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Som flugors surr i mina öron
Songs like
Som flugors surr i mina öron
by
Barlast
Based on a tempo of (+/- 10%) and a similar genre
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Barlast
Som flugors surr i mina öron
141 bpm • D Maj • 06:10 • -17.63db
0% Popularity • 56% Danceability • 33% Energy • 5% Liveness
84% Instrumentalness • 25% Positiveness
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Achilleas Persidis
Mesologgi
141 bpm • G Maj • 04:09 • -15.6db
10% Popularity • 42% Danceability • 52% Energy • 10% Liveness
93% Instrumentalness • 59% Positiveness
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Carl Petter Opsahl
The Song Within You (Johannes)
141 bpm • G Maj • 04:15 • -16.57db
24% Popularity • 52% Danceability • 11% Energy • 11% Liveness
75% Instrumentalness • 57% Positiveness
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Rêve D'éléphant Orchestra
Tradewinds
142 bpm • C# Maj • 08:28 • -13.2db
20% Popularity • 42% Danceability • 25% Energy • 10% Liveness
80% Instrumentalness • 8% Positiveness
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Sequoia Lane
Brahmi Scripts
142 bpm • F Maj • 05:17 • -16.17db
8% Popularity • 41% Danceability • 6% Energy • 8% Liveness
64% Instrumentalness • 35% Positiveness
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Kjetil Mulelid
A Prayer for Peace
140 bpm • C min • 06:16 • -9.37db
13% Popularity • 20% Danceability • 37% Energy • 31% Liveness
70% Instrumentalness • 7% Positiveness
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Barlast
Ayhamin valssi
140 bpm • D Maj • 04:26 • -15.14db
3% Popularity • 44% Danceability • 21% Energy • 13% Liveness
27% Instrumentalness • 47% Positiveness
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Trond Kallevåg
Siste amerikabrev
142 bpm • E min • 01:10 • -19.12db
9% Popularity • 27% Danceability • 18% Energy • 5% Liveness
8% Instrumentalness • 31% Positiveness
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Watchdog
Vieille âme
140 bpm • F Maj • 03:45 • -11db
7% Popularity • 50% Danceability • 24% Energy • 9% Liveness
81% Instrumentalness • 36% Positiveness
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슈퍼리치밴드
부끄럼 bye - Instrumental
142 bpm • B min • 02:30 • -11.89db
16% Popularity • 67% Danceability • 58% Energy • 10% Liveness
52% Instrumentalness • 79% Positiveness
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Scott McLemore
Clementine
140 bpm • C Maj • 08:07 • -12.21db
7% Popularity • 34% Danceability • 34% Energy • 11% Liveness
74% Instrumentalness • 9% Positiveness
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Peter McConnell
Plague Wing
140 bpm • C Maj • 04:00 • -14.82db
22% Popularity • 64% Danceability • 22% Energy • 10% Liveness
20% Instrumentalness • 20% Positiveness
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Sweet Gum Tree
Silvatica
142 bpm • G min • 02:34 • -7.05db
20% Popularity • 45% Danceability • 47% Energy • 17% Liveness
72% Instrumentalness • 19% Positiveness
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Cassie Kinoshi
milkformycheerios
139 bpm • G# Maj • 03:02 • -26.01db
16% Popularity • 47% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Barlast
Svanvik (Outro)
139 bpm • C# Maj • 03:49 • -16.03db
0% Popularity • 20% Danceability • 36% Energy • 12% Liveness
91% Instrumentalness • 6% Positiveness
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Erlend Skomsvoll Trio
Post Decision Blues
143 bpm • F min • 06:46 • -19.7db
11% Popularity • 54% Danceability • 12% Energy • 12% Liveness
82% Instrumentalness • 16% Positiveness
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DJ Raspberry V
Let's Ride
143 bpm • C Maj • 02:01 • -17.07db
20% Popularity • 43% Danceability • 33% Energy • 10% Liveness
87% Instrumentalness • 89% Positiveness
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Astor Piazzolla
Histoire du Tango - Nightclub 1960
144 bpm • G Maj • 05:45 • -11.71db
9% Popularity • 32% Danceability • 30% Energy • 20% Liveness
95% Instrumentalness • 7% Positiveness
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Carl Petter Opsahl
Acousticon
138 bpm • B min • 01:35 • -14.16db
29% Popularity • 52% Danceability • 7% Energy • 14% Liveness
98% Instrumentalness • 98% Positiveness
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Renaud Garcia-Fons
Lemurian Groove
144 bpm • D Maj • 02:07 • -14.26db
