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Something of Myself
Songs like
Something of Myself
by
Peter Fenn
Based on a tempo of (+/- 10%) and a similar genre
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Mishaal Tamer
Peddle Bike
124 bpm • C# Maj • 02:16 • -6.33db
33% Popularity • 67% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
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Gavin Haley
Low Beams
124 bpm • B Maj • 02:35 • -7.44db
30% Popularity • 78% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
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Marc Wavy
Dopamine
124 bpm • E Maj • 02:53 • -11.45db
28% Popularity • 77% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Winnetka Bowling League
Congratulations - Acoustic Version
124 bpm • F Maj • 03:38 • -12.39db
14% Popularity • 70% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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filous
50 Watt Smile
124 bpm • C Maj • 03:22 • -9.41db
30% Popularity • 87% Danceability • 44% Energy • 23% Liveness
2% Instrumentalness • 62% Positiveness
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Peter Fenn
Lady
124 bpm • G Maj • 02:31 • -9.39db
20% Popularity • 62% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Christian French
paper thin
124 bpm • C# Maj • 03:30 • -7.65db
32% Popularity • 57% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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COIN
Make It Stop
124 bpm • D Maj • 03:38 • -8db
28% Popularity • 61% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
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Anna Shoemaker
If You're Going (I'll Go)
124 bpm • A Maj • 03:29 • -10.85db
39% Popularity • 79% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Peter Manos
Tennessee
124 bpm • D Maj • 02:43 • -12.64db
22% Popularity • 63% Danceability • 26% Energy • 12% Liveness
10% Instrumentalness • 15% Positiveness
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Hazlett
Sugarcane
123 bpm • C min • 03:41 • -13.22db
35% Popularity • 60% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Peter Fenn
Something of Myself
124 bpm • F Maj • 02:18 • -9db
25% Popularity • 77% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Opia
Painter
125 bpm • F Maj • 03:36 • -13.52db
21% Popularity • 39% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Brooke Sierra
Separate Hearts
125 bpm • D min • 03:05 • -6db
21% Popularity • 77% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Isaac Lewis
Keeping Busy
125 bpm • A Maj • 02:52 • -7.96db
33% Popularity • 73% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Free Arlo
ly
125 bpm • G# Maj • 03:24 • -4.71db
15% Popularity • 72% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Gabby Michelle
u.s.
125 bpm • C Maj • 05:20 • -9db
19% Popularity • 79% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Peter Fenn
Richest Man Alive
124 bpm • F Maj • 02:54 • -11.53db
13% Popularity • 60% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Theo Kandel
Around the Bend
125 bpm • D Maj • 04:00 • -7.19db
8% Popularity • 74% Danceability • 50% Energy • 70% Liveness
0% Instrumentalness • 48% Positiveness
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Julia Wolf
Styrofoam Cup
125 bpm • A Maj • 02:53 • -5.73db
31% Popularity • 83% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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The Wldlfe
The Other Side
123 bpm • A Maj • 04:05 • -8db
34% Popularity • 46% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Dillon Davis
Friends With Feelings
125 bpm • E Maj • 03:27 • -14.31db
28% Popularity • 47% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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Great Good Fine Ok
You Don’t Look at Me the Same
122 bpm • D Maj • 02:56 • -9db
38% Popularity • 72% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
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Peter Fenn
Okay
123 bpm • A Maj • 02:22 • -7.28db
29% Popularity • 68% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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ROLE MODEL
notice me
126 bpm • G# min • 03:11 • -6.52db
55% Popularity • 72% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
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The Roosevelts
Trippin' on Your Love
122 bpm • A Maj • 03:02 • -6.85db
33% Popularity • 81% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Nova Moura
Sleeping in the Rain
126 bpm • G# min • 04:12 • -10.69db
29% Popularity • 71% Danceability • 41% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
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Daulton Hopkins
I'm Okay and So Are You
122 bpm • A Maj • 04:15 • -7.46db
37% Popularity • 66% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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ASL
Til You Pulled Up
126 bpm • G Maj • 03:53 • -6.23db
13% Popularity • 63% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
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Magsy
COUNT ON U
126 bpm • A# Maj • 03:22 • -6db
24% Popularity • 80% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Charlie Houston
19
126 bpm • D min • 03:04 • -8.78db
17% Popularity • 88% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Fiji Blue
Home
122 bpm • C# Maj • 02:40 • -7.89db
44% Popularity • 84% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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Dekleyn
Time, Place & You
122 bpm • F Maj • 04:13 • -9db
17% Popularity • 42% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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James Droll
Self Sacrifice
127 bpm • F# Maj • 03:30 • -9db
27% Popularity • 79% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Refs
Stories
122 bpm • G# min • 03:39 • -7.97db
39% Popularity • 58% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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DWLLRS
We're All Just Falling and Flying
127 bpm • C Maj • 03:28 • -8.36db
25% Popularity • 52% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Froogle
Way You Move
127 bpm • B min • 02:16 • -6db
28% Popularity • 86% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
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beaux
what's the point?
