Songs like Somewhere My Love (Lara's Theme From "Dr. Zhivago") by 50 Guitars of Tommy Garrett
Based on a tempo of (+/- 10%) and a similar genre
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Stanley Black
April in Portugal
83 bpm • C Maj • 02:21 • -12.94db
35% Popularity • 56% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
35% Popularity • 56% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Joaquin Borges
Rio De Luna
83 bpm • C Maj • 02:31 • -22db
44% Popularity • 22% Danceability • 10% Energy • 7% Liveness
86% Instrumentalness • 9% Positiveness
44% Popularity • 22% Danceability • 10% Energy • 7% Liveness
86% Instrumentalness • 9% Positiveness
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50 Guitars of Tommy Garrett
Somewhere My Love (Lara's Theme From "Dr...
83 bpm • G Maj • 03:02 • -15.44db
38% Popularity • 54% Danceability • 29% Energy • 10% Liveness
34% Instrumentalness • 57% Positiveness
38% Popularity • 54% Danceability • 29% Energy • 10% Liveness
34% Instrumentalness • 57% Positiveness
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Pierre Charlon
Feelings
83 bpm • E min • 03:36 • -15.12db
45% Popularity • 59% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
45% Popularity • 59% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
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David Rose Orchestra
Ain't Misbehavin'
83 bpm • F Maj • 02:55 • -10.67db
23% Popularity • 41% Danceability • 40% Energy • 20% Liveness
94% Instrumentalness • 21% Positiveness
23% Popularity • 41% Danceability • 40% Energy • 20% Liveness
94% Instrumentalness • 21% Positiveness
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Mantovali
Mounlin Rouge Theme
83 bpm • G Maj • 03:06 • -15.1db
20% Popularity • 20% Danceability • 18% Energy • 9% Liveness
85% Instrumentalness • 10% Positiveness
20% Popularity • 20% Danceability • 18% Energy • 9% Liveness
85% Instrumentalness • 10% Positiveness
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Saxo
Verano Del 42
83 bpm • A Maj • 03:51 • -13.06db
32% Popularity • 12% Danceability • 33% Energy • 15% Liveness
95% Instrumentalness • 24% Positiveness
32% Popularity • 12% Danceability • 33% Energy • 15% Liveness
95% Instrumentalness • 24% Positiveness
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Hugo Winterhalter And His Orchestra
There Will Never Be Another You - Instru...
83 bpm • D# Maj • 03:08 • -12.23db
21% Popularity • 28% Danceability • 26% Energy • 11% Liveness
89% Instrumentalness • 18% Positiveness
21% Popularity • 28% Danceability • 26% Energy • 11% Liveness
89% Instrumentalness • 18% Positiveness
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50 Guitars of Tommy Garrett
It's All In The Game
83 bpm • G Maj • 02:12 • -12db
6% Popularity • 53% Danceability • 26% Energy • 11% Liveness
81% Instrumentalness • 51% Positiveness
6% Popularity • 53% Danceability • 26% Energy • 11% Liveness
81% Instrumentalness • 51% Positiveness
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The Strings Of Paris
Love Story
83 bpm • G min • 03:33 • -15.06db
26% Popularity • 47% Danceability • 29% Energy • 18% Liveness
34% Instrumentalness • 15% Positiveness
26% Popularity • 47% Danceability • 29% Energy • 18% Liveness
34% Instrumentalness • 15% Positiveness
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Nicolas de Angelis
Ô Père, je suis ton enfant
84 bpm • D Maj • 03:49 • -12.9db
45% Popularity • 53% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
45% Popularity • 53% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
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Ballroom Dance Orchestra
That's Amore - Vienna Waltz
82 bpm • A Maj • 02:43 • -11.78db
40% Popularity • 42% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
40% Popularity • 42% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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Norman Candler
Deep in the Night
84 bpm • A Maj • 03:24 • -6db
29% Popularity • 30% Danceability • 51% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
29% Popularity • 30% Danceability • 51% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
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Hugo Winterhalter And His Orchestra