15% Popularity • 73% Danceability • 52% Energy • 11% Liveness
85% Instrumentalness • 92% Positiveness
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Roelofs
Beautiful Detour, The Long Way Home
138 bpm • C Maj • 06:55 • -15.88db
1% Popularity • 58% Danceability • 38% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
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Rafael Karlen
Daily List
138 bpm • B min • 07:02 • -14.02db
10% Popularity • 36% Danceability • 14% Energy • 11% Liveness
61% Instrumentalness • 12% Positiveness
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DJ Raspberry V
Distance
144 bpm • G# Maj • 02:07 • -14.86db
20% Popularity • 41% Danceability • 39% Energy • 10% Liveness
89% Instrumentalness • 85% Positiveness
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John Zorn
Idalah-abal
138 bpm • A min • 05:05 • -20.73db
8% Popularity • 23% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Joseph Tawadros
Slowly Wither
144 bpm • C min • 04:01 • -18.23db
14% Popularity • 46% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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CelloGayageum
Ut!
145 bpm • G Maj • 04:27 • -8.93db
11% Popularity • 66% Danceability • 44% Energy • 9% Liveness
90% Instrumentalness • 44% Positiveness
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Marco Mezquida
Bon Ball Tenim
145 bpm • G min • 01:44 • -17.04db
10% Popularity • 62% Danceability • 45% Energy • 50% Liveness
82% Instrumentalness • 96% Positiveness
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Liv Andrea Hauge Trio
Fri flyt
145 bpm • B min • 04:33 • -15.55db
9% Popularity • 42% Danceability • 37% Energy • 8% Liveness
85% Instrumentalness • 25% Positiveness
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Rêve D'éléphant Orchestra
Mon éléphant
145 bpm • A min • 07:09 • -13.01db
21% Popularity • 44% Danceability • 50% Energy • 10% Liveness
90% Instrumentalness • 32% Positiveness
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Mathias Madsen Munch
Et af de grønneste (J)
137 bpm • C Maj • 01:15 • -17.06db
10% Popularity • 43% Danceability • 15% Energy • 11% Liveness
59% Instrumentalness • 24% Positiveness
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Sophie Alour
Musique pour Messieurs
136 bpm • A# Maj • 05:04 • -10.05db
8% Popularity • 42% Danceability • 40% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
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Luke Howard Trio
The Stream
136 bpm • C min • 03:29 • -21db
13% Popularity • 39% Danceability • 27% Energy • 11% Liveness
87% Instrumentalness • 22% Positiveness
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Christopher Rapkin
Estaban Fuera, (We're Off)
146 bpm • F# Maj • 01:12 • -19.43db
22% Popularity • 59% Danceability • 17% Energy • 11% Liveness
84% Instrumentalness • 54% Positiveness
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Yosuke Onuma
Kite
136 bpm • D Maj • 01:16 • -24.91db
23% Popularity • 26% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
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Emil Brandqvist
The Living Room Gymnast
146 bpm • D# Maj • 04:38 • -16.17db
15% Popularity • 55% Danceability • 33% Energy • 11% Liveness
89% Instrumentalness • 46% Positiveness
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Wajdi Riahi
Akahaw
136 bpm • C min • 01:04 • -28.33db
19% Popularity • 55% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 47% Positiveness
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Fabrizio Savino
No Ifs, Ands, or Buts
147 bpm • C Maj • 05:37 • -12.12db
12% Popularity • 51% Danceability • 44% Energy • 12% Liveness
94% Instrumentalness • 34% Positiveness
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Laurent Dury
Jazzy Circles
136 bpm • G Maj • 01:47 • -17.66db
13% Popularity • 67% Danceability • 33% Energy • 7% Liveness
2% Instrumentalness • 26% Positiveness
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Jonah Parzen-Johnson
Named For You
135 bpm • G# Maj • 06:46 • -13.3db
10% Popularity • 50% Danceability • 7% Energy • 11% Liveness
86% Instrumentalness • 48% Positiveness
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Vestbo Trio
Peace
135 bpm • A Maj • 04:04 • -22.68db
13% Popularity • 75% Danceability • 15% Energy • 10% Liveness
74% Instrumentalness • 64% Positiveness
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Acoustic Fingers
BMX
148 bpm • G# Maj • 01:08 • -9.11db
