Songs like Somewhere in My Lifetime by Phyllis Hyman
Based on a tempo of (+/- 10%) and a similar genre
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Pharoah Sanders
Love Is Here
131 bpm • D# Maj • 04:42 • -11.68db
25% Popularity • 43% Danceability • 47% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
25% Popularity • 43% Danceability • 47% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
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The Chi-Lites
Toby
131 bpm • G# Maj • 03:50 • -7db
26% Popularity • 48% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 48% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
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The Ebonys
You're The Reason Why
131 bpm • E Maj • 03:03 • -6db
32% Popularity • 49% Danceability • 62% Energy • 41% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 49% Danceability • 62% Energy • 41% Liveness
0% Instrumentalness • 61% Positiveness
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The Dramatics
I Can't Get Over You - Single Version
131 bpm • B min • 04:06 • -11.47db
34% Popularity • 43% Danceability • 49% Energy • 68% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 43% Danceability • 49% Energy • 68% Liveness
0% Instrumentalness • 45% Positiveness
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Force M.D.'s
Tears
130 bpm • F Maj • 04:22 • -11db
31% Popularity • 63% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 63% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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L.T.D.
April Love
130 bpm • A Maj • 04:30 • -17db
35% Popularity • 63% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
35% Popularity • 63% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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McFadden & Whitehead
You're My Someone To Love
130 bpm • C Maj • 04:37 • -9.18db
19% Popularity • 54% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
19% Popularity • 54% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Anita Baker
Whatever It Takes
132 bpm • B Maj • 05:35 • -11.69db
33% Popularity • 71% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 41% Positiveness
33% Popularity • 71% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 41% Positiveness
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Ashford & Simpson
I'll Take The Whole World On - Edit
130 bpm • D Maj • 03:49 • -10db
34% Popularity • 38% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 23% Positiveness
34% Popularity • 38% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 23% Positiveness
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DeBarge
Time Will Reveal
130 bpm • C Maj • 04:19 • -13.8db
54% Popularity • 71% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
54% Popularity • 71% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Force M.D.'s
Tears
130 bpm • F Maj • 04:04 • -7db
37% Popularity • 60% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
37% Popularity • 60% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Miki Howard
You've Changed
132 bpm • D# Maj • 03:35 • -15.23db
14% Popularity • 47% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
14% Popularity • 47% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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L.T.D.
Where Did We Go Wrong
132 bpm • C Maj • 04:28 • -14.46db
45% Popularity • 56% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
45% Popularity • 56% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Lillo Thomas
All of You
129 bpm • A Maj • 04:31 • -10.94db
22% Popularity • 51% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
22% Popularity • 51% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Pharoah Sanders
As You Are - Single Version
133 bpm • D# min • 03:37 • -10.81db
15% Popularity • 35% Danceability • 43% Energy • 52% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 35% Danceability • 43% Energy • 52% Liveness
0% Instrumentalness • 20% Positiveness
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Blue Magic
Grateful
129 bpm • E min • 04:21 • -7.79db
24% Popularity • 40% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 40% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Dazz Band
Just Believe In Love
133 bpm • F min • 04:55 • -10.94db
15% Popularity • 50% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 50% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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G.Q.
Don't Stop This Feeling
133 bpm • F Maj • 04:57 • -10db
26% Popularity • 52% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 52% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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The Emotions
A Long Way to Go
133 bpm • D# min • 03:48 • -8.36db
18% Popularity • 63% Danceability • 69% Energy • 10% Liveness
2% Instrumentalness • 85% Positiveness
18% Popularity • 63% Danceability • 69% Energy • 10% Liveness
2% Instrumentalness • 85% Positiveness
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Heatwave
All You Do Is Dial
129 bpm • C Maj • 04:12 • -13.39db
31% Popularity • 64% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 64% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Pharoah Sanders
As You Are
129 bpm • G# min • 05:08 • -11db
25% Popularity • 35% Danceability • 40% Energy • 58% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 35% Danceability • 40% Energy • 58% Liveness
0% Instrumentalness • 24% Positiveness
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Blue Magic
Sideshow
133 bpm • G Maj • 04:11 • -13.17db
54% Popularity • 59% Danceability • 34% Energy • 63% Liveness
0% Instrumentalness • 54% Positiveness
54% Popularity • 59% Danceability • 34% Energy • 63% Liveness
0% Instrumentalness • 54% Positiveness
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Phyllis Hyman
Somewhere In My Lifetime
134 bpm • F Maj • 03:27 • -7db
25% Popularity • 28% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 28% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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L.T.D.