I Only Have Eyes for You - Instrumental
82 bpm • C Maj • 02:49 • -15db
29% Popularity • 23% Danceability • 19% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
29% Popularity • 23% Danceability • 19% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Don Costa
The Third Man - Remastered
82 bpm • C# Maj • 02:06 • -9db
38% Popularity • 45% Danceability • 36% Energy • 20% Liveness
85% Instrumentalness • 78% Positiveness
38% Popularity • 45% Danceability • 36% Energy • 20% Liveness
85% Instrumentalness • 78% Positiveness
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Manuel & The Music Of The Mountains
Cuando Calienta El Sol
84 bpm • G Maj • 02:39 • -15db
34% Popularity • 25% Danceability • 26% Energy • 10% Liveness
94% Instrumentalness • 32% Positiveness
34% Popularity • 25% Danceability • 26% Energy • 10% Liveness
94% Instrumentalness • 32% Positiveness
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The Romantic Sound Orchestra
Eine Melodie geht um die Welt
84 bpm • G Maj • 03:43 • -8db
22% Popularity • 10% Danceability • 52% Energy • 31% Liveness
29% Instrumentalness • 15% Positiveness
22% Popularity • 10% Danceability • 52% Energy • 31% Liveness
29% Instrumentalness • 15% Positiveness
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Gary Freeman
Crazy
84 bpm • E Maj • 03:26 • -13db
15% Popularity • 54% Danceability • 43% Energy • 17% Liveness
1% Instrumentalness • 22% Positiveness
15% Popularity • 54% Danceability • 43% Energy • 17% Liveness
1% Instrumentalness • 22% Positiveness
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Gil Ventura
Je t'aime... moi non plus
84 bpm • A# Maj • 03:10 • -9db
29% Popularity • 54% Danceability • 52% Energy • 10% Liveness
77% Instrumentalness • 49% Positiveness
29% Popularity • 54% Danceability • 52% Energy • 10% Liveness
77% Instrumentalness • 49% Positiveness
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The Melachrino Strings and Orchestra
The Song from Moulin Rouge
82 bpm • G# Maj • 03:15 • -17.87db
26% Popularity • 15% Danceability • 12% Energy • 10% Liveness
20% Instrumentalness • 17% Positiveness
26% Popularity • 15% Danceability • 12% Energy • 10% Liveness
20% Instrumentalness • 17% Positiveness
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Sweet People
Lake Como
82 bpm • A Maj • 02:56 • -17.15db
38% Popularity • 23% Danceability • 24% Energy • 11% Liveness
96% Instrumentalness • 24% Positiveness
38% Popularity • 23% Danceability • 24% Energy • 11% Liveness
96% Instrumentalness • 24% Positiveness
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Pierre Charlon
Dolannes Melodie
82 bpm • E Maj • 03:33 • -13.3db
48% Popularity • 52% Danceability • 30% Energy • 24% Liveness
96% Instrumentalness • 47% Positiveness
48% Popularity • 52% Danceability • 30% Energy • 24% Liveness
96% Instrumentalness • 47% Positiveness
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Joaquin Borges
Candilejas
81 bpm • F Maj • 03:20 • -24db
33% Popularity • 15% Danceability • 7% Energy • 14% Liveness
40% Instrumentalness • 5% Positiveness
33% Popularity • 15% Danceability • 7% Energy • 14% Liveness
40% Instrumentalness • 5% Positiveness
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Nikos Ignatiadis
Melody For Lovers
81 bpm • A Maj • 03:29 • -13db
37% Popularity • 12% Danceability • 37% Energy • 7% Liveness
48% Instrumentalness • 17% Positiveness
37% Popularity • 12% Danceability • 37% Energy • 7% Liveness
48% Instrumentalness • 17% Positiveness
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Edmundo Ros
Melodie D'amour
81 bpm • D# Maj • 03:08 • -13db
28% Popularity • 68% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
28% Popularity • 68% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
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Ronald Valentino
Serenata a la Luz de la Luna
85 bpm • E min • 03:37 • -11db
48% Popularity • 65% Danceability • 25% Energy • 33% Liveness
58% Instrumentalness • 34% Positiveness
48% Popularity • 65% Danceability • 25% Energy • 33% Liveness
58% Instrumentalness • 34% Positiveness
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Percy Faith & His Orchestra & Chorus
Love Theme from "Romeo and Juliet"
85 bpm • A min • 03:10 • -17.83db