12% Popularity • 66% Danceability • 55% Energy • 34% Liveness
40% Instrumentalness • 88% Positiveness
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Joseph Tawadros
A Return to Country
147 bpm • F Maj • 03:34 • -16.12db
15% Popularity • 45% Danceability • 34% Energy • 10% Liveness
85% Instrumentalness • 44% Positiveness
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BackRoad Lovers
Country Backroads
148 bpm • G Maj • 04:25 • -14.98db
43% Popularity • 87% Danceability • 45% Energy • 11% Liveness
95% Instrumentalness • 95% Positiveness
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Adam Levy
Vermouth
134 bpm • C Maj • 03:46 • -14.34db
11% Popularity • 37% Danceability • 32% Energy • 16% Liveness
94% Instrumentalness • 48% Positiveness
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Freddie Colonal
Sinking Fears
134 bpm • G min • 01:52 • -22.33db
13% Popularity • 32% Danceability • 4% Energy • 10% Liveness
77% Instrumentalness • 33% Positiveness
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David Friedman
Amiga
134 bpm • G Maj • 02:52 • -19.51db
21% Popularity • 61% Danceability • 13% Energy • 9% Liveness
85% Instrumentalness • 30% Positiveness
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Nikolaj Hess
Gogogogo
148 bpm • E min • 04:48 • -19.89db
20% Popularity • 48% Danceability • 24% Energy • 8% Liveness
88% Instrumentalness • 35% Positiveness
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Bálint Gyémánt
Tavaszi Szél
133 bpm • E min • 04:01 • -17.9db
7% Popularity • 51% Danceability • 25% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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Ann O'aro
BLEU
133 bpm • G# Maj • 05:09 • -12.81db
13% Popularity • 35% Danceability • 29% Energy • 11% Liveness
89% Instrumentalness • 24% Positiveness
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Louis Landon
Evolving
133 bpm • A# Maj • 02:13 • -18.66db
16% Popularity • 40% Danceability • 28% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
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Marius Salajean
Till We Die
133 bpm • E min • 01:19 • -18.32db
9% Popularity • 51% Danceability • 30% Energy • 12% Liveness
96% Instrumentalness • 72% Positiveness
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Giulio Carmassi
Blue Angel
133 bpm • F# Maj • 01:24 • -17.76db
17% Popularity • 22% Danceability • 11% Energy • 13% Liveness
97% Instrumentalness • 3% Positiveness
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Archibald Ugo
Robust Effrontery
133 bpm • B Maj • 02:20 • -19.61db
16% Popularity • 68% Danceability • 25% Energy • 10% Liveness
85% Instrumentalness • 48% Positiveness
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Artvark Saxophone Quartet
Mother of Thousand
150 bpm • D# Maj • 06:09 • -18.84db
12% Popularity • 22% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Zodiac
Sun Bear
133 bpm • F Maj • 06:20 • -23.2db
11% Popularity • 33% Danceability • 6% Energy • 11% Liveness
34% Instrumentalness • 5% Positiveness
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Trond Kallevåg
Første amerikabrev
150 bpm • G Maj • 01:30 • -20.81db
15% Popularity • 32% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 18% Positiveness
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Eric Vloeimans
De Haven: Proloog
150 bpm • A min • 03:35 • -13.67db
8% Popularity • 43% Danceability • 24% Energy • 10% Liveness
83% Instrumentalness • 43% Positiveness
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Gwen Tual
South Train to Bergen
150 bpm • D Maj • 01:08 • -20.97db
44% Popularity • 42% Danceability • 44% Energy • 12% Liveness
87% Instrumentalness • 30% Positiveness
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Cordell Archie
Terminate
150 bpm • G min • 02:46 • -11.38db
19% Popularity • 57% Danceability • 67% Energy • 38% Liveness
86% Instrumentalness • 8% Positiveness
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Roman Davila
Clarity
132 bpm • D Maj • 02:37 • -13.44db
12% Popularity • 56% Danceability • 48% Energy • 11% Liveness
76% Instrumentalness • 38% Positiveness
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Mads Hansen
Intermezzo
150 bpm • G min • 01:51 • -15.51db
19% Popularity • 47% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 28% Positiveness
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Meno Del Picchia
Guaripocaba - Musica Na Serrinha - Esta�...
