Songs like Sometimes Things Just Fall Apart by Rence
Based on a tempo of (+/- 10%) and a similar genre
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Kyd the Band
Corridors
118 bpm • B Maj • 02:53 • -4.82db
18% Popularity • 64% Danceability • 73% Energy • 53% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 64% Danceability • 73% Energy • 53% Liveness
0% Instrumentalness • 68% Positiveness
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Motel 7
It's Alright
118 bpm • E Maj • 02:30 • -9.28db
42% Popularity • 75% Danceability • 41% Energy • 13% Liveness
3% Instrumentalness • 23% Positiveness
42% Popularity • 75% Danceability • 41% Energy • 13% Liveness
3% Instrumentalness • 23% Positiveness
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Sarah Barrios
I Didn't Mean To
118 bpm • F min • 03:13 • -12.13db
21% Popularity • 98% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
21% Popularity • 98% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Rence
Sometimes Things Just Fall Apart
118 bpm • C Maj • 02:39 • -7.47db
26% Popularity • 70% Danceability • 53% Energy • 60% Liveness
0% Instrumentalness • 41% Positiveness
26% Popularity • 70% Danceability • 53% Energy • 60% Liveness
0% Instrumentalness • 41% Positiveness
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david hugo
Sleep and Friends
118 bpm • G Maj • 02:54 • -8.24db
30% Popularity • 85% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
30% Popularity • 85% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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No Love For The Middle Child
No Sleep
117 bpm • A# Maj • 03:27 • -7.36db
23% Popularity • 61% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 61% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Jake Hope
Basketcase
118 bpm • C# Maj • 02:29 • -9.65db
17% Popularity • 78% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 78% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Aeris Roves
Running Thru 3AM
119 bpm • G# Maj • 03:29 • -6.7db
41% Popularity • 68% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
41% Popularity • 68% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Matthew Chaim
Sunflowers
119 bpm • B Maj • 03:16 • -7.6db
27% Popularity • 39% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 39% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Lani Rose
Enough For You
119 bpm • G# min • 03:30 • -10.35db
29% Popularity • 47% Danceability • 64% Energy • 13% Liveness
3% Instrumentalness • 30% Positiveness
29% Popularity • 47% Danceability • 64% Energy • 13% Liveness
3% Instrumentalness • 30% Positiveness
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Anthony Russo
typical
117 bpm • D# Maj • 02:08 • -7.11db
23% Popularity • 81% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
23% Popularity • 81% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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yaeow
Everything and More
120 bpm • G# min • 01:59 • -11.24db
25% Popularity • 72% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 72% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Austin Ward
Find the Feeling
120 bpm • D Maj • 04:02 • -5.36db
15% Popularity • 54% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
15% Popularity • 54% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Kwesi
Neck Tattoo
120 bpm • F Maj • 03:13 • -12.15db
20% Popularity • 76% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
20% Popularity • 76% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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joan
want u back - spring
120 bpm • G min • 03:30 • -8.87db
15% Popularity • 70% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 70% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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James Droll
This Could Be the Last Time
120 bpm • A Maj • 02:28 • -9.32db
12% Popularity • 66% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 66% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
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Joshua Golden
heaven come
120 bpm • F Maj • 02:56 • -7.54db
44% Popularity • 80% Danceability • 54% Energy • 12% Liveness
28% Instrumentalness • 50% Positiveness
44% Popularity • 80% Danceability • 54% Energy • 12% Liveness
28% Instrumentalness • 50% Positiveness
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Dylan Rockoff
Competition
120 bpm • D Maj • 02:45 • -10.85db
25% Popularity • 80% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 80% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Tennis Club
Morning
120 bpm • B min • 04:01 • -6db
39% Popularity • 68% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
39% Popularity • 68% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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Wingtip
Strangers
120 bpm • E Maj • 02:46 • -9.99db
42% Popularity • 84% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
42% Popularity • 84% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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clide
blank space
120 bpm • D# Maj • 02:42 • -8.21db
26% Popularity • 72% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
26% Popularity • 72% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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push baby
Wanna Go
120 bpm • B Maj • 03:36 • -8.53db
15% Popularity • 84% Danceability • 55% Energy • 10% Liveness
6% Instrumentalness • 93% Positiveness
15% Popularity • 84% Danceability • 55% Energy • 10% Liveness
6% Instrumentalness • 93% Positiveness
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Ethan DeRose
Nighttime
120 bpm • C Maj • 04:40 • -13.29db
25% Popularity • 74% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
25% Popularity • 74% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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Elijah Midjord
Good Ol' Days
120 bpm • A# Maj • 05:19 • -9db
23% Popularity • 73% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
23% Popularity • 73% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Rence
hate u btw
116 bpm • C Maj • 02:14 • -5.45db
22% Popularity • 80% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
22% Popularity • 80% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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SASH
Dirt
120 bpm • A Maj • 03:17 • -12db
32% Popularity • 88% Danceability • 27% Energy • 10% Liveness
4% Instrumentalness • 5% Positiveness
32% Popularity • 88% Danceability • 27% Energy • 10% Liveness
4% Instrumentalness • 5% Positiveness
