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S.O.B.
Songs like
S.O.B.
by
Eddie Berman
Based on a tempo of (+/- 10%) and a similar genre
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Eddie Berman
S.O.B.
101 bpm • F Maj • 03:24 • -13.19db
21% Popularity • 52% Danceability • 20% Energy • 12% Liveness
6% Instrumentalness • 22% Positiveness
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Josh Ritter
Thunderbolt's Goodnight
101 bpm • C Maj • 04:05 • -12db
34% Popularity • 38% Danceability • 40% Energy • 5% Liveness
1% Instrumentalness • 28% Positiveness
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Darlingside
Old Friend
101 bpm • D# Maj • 02:28 • -13db
50% Popularity • 41% Danceability • 24% Energy • 11% Liveness
39% Instrumentalness • 37% Positiveness
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Ira Wolf
Ruby
101 bpm • A# Maj • 02:51 • -10db
32% Popularity • 50% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Peter Doran
Every Little Thing
101 bpm • G Maj • 03:28 • -12.58db
30% Popularity • 55% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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The Barr Brothers
Even the Darkness Has Arms
101 bpm • B Maj • 03:50 • -13.1db
61% Popularity • 51% Danceability • 65% Energy • 29% Liveness
15% Instrumentalness • 75% Positiveness
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Dawn Landes
I Won't Back Down
101 bpm • A Maj • 02:26 • -11.93db
24% Popularity • 61% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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The Ballroom Thieves
I'm Around
100 bpm • C Maj • 04:31 • -8.15db
46% Popularity • 44% Danceability • 20% Energy • 11% Liveness
2% Instrumentalness • 14% Positiveness
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Natalie Hemby
Cairo, IL
100 bpm • B Maj • 02:59 • -10.62db
50% Popularity • 61% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Joe Pug
The Flood in Color
102 bpm • B Maj • 02:37 • -10.39db
37% Popularity • 45% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Stu Larsen
Chicago Song
102 bpm • G# Maj • 03:32 • -11.94db
40% Popularity • 73% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Ocie Elliott
We Fall In
102 bpm • A# Maj • 03:11 • -12.5db
43% Popularity • 50% Danceability • 32% Energy • 12% Liveness
37% Instrumentalness • 18% Positiveness
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Dylan LeBlanc
Gentle On My Mind
100 bpm • E Maj • 04:05 • -7.24db
28% Popularity • 54% Danceability • 64% Energy • 17% Liveness
1% Instrumentalness • 41% Positiveness
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The Ballroom Thieves
Bees
102 bpm • C Maj • 03:10 • -15.26db
58% Popularity • 52% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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The Lumineers
Boots Of Spanish Leather
100 bpm • B Maj • 04:42 • -16.53db
46% Popularity • 61% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Aaron Espe
Making All Things New
100 bpm • C Maj • 02:39 • -11db
65% Popularity • 79% Danceability • 36% Energy • 11% Liveness
2% Instrumentalness • 48% Positiveness
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Beta Radio
Realistic City Living
100 bpm • C Maj • 02:58 • -15.32db
44% Popularity • 54% Danceability • 22% Energy • 10% Liveness
6% Instrumentalness • 31% Positiveness
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Nathaniel Rateliff
Time Stands
102 bpm • E Maj • 03:52 • -9.32db
50% Popularity • 35% Danceability • 39% Energy • 13% Liveness
5% Instrumentalness • 27% Positiveness
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Eddie Berman
Friend of the Devil
102 bpm • D Maj • 03:24 • -9.9db
8% Popularity • 62% Danceability • 30% Energy • 20% Liveness
2% Instrumentalness • 42% Positiveness
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Luke Sital-Singh
American Girl
103 bpm • C Maj • 02:55 • -9.97db
26% Popularity • 64% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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The Lumineers
Have You Ever Seen The Rain - Recorded a...
