Songs like Someday - 2000 Remaster by Shirley Bassey
Based on a tempo of (+/- 10%) and a similar genre
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Elsie Bianchi Trio
The Shadows of Paris
93 bpm • F min • 04:08 • -20db
20% Popularity • 65% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 65% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Bobby Goldsboro
Honey
93 bpm • G Maj • 03:58 • -13.12db
60% Popularity • 40% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
60% Popularity • 40% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Shirley Bassey
Someday - 2000 Remaster
93 bpm • F min • 04:58 • -9.01db
12% Popularity • 27% Danceability • 43% Energy • 21% Liveness
2% Instrumentalness • 22% Positiveness
12% Popularity • 27% Danceability • 43% Energy • 21% Liveness
2% Instrumentalness • 22% Positiveness
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Al Martino
My Cherie
93 bpm • G# Maj • 02:34 • -10db
33% Popularity • 20% Danceability • 35% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 20% Danceability • 35% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
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Pat Boone
April Love
93 bpm • G# Maj • 02:43 • -17.86db
43% Popularity • 32% Danceability • 13% Energy • 8% Liveness
3% Instrumentalness • 39% Positiveness
43% Popularity • 32% Danceability • 13% Energy • 8% Liveness
3% Instrumentalness • 39% Positiveness
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Gene Pitney
Every Breath I Take
93 bpm • G Maj • 02:45 • -7db
27% Popularity • 49% Danceability • 78% Energy • 44% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 49% Danceability • 78% Energy • 44% Liveness
0% Instrumentalness • 66% Positiveness
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Jerry Vale
Come Back to Sorrento
92 bpm • D Maj • 02:56 • -14.48db
27% Popularity • 23% Danceability • 15% Energy • 68% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 23% Danceability • 15% Energy • 68% Liveness
0% Instrumentalness • 14% Positiveness
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Bobby Goldsboro
A Woman
93 bpm • C Maj • 02:11 • -17.37db
33% Popularity • 41% Danceability • 23% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
33% Popularity • 41% Danceability • 23% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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Shirley Bassey
The Look of Love
93 bpm • B min • 03:06 • -10.17db
17% Popularity • 46% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 46% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Gary Puckett & The Union Gap
Honey (I Miss You)
92 bpm • A Maj • 04:12 • -11db
44% Popularity • 43% Danceability • 28% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
44% Popularity • 43% Danceability • 28% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
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Dave Berry
The Crying Game
92 bpm • C Maj • 02:45 • -14.63db
32% Popularity • 50% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
32% Popularity • 50% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Labi Siffre
Make My Day
92 bpm • D Maj • 03:03 • -16.12db
9% Popularity • 48% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 48% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Scott Walker and the Walker Brothers
My Ship Is Coming In
94 bpm • D Maj • 02:56 • -9.98db
4% Popularity • 31% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
4% Popularity • 31% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
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Bobby Goldsboro
Why Don't You Believe Me
93 bpm • E Maj • 02:18 • -13.86db
38% Popularity • 35% Danceability • 26% Energy • 28% Liveness
0% Instrumentalness • 39% Positiveness
38% Popularity • 35% Danceability • 26% Energy • 28% Liveness
0% Instrumentalness • 39% Positiveness
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Shirley Bassey
Easy to Be Hard - 1999 Remaster
92 bpm • G# Maj • 02:41 • -8.13db
16% Popularity • 38% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 38% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Della Reese
Don't Know You - Digitally Mastered 1988
92 bpm • D# Maj • 02:33 • -12.02db
23% Popularity • 20% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 20% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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David Cassidy
Daydreamer
94 bpm • C Maj • 02:47 • -13.18db
37% Popularity • 47% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
37% Popularity • 47% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Tom Clay
What The World Needs Now Is Love/Abraham...