150 bpm • A Maj • 09:33 • -14.68db
14% Popularity • 38% Danceability • 40% Energy • 12% Liveness
66% Instrumentalness • 23% Positiveness
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Christian Spering
Mol Allena
151 bpm • G Maj • 01:28 • -26db
32% Popularity • 58% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
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Zohar Fresco
Requiem 18/09
151 bpm • C# Maj • 06:01 • -21.72db
11% Popularity • 49% Danceability • 14% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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Umur Kara
Sweet chili
151 bpm • D Maj • 01:56 • -6.85db
8% Popularity • 45% Danceability • 45% Energy • 21% Liveness
89% Instrumentalness • 87% Positiveness
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Martin's Magic Sounds
Beware, Beware - Remastered 1985
131 bpm • G# min • 02:36 • -10.78db
31% Popularity • 47% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Wajdi Riahi
Essia
131 bpm • G Maj • 04:08 • -26.54db
8% Popularity • 26% Danceability • 2% Energy • 8% Liveness
75% Instrumentalness • 4% Positiveness
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Barlast
Nyårsromans
131 bpm • D Maj • 02:04 • -14.2db
0% Popularity • 69% Danceability • 30% Energy • 11% Liveness
3% Instrumentalness • 77% Positiveness
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Emil de Waal
Generøs
131 bpm • E min • 04:51 • -17.48db
13% Popularity • 37% Danceability • 29% Energy • 6% Liveness
21% Instrumentalness • 5% Positiveness
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Federica Michisanti Quartet
Two
131 bpm • A# Maj • 05:41 • -17.2db
8% Popularity • 36% Danceability • 16% Energy • 31% Liveness
29% Instrumentalness • 13% Positiveness
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Nefesh Mountain
After The Rain
131 bpm • E Maj • 02:35 • -13.89db
9% Popularity • 32% Danceability • 24% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
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Musicmusicmusic
Self Care
131 bpm • G Maj • 06:38 • -14.2db
9% Popularity • 44% Danceability • 30% Energy • 12% Liveness
88% Instrumentalness • 36% Positiveness
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Ari Joshua
Enchanted Forrest
152 bpm • F# Maj • 01:12 • -16db
17% Popularity • 65% Danceability • 35% Energy • 11% Liveness
87% Instrumentalness • 82% Positiveness
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Tri Nguyen
Golden Steps
130 bpm • F Maj • 04:44 • -15.98db
12% Popularity • 54% Danceability • 11% Energy • 11% Liveness
15% Instrumentalness • 17% Positiveness
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Aleksi Rahayu
Heart of a Champion
130 bpm • D Maj • 01:28 • -14.76db
7% Popularity • 57% Danceability • 46% Energy • 26% Liveness
92% Instrumentalness • 89% Positiveness
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Jiyu
Moon Behind Fleet of Clouds
153 bpm • F# min • 07:43 • -13.27db
12% Popularity • 51% Danceability • 46% Energy • 11% Liveness
92% Instrumentalness • 35% Positiveness
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Cassie Kinoshi
Hard Heart
130 bpm • G# min • 02:44 • -22.07db
14% Popularity • 90% Danceability • 36% Energy • 7% Liveness
92% Instrumentalness • 25% Positiveness
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Samuel Passos
Baião pra Lua
130 bpm • A Maj • 03:45 • -14.6db
15% Popularity • 58% Danceability • 57% Energy • 12% Liveness
84% Instrumentalness • 54% Positiveness
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Pedro Jóia
Acqua Alta
130 bpm • D min • 02:57 • -10.27db
13% Popularity • 30% Danceability • 57% Energy • 11% Liveness
95% Instrumentalness • 33% Positiveness
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Zac Carson
Final Move
130 bpm • A Maj • 01:26 • -30.35db
20% Popularity • 49% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
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Takénobu
Running Away, Pt. 1
153 bpm • G Maj • 08:39 • -21.12db
12% Popularity • 82% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 48% Positiveness
