Songs like Solo by DD Smash
Based on a tempo of (+/- 10%) and a similar genre
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Supergroove
You Gotta Know
116 bpm • G Maj • 03:35 • -5.53db
34% Popularity • 67% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 67% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 66% Positiveness
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DD Smash
Solo
116 bpm • D Maj • 04:55 • -13.91db
13% Popularity • 69% Danceability • 34% Energy • 9% Liveness
16% Instrumentalness • 73% Positiveness
13% Popularity • 69% Danceability • 34% Energy • 9% Liveness
16% Instrumentalness • 73% Positiveness
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GANGgajang
American Money
116 bpm • E Maj • 03:45 • -13.31db
15% Popularity • 71% Danceability • 50% Energy • 10% Liveness
7% Instrumentalness • 96% Positiveness
15% Popularity • 71% Danceability • 50% Energy • 10% Liveness
7% Instrumentalness • 96% Positiveness
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Crowded House
It's Only Natural
116 bpm • A# Maj • 03:32 • -11.92db
53% Popularity • 75% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
53% Popularity • 75% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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The Black Sorrows
Mystified
116 bpm • C Maj • 04:34 • -14db
21% Popularity • 72% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 72% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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John Mellencamp
Miami
116 bpm • C Maj • 03:53 • -12.75db
23% Popularity • 82% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
23% Popularity • 82% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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Supergroove
You Gotta Know Remix
116 bpm • G Maj • 03:36 • -8.76db
22% Popularity • 70% Danceability • 93% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 70% Danceability • 93% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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DD Smash
Open Up
116 bpm • D Maj • 03:23 • -11.09db
4% Popularity • 71% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
4% Popularity • 71% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Dynamic Hepnotics
Gotta Be Wrong
116 bpm • C Maj • 04:05 • -5.8db
16% Popularity • 57% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 57% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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Knightshade
You Don't Need Me
116 bpm • B Maj • 04:00 • -5.43db
11% Popularity • 51% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 51% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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MATT MOFFITT
Miss This Tonight
116 bpm • F Maj • 04:44 • -17.27db
19% Popularity • 73% Danceability • 43% Energy • 29% Liveness
43% Instrumentalness • 55% Positiveness
19% Popularity • 73% Danceability • 43% Energy • 29% Liveness
43% Instrumentalness • 55% Positiveness
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GANGgajang
House Of Cards
115 bpm • A min • 02:44 • -9db
31% Popularity • 62% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
31% Popularity • 62% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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The Mutton Birds
Nature
117 bpm • D Maj • 03:42 • -14.67db
28% Popularity • 57% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 58% Positiveness
28% Popularity • 57% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 58% Positiveness
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DD Smash
The Optimist
115 bpm • C Maj • 04:06 • -10.57db
6% Popularity • 59% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
6% Popularity • 59% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
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vSpy vSpy
Hooligans
117 bpm • G Maj • 03:11 • -10.83db
16% Popularity • 67% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
16% Popularity • 67% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Choirboys
Never Gonna Die
115 bpm • E Maj • 04:01 • -7.91db
29% Popularity • 62% Danceability • 74% Energy • 25% Liveness
2% Instrumentalness • 54% Positiveness
29% Popularity • 62% Danceability • 74% Energy • 25% Liveness
2% Instrumentalness • 54% Positiveness
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Mi-Sex
Computer Games
118 bpm • F Maj • 03:53 • -9.8db
41% Popularity • 66% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
41% Popularity • 66% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Models
Let's Kiss
117 bpm • D min • 03:31 • -8db
25% Popularity • 61% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
25% Popularity • 61% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Crowded House
Locked Out
118 bpm • C# min • 03:17 • -5.67db
42% Popularity • 46% Danceability • 96% Energy • 42% Liveness
0% Instrumentalness • 51% Positiveness
42% Popularity • 46% Danceability • 96% Energy • 42% Liveness
0% Instrumentalness • 51% Positiveness
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The Sharp
Scratch My Back
118 bpm • E Maj • 03:19 • -4.64db
18% Popularity • 58% Danceability • 89% Energy • 22% Liveness