94 bpm • D min • 06:19 • -9.84db
24% Popularity • 40% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 40% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Al Martino
An Affair To Remember - Remastered
92 bpm • D# Maj • 02:54 • -16.15db
31% Popularity • 20% Danceability • 22% Energy • 10% Liveness
4% Instrumentalness • 20% Positiveness
31% Popularity • 20% Danceability • 22% Energy • 10% Liveness
4% Instrumentalness • 20% Positiveness
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Bryan Ferry
I'm In the Mood for Love
94 bpm • F Maj • 04:17 • -11.34db
37% Popularity • 62% Danceability • 48% Energy • 42% Liveness
12% Instrumentalness • 51% Positiveness
37% Popularity • 62% Danceability • 48% Energy • 42% Liveness
12% Instrumentalness • 51% Positiveness
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Gary Puckett & The Union Gap
Home
92 bpm • A Maj • 03:15 • -10db
32% Popularity • 34% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 34% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Bobby Goldsboro
And I Love You So
94 bpm • G# Maj • 03:04 • -11db
46% Popularity • 50% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
46% Popularity • 50% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
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Shirley Bassey
It's Impossible - 1999 Remaster
92 bpm • C Maj • 02:48 • -10.07db
34% Popularity • 47% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
34% Popularity • 47% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Frankie Avalon
Why
95 bpm • F Maj • 02:37 • -14.81db
32% Popularity • 42% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 42% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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The Righteous Brothers
Just Once In My Life
95 bpm • D Maj • 03:47 • -13db
34% Popularity • 32% Danceability • 40% Energy • 19% Liveness
34% Instrumentalness • 26% Positiveness
34% Popularity • 32% Danceability • 40% Energy • 19% Liveness
34% Instrumentalness • 26% Positiveness
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Della Reese
What A Difference A Day Made
91 bpm • C Maj • 02:28 • -8.24db
19% Popularity • 35% Danceability • 36% Energy • 22% Liveness
1% Instrumentalness • 25% Positiveness
19% Popularity • 35% Danceability • 36% Energy • 22% Liveness
1% Instrumentalness • 25% Positiveness
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Steve Lawrence
Portrait Of My Love
91 bpm • C Maj • 02:55 • -9.1db
28% Popularity • 34% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
28% Popularity • 34% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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The Lettermen
I Only Have Eyes For You
91 bpm • E Maj • 02:33 • -14.81db
33% Popularity • 46% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
33% Popularity • 46% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Bobby Goldsboro
Little Green Apples
95 bpm • E min • 03:13 • -14.52db
47% Popularity • 45% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
47% Popularity • 45% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Shirley Bassey
Feel Like Makin' Love
95 bpm • D Maj • 03:38 • -12.99db
5% Popularity • 49% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
5% Popularity • 49% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Shirley Horn
Wild Is Love
96 bpm • C# Maj • 01:30 • -16.73db
37% Popularity • 54% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
37% Popularity • 54% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Gilbert O'Sullivan
It's so Easy to Be Sad
96 bpm • G Maj • 04:41 • -7.95db
8% Popularity • 56% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 56% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Don Francks & Petula Clark
Old Devil Moon
96 bpm • G Maj • 04:05 • -14.38db
15% Popularity • 36% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 36% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Francis Lai
Live For Life (Vivre Pour Vivre)
90 bpm • A min • 02:48 • -14.79db
26% Popularity • 53% Danceability • 32% Energy • 13% Liveness
3% Instrumentalness • 24% Positiveness
26% Popularity • 53% Danceability • 32% Energy • 13% Liveness
3% Instrumentalness • 24% Positiveness
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Quincy Jones
On Days Like These
96 bpm • G min • 03:40 • -10.75db
38% Popularity • 47% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 47% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Shirley Bassey
I'm Not There - 1999 Remaster
90 bpm • C# min • 03:04 • -8.35db
13% Popularity • 52% Danceability • 41% Energy • 44% Liveness
0% Instrumentalness • 47% Positiveness
13% Popularity • 52% Danceability • 41% Energy • 44% Liveness
0% Instrumentalness • 47% Positiveness
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The Righteous Brothers
Old Man River
96 bpm • C Maj • 02:59 • -21db
31% Popularity • 34% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 34% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Gilbert O'Sullivan
That’s the Kind of Love I Need
96 bpm • F# min • 04:55 • -9.96db
8% Popularity • 65% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 65% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Lisa Stansfield
Down in the Depths
90 bpm • A# min • 04:31 • -12.9db
12% Popularity • 51% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 51% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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The Groop
A Famous Myth
90 bpm • G Maj • 03:23 • -8.53db
14% Popularity • 36% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 36% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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The Lettermen
Theme From "A Summer Place" - Remastered
96 bpm • G# Maj • 02:05 • -16db
43% Popularity • 43% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
43% Popularity • 43% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Shirley Bassey
Moonraker
