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Somethin' Bad - Duet with Carrie Underwood [Album...
Songs like
Somethin' Bad (with Carrie Underwood) - Duet with Carrie Underwood [Album]
by
Miranda Lambert
Based on a tempo of (+/- 10%) and a similar genre
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Luke Bryan
One Margarita
90 bpm • A Maj • 03:13 • -4.87db
67% Popularity • 64% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Billy Currington
Do I Make You Wanna
90 bpm • A Maj • 03:54 • -5.43db
63% Popularity • 55% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Miranda Lambert
Settling Down
90 bpm • F# min • 03:17 • -5.8db
55% Popularity • 64% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Jon Pardi
Dirt On My Boots
90 bpm • B Maj • 03:21 • -4.18db
76% Popularity • 68% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Sugarland
It Happens
90 bpm • G# Maj • 03:01 • -4db
49% Popularity • 64% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Parmalee
Just the Way
90 bpm • A Maj • 03:13 • -3.34db
68% Popularity • 54% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Montgomery Gentry
Where I Come From
90 bpm • C# Maj • 03:21 • -4.2db
67% Popularity • 62% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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Gabby Barrett
The Good Ones
90 bpm • D Maj • 03:35 • -5.02db
70% Popularity • 52% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Rodney Atkins
These Are My People
90 bpm • C Maj • 03:33 • -4db
62% Popularity • 56% Danceability • 90% Energy • 53% Liveness
0% Instrumentalness • 63% Positiveness
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Miranda Lambert
Somethin' Bad - Duet with Carrie Underw...
90 bpm • A Maj • 02:49 • -5.31db
64% Popularity • 68% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Darius Rucker
Alright
90 bpm • G Maj • 03:51 • -4.58db
68% Popularity • 60% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Kenny Chesney
I Go Back
90 bpm • F Maj • 04:03 • -5.75db
62% Popularity • 53% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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Maren Morris
80s Mercedes
91 bpm • A Maj • 03:31 • -5.41db
59% Popularity • 48% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Billy Currington
Don't It
91 bpm • C# Maj • 03:09 • -4.48db
64% Popularity • 57% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Morgan Evans
Kiss Somebody
89 bpm • F# Maj • 03:33 • -7db
58% Popularity • 57% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Zac Brown Band
Knee Deep
91 bpm • G# Maj • 03:23 • -8.23db
74% Popularity • 72% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Chase Rice
Eyes On You
89 bpm • A Maj • 03:02 • -6.98db
67% Popularity • 34% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Lee Brice
Memory I Don't Mess With
92 bpm • F# min • 03:00 • -7.61db
65% Popularity • 62% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Reba McEntire
I'm A Survivor
88 bpm • D Maj • 03:07 • -5.03db
55% Popularity • 57% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Kane Brown
Lose It
92 bpm • E min • 02:58 • -4.97db
61% Popularity • 55% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
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Chris Janson
Good Vibes
92 bpm • C Maj • 02:45 • -2.77db
61% Popularity • 58% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Rascal Flatts
Mayberry
88 bpm • B Maj • 04:32 • -4db
51% Popularity • 64% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Dierks Bentley
Different For Girls
92 bpm • E Maj • 03:00 • -6db
55% Popularity • 66% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Thomas Rhett
Life Changes
88 bpm • G Maj • 03:10 • -4.37db
60% Popularity • 69% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Lee Brice
I Don't Dance
92 bpm • C# Maj • 03:41 • -7.74db
66% Popularity • 59% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Maren Morris
I Could Use a Love Song
92 bpm • F# Maj • 03:16 • -6.47db
62% Popularity • 64% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Jake Owen
Eight Second Ride
92 bpm • C Maj • 03:07 • -4.07db
54% Popularity • 64% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
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Kenny Chesney
Get Along
92 bpm • G Maj • 03:19 • -6.11db
67% Popularity • 63% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Frankie Ballard
Sunshine & Whiskey
93 bpm • A Maj • 03:02 • -6.79db
64% Popularity • 67% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
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Cole Swindell
Let Me See Ya Girl
93 bpm • F# Maj • 03:07 • -4db
54% Popularity • 52% Danceability • 83% Energy • 39% Liveness
0% Instrumentalness • 44% Positiveness
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Miranda Lambert
Geraldene
93 bpm • E Maj • 03:01 • -6db
50% Popularity • 69% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Carrie Underwood
Church Bells
87 bpm • D# min • 03:13 • -1.77db
65% Popularity • 57% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
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Kacey Musgraves
Merry Go 'Round
87 bpm • F# Maj • 03:26 • -9.4db
63% Popularity • 65% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Rascal Flatts
Stand
94 bpm • C Maj • 03:28 • -5db
51% Popularity • 60% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
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Russell Dickerson
Every Little Thing
94 bpm • C# Maj • 03:10 • -4.66db