8% Instrumentalness • 70% Positiveness
18% Popularity • 58% Danceability • 89% Energy • 22% Liveness
8% Instrumentalness • 70% Positiveness
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Knightshade
Out for the Count
114 bpm • B Maj • 03:23 • -7.88db
11% Popularity • 55% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 55% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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The Black Sorrows
Better Times
114 bpm • A# Maj • 04:54 • -8db
21% Popularity • 51% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 51% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Th' Dudes
Quite Frankly
118 bpm • A Maj • 05:01 • -5.23db
14% Popularity • 54% Danceability • 88% Energy • 54% Liveness
59% Instrumentalness • 68% Positiveness
14% Popularity • 54% Danceability • 88% Energy • 54% Liveness
59% Instrumentalness • 68% Positiveness
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Dance Exponents
Victoria
118 bpm • B Maj • 03:47 • -7.57db
28% Popularity • 64% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 64% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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The Mutton Birds
The Heater
114 bpm • C Maj • 04:24 • -8.41db
12% Popularity • 47% Danceability • 77% Energy • 39% Liveness
2% Instrumentalness • 24% Positiveness
12% Popularity • 47% Danceability • 77% Energy • 39% Liveness
2% Instrumentalness • 24% Positiveness
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James Freud
Hurricane
114 bpm • A Maj • 03:40 • -12.02db
10% Popularity • 62% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 62% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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DD Smash
Whaling
114 bpm • C Maj • 03:45 • -12.62db
42% Popularity • 60% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
42% Popularity • 60% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Richard Clapton
The Best Years of Our Lives - Original
119 bpm • A Maj • 05:08 • -11.42db
33% Popularity • 52% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
33% Popularity • 52% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Models
I Hear Motion
113 bpm • F Maj • 05:31 • -16.02db
37% Popularity • 73% Danceability • 71% Energy • 22% Liveness
1% Instrumentalness • 74% Positiveness
37% Popularity • 73% Danceability • 71% Energy • 22% Liveness
1% Instrumentalness • 74% Positiveness
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GANGgajang
Initiation
113 bpm • A Maj • 03:28 • -11.22db
22% Popularity • 66% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 66% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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The Mutton Birds
The Heater
114 bpm • C Maj • 03:43 • -5.65db
18% Popularity • 43% Danceability • 84% Energy • 38% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 43% Danceability • 84% Energy • 38% Liveness
0% Instrumentalness • 34% Positiveness
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Boom Crash Opera
Get Out Of The House
119 bpm • C Maj • 03:20 • -4.96db
29% Popularity • 57% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
29% Popularity • 57% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
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Flowers
Sister
113 bpm • D Maj • 03:23 • -6db
32% Popularity • 75% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
32% Popularity • 75% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Th' Dudes
Walking in Light
119 bpm • E Maj • 03:40 • -9.24db
35% Popularity • 61% Danceability • 82% Energy • 61% Liveness
0% Instrumentalness • 69% Positiveness
35% Popularity • 61% Danceability • 82% Energy • 61% Liveness
0% Instrumentalness • 69% Positiveness
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Sharon O'Neill
Losing You
113 bpm • C# min • 04:01 • -10.37db
21% Popularity • 59% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
21% Popularity • 59% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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DD Smash
Silence
113 bpm • G Maj • 03:00 • -13.13db
5% Popularity • 53% Danceability • 57% Energy • 13% Liveness
14% Instrumentalness • 89% Positiveness
5% Popularity • 53% Danceability • 57% Energy • 13% Liveness
14% Instrumentalness • 89% Positiveness
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Models
Barbados
113 bpm • C Maj • 04:15 • -12.6db
48% Popularity • 69% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
48% Popularity • 69% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Jenny Morris
Land of the Long White Cloud/Aotearoa
119 bpm • C Maj • 03:51 • -14.89db
18% Popularity • 66% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 10% Positiveness
18% Popularity • 66% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 10% Positiveness
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The Cars
Good Times Roll - Live 1979
113 bpm • E Maj • 03:39 • -14.01db
10% Popularity • 57% Danceability • 68% Energy • 89% Liveness
1% Instrumentalness • 81% Positiveness
10% Popularity • 57% Danceability • 68% Energy • 89% Liveness
1% Instrumentalness • 81% Positiveness
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Weta