96 bpm • B Maj • 03:09 • -12db
45% Popularity • 27% Danceability • 29% Energy • 15% Liveness
2% Instrumentalness • 19% Positiveness
45% Popularity • 27% Danceability • 29% Energy • 15% Liveness
2% Instrumentalness • 19% Positiveness
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Della Reese
It's Magic
96 bpm • D# Maj • 02:22 • -8db
31% Popularity • 46% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 46% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Roy Orbison
It's Over
90 bpm • C Maj • 03:01 • -12db
46% Popularity • 46% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
46% Popularity • 46% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Jackie Ward
Dad and Co.
90 bpm • C Maj • 05:00 • -9.36db
12% Popularity • 56% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
12% Popularity • 56% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Louis Armstrong
We Have All The Time In The World
89 bpm • A Maj • 03:15 • -13.03db
56% Popularity • 50% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
56% Popularity • 50% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
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Al Martino
The Memory of You
97 bpm • D Maj • 02:47 • -13db
24% Popularity • 37% Danceability • 35% Energy • 46% Liveness
9% Instrumentalness • 29% Positiveness
24% Popularity • 37% Danceability • 35% Energy • 46% Liveness
9% Instrumentalness • 29% Positiveness
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Shirley Bassey
Someone Who Cares
90 bpm • A# Maj • 02:51 • -15.11db
13% Popularity • 30% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 10% Positiveness
13% Popularity • 30% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 10% Positiveness
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Pat Boone
April Love
89 bpm • G# Maj • 02:28 • -9.81db
7% Popularity • 29% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 41% Positiveness
7% Popularity • 29% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 41% Positiveness
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Françoise Hardy
Autumn Rendezvous - Remastered
89 bpm • E min • 02:40 • -10.98db
12% Popularity • 41% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
12% Popularity • 41% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Lynsey De Paul
So Good to You
97 bpm • A# Maj • 03:22 • -13.69db
9% Popularity • 71% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 71% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Barry Manilow
Marry Me A Little
89 bpm • B Maj • 03:39 • -9.14db
9% Popularity • 45% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 45% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Marlene Dietrich
Illusions
98 bpm • C Maj • 03:24 • -15.32db
9% Popularity • 36% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 36% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Shirley Bassey
Excuse Me - 1999 Remaster
89 bpm • G Maj • 02:29 • -12.71db
22% Popularity • 52% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 52% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Bobby Vinton
Blue On Blue
98 bpm • A# Maj • 02:29 • -15.27db
26% Popularity • 61% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 61% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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Al Martino
I Have But One Heart
98 bpm • C Maj • 02:57 • -14.9db
46% Popularity • 38% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
46% Popularity • 38% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
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David Cassidy
Cherish - remastered
98 bpm • F Maj • 03:47 • -13db
34% Popularity • 50% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 50% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Jerry Vale
You Belong to My Heart
98 bpm • G# Maj • 02:54 • -15.26db
32% Popularity • 42% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 42% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Gene Pitney
Something's Gotten Hold Of My Heart
88 bpm • G Maj • 03:36 • -6.31db
37% Popularity • 54% Danceability • 62% Energy • 5% Liveness
2% Instrumentalness • 40% Positiveness
37% Popularity • 54% Danceability • 62% Energy • 5% Liveness
2% Instrumentalness • 40% Positiveness
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Shirley Bassey
No Regrets
98 bpm • C Maj • 04:24 • -11.5db
13% Popularity • 47% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 47% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Bobby Goldsboro
Yesterday
88 bpm • C Maj • 02:40 • -11.35db
31% Popularity • 46% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 46% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
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Marlena Shaw
Eyes Of Love
88 bpm • G Maj • 02:31 • -20.22db
7% Popularity • 40% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
7% Popularity • 40% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Matt Monro
From Russia with Love - Single Version
88 bpm • D min • 02:35 • -12db
47% Popularity • 30% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
47% Popularity • 30% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Jo Stafford
No Other Love
98 bpm • G# Maj • 03:01 • -13db
43% Popularity • 38% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
43% Popularity • 38% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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The Lettermen
Traces/Memories (Medley) - Remastered
98 bpm • D Maj • 02:56 • -16.48db
35% Popularity • 44% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
35% Popularity • 44% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
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Della Reese
Don't You Know
88 bpm • D# Maj • 02:33 • -7db
16% Popularity • 22% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 22% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Brenda Holloway
You've Made Me So Very Happy - Single Ve...