100 bpm • A# Maj • 02:34 • -10.14db
52% Popularity • 77% Danceability • 22% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
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Wesley Schultz
Bell Bottom Blues
103 bpm • A Maj • 03:38 • -12db
20% Popularity • 52% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Beta Radio
Our Remains - Acoustic
99 bpm • C# min • 03:47 • -15db
50% Popularity • 64% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Ben Sollee
Pieces of You
103 bpm • F# min • 03:46 • -13.54db
31% Popularity • 58% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Ondara
Saying Goodbye
103 bpm • A Maj • 03:49 • -8db
44% Popularity • 63% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Caamp
Square One
103 bpm • E Maj • 03:06 • -15db
55% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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The Wind and The Wave
Chasing Cars
104 bpm • C Maj • 04:28 • -9.71db
55% Popularity • 47% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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I'm With Her
Hannah Hunt - Recorded At Spotify Studio...
104 bpm • A Maj • 04:38 • -15db
40% Popularity • 71% Danceability • 11% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
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AHI
Breakin' Ground
98 bpm • A# Maj • 03:04 • -6db
29% Popularity • 64% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Donovan Woods
It'll Work Itself Out
98 bpm • A# Maj • 03:02 • -13db
46% Popularity • 62% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Peter Bradley Adams
Who Else Could I Be
98 bpm • A# min • 04:35 • -14db
42% Popularity • 65% Danceability • 44% Energy • 10% Liveness
32% Instrumentalness • 56% Positiveness
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Hush Kids
Goodbye Rain
98 bpm • B Maj • 03:45 • -11.86db
35% Popularity • 62% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Jaimi Faulkner
Early Morning Coffee Cups
98 bpm • A# Maj • 03:19 • -13db
47% Popularity • 66% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Brandon Jenner
Burning Ground
98 bpm • G Maj • 03:55 • -11db
49% Popularity • 54% Danceability • 39% Energy • 16% Liveness
1% Instrumentalness • 15% Positiveness
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The Brother Brothers
On The Road Again
104 bpm • D# Maj • 02:53 • -11db
37% Popularity • 62% Danceability • 45% Energy • 8% Liveness
2% Instrumentalness • 69% Positiveness
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Rachel Brown
I Wanna Dance with Somebody
104 bpm • D Maj • 03:39 • -11.42db
50% Popularity • 71% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Eddie Berman
Along the Way
104 bpm • B Maj • 04:53 • -10.62db
15% Popularity • 44% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Aoife O'Donovan
Loretta
98 bpm • D# Maj • 02:28 • -9.12db
54% Popularity • 49% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Nate Richert
The Girl I Haven't Met
105 bpm • D# Maj • 02:59 • -12.13db
32% Popularity • 64% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Anchor + Bell
Shut up and Dance
97 bpm • C Maj • 02:56 • -6.51db
50% Popularity • 61% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Lowland Hum
Sledgehammer
105 bpm • D# Maj • 04:24 • -13db
28% Popularity • 71% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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John Smith
Far Too Good
97 bpm • E Maj • 03:39 • -11.4db
62% Popularity • 82% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Stu Larsen
Far from Me
97 bpm • C# Maj • 03:38 • -18.34db
34% Popularity • 57% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Ondara
Days Of Insanity
97 bpm • D Maj • 04:29 • -9.27db
28% Popularity • 54% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Jason Isbell and the 400 Unit
If We Were Vampires
97 bpm • F Maj • 03:35 • -16.23db
38% Popularity • 62% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Langhorne Slim
Never Break
106 bpm • A Maj • 02:35 • -11.72db
46% Popularity • 50% Danceability • 18% Energy • 9% Liveness
48% Instrumentalness • 23% Positiveness
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Freedom Fry
1979
106 bpm • G Maj • 04:50 • -13db
42% Popularity • 53% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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Ocie Elliott
Clear in the Eye
106 bpm • E Maj • 02:47 • -14.44db
60% Popularity • 76% Danceability • 27% Energy • 10% Liveness
3% Instrumentalness • 58% Positiveness
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Caroline Spence
Heart of Somebody
106 bpm • B Maj • 03:32 • -8db
41% Popularity • 63% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Rosie Carney
High And Dry
106 bpm • E Maj • 03:52 • -14.4db
50% Popularity • 46% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Aoife O'Donovan
IOWA
96 bpm • C# Maj • 04:35 • -11db
34% Popularity • 53% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
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Alex Cornell
I'm On Fire
96 bpm • E Maj • 02:44 • -11.34db
32% Popularity • 53% Danceability • 38% Energy • 52% Liveness