27% Popularity • 17% Danceability • 14% Energy • 12% Liveness
94% Instrumentalness • 10% Positiveness
27% Popularity • 17% Danceability • 14% Energy • 12% Liveness
94% Instrumentalness • 10% Positiveness
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Hugo Strasser und die Heinrich Haas jr. Combo
I LEFT MY HEART IN SAN FRANCISCO
85 bpm • C# Maj • 03:16 • -10db
29% Popularity • 50% Danceability • 33% Energy • 10% Liveness
12% Instrumentalness • 20% Positiveness
29% Popularity • 50% Danceability • 33% Energy • 10% Liveness
12% Instrumentalness • 20% Positiveness
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Frank Chacksfield Orchestra
Song from the Moulin Rouge
85 bpm • D# Maj • 02:51 • -16db
31% Popularity • 40% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
31% Popularity • 40% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
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Ricci Ferra
Aranjuez "Mon Amour" Adagio From The Con...
81 bpm • B min • 04:16 • -15.24db
30% Popularity • 37% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
30% Popularity • 37% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
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50 Guitars of Tommy Garrett
Maria Elena
80 bpm • C Maj • 03:20 • -9.24db
31% Popularity • 62% Danceability • 27% Energy • 11% Liveness
20% Instrumentalness • 50% Positiveness
31% Popularity • 62% Danceability • 27% Energy • 11% Liveness
20% Instrumentalness • 50% Positiveness
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Ronald Valentino
El Amor Es una Cosa Esplendorosa
85 bpm • C Maj • 02:51 • -8.46db
49% Popularity • 54% Danceability • 40% Energy • 15% Liveness
64% Instrumentalness • 20% Positiveness
49% Popularity • 54% Danceability • 40% Energy • 15% Liveness
64% Instrumentalness • 20% Positiveness
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The Fantasy Strings
No More Lonely Nights
80 bpm • F Maj • 03:59 • -8db
28% Popularity • 46% Danceability • 57% Energy • 7% Liveness
1% Instrumentalness • 38% Positiveness
28% Popularity • 46% Danceability • 57% Energy • 7% Liveness
1% Instrumentalness • 38% Positiveness
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Hugo Winterhalter And His Orchestra
Fascination - Instrumental
80 bpm • F Maj • 02:44 • -18db
31% Popularity • 22% Danceability • 24% Energy • 20% Liveness
75% Instrumentalness • 21% Positiveness
31% Popularity • 22% Danceability • 24% Energy • 20% Liveness
75% Instrumentalness • 21% Positiveness
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Don Costa
Lisboa Antigua - Remastered
86 bpm • C# Maj • 02:52 • -9db
33% Popularity • 46% Danceability • 50% Energy • 31% Liveness
39% Instrumentalness • 96% Positiveness
33% Popularity • 46% Danceability • 50% Energy • 31% Liveness
39% Instrumentalness • 96% Positiveness
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Norman Candler
Theme from Love Story - Remastered
86 bpm • E min • 02:52 • -7db
24% Popularity • 31% Danceability • 62% Energy • 14% Liveness
90% Instrumentalness • 53% Positiveness
24% Popularity • 31% Danceability • 62% Energy • 14% Liveness
90% Instrumentalness • 53% Positiveness
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Richard Abel
Le temps qu'il nous reste
80 bpm • F Maj • 04:13 • -11.49db
18% Popularity • 54% Danceability • 40% Energy • 18% Liveness
86% Instrumentalness • 43% Positiveness
18% Popularity • 54% Danceability • 40% Energy • 18% Liveness
86% Instrumentalness • 43% Positiveness
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Ronald Valentino
Sobre el Arcoiris
80 bpm • D# Maj • 03:50 • -10.9db
42% Popularity • 65% Danceability • 33% Energy • 16% Liveness
89% Instrumentalness • 27% Positiveness
42% Popularity • 65% Danceability • 33% Energy • 16% Liveness
89% Instrumentalness • 27% Positiveness
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The Romantic Sound Orchestra
Fascination
86 bpm • C Maj • 03:56 • -16.28db
18% Popularity • 14% Danceability • 24% Energy • 14% Liveness
43% Instrumentalness • 4% Positiveness
18% Popularity • 14% Danceability • 24% Energy • 14% Liveness
43% Instrumentalness • 4% Positiveness
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Mantovani y Su Gran Orquesta
Siboney