99 bpm • G Maj • 02:53 • -11.19db
32% Popularity • 51% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 51% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Vic Damone
An Affair to Remember (Our Love Affair)
99 bpm • F Maj • 02:47 • -8.57db
28% Popularity • 18% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 18% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 24% Positiveness
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Sonny & Cher
Unchained Melody
99 bpm • C Maj • 03:55 • -9.09db
22% Popularity • 29% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 29% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Maureen McGovern
MacArthur Park
87 bpm • C# Maj • 02:14 • -16.98db
28% Popularity • 46% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
28% Popularity • 46% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Shirley Bassey
Where Am I Going - 2000 Digitally Remast...
99 bpm • A min • 03:14 • -9.87db
8% Popularity • 35% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 35% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Debbie Reynolds
Summer Romance
99 bpm • F# Maj • 02:13 • -12.51db
30% Popularity • 32% Danceability • 27% Energy • 38% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 32% Danceability • 27% Energy • 38% Liveness
0% Instrumentalness • 41% Positiveness
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Al Martino
Melody Of Love
100 bpm • G# Maj • 02:20 • -14.28db
27% Popularity • 22% Danceability • 33% Energy • 33% Liveness
10% Instrumentalness • 17% Positiveness
27% Popularity • 22% Danceability • 33% Energy • 33% Liveness
10% Instrumentalness • 17% Positiveness
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Vic Damone
Younger Than Springtime
88 bpm • A# Maj • 03:20 • -14.23db
20% Popularity • 20% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 10% Positiveness
20% Popularity • 20% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 10% Positiveness
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Percy Faith & His Orchestra & Chorus
Yellow Days
86 bpm • F Maj • 02:27 • -15.59db
16% Popularity • 43% Danceability • 28% Energy • 14% Liveness
2% Instrumentalness • 49% Positiveness
16% Popularity • 43% Danceability • 28% Energy • 14% Liveness
2% Instrumentalness • 49% Positiveness
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Bobby Vinton
Sealed with a Kiss
86 bpm • F min • 02:49 • -12.9db
49% Popularity • 41% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 67% Positiveness
49% Popularity • 41% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 67% Positiveness
► Preview
Shirley Bassey
Pieces of Dreams - 1999 Remaster
87 bpm • C min • 02:46 • -9.57db
17% Popularity • 36% Danceability • 39% Energy • 46% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 36% Danceability • 39% Energy • 46% Liveness
0% Instrumentalness • 20% Positiveness
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Neil Sedaka
Laughter In The Rain
101 bpm • F Maj • 02:50 • -9.46db
67% Popularity • 50% Danceability • 61% Energy • 4% Liveness
1% Instrumentalness • 92% Positiveness
67% Popularity • 50% Danceability • 61% Energy • 4% Liveness
1% Instrumentalness • 92% Positiveness
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Al Martino
The More I See You
100 bpm • D Maj • 02:53 • -16.85db
27% Popularity • 30% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 30% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Art Garfunkel
