Songs like Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante by Ludwig van Beethoven
Based on a tempo of (+/- 10%) and a similar genre
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Henri Vieuxtemps
Violin Concerto No. 4 in D Minor, Op. 31...
66 bpm • D# Maj • 06:16 • -24.47db
33% Popularity • 9% Danceability • 10% Energy • 10% Liveness
26% Instrumentalness • 4% Positiveness
33% Popularity • 9% Danceability • 10% Energy • 10% Liveness
26% Instrumentalness • 4% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 2. Kuriose Geschic...
66 bpm • D Maj • 01:04 • -26db
40% Popularity • 43% Danceability • 4% Energy • 18% Liveness
83% Instrumentalness • 37% Positiveness
40% Popularity • 43% Danceability • 4% Energy • 18% Liveness
83% Instrumentalness • 37% Positiveness
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![Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] cover art](https://i.scdn.co/image/ab67616d00001e027de83c6c3607df60e997e186)
Franz Liszt
Schwanengesang, S. 560: Schubert - Schwa...
66 bpm • D Maj • 07:05 • -37.69db
46% Popularity • 31% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
46% Popularity • 31% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice) ...
66 bpm • B min • 03:48 • -25db
28% Popularity • 19% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
28% Popularity • 19% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Jean Sibelius
Andantino JS 201
66 bpm • C# min • 01:05 • -29db
49% Popularity • 41% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 35% Positiveness
49% Popularity • 41% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 35% Positiveness
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Ludwig van Beethoven
Sonata for Cello and Piano No. 4 in C Ma...
66 bpm • C Maj • 02:59 • -33db
49% Popularity • 18% Danceability • 1% Energy • 7% Liveness
59% Instrumentalness • 13% Positiveness
49% Popularity • 18% Danceability • 1% Energy • 7% Liveness
59% Instrumentalness • 13% Positiveness
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AntonÃn Dvořák
2 Pieces, Op. posth., B. 188: No. 1. Lul...
66 bpm • G Maj • 03:11 • -29.06db
55% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
55% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Federico Mompou
Variations on a Theme by Chopin: Var. 1....
66 bpm • A Maj • 01:01 • -34.74db
51% Popularity • 52% Danceability • 0% Energy • 6% Liveness
97% Instrumentalness • 31% Positiveness
51% Popularity • 52% Danceability • 0% Energy • 6% Liveness
97% Instrumentalness • 31% Positiveness
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Frédéric Chopin
24 Préludes, Op. 28: No. 13 in F-Sharp ...
65 bpm • F# Maj • 02:44 • -33db
23% Popularity • 30% Danceability • 0% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
23% Popularity • 30% Danceability • 0% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
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Gabriel Fauré
Trois Romances sans paroles, Op. 17: 3. ...
65 bpm • G# Maj • 02:45 • -34.75db
54% Popularity • 35% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 15% Positiveness
54% Popularity • 35% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 15% Positiveness
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Henry Purcell
Lamento (After "When I Am Laid in Earth"...
67 bpm • G min • 02:00 • -33db
38% Popularity • 36% Danceability • 0% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
38% Popularity • 36% Danceability • 0% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
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Ludwig van Beethoven
Beethoven: Trio for Oboe, Clarinet and B...
67 bpm • F Maj • 04:16 • -20.96db
8% Popularity • 16% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
8% Popularity • 16% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
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Vladimir Horowitz
Etude-fantasie in E-Flat Major, Op. 4, "...
67 bpm • G min • 02:45 • -25.09db
34% Popularity • 26% Danceability • 12% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
34% Popularity • 26% Danceability • 12% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orpheo ed Euridice, Wq. 30, Act II: Danc...
67 bpm • D min • 03:27 • -25.5db
44% Popularity • 24% Danceability • 10% Energy • 13% Liveness
98% Instrumentalness • 7% Positiveness
44% Popularity • 24% Danceability • 10% Energy • 13% Liveness
98% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Suite for Solo Cello No. 6 in D Major, B...
65 bpm • D Maj • 04:33 • -18.57db
34% Popularity • 48% Danceability • 6% Energy • 22% Liveness
90% Instrumentalness • 59% Positiveness
34% Popularity • 48% Danceability • 6% Energy • 22% Liveness
90% Instrumentalness • 59% Positiveness
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Richard Strauss
Morgen, Op. 27 No. 4 (Arr. Reger for Pia...