0% Instrumentalness • 22% Positiveness
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Water Liars
Let It Breathe | OurVinyl Sessions
107 bpm • B Maj • 03:12 • -9.66db
29% Popularity • 44% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Ocie Elliott
Be Around
96 bpm • B Maj • 03:15 • -14.9db
61% Popularity • 86% Danceability • 23% Energy • 11% Liveness
4% Instrumentalness • 35% Positiveness
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Caroline Spence
Sit Here And Love Me
96 bpm • A# Maj • 03:25 • -13.4db
36% Popularity • 48% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Eddie Berman
Not Enough
96 bpm • G# Maj • 04:08 • -11.62db
13% Popularity • 48% Danceability • 30% Energy • 12% Liveness
43% Instrumentalness • 4% Positiveness
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Aoife O'Donovan
You Turn Me On, I'm a Radio - Acoustic
96 bpm • C# Maj • 03:21 • -13.08db
38% Popularity • 51% Danceability • 8% Energy • 34% Liveness
0% Instrumentalness • 23% Positiveness
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Caitlin Canty
Motel
95 bpm • A Maj • 03:04 • -13.86db
39% Popularity • 50% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Wild Rivers
Already Gone
95 bpm • A# Maj • 03:42 • -13db
57% Popularity • 59% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Robby Hecht
If I Were a River
95 bpm • F Maj • 02:20 • -13.28db
30% Popularity • 51% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Sam Amidon
Walking on Sunshine
107 bpm • A# Maj • 03:07 • -12db
35% Popularity • 60% Danceability • 39% Energy • 11% Liveness
5% Instrumentalness • 76% Positiveness
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Eddie Berman
You Can Call Me Al
107 bpm • D# Maj • 04:13 • -10.42db
35% Popularity • 57% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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River Whyless
It Ain't Me Babe
95 bpm • C# Maj • 03:40 • -11.16db
38% Popularity • 55% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Aoife O'Donovan
Porch Light
95 bpm • C# Maj • 03:17 • -8.49db
40% Popularity • 36% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
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Dead Horses
Turntable
95 bpm • C Maj • 03:16 • -10.33db
51% Popularity • 60% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Humbird
Pharmakon
95 bpm • A Maj • 02:35 • -12.56db
54% Popularity • 68% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Front Country
How Can You Sing
95 bpm • C Maj • 03:30 • -13.02db
33% Popularity • 59% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
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Caamp
Misty
95 bpm • A# Maj • 03:44 • -7.96db
58% Popularity • 60% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Jeffrey Foucault
Little Warble
95 bpm • F min • 03:56 • -13.51db
30% Popularity • 67% Danceability • 27% Energy • 16% Liveness
2% Instrumentalness • 21% Positiveness
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Adam Torres
Green Mountain Road
107 bpm • G# min • 05:34 • -13.48db
38% Popularity • 41% Danceability • 24% Energy • 14% Liveness
9% Instrumentalness • 16% Positiveness
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Eddie Berman
Cherokee Rose
95 bpm • D# Maj • 03:52 • -10.83db
26% Popularity • 45% Danceability • 37% Energy • 13% Liveness
3% Instrumentalness • 38% Positiveness
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Josh Ritter
Heaven Knows
108 bpm • E Maj • 02:08 • -10.89db
23% Popularity • 66% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Matthew And The Atlas
Palace
95 bpm • E Maj • 03:08 • -16.78db
40% Popularity • 54% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Beta Radio
Destined to Pretend
95 bpm • D Maj • 03:12 • -10.29db
44% Popularity • 51% Danceability • 52% Energy • 24% Liveness
1% Instrumentalness • 24% Positiveness
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Leif Vollebekk
Apalachee Plain
108 bpm • A Maj • 03:40 • -7.8db
48% Popularity • 66% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Robby Hecht
Holding You
95 bpm • D Maj • 03:48 • -11.45db
19% Popularity • 42% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Roseanne Reid
Sweet Annie
108 bpm • A# Maj • 03:23 • -17.34db
26% Popularity • 50% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
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Donovan Woods
Another Way
94 bpm • F Maj • 04:11 • -12db
42% Popularity • 58% Danceability • 59% Energy • 12% Liveness
2% Instrumentalness • 58% Positiveness
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Eddie Berman
Running
108 bpm • D# Maj • 04:53 • -11.12db
13% Popularity • 35% Danceability • 29% Energy • 11% Liveness
3% Instrumentalness • 9% Positiveness
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The Dead Tongues
Like a Dream
108 bpm • C Maj • 04:48 • -8.48db
25% Popularity • 44% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Elle Cordova
Morse Code
108 bpm • D Maj • 04:45 • -14db
32% Popularity • 51% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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Henry Jamison
The Partisan - Recorded at Spotify Studi...