99 Miles from L.A.
101 bpm • D Maj • 03:31 • -16.05db
31% Popularity • 43% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
31% Popularity • 43% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Vic Damone
You're Breaking My Heart
87 bpm • A# Maj • 03:23 • -12db
22% Popularity • 18% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
22% Popularity • 18% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
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The Four Aces
Stranger in Paradise
86 bpm • F Maj • 02:58 • -11db
28% Popularity • 23% Danceability • 31% Energy • 9% Liveness
10% Instrumentalness • 50% Positiveness
28% Popularity • 23% Danceability • 31% Energy • 9% Liveness
10% Instrumentalness • 50% Positiveness
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Jackie Trent
Where Are You Now My Love
101 bpm • B min • 02:46 • -8.66db
21% Popularity • 48% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 48% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 43% Positiveness
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Al Martino
Love Is Blue (L'amour Est Bleu)
101 bpm • D Maj • 02:41 • -10.68db
32% Popularity • 35% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
32% Popularity • 35% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
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Don McLean
Since I Don't Have You
101 bpm • G Maj • 02:36 • -11db
38% Popularity • 52% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
38% Popularity • 52% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Shirley Bassey
Mr Kiss Kiss Bang Bang
86 bpm • G Maj • 02:28 • -8.96db
17% Popularity • 48% Danceability • 42% Energy • 41% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 48% Danceability • 42% Energy • 41% Liveness
0% Instrumentalness • 32% Positiveness
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Fred Astaire
They Can't Take That Away From Me
101 bpm • C# Maj • 02:30 • -13.63db
32% Popularity • 65% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 65% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Blinky Williams
T'Ain't Nobody's Bizness If I Do
85 bpm • F min • 01:05 • -14.67db
22% Popularity • 72% Danceability • 5% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 72% Danceability • 5% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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Candi Staton
In the Ghetto
85 bpm • A# Maj • 02:53 • -17.13db
17% Popularity • 55% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
17% Popularity • 55% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Loleatta Holloway
Cry to Me
102 bpm • G# Maj • 05:48 • -12.17db
35% Popularity • 48% Danceability • 46% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 48% Danceability • 46% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
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Bobby Goldsboro
If You Go Away
85 bpm • A min • 03:24 • -9db
36% Popularity • 37% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 37% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Shirley Bassey
You and I - 1994 Remaster
85 bpm • F Maj • 03:46 • -9.76db
18% Popularity • 29% Danceability • 60% Energy • 74% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 29% Danceability • 60% Energy • 74% Liveness
0% Instrumentalness • 26% Positiveness
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Love Unlimited
Under The Influence Of Love
102 bpm • G min • 04:20 • -10.06db
25% Popularity • 66% Danceability • 66% Energy • 5% Liveness
8% Instrumentalness • 65% Positiveness
25% Popularity • 66% Danceability • 66% Energy • 5% Liveness
8% Instrumentalness • 65% Positiveness
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Bobby Vinton
P.S I Love You
85 bpm • D# Maj • 02:19 • -19.17db
32% Popularity • 55% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
32% Popularity • 55% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Liz Damon's Orient Express
1900 Yesterday
102 bpm • G# Maj • 02:57 • -17.23db
23% Popularity • 60% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 60% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Reiko Sato
Love, Look Away
85 bpm • A Maj • 02:25 • -16.36db
18% Popularity • 27% Danceability • 21% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
18% Popularity • 27% Danceability • 21% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
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Sweet Sensation
Sad Sweet Dreamer
102 bpm • D Maj • 03:23 • -10.69db
36% Popularity • 55% Danceability • 57% Energy • 46% Liveness
0% Instrumentalness • 43% Positiveness
36% Popularity • 55% Danceability • 57% Energy • 46% Liveness
0% Instrumentalness • 43% Positiveness
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Françoise Hardy
There But for Fortune - Remasterisé en ...
102 bpm • C Maj • 03:13 • -14.32db
7% Popularity • 43% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
7% Popularity • 43% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