Calling On
119 bpm • A# Maj • 05:26 • -7.21db
27% Popularity • 55% Danceability • 71% Energy • 18% Liveness
3% Instrumentalness • 70% Positiveness
27% Popularity • 55% Danceability • 71% Energy • 18% Liveness
3% Instrumentalness • 70% Positiveness
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The Exponents
Who Loves Who The Most
112 bpm • D Maj • 04:15 • -5.53db
36% Popularity • 60% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 60% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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DD Smash
Repetition
119 bpm • E Maj • 03:21 • -13.33db
12% Popularity • 64% Danceability • 53% Energy • 37% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 64% Danceability • 53% Energy • 37% Liveness
0% Instrumentalness • 82% Positiveness
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The Black Sorrows
Love Goes Wild
112 bpm • D Maj • 03:26 • -13.13db
14% Popularity • 60% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 60% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 59% Positiveness
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The Badloves
Lost
112 bpm • G Maj • 03:32 • -12db
34% Popularity • 50% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 50% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Bryan Ferry
This Is Tomorrow
119 bpm • G# Maj • 03:40 • -8.11db
34% Popularity • 42% Danceability • 66% Energy • 9% Liveness
44% Instrumentalness • 51% Positiveness
34% Popularity • 42% Danceability • 66% Energy • 9% Liveness
44% Instrumentalness • 51% Positiveness
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Shona Laing
(Glad I'm Not) a Kennedy
112 bpm • C Maj • 03:27 • -12.67db
31% Popularity • 69% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
31% Popularity • 69% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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The Exponents
Erotic
120 bpm • G Maj • 04:59 • -7.77db
19% Popularity • 68% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 68% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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DD Smash
Bury That Gun
120 bpm • F# min • 04:05 • -14.33db
8% Popularity • 80% Danceability • 29% Energy • 11% Liveness
15% Instrumentalness • 89% Positiveness
8% Popularity • 80% Danceability • 29% Energy • 11% Liveness
15% Instrumentalness • 89% Positiveness
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GANGgajang
Ambulance Men - Remastered
120 bpm • C Maj • 03:24 • -6db
25% Popularity • 72% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
25% Popularity • 72% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
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The Badloves
Sugar Daddy
112 bpm • B min • 06:15 • -13.09db
15% Popularity • 51% Danceability • 38% Energy • 8% Liveness
15% Instrumentalness • 69% Positiveness
15% Popularity • 51% Danceability • 38% Energy • 8% Liveness
15% Instrumentalness • 69% Positiveness
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Company Of Strangers
Motor City (I Get Lost)
120 bpm • C# Maj • 04:40 • -4db
24% Popularity • 60% Danceability • 94% Energy • 13% Liveness
1% Instrumentalness • 36% Positiveness
24% Popularity • 60% Danceability • 94% Energy • 13% Liveness
1% Instrumentalness • 36% Positiveness
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Matt Finish
Respectable
120 bpm • D Maj • 03:30 • -14.74db
11% Popularity • 74% Danceability • 45% Energy • 5% Liveness
7% Instrumentalness • 74% Positiveness
11% Popularity • 74% Danceability • 45% Energy • 5% Liveness
7% Instrumentalness • 74% Positiveness
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The Exponents
Erotic - 7"Edit
120 bpm • G Maj • 03:54 • -8.7db
11% Popularity • 72% Danceability • 68% Energy • 28% Liveness
1% Instrumentalness • 68% Positiveness
11% Popularity • 72% Danceability • 68% Energy • 28% Liveness
1% Instrumentalness • 68% Positiveness
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Diesel
Man Alive
112 bpm • B min • 04:50 • -7.63db
30% Popularity • 63% Danceability • 88% Energy • 29% Liveness
29% Instrumentalness • 75% Positiveness
30% Popularity • 63% Danceability • 88% Energy • 29% Liveness
29% Instrumentalness • 75% Positiveness
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DD Smash
She Loves Me Back
120 bpm • G Maj • 04:10 • -11.89db
20% Popularity • 63% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
20% Popularity • 63% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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The Badloves
Green Limousine
112 bpm • G Maj • 03:45 • -13db
41% Popularity • 77% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
41% Popularity • 77% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Fur Patrol
Lydia
112 bpm • E Maj • 04:15 • -12.3db
39% Popularity • 65% Danceability • 38% Energy • 14% Liveness
22% Instrumentalness • 44% Positiveness
39% Popularity • 65% Danceability • 38% Energy • 14% Liveness
22% Instrumentalness • 44% Positiveness
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Flowers
Skin
120 bpm • G# min • 02:44 • -5.8db
21% Popularity • 66% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 66% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Nick Barker