80 bpm • C min • 03:12 • -8.51db
23% Popularity • 43% Danceability • 47% Energy • 7% Liveness
86% Instrumentalness • 69% Positiveness
23% Popularity • 43% Danceability • 47% Energy • 7% Liveness
86% Instrumentalness • 69% Positiveness
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Caravelli
Over the Rainbow
80 bpm • A# Maj • 03:28 • -9db
37% Popularity • 36% Danceability • 41% Energy • 15% Liveness
95% Instrumentalness • 11% Positiveness
37% Popularity • 36% Danceability • 41% Energy • 15% Liveness
95% Instrumentalness • 11% Positiveness
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David Rose
Love Is a Many Splendoured Thing
87 bpm • A# min • 03:05 • -12.73db
28% Popularity • 34% Danceability • 44% Energy • 15% Liveness
94% Instrumentalness • 15% Positiveness
28% Popularity • 34% Danceability • 44% Energy • 15% Liveness
94% Instrumentalness • 15% Positiveness
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Geoff Love & His Orchestra
Always
80 bpm • G Maj • 03:08 • -18.94db
12% Popularity • 14% Danceability • 13% Energy • 14% Liveness
75% Instrumentalness • 5% Positiveness
12% Popularity • 14% Danceability • 13% Energy • 14% Liveness
75% Instrumentalness • 5% Positiveness
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Alfred Hause
Bilitis
87 bpm • G Maj • 02:34 • -8db
41% Popularity • 41% Danceability • 45% Energy • 12% Liveness
87% Instrumentalness • 28% Positiveness
41% Popularity • 41% Danceability • 45% Energy • 12% Liveness
87% Instrumentalness • 28% Positiveness
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Nicolas de Angelis
Voici l'Eau pour le Baptême
87 bpm • A Maj • 02:11 • -11.58db
49% Popularity • 60% Danceability • 33% Energy • 17% Liveness
31% Instrumentalness • 49% Positiveness
49% Popularity • 60% Danceability • 33% Energy • 17% Liveness
31% Instrumentalness • 49% Positiveness
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50 Guitars of Tommy Garrett
I Left My Heart in San Francisco
87 bpm • C Maj • 02:18 • -11.45db
25% Popularity • 41% Danceability • 36% Energy • 15% Liveness
70% Instrumentalness • 36% Positiveness
25% Popularity • 41% Danceability • 36% Energy • 15% Liveness
70% Instrumentalness • 36% Positiveness
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Jean Claude Borelly
Memory
87 bpm • G# Maj • 03:40 • -6.57db
28% Popularity • 23% Danceability • 27% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
28% Popularity • 23% Danceability • 27% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
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Living Strings
Come to Capri
87 bpm • D min • 05:47 • -16db
30% Popularity • 16% Danceability • 23% Energy • 87% Liveness
91% Instrumentalness • 28% Positiveness
30% Popularity • 16% Danceability • 23% Energy • 87% Liveness
91% Instrumentalness • 28% Positiveness
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Botticelli
Don't Cry for Me Argentina
87 bpm • C# Maj • 03:50 • -19.07db
22% Popularity • 26% Danceability • 20% Energy • 7% Liveness
96% Instrumentalness • 16% Positiveness
22% Popularity • 26% Danceability • 20% Energy • 7% Liveness
96% Instrumentalness • 16% Positiveness
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Ballroom Dance Orchestra
Young at Heart
79 bpm • A# Maj • 03:06 • -9.84db
26% Popularity • 26% Danceability • 36% Energy • 22% Liveness
87% Instrumentalness • 36% Positiveness
26% Popularity • 26% Danceability • 36% Energy • 22% Liveness
87% Instrumentalness • 36% Positiveness
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Zantalino and his Orchestra
Greensleeves
88 bpm • F min • 02:58 • -10db
27% Popularity • 23% Danceability • 32% Energy • 11% Liveness
75% Instrumentalness • 14% Positiveness
27% Popularity • 23% Danceability • 32% Energy • 11% Liveness
75% Instrumentalness • 14% Positiveness
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50 Guitars of Tommy Garrett
South Sea Trade Winds
87 bpm • D Maj • 02:36 • -12.68db
7% Popularity • 43% Danceability • 32% Energy • 10% Liveness
89% Instrumentalness • 21% Positiveness
7% Popularity • 43% Danceability • 32% Energy • 10% Liveness
89% Instrumentalness • 21% Positiveness
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Francis Pourcel Orchestra
Estás Sola Esta Noche?