94 bpm • G min • 03:09 • -15.3db
31% Popularity • 39% Danceability • 13% Energy • 11% Liveness
4% Instrumentalness • 25% Positiveness
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Abigail Lapell
Down by the Water
94 bpm • A Maj • 02:55 • -16db
55% Popularity • 63% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Bahamas
Whole Wide World
109 bpm • F Maj • 02:35 • -9.04db
59% Popularity • 73% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Eddie Berman
Hamlet, Accidentally
94 bpm • F# Maj • 03:18 • -13.45db
19% Popularity • 57% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Cory Chisel
Tell Me True
94 bpm • A Maj • 02:40 • -8.13db
22% Popularity • 60% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Anna Tivel
Blue World
109 bpm • D Maj • 04:34 • -12.86db
19% Popularity • 49% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Ondara
Torch Song
93 bpm • C# Maj • 04:08 • -7.35db
32% Popularity • 47% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Christopher Paul Stelling
Destitute
109 bpm • C Maj • 04:01 • -7db
15% Popularity • 45% Danceability • 59% Energy • 9% Liveness
1% Instrumentalness • 25% Positiveness
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Ordinary Elephant
Harriet
93 bpm • G min • 03:06 • -8.64db
32% Popularity • 59% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Eddie Berman
I Know I Could
109 bpm • C Maj • 04:31 • -15.19db
10% Popularity • 75% Danceability • 17% Energy • 6% Liveness
1% Instrumentalness • 63% Positiveness
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Rosie Carney
Thousand - Acoustic
109 bpm • C# Maj • 03:22 • -18.08db
34% Popularity • 48% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Beta Radio
Hope You Change Your Mind
93 bpm • G Maj • 03:02 • -10.1db
44% Popularity • 52% Danceability • 44% Energy • 12% Liveness
17% Instrumentalness • 30% Positiveness
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Ondara
Lebanon
109 bpm • C Maj • 03:26 • -11db
56% Popularity • 82% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Ocie Elliott
Take Me Home
110 bpm • F# Maj • 03:01 • -11db
65% Popularity • 74% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Alexi Murdoch
Some Day Soon
93 bpm • E Maj • 04:47 • -12db
42% Popularity • 59% Danceability • 55% Energy • 9% Liveness
89% Instrumentalness • 42% Positiveness
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Eddie Berman
My Will Be Done
109 bpm • C# Maj • 03:44 • -15.62db
9% Popularity • 51% Danceability • 20% Energy • 12% Liveness
48% Instrumentalness • 12% Positiveness
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Jillette Johnson
Champagne Supernova (OurVinyl Sessions)
110 bpm • F# Maj • 04:14 • -13.92db
45% Popularity • 40% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Graeme James
Young Blood
110 bpm • C Maj • 03:40 • -6.83db
28% Popularity • 69% Danceability • 63% Energy • 9% Liveness
6% Instrumentalness • 58% Positiveness
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Ondara
Give Me A Moment
109 bpm • A# Maj • 03:34 • -7db
32% Popularity • 61% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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S.O.B.