127 bpm • E min • 03:40 • -7.06db
29% Popularity • 76% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Jack Gray
I Got 3
121 bpm • D# Maj • 03:14 • -8db
49% Popularity • 78% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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Jon Bryant
I Don't Know How
127 bpm • C Maj • 03:46 • -8db
20% Popularity • 61% Danceability • 71% Energy • 35% Liveness
2% Instrumentalness • 57% Positiveness
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Luke White
Lover, Always
121 bpm • C Maj • 04:05 • -13.77db
9% Popularity • 57% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Matt Maeson
Giants
121 bpm • G Maj • 02:26 • -9.35db
41% Popularity • 48% Danceability • 32% Energy • 29% Liveness
0% Instrumentalness • 30% Positiveness
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Olen
Off Switch
128 bpm • C# Maj • 03:04 • -15db
24% Popularity • 58% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Zekey
luv story
128 bpm • E Maj • 02:33 • -9.82db
15% Popularity • 62% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 32% Positiveness
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Clubhouse
Are We Going Too Slow?
128 bpm • B Maj • 02:31 • -9.9db
24% Popularity • 65% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Jeremy Zucker
lakehouse
120 bpm • D Maj • 03:42 • -9db
40% Popularity • 63% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Daulton Hopkins
If Only
128 bpm • G# Maj • 04:21 • -10.62db
9% Popularity • 54% Danceability • 50% Energy • 11% Liveness
16% Instrumentalness • 14% Positiveness
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Virginia To Vegas
told you so
120 bpm • B Maj • 02:44 • -8.12db
19% Popularity • 72% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
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Lou
This Forever
128 bpm • C# Maj • 04:31 • -10db
29% Popularity • 72% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 26% Positiveness
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Motel 7
Are We There Yet
120 bpm • B min • 02:59 • -6.12db
24% Popularity • 80% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
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SASH
Dirt
120 bpm • A Maj • 03:17 • -12db
33% Popularity • 88% Danceability • 27% Energy • 10% Liveness
4% Instrumentalness • 5% Positiveness
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Peter Fenn
Tour Guide
120 bpm • C Maj • 02:20 • -9.71db
22% Popularity • 80% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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aedie
Drive-In
120 bpm • B Maj • 03:10 • -11.14db
16% Popularity • 69% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Zach Oliver
You Said It First
120 bpm • D Maj • 02:57 • -6.62db
11% Popularity • 82% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Elijah Midjord
Good Ol' Days
120 bpm • A# Maj • 05:19 • -9db
24% Popularity • 73% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Ethan DeRose
Nighttime
120 bpm • C Maj • 04:40 • -13.29db
27% Popularity • 74% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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push baby
Wanna Go
120 bpm • B Maj • 03:36 • -8.53db
16% Popularity • 84% Danceability • 55% Energy • 10% Liveness
6% Instrumentalness • 93% Positiveness
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Joshua Golden
heaven come
120 bpm • F Maj • 02:56 • -7.54db
45% Popularity • 80% Danceability • 54% Energy • 12% Liveness
28% Instrumentalness • 50% Positiveness
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Ben Chandler
Stoned
120 bpm • C Maj • 03:19 • -8.39db
13% Popularity • 69% Danceability • 55% Energy • 10% Liveness
10% Instrumentalness • 62% Positiveness
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Reuben Fillies
Sunny Someday
120 bpm • E Maj • 03:28 • -9db
29% Popularity • 51% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Neanderthal
Get Out of My Head
120 bpm • G Maj • 03:50 • -14db
25% Popularity • 62% Danceability • 40% Energy • 9% Liveness
12% Instrumentalness • 19% Positiveness
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Kwesi
Neck Tattoo
120 bpm • F Maj • 03:13 • -12.15db
20% Popularity • 76% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Stephen Day
Every Way (Supernatural)
120 bpm • G Maj • 03:43 • -9.63db
31% Popularity • 68% Danceability • 36% Energy • 15% Liveness
82% Instrumentalness • 31% Positiveness
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yaeow
Everything and More
120 bpm • G# min • 01:59 • -11.24db
27% Popularity • 72% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Austin Ward
Find the Feeling
120 bpm • D Maj • 04:02 • -5.36db
16% Popularity • 54% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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McKenna Breinholt
Chicago
120 bpm • E Maj • 04:17 • -9.97db
34% Popularity • 57% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Phil Good
Put It All On Me
120 bpm • G# Maj • 03:16 • -4.59db
29% Popularity • 71% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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FRENSHIP
Wanted A Name - Vacation Version
120 bpm • E min • 03:22 • -13db
20% Popularity • 62% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Lani Rose
Enough For You
119 bpm • G# min • 03:30 • -10.35db