88 bpm • G Maj • 02:42 • -13.01db
31% Popularity • 40% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 26% Positiveness
31% Popularity • 40% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 26% Positiveness
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Angel Roque
Momentos
88 bpm • G Maj • 03:59 • -11.67db
33% Popularity • 53% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 36% Positiveness
33% Popularity • 53% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 36% Positiveness
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101 String Royal Orchestra
The Last Time I Saw Paris
88 bpm • A Maj • 01:42 • -11db
22% Popularity • 45% Danceability • 27% Energy • 15% Liveness
34% Instrumentalness • 7% Positiveness
22% Popularity • 45% Danceability • 27% Energy • 15% Liveness
34% Instrumentalness • 7% Positiveness
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Pierre Charlon
Woman in Love
88 bpm • C Maj • 03:57 • -12.05db
40% Popularity • 64% Danceability • 44% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
40% Popularity • 64% Danceability • 44% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
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Ronald Valentino
Dejé Mi Corazón en San Francisco
88 bpm • D min • 03:47 • -10.48db
39% Popularity • 68% Danceability • 28% Energy • 15% Liveness
4% Instrumentalness • 29% Positiveness
39% Popularity • 68% Danceability • 28% Energy • 15% Liveness
4% Instrumentalness • 29% Positiveness
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Tol & Tol
Recuerdos De La Alhambra
88 bpm • A Maj • 03:18 • -15.57db
37% Popularity • 46% Danceability • 31% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
37% Popularity • 46% Danceability • 31% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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Norman Candler
Taking a Chance on Love - Remastered
78 bpm • G Maj • 02:33 • -8db
28% Popularity • 20% Danceability • 37% Energy • 17% Liveness
84% Instrumentalness • 36% Positiveness
28% Popularity • 20% Danceability • 37% Energy • 17% Liveness
84% Instrumentalness • 36% Positiveness
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Orchestra
I Can´t Stop Loving You
88 bpm • F Maj • 02:39 • -9.93db
14% Popularity • 25% Danceability • 31% Energy • 13% Liveness
90% Instrumentalness • 19% Positiveness
14% Popularity • 25% Danceability • 31% Energy • 13% Liveness
90% Instrumentalness • 19% Positiveness
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Mantovani y Su Gran Orquesta
Bésame Mucho
78 bpm • B min • 03:49 • -10.03db
16% Popularity • 18% Danceability • 30% Energy • 16% Liveness
65% Instrumentalness • 13% Positiveness
16% Popularity • 18% Danceability • 30% Energy • 16% Liveness
65% Instrumentalness • 13% Positiveness
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Gary Freeman
Just A Gigolo
78 bpm • F Maj • 02:18 • -10.59db
27% Popularity • 41% Danceability • 36% Energy • 6% Liveness
63% Instrumentalness • 26% Positiveness
27% Popularity • 41% Danceability • 36% Energy • 6% Liveness
63% Instrumentalness • 26% Positiveness
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Ronald Valentino
Nocturno en Mi Bemol
88 bpm • D# Maj • 04:47 • -7db
41% Popularity • 51% Danceability • 53% Energy • 10% Liveness
86% Instrumentalness • 45% Positiveness
41% Popularity • 51% Danceability • 53% Energy • 10% Liveness
86% Instrumentalness • 45% Positiveness
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Robert Jassen
One Day I`ll Fly Away
78 bpm • E min • 03:19 • -13.39db
36% Popularity • 47% Danceability • 30% Energy • 38% Liveness
2% Instrumentalness • 22% Positiveness