67 bpm • G Maj • 03:52 • -37db
58% Popularity • 29% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 26% Positiveness
58% Popularity • 29% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 26% Positiveness
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Georges Bizet
Chants du Rhin, WD 52: Les rêves
65 bpm • C# Maj • 03:44 • -30.94db
44% Popularity • 40% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 7% Positiveness
44% Popularity • 40% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 7% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 1 in F Minor, Op. 2, No...
67 bpm • F Maj • 05:07 • -39db
37% Popularity • 34% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 18% Positiveness
37% Popularity • 34% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 18% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei (Arr...
67 bpm • F Maj • 02:50 • -26.85db
30% Popularity • 14% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 12% Positiveness
30% Popularity • 14% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 12% Positiveness
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Valentin Silvestrov
Kitsch-Musik: III. Allegretto
65 bpm • D# Maj • 03:02 • -42db
42% Popularity • 18% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 16% Positiveness
42% Popularity • 18% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 16% Positiveness
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Franz Schubert
Du bist die Ruh, Op. 59/3, D. 776
67 bpm • D# Maj • 05:01 • -27.52db
41% Popularity • 20% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
41% Popularity • 20% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
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John Field
Nocturne No. 2 in C Minor
67 bpm • C min • 03:43 • -33.29db
57% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
57% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
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Franz Liszt
Romance "O pourquoi donc" in E Minor, S....
67 bpm • E min • 03:05 • -32.14db
41% Popularity • 18% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
41% Popularity • 18% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Jean Sibelius
Andante festivo for Strings and Timpani,...
65 bpm • G Maj • 05:37 • -20.05db
51% Popularity • 11% Danceability • 16% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
51% Popularity • 11% Danceability • 16% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
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Benjamin Frith
Nocturne No. 10 In E Minor
65 bpm • E min • 03:12 • -36.52db
53% Popularity • 35% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 12% Positiveness
53% Popularity • 35% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 12% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 31 in A-Flat Major, Op....
65 bpm • G# Maj • 06:36 • -25.34db
31% Popularity • 34% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
31% Popularity • 34% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
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Maurice Ravel
Pavane pour une infante défunte, M. 19
67 bpm • E min • 06:29 • -31db
43% Popularity • 38% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 10% Positiveness
43% Popularity • 38% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 10% Positiveness
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Gabriel Fauré
Berceuse, Op. 16
67 bpm • D Maj • 03:28 • -32.42db
43% Popularity • 18% Danceability • 1% Energy • 14% Liveness
95% Instrumentalness • 21% Positiveness
43% Popularity • 18% Danceability • 1% Energy • 14% Liveness
95% Instrumentalness • 21% Positiveness
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Franz Liszt
Années de pèlerinage: 1e année: Suiss...
65 bpm • G# Maj • 02:44 • -30.89db
32% Popularity • 26% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
32% Popularity • 26% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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François Couperin
Le Rossignol-en-Amour: 14ème ordre, 3è...
65 bpm • A Maj • 02:36 • -31.92db
42% Popularity • 40% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 37% Positiveness
42% Popularity • 40% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 37% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 10. Fast zu ernst
67 bpm • G# min • 02:00 • -34.37db
38% Popularity • 39% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
38% Popularity • 39% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
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Camille Saint-Saëns
Allegro appassionato for Cello and Orche...
67 bpm • E min • 03:44 • -21.83db
26% Popularity • 33% Danceability • 12% Energy • 14% Liveness
79% Instrumentalness • 31% Positiveness
26% Popularity • 33% Danceability • 12% Energy • 14% Liveness
79% Instrumentalness • 31% Positiveness
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Edvard Grieg
Lyric Pieces Book II, Op. 38: I. Berceus...
67 bpm • D Maj • 02:46 • -30db
42% Popularity • 37% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
42% Popularity • 37% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 1 In F Minor, Op. 2, No...
67 bpm • F Maj • 05:17 • -33.39db
34% Popularity • 27% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 23% Positiveness
34% Popularity • 27% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 23% Positiveness
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Franz Liszt
Die Rose, Romanze aus der Oper Zemir und...
65 bpm • E Maj • 04:47 • -30.37db
48% Popularity • 33% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 13% Positiveness
48% Popularity • 33% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 13% Positiveness
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Felix Mendelssohn
Cello Sonata No. 2 in D Major, Op. 58: I...
65 bpm • D Maj • 07:29 • -22.02db
19% Popularity • 34% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
19% Popularity • 34% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
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Valentin Silvestrov
Naive Music: No. 2. Nocturne
68 bpm • A# Maj • 02:35 • -36db
46% Popularity • 36% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
46% Popularity • 36% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
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Modest Mussorgsky
Mussorgsky: Pictures at an Exhibition: I...