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Chelsea Cutler
What Would It Take
116 bpm • C# min • 03:37 • -7.13db
36% Popularity • 77% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 77% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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John-Robert
Move It to the Side
120 bpm • C Maj • 02:33 • -8.12db
30% Popularity • 79% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 79% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Christian French
heavy snow
120 bpm • A# min • 03:41 • -8.1db
28% Popularity • 52% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
28% Popularity • 52% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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JXN
paranoia
121 bpm • C Maj • 03:30 • -5.89db
18% Popularity • 73% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
18% Popularity • 73% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
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Rence
Baby Blue
120 bpm • G Maj • 03:28 • -8.91db
51% Popularity • 52% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
51% Popularity • 52% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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GRACEY
Empty Love
120 bpm • D Maj • 03:27 • -9db
44% Popularity • 80% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
44% Popularity • 80% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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AJ Mitchell
Move On
115 bpm • F# min • 02:25 • -5.34db
40% Popularity • 69% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 69% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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Krish
Run & Hide
115 bpm • F min • 03:47 • -6.46db
18% Popularity • 77% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 77% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Jackson Penn
Sick in the Head
121 bpm • B Maj • 02:47 • -8.74db
23% Popularity • 87% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
23% Popularity • 87% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Fitz Leland
Sweet Talk
115 bpm • E min • 02:55 • -10.27db
14% Popularity • 66% Danceability • 58% Energy • 8% Liveness
2% Instrumentalness • 48% Positiveness
14% Popularity • 66% Danceability • 58% Energy • 8% Liveness
2% Instrumentalness • 48% Positiveness
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Rence
Track Shoes
115 bpm • F# Maj • 03:06 • -4db
37% Popularity • 85% Danceability • 64% Energy • 3% Liveness
0% Instrumentalness • 69% Positiveness
37% Popularity • 85% Danceability • 64% Energy • 3% Liveness
0% Instrumentalness • 69% Positiveness
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Jonathan & Friends
MagSafe
115 bpm • A Maj • 02:10 • -9db
33% Popularity • 85% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
33% Popularity • 85% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Chelsea Cutler
nj
115 bpm • D Maj • 03:31 • -9db
44% Popularity • 70% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 70% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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badly
Roses
121 bpm • A min • 02:10 • -12.97db
24% Popularity • 52% Danceability • 27% Energy • 39% Liveness
74% Instrumentalness • 4% Positiveness
24% Popularity • 52% Danceability • 27% Energy • 39% Liveness
74% Instrumentalness • 4% Positiveness
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Akurei
In Other Words
115 bpm • C Maj • 03:28 • -11.79db
24% Popularity • 29% Danceability • 30% Energy • 37% Liveness
0% Instrumentalness • 23% Positiveness
24% Popularity • 29% Danceability • 30% Energy • 37% Liveness
0% Instrumentalness • 23% Positiveness
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Julian
now that i know you
115 bpm • C Maj • 02:42 • -15.85db
12% Popularity • 39% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
12% Popularity • 39% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Rence
Patience
115 bpm • G Maj • 02:42 • -6.92db
10% Popularity • 82% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 82% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Yoste
Flaws
122 bpm • A# Maj • 02:57 • -9.01db
33% Popularity • 73% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 29% Positiveness
33% Popularity • 73% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 29% Positiveness
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James Quick
Honeymoon
122 bpm • F min • 03:55 • -11.74db
12% Popularity • 70% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 70% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Max Leone
First Grade
114 bpm • C# Maj • 02:32 • -7.34db
21% Popularity • 56% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 56% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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Quinn Lewis
Hear It In Your Voice
114 bpm • A Maj • 02:42 • -11db
15% Popularity • 62% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 62% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Carson Paskill
I Won't Give Up
114 bpm • A# Maj • 03:28 • -11.5db
22% Popularity • 67% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
22% Popularity • 67% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Rence
Best Intentions
122 bpm • F# Maj • 02:22 • -2.37db
0% Popularity • 62% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
0% Popularity • 62% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
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Griffin Oskar
Answer
114 bpm • D Maj • 02:39 • -7db
25% Popularity • 74% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 74% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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CAL
Cut Me Off
114 bpm • D Maj • 02:57 • -5.58db
12% Popularity • 81% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
12% Popularity • 81% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Dylan Jordan
Daisies In Darkness
114 bpm • A Maj • 03:28 • -7.04db
11% Popularity • 46% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 46% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Sody
Bedroom Ceiling - Ouse Remix
123 bpm • F# Maj • 03:25 • -8db
24% Popularity • 44% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 44% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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SEA
I Can't Get Over
114 bpm • G# Maj • 02:58 • -7.9db
17% Popularity • 55% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
17% Popularity • 55% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Rence
Go!