36% Popularity • 47% Danceability • 30% Energy • 38% Liveness
2% Instrumentalness • 22% Positiveness
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Pierre Charlon
Charade
78 bpm • A min • 03:12 • -15.21db
43% Popularity • 43% Danceability • 24% Energy • 10% Liveness
37% Instrumentalness • 31% Positiveness
43% Popularity • 43% Danceability • 24% Energy • 10% Liveness
37% Instrumentalness • 31% Positiveness
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The Gino Marinello Orchestra
Help Me Make It Through the Night
89 bpm • C Maj • 02:32 • -13.02db
32% Popularity • 72% Danceability • 30% Energy • 11% Liveness
83% Instrumentalness • 56% Positiveness
32% Popularity • 72% Danceability • 30% Energy • 11% Liveness
83% Instrumentalness • 56% Positiveness
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Cole Porter
True Love
78 bpm • C Maj • 03:37 • -15.41db
15% Popularity • 20% Danceability • 16% Energy • 20% Liveness
6% Instrumentalness • 9% Positiveness
15% Popularity • 20% Danceability • 16% Energy • 20% Liveness
6% Instrumentalness • 9% Positiveness
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Gary Freeman
What A Difference A Day Made
78 bpm • F Maj • 02:06 • -13.21db
20% Popularity • 35% Danceability • 30% Energy • 14% Liveness
72% Instrumentalness • 30% Positiveness
20% Popularity • 35% Danceability • 30% Energy • 14% Liveness
72% Instrumentalness • 30% Positiveness
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Nikos Ignatiadis
In Classic Mood
77 bpm • D Maj • 02:21 • -19.1db
30% Popularity • 25% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
30% Popularity • 25% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
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101 String Royal Orchestra
Young At Heart
78 bpm • A# Maj • 03:03 • -10db
27% Popularity • 26% Danceability • 34% Energy • 18% Liveness
80% Instrumentalness • 14% Positiveness
27% Popularity • 26% Danceability • 34% Energy • 18% Liveness
80% Instrumentalness • 14% Positiveness
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The Richard Romance Orchestra
Green Green Grass of Home
77 bpm • G# Maj • 03:45 • -13.47db
17% Popularity • 50% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 53% Positiveness
17% Popularity • 50% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 53% Positiveness
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Kai Warner
The Last Waltz
89 bpm • D Maj • 02:35 • -12.98db
34% Popularity • 45% Danceability • 34% Energy • 20% Liveness
1% Instrumentalness • 37% Positiveness
34% Popularity • 45% Danceability • 34% Energy • 20% Liveness
1% Instrumentalness • 37% Positiveness
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Ronald Valentino
A Través de los Años
90 bpm • D# Maj • 02:53 • -10db
51% Popularity • 37% Danceability • 35% Energy • 8% Liveness
72% Instrumentalness • 43% Positiveness
51% Popularity • 37% Danceability • 35% Energy • 8% Liveness
72% Instrumentalness • 43% Positiveness
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Tony Evans
The Sweetheart Tree - Waltz
90 bpm • F Maj • 02:53 • -12db
30% Popularity • 73% Danceability • 33% Energy • 11% Liveness
82% Instrumentalness • 43% Positiveness
30% Popularity • 73% Danceability • 33% Energy • 11% Liveness
82% Instrumentalness • 43% Positiveness
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Ballroom Dance Orchestra
Spring Waltz - Vienna Waltz
90 bpm • F# Maj • 02:28 • -11db
46% Popularity • 65% Danceability • 46% Energy • 23% Liveness
60% Instrumentalness • 81% Positiveness
46% Popularity • 65% Danceability • 46% Energy • 23% Liveness
60% Instrumentalness • 81% Positiveness
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Carmen Cavallaro