68 bpm • C# Maj • 05:21 • -37.64db
32% Popularity • 35% Danceability • 0% Energy • 20% Liveness
95% Instrumentalness • 7% Positiveness
32% Popularity • 35% Danceability • 0% Energy • 20% Liveness
95% Instrumentalness • 7% Positiveness
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Alexander Borodin
Piano Quintet in C Minor: I. Andante
68 bpm • C min • 04:27 • -23.19db
40% Popularity • 24% Danceability • 6% Energy • 18% Liveness
87% Instrumentalness • 9% Positiveness
40% Popularity • 24% Danceability • 6% Energy • 18% Liveness
87% Instrumentalness • 9% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 14 in C-Sharp Minor, Op...
68 bpm • C# Maj • 02:12 • -30db
44% Popularity • 54% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 34% Positiveness
44% Popularity • 54% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 34% Positiveness
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Edvard Grieg
Lyric Pieces, Livre 5, Op. 54: IV. Nottu...
68 bpm • C Maj • 04:17 • -30.4db
24% Popularity • 34% Danceability • 1% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
24% Popularity • 34% Danceability • 1% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
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Clara Schumann
3 Romances, Op. 22: No. 1, Andante molto...
68 bpm • C# Maj • 03:10 • -26db
51% Popularity • 16% Danceability • 3% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
51% Popularity • 16% Danceability • 3% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
68 bpm • D# Maj • 04:42 • -28.66db
56% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
56% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Act 2: Dance...
68 bpm • B min • 03:09 • -25.08db
37% Popularity • 7% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
37% Popularity • 7% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
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Georges Bizet
Jeux d'enfants, Op. 22: No. 3, La poupé...
64 bpm • B Maj • 02:22 • -37.46db
49% Popularity • 50% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
49% Popularity • 50% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Piano Concerto No. 21 in C Major...
68 bpm • F Maj • 06:46 • -35db
36% Popularity • 11% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
36% Popularity • 11% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
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Johann Sebastian Bach
Concerto for Harpsichord, Strings, and C...
64 bpm • D Maj • 04:14 • -25.48db
4% Popularity • 12% Danceability • 3% Energy • 17% Liveness
93% Instrumentalness • 12% Positiveness
4% Popularity • 12% Danceability • 3% Energy • 17% Liveness
93% Instrumentalness • 12% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
68 bpm • C min • 01:33 • -22.73db
52% Popularity • 30% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
52% Popularity • 30% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
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George Frideric Handel
Rinaldo, HWV 7: Lascia ch'io pianga (Arr...
68 bpm • F Maj • 04:28 • -31.27db
52% Popularity • 25% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
52% Popularity • 25% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
68 bpm • C Maj • 09:52 • -19db
37% Popularity • 37% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 31% Positiveness
37% Popularity • 37% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 31% Positiveness
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Claude Debussy
Debussy / Arr. Maisky for Cello and Pian...
64 bpm • D# min • 04:35 • -28.01db
8% Popularity • 25% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 12% Positiveness
8% Popularity • 25% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 12% Positiveness
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John Field
Nocturne No. 13 in D Minor
68 bpm • D min • 03:46 • -35db
37% Popularity • 38% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
37% Popularity • 38% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
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Gottfried Heinrich Stölzel
Bist du bei mir (Arr. Hewitt, Formerly A...
64 bpm • D# Maj • 02:54 • -28.78db
41% Popularity • 54% Danceability • 1% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
41% Popularity • 54% Danceability • 1% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
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Wolfgang Amadeus Mozart
Ave verum corpus, K.618 (Arr. for Piano ...
69 bpm • B Maj • 03:15 • -39.48db
60% Popularity • 44% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
60% Popularity • 44% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
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Vladimir Horowitz
Waltz in F Minor
69 bpm • A# min • 02:15 • -34db
36% Popularity • 37% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
36% Popularity • 37% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
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Mikhail Glinka
Mazurka in C Major
69 bpm • A min • 01:26 • -32.89db
42% Popularity • 38% Danceability • 1% Energy • 6% Liveness
86% Instrumentalness • 22% Positiveness
42% Popularity • 38% Danceability • 1% Energy • 6% Liveness
86% Instrumentalness • 22% Positiveness
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Claude Debussy
La plus que lente, L. 121
69 bpm • F# Maj • 04:22 • -25.46db
41% Popularity • 26% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
41% Popularity • 26% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
► Preview
Alexander Scriabin
Scriabin: 24 Preludes, Op. 11: No. 1 in ...