123 bpm • G Maj • 02:08 • -2.78db
0% Popularity • 67% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 67% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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X Lovers
Mad World
113 bpm • D Maj • 02:22 • -4.09db
15% Popularity • 85% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 85% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
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Tony Ferrari
Spend It All
113 bpm • F Maj • 02:53 • -8.33db
9% Popularity • 81% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 81% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Chelsea Cutler
The Human Condition
113 bpm • D# Maj • 02:30 • -7.53db
33% Popularity • 67% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 67% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Peter Manos
Tennessee
124 bpm • D Maj • 02:43 • -12.64db
20% Popularity • 63% Danceability • 26% Energy • 12% Liveness
10% Instrumentalness • 15% Positiveness
20% Popularity • 63% Danceability • 26% Energy • 12% Liveness
10% Instrumentalness • 15% Positiveness
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Christian French
paper thin
124 bpm • C# Maj • 03:30 • -7.65db
31% Popularity • 57% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
31% Popularity • 57% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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Peter Fenn
Something of Myself
124 bpm • F Maj • 02:18 • -9db
23% Popularity • 77% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 77% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Restless Modern
Reflect
124 bpm • C Maj • 03:36 • -9.86db
8% Popularity • 88% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 88% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
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lovelytheband
i should be happy
124 bpm • E Maj • 04:03 • -17.42db
18% Popularity • 44% Danceability • 14% Energy • 14% Liveness
3% Instrumentalness • 12% Positiveness
18% Popularity • 44% Danceability • 14% Energy • 14% Liveness
3% Instrumentalness • 12% Positiveness
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Sabrina Lee
Hurt
112 bpm • F min • 03:36 • -7.17db
15% Popularity • 62% Danceability • 62% Energy • 39% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 62% Danceability • 62% Energy • 39% Liveness
0% Instrumentalness • 28% Positiveness
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Chelsea Cutler
How To Be Human
112 bpm • A# Maj • 02:45 • -9.79db
36% Popularity • 81% Danceability • 43% Energy • 10% Liveness
5% Instrumentalness • 56% Positiveness
36% Popularity • 81% Danceability • 43% Energy • 10% Liveness
5% Instrumentalness • 56% Positiveness
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Jaymes Young
Spaces
112 bpm • F Maj • 03:47 • -13.75db
31% Popularity • 72% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 72% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Golds
We Don't Need to Go Far
112 bpm • A Maj • 03:33 • -9db
15% Popularity • 82% Danceability • 46% Energy • 3% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 82% Danceability • 46% Energy • 3% Liveness
0% Instrumentalness • 70% Positiveness
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Christian French
crowded room
125 bpm • B min • 02:52 • -6.59db
34% Popularity • 75% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
34% Popularity • 75% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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yaeow
When I'm No Longer Here
125 bpm • C# min • 02:39 • -12.99db
27% Popularity • 78% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
27% Popularity • 78% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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bülow
Puppy Love
125 bpm • B min • 02:59 • -6.36db
29% Popularity • 63% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
29% Popularity • 63% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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JXN
keep the distance
111 bpm • B Maj • 02:48 • -7.77db
11% Popularity • 85% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
11% Popularity • 85% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Emery
Mid July
126 bpm • A min • 03:05 • -9.45db
30% Popularity • 72% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 72% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Quinn Lewis
Make It Right
126 bpm • D Maj • 03:12 • -7db
19% Popularity • 75% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 75% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
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Christian French
Keeping Up With The Joneses
111 bpm • A# Maj • 01:24 • -17.27db
11% Popularity • 49% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 49% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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ROLE MODEL
notice me
126 bpm • G# min • 03:11 • -6.52db
53% Popularity • 72% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
53% Popularity • 72% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
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INTRN
Get to You
126 bpm • G Maj • 02:47 • -11.38db