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Itamar Borochov
Eastern Lullaby
130 bpm • E Maj • 01:57 • -15.26db
9% Popularity • 48% Danceability • 23% Energy • 10% Liveness
88% Instrumentalness • 44% Positiveness
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Eric Vloeimans
Kauwen Op Compost
129 bpm • F Maj • 01:31 • -17.43db
13% Popularity • 38% Danceability • 24% Energy • 12% Liveness
72% Instrumentalness • 30% Positiveness
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Louis Sclavis
Paroles de celui qui étouffe
129 bpm • D Maj • 06:15 • -20.28db
8% Popularity • 61% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Tingvall Trio
Woodpecker - Rhodes Version
154 bpm • D min • 04:47 • -12.68db
24% Popularity • 57% Danceability • 47% Energy • 14% Liveness
86% Instrumentalness • 53% Positiveness
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Nils Økland Band
Framover
129 bpm • C# Maj • 05:39 • -14.38db
16% Popularity • 29% Danceability • 31% Energy • 9% Liveness
80% Instrumentalness • 21% Positiveness
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Cobra
Tang
154 bpm • E min • 02:48 • -13.54db
24% Popularity • 58% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 22% Positiveness
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I Think You're Awesome
I Think You're Awesome
154 bpm • D Maj • 08:54 • -14.17db
7% Popularity • 29% Danceability • 30% Energy • 69% Liveness
93% Instrumentalness • 10% Positiveness
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RUNDMO
Telle Sauer
129 bpm • A# Maj • 06:21 • -11.8db
7% Popularity • 52% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 50% Positiveness
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Giuseppe Millaci
Proemio
128 bpm • A min • 01:00 • -22.32db
25% Popularity • 63% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
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Rêve D'éléphant Orchestra
Nemo
128 bpm • C min • 06:56 • -12.91db
21% Popularity • 65% Danceability • 47% Energy • 13% Liveness
87% Instrumentalness • 65% Positiveness
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Goro Ito
Ballad
128 bpm • G Maj • 02:52 • -15.93db
12% Popularity • 64% Danceability • 27% Energy • 6% Liveness
94% Instrumentalness • 18% Positiveness
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Cobra
Shy
154 bpm • G# Maj • 02:48 • -12.08db
25% Popularity • 44% Danceability • 4% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
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Renaud Garcia-Fons
City of Embers
128 bpm • D min • 02:49 • -13.82db
11% Popularity • 70% Danceability • 46% Energy • 11% Liveness
88% Instrumentalness • 49% Positiveness
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Dimitris Koustas
Quasi
128 bpm • D Maj • 04:33 • -15.62db
10% Popularity • 49% Danceability • 8% Energy • 10% Liveness
33% Instrumentalness • 31% Positiveness
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Made It Well
Penelope
128 bpm • G# Maj • 01:19 • -16.56db
14% Popularity • 53% Danceability • 21% Energy • 11% Liveness
93% Instrumentalness • 30% Positiveness
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Roisel Suàrez
If I Were to lose you
128 bpm • G Maj • 05:17 • -11.95db
14% Popularity • 48% Danceability • 22% Energy • 13% Liveness
89% Instrumentalness • 10% Positiveness
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Maridalen
Innrønt
127 bpm • D Maj • 04:12 • -13.43db
16% Popularity • 27% Danceability • 20% Energy • 22% Liveness
83% Instrumentalness • 4% Positiveness
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Christian McBride
Days of Wine and Roses
127 bpm • G min • 05:35 • -29.12db
17% Popularity • 52% Danceability • 5% Energy • 12% Liveness
93% Instrumentalness • 30% Positiveness
► Preview
Renaud Garcia-Fons
Going Home
128 bpm • C Maj • 03:12 • -12.91db
10% Popularity • 72% Danceability • 49% Energy • 11% Liveness
80% Instrumentalness • 78% Positiveness
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Som flugors surr i mina öron