Shine on Harvest Moon
77 bpm • A Maj • 02:15 • -18.14db
30% Popularity • 52% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 37% Positiveness
30% Popularity • 52% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 37% Positiveness
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Russ Conway
Party Pops (Part 2)
90 bpm • A# Maj • 02:16 • -11.27db
26% Popularity • 55% Danceability • 53% Energy • 22% Liveness
92% Instrumentalness • 88% Positiveness
26% Popularity • 55% Danceability • 53% Energy • 22% Liveness
92% Instrumentalness • 88% Positiveness
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Billy Vaughn y su Orquesta
Wonderland By Night
77 bpm • E Maj • 02:59 • -9db
20% Popularity • 32% Danceability • 23% Energy • 12% Liveness
90% Instrumentalness • 17% Positiveness
20% Popularity • 32% Danceability • 23% Energy • 12% Liveness
90% Instrumentalness • 17% Positiveness
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Francis Dupont
Berlin Melodie
90 bpm • F Maj • 03:13 • -13db
24% Popularity • 51% Danceability • 45% Energy • 43% Liveness
91% Instrumentalness • 68% Positiveness
24% Popularity • 51% Danceability • 45% Energy • 43% Liveness
91% Instrumentalness • 68% Positiveness
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Jean Paques
C'est magnifique
90 bpm • G Maj • 01:37 • -13.49db
40% Popularity • 68% Danceability • 31% Energy • 8% Liveness
80% Instrumentalness • 79% Positiveness
40% Popularity • 68% Danceability • 31% Energy • 8% Liveness
80% Instrumentalness • 79% Positiveness
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The Strings Of Paris
Sleep Shores
90 bpm • C Maj • 03:27 • -16db
45% Popularity • 32% Danceability • 30% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
45% Popularity • 32% Danceability • 30% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
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Glen Lucas
Only You
90 bpm • B Maj • 03:35 • -11db
41% Popularity • 58% Danceability • 38% Energy • 36% Liveness
89% Instrumentalness • 57% Positiveness
41% Popularity • 58% Danceability • 38% Energy • 36% Liveness
89% Instrumentalness • 57% Positiveness
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50 Guitars of Tommy Garrett
Twilight Time
76 bpm • G Maj • 02:18 • -12db
10% Popularity • 60% Danceability • 30% Energy • 30% Liveness
82% Instrumentalness • 41% Positiveness
10% Popularity • 60% Danceability • 30% Energy • 30% Liveness
82% Instrumentalness • 41% Positiveness
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The Fantasy Strings
La Mer
90 bpm • D# Maj • 03:51 • -7.38db
28% Popularity • 37% Danceability • 65% Energy • 9% Liveness
57% Instrumentalness • 43% Positiveness
28% Popularity • 37% Danceability • 65% Energy • 9% Liveness
57% Instrumentalness • 43% Positiveness
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Carmen Cavallaro
You are my everything
90 bpm • C# Maj • 03:01 • -10.88db
25% Popularity • 24% Danceability • 32% Energy • 12% Liveness
48% Instrumentalness • 30% Positiveness
25% Popularity • 24% Danceability • 32% Energy • 12% Liveness
48% Instrumentalness • 30% Positiveness
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Johnny Pearson Y Su Orquesta
Gente
76 bpm • A# Maj • 02:53 • -11db
25% Popularity • 23% Danceability • 29% Energy • 34% Liveness
89% Instrumentalness • 22% Positiveness
25% Popularity • 23% Danceability • 29% Energy • 34% Liveness
89% Instrumentalness • 22% Positiveness
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Victor Silvester
Fascination (Waltz)
91 bpm • E min • 02:25 • -16.31db
44% Popularity • 25% Danceability • 22% Energy • 19% Liveness
93% Instrumentalness • 22% Positiveness