18% Popularity • 84% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 84% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Rence
Tears In December
126 bpm • B Maj • 02:58 • -3.53db
27% Popularity • 73% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 73% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Magsy
COUNT ON U
126 bpm • A# Maj • 03:22 • -6db
22% Popularity • 80% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
22% Popularity • 80% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Nova Moura
Sleeping in the Rain
126 bpm • G# min • 04:12 • -10.69db
28% Popularity • 71% Danceability • 41% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 71% Danceability • 41% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
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Jaymes Young
Paradox
126 bpm • F# Maj • 03:50 • -13db
27% Popularity • 84% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 84% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Quinn Lewis
Is Everything Okay
110 bpm • F Maj • 02:47 • -9.66db
13% Popularity • 82% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 82% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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ROSIE
Forget Your Name
110 bpm • A Maj • 03:05 • -6.14db
23% Popularity • 70% Danceability • 63% Energy • 38% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 70% Danceability • 63% Energy • 38% Liveness
0% Instrumentalness • 57% Positiveness
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Jonny West
homicide
110 bpm • B Maj • 03:32 • -8.86db
12% Popularity • 64% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 64% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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GRANT KNOCHE
DON'T MAKE ME MAKE YOU CRY
110 bpm • G Maj • 02:30 • -8.82db
22% Popularity • 86% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
22% Popularity • 86% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Motel 7
We Can Never Let Go
110 bpm • F# Maj • 03:33 • -9.92db
17% Popularity • 69% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 69% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Nic Howell
Eh...eh
110 bpm • F Maj • 02:14 • -7.64db
19% Popularity • 77% Danceability • 62% Energy • 10% Liveness
1% Instrumentalness • 60% Positiveness
19% Popularity • 77% Danceability • 62% Energy • 10% Liveness
1% Instrumentalness • 60% Positiveness
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beaux
Look How We Started
110 bpm • D Maj • 01:56 • -4.28db
12% Popularity • 75% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 75% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 23% Positiveness
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Peter Manos
Zach's Ballad
110 bpm • A Maj • 02:48 • -13.2db
22% Popularity • 68% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 68% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Ant Saunders
u know it's real
110 bpm • F# min • 02:48 • -9.3db
33% Popularity • 69% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 69% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Suriel Hess
Cautionary Lovin
110 bpm • A Maj • 03:14 • -9.48db
25% Popularity • 84% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 84% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Quinn Lewis
Everyone But Me
110 bpm • F# Maj • 03:27 • -8.06db
19% Popularity • 70% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 70% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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YOG$
San Francisco
110 bpm • A Maj • 03:05 • -7.37db
28% Popularity • 86% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 86% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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DYSN
Smiley Faces
110 bpm • D Maj • 03:31 • -9.59db
13% Popularity • 72% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 13% Positiveness
13% Popularity • 72% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 13% Positiveness
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James Droll
Self Sacrifice
127 bpm • F# Maj • 03:30 • -9db
25% Popularity • 79% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
25% Popularity • 79% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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DWLLRS
We're All Just Falling and Flying
127 bpm • C Maj • 03:28 • -8.36db
23% Popularity • 52% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 52% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Christian French
head first
127 bpm • F# min • 02:34 • -6.22db
56% Popularity • 91% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
56% Popularity • 91% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Matthew Chaim
Reason
109 bpm • G Maj • 03:21 • -8.08db
13% Popularity • 55% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 55% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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ROLE MODEL
play the part
109 bpm • D# Maj • 03:12 • -7db
38% Popularity • 74% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
38% Popularity • 74% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