Time Bomb
121 bpm • E Maj • 04:59 • -9.35db
0% Popularity • 40% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
0% Popularity • 40% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Graham Bonnet
It's All Over Now, Baby Blue
121 bpm • F Maj • 04:16 • -6.81db
17% Popularity • 64% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 64% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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DD Smash
The Gambler - Live
112 bpm • A Maj • 06:07 • -8.85db
2% Popularity • 56% Danceability • 89% Energy • 73% Liveness
3% Instrumentalness • 53% Positiveness
2% Popularity • 56% Danceability • 89% Energy • 73% Liveness
3% Instrumentalness • 53% Positiveness
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The Saints
The Music Goes Round My Head
111 bpm • D Maj • 03:45 • -13.37db
28% Popularity • 59% Danceability • 58% Energy • 66% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 59% Danceability • 58% Energy • 66% Liveness
0% Instrumentalness • 65% Positiveness
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The La De Da's
Gonna See My Baby Tonight
121 bpm • G Maj • 03:17 • -10.4db
20% Popularity • 69% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 69% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Mi-Sex
Falling in and Out
121 bpm • G Maj • 03:19 • -12db
26% Popularity • 70% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
26% Popularity • 70% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Crowded House
When You Come
121 bpm • A Maj • 04:45 • -12db
39% Popularity • 42% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
39% Popularity • 42% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
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Models
Stormy Tonight
121 bpm • B Maj • 04:13 • -16.52db
20% Popularity • 68% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 68% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
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Daddy Cool
Come Back Again - 2011 Remaster
121 bpm • D Maj • 04:53 • -6db
39% Popularity • 74% Danceability • 76% Energy • 4% Liveness
1% Instrumentalness • 64% Positiveness
39% Popularity • 74% Danceability • 76% Energy • 4% Liveness
1% Instrumentalness • 64% Positiveness
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Goanna
Stand Yr' Ground - Remastered Version
121 bpm • A Maj • 03:55 • -6.09db
29% Popularity • 71% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 71% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Th' Dudes
Be Mine Tonight
121 bpm • E Maj • 06:07 • -10.7db
45% Popularity • 55% Danceability • 70% Energy • 10% Liveness
10% Instrumentalness • 72% Positiveness
45% Popularity • 55% Danceability • 70% Energy • 10% Liveness
10% Instrumentalness • 72% Positiveness
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Jimmy & the Boys
I'm Not Like Everybody Else
111 bpm • A Maj • 03:17 • -12.02db
17% Popularity • 70% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
17% Popularity • 70% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Matt Taylor
I Remember When I Was Young
121 bpm • G Maj • 03:58 • -7.94db
31% Popularity • 69% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 69% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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Matt Finish
Hanging On
122 bpm • C Maj • 03:00 • -14.64db
15% Popularity • 82% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 65% Positiveness
15% Popularity • 82% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 65% Positiveness
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Sharon O'Neill
Waiting for You
110 bpm • G# Maj • 03:30 • -7.79db
9% Popularity • 81% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 81% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
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Hello Sailor
Lying In The Sand
122 bpm • C Maj • 02:26 • -16.1db
20% Popularity • 66% Danceability • 45% Energy • 13% Liveness
62% Instrumentalness • 64% Positiveness
20% Popularity • 66% Danceability • 45% Energy • 13% Liveness
62% Instrumentalness • 64% Positiveness
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The Exponents
I'll Say Goodbye (Even Though I'm Blue)
122 bpm • C# min • 02:50 • -7.67db
38% Popularity • 70% Danceability • 58% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
38% Popularity • 70% Danceability • 58% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
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Company Of Strangers
Daddy's Gonna Make You a Star
122 bpm • F Maj • 04:40 • -3.85db
25% Popularity • 60% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
25% Popularity • 60% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Models
Out Of Mind Out Of Sight
122 bpm • F# min • 03:37 • -14db
45% Popularity • 63% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
45% Popularity • 63% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
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PEKING MAN
Room That Echoes
122 bpm • G min • 03:53 • -10.68db
25% Popularity • 82% Danceability • 57% Energy • 41% Liveness
0% Instrumentalness • 85% Positiveness