If You're In Need
134 bpm • B Maj • 03:39 • -14.29db
17% Popularity • 77% Danceability • 48% Energy • 59% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 77% Danceability • 48% Energy • 59% Liveness
0% Instrumentalness • 82% Positiveness
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Gladys Knight & The Pips
Between Her Goodbye And My Hello
128 bpm • D Maj • 03:52 • -14.12db
24% Popularity • 51% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
24% Popularity • 51% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Cameo
I Never Knew
128 bpm • C Maj • 04:38 • -5.18db
20% Popularity • 71% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
20% Popularity • 71% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Meli'sa Morgan
Do You Still Love Me?
128 bpm • B min • 05:39 • -15db
38% Popularity • 57% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
38% Popularity • 57% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Dazz Band
Knock! Knock!
134 bpm • A min • 04:43 • -18.49db
23% Popularity • 60% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 60% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Phyllis Hyman
Gonna Make Changes
134 bpm • B Maj • 04:57 • -7.04db
19% Popularity • 42% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 42% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Lillo Thomas
Wanna Make Love ( All Night Long)
134 bpm • G Maj • 04:54 • -15db
34% Popularity • 64% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 64% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Evelyn "Champagne" King
Shame - 12" Disco Version
135 bpm • B min • 06:31 • -15.61db
47% Popularity • 78% Danceability • 51% Energy • 7% Liveness
27% Instrumentalness • 90% Positiveness
47% Popularity • 78% Danceability • 51% Energy • 7% Liveness
27% Instrumentalness • 90% Positiveness
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Cameo
Why Have I Lost You
134 bpm • G Maj • 05:14 • -12.6db
39% Popularity • 62% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
39% Popularity • 62% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Black Ivory
Don't Turn Around
135 bpm • D min • 04:13 • -6.17db
15% Popularity • 32% Danceability • 69% Energy • 64% Liveness
0% Instrumentalness • 43% Positiveness
15% Popularity • 32% Danceability • 69% Energy • 64% Liveness
0% Instrumentalness • 43% Positiveness
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Skyy
Real Love
135 bpm • B min • 05:14 • -11.83db
47% Popularity • 67% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
47% Popularity • 67% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Phyllis Hyman
Living In Confusion
128 bpm • C min • 07:06 • -12.18db
28% Popularity • 69% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 69% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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Anita Baker
You Bring Me Joy
135 bpm • A Maj • 04:24 • -7.22db
40% Popularity • 38% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 38% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Ray, Goodman & Brown
Happy Anniversary
136 bpm • C min • 04:34 • -14.53db
28% Popularity • 40% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 40% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
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Angela Winbush
Too Good to Let You Go
136 bpm • C min • 05:44 • -6.98db
21% Popularity • 62% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 62% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
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Keith Washington
Kissing You
127 bpm • G Maj • 04:20 • -8.86db
45% Popularity • 49% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
45% Popularity • 49% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Blue Magic
Tear It Down
136 bpm • C# Maj • 05:30 • -12.69db
26% Popularity • 46% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
26% Popularity • 46% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
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Phyllis Hyman
Living All Alone
128 bpm • E min • 05:07 • -8.04db
30% Popularity • 74% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 74% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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The New Birth
It's Been a Long Time
126 bpm • D min • 05:54 • -10.45db
36% Popularity • 60% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 60% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
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One Way
Something In The Past
126 bpm • F# min • 06:14 • -16db
34% Popularity • 61% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
34% Popularity • 61% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Cameo
Feel Me
136 bpm • F Maj • 06:09 • -9.35db
26% Popularity • 60% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
26% Popularity • 60% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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The Ebonys
A Love of Your Own
137 bpm • D min • 05:30 • -11db
30% Popularity • 55% Danceability • 69% Energy • 11% Liveness
1% Instrumentalness • 91% Positiveness
30% Popularity • 55% Danceability • 69% Energy • 11% Liveness
1% Instrumentalness • 91% Positiveness
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DeBarge
Love Me In A Special Way
126 bpm • C Maj • 04:15 • -14db
47% Popularity • 49% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
47% Popularity • 49% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Phyllis Hyman
Living All Alone
128 bpm • E min • 05:09 • -11.95db
38% Popularity • 71% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
38% Popularity • 71% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Blue Magic
Look Me Up
125 bpm • F# Maj • 05:53 • -12db
27% Popularity • 70% Danceability • 69% Energy • 11% Liveness
2% Instrumentalness • 76% Positiveness
27% Popularity • 70% Danceability • 69% Energy • 11% Liveness
2% Instrumentalness • 76% Positiveness
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Force M.D.'s
Here I Go Again
137 bpm • F# Maj • 06:30 • -15db
37% Popularity • 37% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
37% Popularity • 37% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
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Meli'sa Morgan
Do Me Baby
125 bpm • A# Maj • 05:17 • -14db
44% Popularity • 76% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
44% Popularity • 76% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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L.T.D.