61% Popularity • 64% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Joe Nichols
Tequila Makes Her Clothes Fall Off
94 bpm • D Maj • 03:07 • -7.05db
68% Popularity • 66% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Dan + Shay
Tequila
86 bpm • B Maj • 03:16 • -5.73db
70% Popularity • 49% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Kenny Chesney
Setting the World On Fire
94 bpm • C Maj • 03:37 • -4.42db
59% Popularity • 61% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Lady A
American Honey
86 bpm • C# Maj • 03:44 • -5.15db
64% Popularity • 59% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Tim McGraw
Just To See You Smile
94 bpm • F# Maj • 03:35 • -8.53db
68% Popularity • 49% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Dylan Scott
My Girl
95 bpm • C# Maj • 03:17 • -7.25db
68% Popularity • 65% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Reba McEntire
Fancy
95 bpm • B Maj • 04:59 • -11.23db
66% Popularity • 67% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Carrie Underwood
Wasted
95 bpm • G# Maj • 04:34 • -3db
53% Popularity • 55% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Chris Young
You
95 bpm • F# min • 02:44 • -5db
58% Popularity • 71% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
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Jack Ingram
Geraldene
95 bpm • F# min • 03:08 • -11.44db
32% Popularity • 56% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Dustin Lynch
Hell Of A Night
85 bpm • D Maj • 03:10 • -4.85db
53% Popularity • 50% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
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Miranda Lambert
Little Red Wagon
95 bpm • F# Maj • 03:24 • -7.22db
54% Popularity • 58% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
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Thomas Rhett
Marry Me
85 bpm • D# Maj • 03:25 • -8.63db
65% Popularity • 33% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Kenny Chesney
American Kids
85 bpm • C Maj • 03:02 • -7.37db
76% Popularity • 78% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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Keith Urban
John Cougar, John Deere, John 3:16
85 bpm • C Maj • 03:41 • -6.98db
38% Popularity • 69% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Craig Morgan
International Harvester
95 bpm • D Maj • 03:48 • -5.17db
60% Popularity • 70% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
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Lee Brice
One Of Them Girls
96 bpm • E Maj • 03:08 • -6.08db
73% Popularity • 64% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Miranda Lambert
Automatic
96 bpm • A# Maj • 04:07 • -6.21db
61% Popularity • 59% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Jon Pardi
Night Shift
96 bpm • D Maj • 02:52 • -3.56db
78% Popularity • 63% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 73% Positiveness
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Thomas Rhett
T-Shirt
96 bpm • D Maj • 03:47 • -5.34db
61% Popularity • 63% Danceability • 86% Energy • 2% Liveness
0% Instrumentalness • 77% Positiveness
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Jimmie Allen
Freedom Was A Highway
96 bpm • C# Maj • 03:32 • -4.49db
56% Popularity • 56% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Kelsea Ballerini
Miss Me More
96 bpm • D Maj • 03:12 • -7.15db
43% Popularity • 64% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Sugarland
Stuck Like Glue
84 bpm • C# Maj • 04:07 • -4.76db
62% Popularity • 70% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Old Dominion
Written in the Sand
84 bpm • F# Maj • 03:04 • -9.6db
64% Popularity • 72% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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The Chicks
Not Ready to Make Nice
84 bpm • F# Maj • 03:57 • -4.15db
61% Popularity • 42% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Faith Hill
Mississippi Girl
84 bpm • A Maj • 03:52 • -4.15db
53% Popularity • 50% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Eric Church
Smoke A Little Smoke
97 bpm • A# min • 03:11 • -6db
66% Popularity • 77% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Brothers Osborne
Stay A Little Longer
97 bpm • F# Maj • 05:35 • -5.36db
63% Popularity • 56% Danceability • 89% Energy • 16% Liveness
11% Instrumentalness • 55% Positiveness
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Reba McEntire
Consider Me Gone
97 bpm • G# Maj • 03:40 • -4db
56% Popularity • 58% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Sugarland
All I Want To Do
97 bpm • E Maj • 03:33 • -5db
53% Popularity • 71% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Blake Shelton
I'll Name the Dogs
83 bpm • E Maj • 03:03 • -6db
61% Popularity • 35% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Montgomery Gentry
Something to Be Proud Of
98 bpm • C Maj • 04:16 • -6.48db
61% Popularity • 64% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Priscilla Block
Thick Thighs
83 bpm • G Maj • 02:54 • -3.83db
45% Popularity • 55% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Eli Young Band
Love Ain't
98 bpm • B Maj • 03:07 • -4.67db
63% Popularity • 60% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Jo Dee Messina
I'm Alright
98 bpm • C Maj • 03:19 • -7.75db
60% Popularity • 68% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
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Sugarland
Baby Girl - 2nd Version/Remix/Album Vers...
