db
44% Popularity • 48% Danceability • 24% Energy • 29% Liveness
70% Instrumentalness • 12% Positiveness
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Maurice Jarre
End Credits
71 bpm • F Maj • 04:17 • -13.8db
25% Popularity • 6% Danceability • 25% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Kevin Kiner
Padmé
71 bpm • E Maj • 01:39 • -11.72db
36% Popularity • 21% Danceability • 30% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Thomas Wander
Independence Day Resurgence Finale
83 bpm • A# Maj • 03:14 • -15.87db
24% Popularity • 9% Danceability • 18% Energy • 33% Liveness
87% Instrumentalness • 4% Positiveness
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Harald Kloser
10,000 BC/End Credits
84 bpm • E min • 02:55 • -12.92db
36% Popularity • 9% Danceability • 53% Energy • 9% Liveness
61% Instrumentalness • 15% Positiveness
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Joel McNeely
Main Theme From Star Wars And Leia's Nig...
84 bpm • A# Maj • 03:47 • -16db
15% Popularity • 10% Danceability • 28% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
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Jerry Goldsmith
Mumia Attack
84 bpm • F min • 02:16 • -17.43db
23% Popularity • 16% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Thomas Newman
The Shawshank Redemption
71 bpm • A# Maj • 04:34 • -23.06db
19% Popularity • 12% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Bill Conti
Friends Farewell
71 bpm • C Maj • 02:39 • -13db
11% Popularity • 19% Danceability • 19% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Cliff Eidelman
Act 1 - Spain: The Great Sea
84 bpm • B min • 01:38 • -17db
17% Popularity • 21% Danceability • 33% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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Harald Kloser
Evolet
84 bpm • A min • 02:43 • -27db
25% Popularity • 8% Danceability • 5% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Mark Mothersbaugh
Ragnarok Suite
71 bpm • D min • 08:53 • -12db
34% Popularity • 12% Danceability • 38% Energy • 7% Liveness
89% Instrumentalness • 5% Positiveness
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Randy Newman
Atta - Score
71 bpm • C Maj • 01:08 • -18.2db
23% Popularity • 20% Danceability • 19% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Rob Lane
The Declaration Of Independence
84 bpm • D min • 06:05 • -17.56db
16% Popularity • 11% Danceability • 16% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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George Fenton
Lost in the Storm
70 bpm • A min • 01:11 • -17.41db
36% Popularity • 15% Danceability • 14% Energy • 6% Liveness
93% Instrumentalness • 3% Positiveness
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Junkie XL
A Discovery
84 bpm • F Maj • 03:13 • -18.63db
17% Popularity • 15% Danceability • 20% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Nicholas Hooper
Another Story
70 bpm • F Maj • 02:37 • -25db
45% Popularity • 18% Danceability • 5% Energy • 11% Liveness
79% Instrumentalness • 3% Positiveness
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Jerry Goldsmith
The Calling / The Neighborhood
85 bpm • F Maj • 04:08 • -20.42db
17% Popularity • 13% Danceability • 18% Energy • 67% Liveness
46% Instrumentalness • 6% Positiveness
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Randy Newman
A Nice Ride
70 bpm • F Maj • 03:16 • -15.71db
13% Popularity • 15% Danceability • 13% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
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Soarin'