We Both Deserve Each Other's Love
125 bpm • C# Maj • 03:07 • -15db
53% Popularity • 52% Danceability • 25% Energy • 8% Liveness
11% Instrumentalness • 28% Positiveness
53% Popularity • 52% Danceability • 25% Energy • 8% Liveness
11% Instrumentalness • 28% Positiveness
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Slave
For the Love of U
137 bpm • C# min • 05:12 • -13.94db
17% Popularity • 56% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
17% Popularity • 56% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
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Phyllis Hyman
The Love Too Good to Last
136 bpm • D min • 04:06 • -8.28db
17% Popularity • 63% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 63% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Switch
Calling On All Girls
125 bpm • G Maj • 04:29 • -9.89db
22% Popularity • 58% Danceability • 40% Energy • 25% Liveness
2% Instrumentalness • 35% Positiveness
22% Popularity • 58% Danceability • 40% Energy • 25% Liveness
2% Instrumentalness • 35% Positiveness
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DeBarge
Share My World
125 bpm • A# Maj • 05:40 • -13.88db
15% Popularity • 48% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 48% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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The Emotions
Now That I Know
138 bpm • C Maj • 04:05 • -10.11db
19% Popularity • 58% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 58% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Minnie Riperton
Lover And Friend
124 bpm • C Maj • 04:18 • -6db
23% Popularity • 72% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
23% Popularity • 72% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Gerald Alston
Take Me Where You Want To
124 bpm • G min • 06:22 • -3.91db
24% Popularity • 66% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 66% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Phyllis Hyman
I'm Truly Yours
136 bpm • G min • 05:39 • -9.27db
17% Popularity • 62% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 17% Positiveness
17% Popularity • 62% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 17% Positiveness
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Keni Burke
Who Do You Love
125 bpm • D min • 05:25 • -12.86db
12% Popularity • 70% Danceability • 30% Energy • 7% Liveness
1% Instrumentalness • 33% Positiveness
12% Popularity • 70% Danceability • 30% Energy • 7% Liveness
1% Instrumentalness • 33% Positiveness
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D-Train
You're the Reason
139 bpm • C Maj • 05:23 • -10db
19% Popularity • 66% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
19% Popularity • 66% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Angela Winbush
Hello Beloved
123 bpm • F min • 05:46 • -18.7db
14% Popularity • 67% Danceability • 24% Energy • 34% Liveness
0% Instrumentalness • 21% Positiveness
14% Popularity • 67% Danceability • 24% Energy • 34% Liveness
0% Instrumentalness • 21% Positiveness
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Miki Howard
Just the Way You Want Me To
123 bpm • D# min • 05:09 • -15db
13% Popularity • 40% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 40% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 23% Positiveness
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The Main Ingredient
Rolling Down a Mountainside
123 bpm • F Maj • 04:34 • -5db
25% Popularity • 61% Danceability • 87% Energy • 32% Liveness
7% Instrumentalness • 62% Positiveness
25% Popularity • 61% Danceability • 87% Energy • 32% Liveness
7% Instrumentalness • 62% Positiveness
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Phyllis Hyman
I Refuse to Be Lonely
139 bpm • E Maj • 03:58 • -5.61db
21% Popularity • 40% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
21% Popularity • 40% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Blue Magic
What's Come over Me
123 bpm • G# Maj • 04:14 • -13db
30% Popularity • 49% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
30% Popularity • 49% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Ronnie Laws
Every Generation - Remastered
140 bpm • B min • 05:49 • -8.45db
35% Popularity • 50% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
35% Popularity • 50% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Gladys Knight & The Pips
Heaven Sent
123 bpm • D Maj • 04:09 • -12db
17% Popularity • 60% Danceability • 38% Energy • 61% Liveness
0% Instrumentalness • 33% Positiveness
17% Popularity • 60% Danceability • 38% Energy • 61% Liveness
0% Instrumentalness • 33% Positiveness
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Force M.D.'s
I Wanna Know Your Name
123 bpm • F Maj • 05:54 • -14.31db
28% Popularity • 66% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 66% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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Ray, Goodman & Brown
Someone's Missing Your Love
140 bpm • A Maj • 06:46 • -4.8db
11% Popularity • 64% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 64% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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The Emotions
Don't Ask My Neighbors
140 bpm • C# Maj • 04:27 • -9.54db
48% Popularity • 56% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
48% Popularity • 56% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Ohio Players
Heaven Must Be Like This
140 bpm • C Maj • 07:18 • -12.62db
39% Popularity • 46% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
39% Popularity • 46% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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G.Q.
Make My Dreams a Reality
122 bpm • G Maj • 06:15 • -13db
24% Popularity • 77% Danceability • 49% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
24% Popularity • 77% Danceability • 49% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
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Gladys Knight & The Pips
Neither One Of Us (Wants To Be The First...