83 bpm • C# Maj • 04:12 • -3.25db
49% Popularity • 46% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 57% Positiveness
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Blake Shelton
Happy Anywhere
83 bpm • G# Maj • 02:51 • -6db
61% Popularity • 61% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Keith Urban
Blue Ain't Your Color
82 bpm • G Maj • 03:50 • -7.87db
49% Popularity • 69% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Pistol Annies
I Feel A Sin Comin' On
82 bpm • A# Maj • 03:18 • -9.13db
50% Popularity • 38% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Cole Swindell
Single Saturday Night
82 bpm • G Maj • 03:09 • -5db
59% Popularity • 63% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Brantley Gilbert
The Weekend
82 bpm • F# min • 03:07 • -4.76db
61% Popularity • 51% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Jake Owen
Down To The Honkytonk
82 bpm • D# Maj • 03:06 • -4.12db
70% Popularity • 63% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Billy Currington
Hey Girl
82 bpm • C# Maj • 03:20 • -5db
56% Popularity • 55% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Miranda Lambert
Bluebird
82 bpm • G Maj • 03:29 • -5.99db
66% Popularity • 66% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Rascal Flatts
These Days
82 bpm • G Maj • 04:14 • -4db
55% Popularity • 59% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
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Sam Hunt
Body Like A Back Road
99 bpm • F Maj • 02:42 • -7.44db
72% Popularity • 74% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Pistol Annies
Got My Name Changed Back
99 bpm • A Maj • 02:54 • -5.77db
41% Popularity • 64% Danceability • 87% Energy • 4% Liveness
0% Instrumentalness • 81% Positiveness
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Lauren Alaina
Ladies In The '90s
100 bpm • G Maj • 03:45 • -3db
50% Popularity • 64% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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David Lee Murphy
Dust On The Bottle
100 bpm • B Maj • 03:44 • -11.12db
71% Popularity • 74% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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Maddie & Tae
Friends Don't
100 bpm • G Maj • 03:08 • -5.95db
58% Popularity • 53% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Billy Currington
It Don't Hurt Like It Used To
81 bpm • G# Maj • 03:04 • -4.07db
63% Popularity • 56% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Kane Brown
One Mississippi
100 bpm • C Maj • 03:34 • -5.81db
56% Popularity • 46% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Jordan Davis
Take It From Me
100 bpm • A# Maj • 02:54 • -3.14db
68% Popularity • 59% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
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Miranda Lambert
Baggage Claim
81 bpm • G# Maj • 03:17 • -2.78db
42% Popularity • 70% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Jo Dee Messina
Lesson In Leavin'
81 bpm • G Maj • 03:40 • -7db
58% Popularity • 61% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
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Sara Evans
Born to Fly
100 bpm • C# Maj • 05:36 • -9.31db
54% Popularity • 61% Danceability • 66% Energy • 6% Liveness
2% Instrumentalness • 56% Positiveness
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Carrie Underwood
Southbound
101 bpm • C Maj • 03:22 • -4.02db
54% Popularity • 61% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Shania Twain
Honey, I'm Home
80 bpm • E Maj • 03:34 • -5.17db
61% Popularity • 65% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Tim McGraw
Humble And Kind
101 bpm • B Maj • 04:19 • -7.31db
69% Popularity • 36% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Miranda Lambert
The House That Built Me
81 bpm • F Maj • 03:56 • -8.01db
66% Popularity • 52% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Dustin Lynch
Seein' Red
101 bpm • C# min • 03:14 • -4.73db
53% Popularity • 65% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Old Dominion
Snapback
101 bpm • F Maj • 03:26 • -3.58db
63% Popularity • 69% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Brett Eldredge
Lose My Mind
101 bpm • F# min • 02:35 • -5.51db
53% Popularity • 68% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Lady A
Bartender
101 bpm • B min • 03:18 • -4db
64% Popularity • 63% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
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Kane Brown
Heaven
80 bpm • A Maj • 02:59 • -7db
74% Popularity • 68% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Somethin' Bad - Duet with Carrie Underwood [Album...