44% Popularity • 25% Danceability • 22% Energy • 19% Liveness
93% Instrumentalness • 22% Positiveness
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MelodÃas Mágicas
La Vida en Rosa
91 bpm • D Maj • 02:15 • -15.16db
57% Popularity • 55% Danceability • 38% Energy • 27% Liveness
90% Instrumentalness • 63% Positiveness
57% Popularity • 55% Danceability • 38% Energy • 27% Liveness
90% Instrumentalness • 63% Positiveness
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50 Guitars of Tommy Garrett
Come Closer To Me
76 bpm • A Maj • 02:20 • -18.44db
18% Popularity • 59% Danceability • 15% Energy • 13% Liveness
8% Instrumentalness • 52% Positiveness
18% Popularity • 59% Danceability • 15% Energy • 13% Liveness
8% Instrumentalness • 52% Positiveness
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Kai Warner
Summerwind
91 bpm • F Maj • 02:11 • -15.41db
31% Popularity • 55% Danceability • 19% Energy • 11% Liveness
81% Instrumentalness • 38% Positiveness
31% Popularity • 55% Danceability • 19% Energy • 11% Liveness
81% Instrumentalness • 38% Positiveness
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Nikos Ignatiadis
Jasmijn
75 bpm • D# Maj • 02:33 • -9.36db
28% Popularity • 20% Danceability • 33% Energy • 10% Liveness
40% Instrumentalness • 23% Positiveness
28% Popularity • 20% Danceability • 33% Energy • 10% Liveness
40% Instrumentalness • 23% Positiveness
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Johnny Pearson Y Su Orquesta
Verano del 42
75 bpm • D min • 02:52 • -9.23db
32% Popularity • 26% Danceability • 34% Energy • 8% Liveness
89% Instrumentalness • 16% Positiveness
32% Popularity • 26% Danceability • 34% Energy • 8% Liveness
89% Instrumentalness • 16% Positiveness
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Joaquin Borges
Charmaine
91 bpm • A min • 03:06 • -12db
42% Popularity • 13% Danceability • 31% Energy • 36% Liveness
77% Instrumentalness • 8% Positiveness
42% Popularity • 13% Danceability • 31% Energy • 36% Liveness
77% Instrumentalness • 8% Positiveness
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The Percy Faith Strings
Hello Dolly
91 bpm • G Maj • 02:19 • -11.39db
24% Popularity • 53% Danceability • 44% Energy • 19% Liveness
17% Instrumentalness • 66% Positiveness
24% Popularity • 53% Danceability • 44% Energy • 19% Liveness
17% Instrumentalness • 66% Positiveness
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50 Guitars of Tommy Garrett
Be Mine Tonight
91 bpm • A Maj • 02:35 • -17.21db
5% Popularity • 40% Danceability • 15% Energy • 19% Liveness
41% Instrumentalness • 36% Positiveness
5% Popularity • 40% Danceability • 15% Energy • 19% Liveness
41% Instrumentalness • 36% Positiveness
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Victor Silvester
Around The World (Waltz)
92 bpm • C min • 02:22 • -15.57db
35% Popularity • 19% Danceability • 28% Energy • 18% Liveness
84% Instrumentalness • 21% Positiveness
35% Popularity • 19% Danceability • 28% Energy • 18% Liveness
84% Instrumentalness • 21% Positiveness
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Alfred Hause
Blue Gipsy Eyes
92 bpm • D min • 03:04 • -13db
35% Popularity • 28% Danceability • 32% Energy • 12% Liveness
78% Instrumentalness • 23% Positiveness
35% Popularity • 28% Danceability • 32% Energy • 12% Liveness
78% Instrumentalness • 23% Positiveness
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Pierre Charlon
Verano Del 42
75 bpm • E min • 02:39 • -12.83db
46% Popularity • 30% Danceability • 40% Energy • 30% Liveness
93% Instrumentalness • 34% Positiveness
46% Popularity • 30% Danceability • 40% Energy • 30% Liveness
93% Instrumentalness • 34% Positiveness