63 bpm • C Maj • 01:10 • -28db
45% Popularity • 37% Danceability • 7% Energy • 7% Liveness
95% Instrumentalness • 12% Positiveness
45% Popularity • 37% Danceability • 7% Energy • 7% Liveness
95% Instrumentalness • 12% Positiveness
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Henri Duparc
Soupir
69 bpm • D Maj • 03:47 • -28.82db
7% Popularity • 22% Danceability • 2% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
7% Popularity • 22% Danceability • 2% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Johannes Brahms
Sechs Klavierstücke, Op. 118: II. Inter...
69 bpm • A Maj • 06:18 • -30.92db
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Ludwig van Beethoven
Piano Sonata No. 8 in C minor, Op. 13, "...
63 bpm • G# Maj • 05:03 • -36.86db
40% Popularity • 23% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
40% Popularity • 23% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
► Preview
Clara Schumann
Piano Concerto in A Minor, Op. 7: II. Ro...
69 bpm • G# Maj • 04:29 • -31db
34% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
69 bpm • C# Maj • 06:47 • -25.16db
32% Popularity • 12% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
32% Popularity • 12% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Frédéric Chopin
Berceuse in D-Flat Major, Op. 57
69 bpm • C# Maj • 04:29 • -26.73db
51% Popularity • 28% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
51% Popularity • 28% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
► Preview
Jules Massenet
Thaïs / Act II: Méditation (Arr. for V...
70 bpm • D Maj • 05:29 • -21db
19% Popularity • 8% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
19% Popularity • 8% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Maurice Ravel
Pavane pour une infante défunte, M. 19
62 bpm • G Maj • 05:42 • -33db
47% Popularity • 34% Danceability • 0% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
47% Popularity • 34% Danceability • 0% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
► Preview
Chilly Gonzales
NO ROADMAP TO ADULTHOOD / Chilly Gonzale...
70 bpm • D# min • 03:02 • -31.77db
36% Popularity • 16% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Ludwig van Beethoven
II. Adagio cantabile from Piano Sonata N...
62 bpm • G# Maj • 05:21 • -41.73db
41% Popularity • 28% Danceability • 0% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
41% Popularity • 28% Danceability • 0% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 (Arranged by S...
70 bpm • D min • 03:01 • -36.89db
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Alexander Scriabin
Scriabin: 24 Preludes, Op. 11: No. 21 in...
70 bpm • D# Maj • 01:47 • -43.21db
60% Popularity • 22% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
60% Popularity • 22% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
► Preview
Bedřich Smetana
Album Leaf for Kateřina Kolářová in ...
70 bpm • B Maj • 01:57 • -30.77db
55% Popularity • 29% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
55% Popularity • 29% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
► Preview
Manuel de Falla
7 canciones populares españolas: VI. Ca...
70 bpm • C min • 02:19 • -32.94db
45% Popularity • 24% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
45% Popularity • 24% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Jules Massenet
Elégie
70 bpm • G min • 02:12 • -24.94db
18% Popularity • 8% Danceability • 4% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
18% Popularity • 8% Danceability • 4% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Wind Quintet in E-Flat Major, Hess 19: I...
62 bpm • D# Maj • 03:52 • -25db
52% Popularity • 15% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
52% Popularity • 15% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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Jean-Philippe Rameau
Deuxieme livre, Suite en Mi: X. Tambouri...
70 bpm • E min • 01:30 • -27db
46% Popularity • 39% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
46% Popularity • 39% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
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Jean Sibelius
6 Impromptus, Op. 5: Impromptu VI
62 bpm • E Maj • 06:09 • -36.51db
50% Popularity • 45% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
50% Popularity • 45% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Gabriel Fauré
8 Pièces brèves, Op. 84: No. 5, Improv...
70 bpm • F# min • 02:00 • -26db
45% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
45% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Edvard Grieg
Lyric Pieces, Op. 71, Book X: VII. Efter...
70 bpm • A# Maj • 01:52 • -34db
32% Popularity • 31% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
32% Popularity • 31% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Maurice Ravel
5 Mélodies populaires grecques: II. Là ...
70 bpm • C# min • 01:46 • -30.93db
26% Popularity • 15% Danceability • 3% Energy • 7% Liveness
76% Instrumentalness • 6% Positiveness
26% Popularity • 15% Danceability • 3% Energy • 7% Liveness
76% Instrumentalness • 6% Positiveness
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Ignaz Friedman
Orfeo ed Euridice: Ballet des Ombres Heu...
70 bpm • F# Maj • 03:58 • -33db
46% Popularity • 29% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
46% Popularity • 29% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
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Franz Liszt
Liebeslied, S. 566 (After Schumann’s W...