140 bpm • F Maj • 04:24 • -14db
57% Popularity • 51% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
57% Popularity • 51% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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Jerry Butler
Ain't Understanding Mellow
140 bpm • E min • 04:20 • -10.67db
37% Popularity • 45% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
37% Popularity • 45% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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L.T.D.
You Fooled Me
122 bpm • F min • 03:14 • -8db
33% Popularity • 77% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 77% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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The Emotions
A Feeling Is
140 bpm • C Maj • 03:36 • -9.34db
30% Popularity • 62% Danceability • 56% Energy • 17% Liveness
53% Instrumentalness • 91% Positiveness
30% Popularity • 62% Danceability • 56% Energy • 17% Liveness
53% Instrumentalness • 91% Positiveness
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Phyllis Hyman
Complete Me
141 bpm • A min • 05:23 • -13.52db
11% Popularity • 58% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 58% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 40% Positiveness
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Rene & Angela
Your Smile - 12" Mix
141 bpm • A# min • 05:01 • -10.69db
31% Popularity • 44% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
31% Popularity • 44% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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O'Bryan
You And I
141 bpm • F Maj • 05:23 • -9.75db
22% Popularity • 70% Danceability • 47% Energy • 14% Liveness
3% Instrumentalness • 36% Positiveness
22% Popularity • 70% Danceability • 47% Energy • 14% Liveness
3% Instrumentalness • 36% Positiveness
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The Dramatics
(I'm Going By) The Stars In Your Eyes - ...
141 bpm • D Maj • 03:44 • -13.98db
35% Popularity • 67% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
35% Popularity • 67% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Miki Howard
Love Under New Management
121 bpm • C# Maj • 06:49 • -9.05db
36% Popularity • 57% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 57% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
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Margie Joseph
What's Come over Me - Single Version
121 bpm • G# Maj • 04:24 • -14.31db
11% Popularity • 55% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 55% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Phyllis Hyman
The Answer Is You
142 bpm • C Maj • 05:07 • -9db
29% Popularity • 42% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
29% Popularity • 42% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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The New Birth
Wild Flower
121 bpm • F# Maj • 06:30 • -11db
41% Popularity • 47% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
41% Popularity • 47% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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After 7
Ready Or Not
142 bpm • G# min • 04:34 • -11.62db
50% Popularity • 73% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
50% Popularity • 73% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Ohio Players
I Want To Be Free
142 bpm • F Maj • 06:54 • -12.83db
38% Popularity • 50% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
38% Popularity • 50% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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The Dramatics
You're The Best Thing In My Life
142 bpm • F Maj • 04:27 • -10.08db
35% Popularity • 58% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
35% Popularity • 58% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Norman Connors
Betcha by Golly Wow - Remastered
120 bpm • E Maj • 06:22 • -9.12db
30% Popularity • 43% Danceability • 45% Energy • 14% Liveness
2% Instrumentalness • 14% Positiveness
30% Popularity • 43% Danceability • 45% Energy • 14% Liveness
2% Instrumentalness • 14% Positiveness
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Phyllis Hyman
No One Can Love You More - 7" Version
143 bpm • D# Maj • 03:35 • -11.85db
12% Popularity • 39% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 39% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Force M.D.'s
Tender Love
143 bpm • G# Maj • 03:54 • -7.29db
61% Popularity • 34% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
61% Popularity • 34% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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McFadden & Whitehead
I've Been Pushed Aside
143 bpm • A# Maj • 05:12 • -10db
23% Popularity • 58% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
23% Popularity • 58% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Eddie Kendricks
Tell Her Love Has Felt The Need
143 bpm • C min • 04:25 • -11.68db
26% Popularity • 48% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 48% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Gladys Knight & The Pips
Make Yours a Happy Home
120 bpm • C# min • 04:33 • -7.64db
36% Popularity • 69% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
36% Popularity • 69% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Rene & Angela
Your Smile
143 bpm • A# min • 04:15 • -10db
52% Popularity • 56% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
52% Popularity • 56% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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The Emotions
I Don't Wanna Lose Your Love
120 bpm • C# Maj • 04:01 • -8.84db
38% Popularity • 75% Danceability • 72% Energy • 67% Liveness
0% Instrumentalness • 93% Positiveness
38% Popularity • 75% Danceability • 72% Energy • 67% Liveness
0% Instrumentalness • 93% Positiveness
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Norman Connors
Betcha by Golly Wow
120 bpm • E Maj • 03:46 • -14db
15% Popularity • 44% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 44% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 18% Positiveness
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Rufus & Chaka Khan
Do You Love What You Feel
120 bpm • B Maj • 04:29 • -11.4db
51% Popularity • 81% Danceability • 77% Energy • 65% Liveness
4% Instrumentalness • 89% Positiveness
51% Popularity • 81% Danceability • 77% Energy • 65% Liveness
4% Instrumentalness • 89% Positiveness