30% Popularity • 47% Danceability • 64% Energy • 13% Liveness
3% Instrumentalness • 30% Positiveness
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The Roosevelts
Suit
129 bpm • B min • 03:16 • -7.93db
22% Popularity • 72% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Rook Monroe
Dreaming
129 bpm • F Maj • 03:02 • -6.84db
17% Popularity • 68% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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Aeris Roves
Running Thru 3AM
119 bpm • G# Maj • 03:29 • -6.7db
42% Popularity • 68% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Nick De La Hoyde
Lay Low
119 bpm • G# Maj • 02:18 • -3.75db
33% Popularity • 83% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Tre Breezy
The Motion
119 bpm • G# Maj • 03:09 • -15db
29% Popularity • 89% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 90% Positiveness
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Islandis
Our World
130 bpm • F# min • 02:55 • -5db
32% Popularity • 64% Danceability • 81% Energy • 38% Liveness
26% Instrumentalness • 72% Positiveness
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Chelsea Cutler
the stars
130 bpm • B min • 02:53 • -11.62db
47% Popularity • 56% Danceability • 38% Energy • 12% Liveness
13% Instrumentalness • 24% Positiveness
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Reece
BACK FOR ME
130 bpm • F Maj • 02:48 • -7.88db
13% Popularity • 82% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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remy
checklist / the one about watching frien...
130 bpm • G# Maj • 02:39 • -7.77db
22% Popularity • 74% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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nodisco.
Unrelated
130 bpm • G# Maj • 03:19 • -8.24db
17% Popularity • 76% Danceability • 56% Energy • 69% Liveness
0% Instrumentalness • 71% Positiveness
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Sebastian Portillo
2000 Degrees
130 bpm • D Maj • 02:41 • -5.37db
42% Popularity • 82% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Fintan
Headstrong
118 bpm • G Maj • 03:14 • -10.69db
16% Popularity • 76% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Motel 7
It's Alright
118 bpm • E Maj • 02:30 • -9.28db
43% Popularity • 75% Danceability • 41% Energy • 13% Liveness
3% Instrumentalness • 23% Positiveness
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Dekleyn
See Right Through Me
118 bpm • G# Maj • 03:57 • -8.18db
9% Popularity • 66% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Peter Fenn
Next to Me
118 bpm • F# min • 02:49 • -6.41db
39% Popularity • 80% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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The Motel Brothers
Prescription
131 bpm • F min • 02:43 • -11.03db
16% Popularity • 82% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Sky McCreery
i remember
117 bpm • G# Maj • 02:02 • -11.84db
32% Popularity • 63% Danceability • 25% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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Alexander 23
She Loves Me
131 bpm • B min • 02:28 • -9db
33% Popularity • 86% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 63% Positiveness
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Amy Allen
Heaven
117 bpm • G Maj • 02:43 • -4.35db
30% Popularity • 46% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Zach Oliver
Seaside
131 bpm • C# Maj • 03:03 • -12.37db
40% Popularity • 78% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Luke Wild
Drop Me Off In The Sky
117 bpm • E min • 03:19 • -6db
29% Popularity • 84% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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The Wldlfe
You Don't Love Me (Like You Used To)
117 bpm • F min • 04:26 • -8.5db
42% Popularity • 68% Danceability • 64% Energy • 12% Liveness
1% Instrumentalness • 59% Positiveness
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Terence Ryan
Wicked
132 bpm • E min • 03:04 • -10db
24% Popularity • 77% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Alexander 23
Mars
117 bpm • A# Maj • 02:33 • -7.63db
43% Popularity • 94% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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Micah Wilson
Caught Up
132 bpm • D min • 04:03 • -5.81db
30% Popularity • 83% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Nolie
Enough
132 bpm • D# Maj • 02:15 • -4.07db
28% Popularity • 62% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
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Reuben Fillies
Sincerity
132 bpm • E Maj • 03:14 • -9.7db
14% Popularity • 68% Danceability • 72% Energy • 24% Liveness
1% Instrumentalness • 85% Positiveness
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Gabe James
In the Moment
132 bpm • G Maj • 02:15 • -9.37db
37% Popularity • 75% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Cody Lovaas
Me, Myself
132 bpm • F# Maj • 03:23 • -6db
35% Popularity • 81% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Hans Williams
Lost and Found
116 bpm • E Maj • 03:09 • -12.38db
44% Popularity • 79% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Mokita
Take It Back
133 bpm • C# Maj • 02:41 • -8db
37% Popularity • 71% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Something of Myself