25% Popularity • 82% Danceability • 57% Energy • 41% Liveness
0% Instrumentalness • 85% Positiveness
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Goldenhorse
Northern Lights
122 bpm • F Maj • 04:08 • -6.41db
28% Popularity • 69% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 69% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Hello Sailor
Lyin' in the Sand
122 bpm • C Maj • 02:26 • -14.41db
25% Popularity • 65% Danceability • 56% Energy • 33% Liveness
2% Instrumentalness • 62% Positiveness
25% Popularity • 65% Danceability • 56% Energy • 33% Liveness
2% Instrumentalness • 62% Positiveness
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the feelers
Venus - 2015 Remaster
110 bpm • G Maj • 04:50 • -6.67db
39% Popularity • 70% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
39% Popularity • 70% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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The Sharp
Train Of Thought
122 bpm • A Maj • 03:27 • -6.21db
13% Popularity • 48% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 48% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 39% Positiveness
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Models
Out of Mind out of Sight - 12" Version
122 bpm • E Maj • 05:58 • -15db
10% Popularity • 74% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 74% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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The Swingers
It Aint What You Dance Its the Way You D...
122 bpm • B min • 03:02 • -10.55db
10% Popularity • 60% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
10% Popularity • 60% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
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Rockmelons
New Groove
110 bpm • F Maj • 04:39 • -11db
19% Popularity • 79% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
19% Popularity • 79% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Dave Graney & The Coral Snakes
You're Just Too Hip, Baby
122 bpm • E Maj • 04:20 • -12db
25% Popularity • 65% Danceability • 56% Energy • 24% Liveness
1% Instrumentalness • 86% Positiveness
25% Popularity • 65% Danceability • 56% Energy • 24% Liveness
1% Instrumentalness • 86% Positiveness
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Sharon O'Neill
Maxine
110 bpm • C min • 04:37 • -12db
38% Popularity • 68% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
38% Popularity • 68% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Fourmyula
Nature
123 bpm • F# Maj • 02:54 • -11.4db
31% Popularity • 62% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 62% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Models
Big On Love
123 bpm • D Maj • 03:52 • -14.83db
28% Popularity • 82% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 82% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Russell Morris
Hush
109 bpm • G Maj • 03:01 • -7.58db
23% Popularity • 51% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 51% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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vSpy vSpy
One of a Kind
123 bpm • C Maj • 06:28 • -6.83db
17% Popularity • 48% Danceability • 83% Energy • 14% Liveness
26% Instrumentalness • 64% Positiveness
17% Popularity • 48% Danceability • 83% Energy • 14% Liveness
26% Instrumentalness • 64% Positiveness
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Choirboys
Boys in the Band
109 bpm • E Maj • 04:56 • -8.64db
11% Popularity • 48% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 48% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Richard Clapton
Girls on the Avenue
123 bpm • C min • 04:02 • -13.94db
50% Popularity • 64% Danceability • 53% Energy • 11% Liveness
8% Instrumentalness • 84% Positiveness
50% Popularity • 64% Danceability • 53% Energy • 11% Liveness
8% Instrumentalness • 84% Positiveness
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Dynamic Hepnotics
Soul Kind of Feeliing
123 bpm • B Maj • 03:54 • -11.06db
30% Popularity • 77% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 77% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 86% Positiveness
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Goanna
Razor's Edge - Remastered Version
123 bpm • D Maj • 05:11 • -8db
45% Popularity • 69% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
45% Popularity • 69% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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The Mockers
My Girl Thinks She's Cleopatra
109 bpm • C Maj • 03:40 • -4.54db
15% Popularity • 58% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
15% Popularity • 58% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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vSpy vSpy
Out and Dreaming
123 bpm • B min • 04:03 • -13.76db
18% Popularity • 60% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
18% Popularity • 60% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Th' Dudes
Walking in the Light - Live
123 bpm • E Maj • 04:55 • -4.19db
14% Popularity • 54% Danceability • 90% Energy • 96% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 54% Danceability • 90% Energy • 96% Liveness
0% Instrumentalness • 70% Positiveness