70 bpm • G# Maj • 03:26 • -19.98db
44% Popularity • 35% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
44% Popularity • 35% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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JoaquÃn Rodrigo
Cançoneta for Violin and Orchestra
70 bpm • A Maj • 02:52 • -34.94db
45% Popularity • 14% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
45% Popularity • 14% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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Karol Szymanowski
9 Preludes, Op. 1: No. 2 in D Minor. And...
70 bpm • D# Maj • 03:43 • -25db
28% Popularity • 48% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 7% Positiveness
28% Popularity • 48% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 7% Positiveness
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John Field
Nocturne No. 3 in A-Flat Major
70 bpm • G# Maj • 04:54 • -33.76db
33% Popularity • 20% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 19% Positiveness
33% Popularity • 20% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 19% Positiveness
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Tim Hugh
Cello Concerto No. 1 In C Major, G. 477:...
70 bpm • F Maj • 06:29 • -36.54db
39% Popularity • 10% Danceability • 1% Energy • 11% Liveness
3% Instrumentalness • 5% Positiveness
39% Popularity • 10% Danceability • 1% Energy • 11% Liveness
3% Instrumentalness • 5% Positiveness
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George Frideric Handel
Serse, HWV 40: Ombra mai fu (Arr. for Pi...
70 bpm • G# Maj • 02:47 • -23.72db
29% Popularity • 35% Danceability • 4% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
29% Popularity • 35% Danceability • 4% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
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Johann Sebastian Bach
Goldberg Variations, BWV 988: Variatio 7...
71 bpm • G Maj • 02:20 • -25.7db
54% Popularity • 31% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 57% Positiveness
54% Popularity • 31% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 57% Positiveness
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Gustav Mahler
Symphony No. 5 in C-Sharp Minor (arr. J....
71 bpm • F Maj • 09:59 • -24.95db
35% Popularity • 45% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
35% Popularity • 45% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
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Ludwig van Beethoven
Fidelio, Op. 72: Overture
62 bpm • E Maj • 06:23 • -18db
43% Popularity • 22% Danceability • 14% Energy • 13% Liveness
88% Instrumentalness • 10% Positiveness
43% Popularity • 22% Danceability • 14% Energy • 13% Liveness
88% Instrumentalness • 10% Positiveness
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Johannes Brahms
4 Lieder, Op. 43: No. 2. Die Mainacht - ...
71 bpm • D# Maj • 04:17 • -25.65db
15% Popularity • 7% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
15% Popularity • 7% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Joseph Haydn
Cello Concerto No. 1 in C Major, Hob. VI...
62 bpm • F Maj • 08:13 • -25db
43% Popularity • 9% Danceability • 7% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
43% Popularity • 9% Danceability • 7% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
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Nino Rota
Valzer
71 bpm • E Maj • 02:51 • -25db
33% Popularity • 26% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
33% Popularity • 26% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
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Clara Schumann
Schumann: 12 Gedichte aus Liebesfrühlin...
71 bpm • G# Maj • 02:09 • -32db
57% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
57% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Claude Debussy
Debussy: Debussy: Beau Soir, L.6
61 bpm • E Maj • 02:55 • -25.28db
27% Popularity • 20% Danceability • 4% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
27% Popularity • 20% Danceability • 4% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Bagatelles I-XIII: Bagatelle III
71 bpm • C Maj • 04:24 • -25.11db
25% Popularity • 26% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 12% Positiveness
25% Popularity • 26% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 12% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
71 bpm • F min • 01:48 • -30db
43% Popularity • 34% Danceability • 6% Energy • 10% Liveness
85% Instrumentalness • 23% Positiveness
43% Popularity • 34% Danceability • 6% Energy • 10% Liveness
85% Instrumentalness • 23% Positiveness
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Joanna Brezezinska
Prelude No. 13 in F sharp Major Op. 28: ...
71 bpm • F# Maj • 03:58 • -39db
38% Popularity • 23% Danceability • 0% Energy • 9% Liveness
93% Instrumentalness • 19% Positiveness
38% Popularity • 23% Danceability • 0% Energy • 9% Liveness
93% Instrumentalness • 19% Positiveness
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John Field
Nocturne No. 6 in F Major
71 bpm • F Maj • 05:08 • -32db
31% Popularity • 27% Danceability • 2% Energy • 5% Liveness
94% Instrumentalness • 6% Positiveness
31% Popularity • 27% Danceability • 2% Energy • 5% Liveness
94% Instrumentalness • 6% Positiveness
