Songs like Sonata for Violin & Piano: III. Allegretto by Leoš Janáček
Based on a tempo of (+/- 10%) and a similar genre
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Friedrich Burgmüller
18 Études, Op. 109: No. 7, Berceuse
85 bpm • F Maj • 01:26 • -30db
49% Popularity • 36% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 20% Positiveness
49% Popularity • 36% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 20% Positiveness
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Dmitri Shostakovich
Five Pieces For Two Violins and Piano: I...
85 bpm • G Maj • 02:44 • -26.75db
35% Popularity • 9% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
35% Popularity • 9% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
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Leoš Janáček
String Quartet No. 1, JW vii/8 "Kreutzer...
85 bpm • E Maj • 04:03 • -20db
9% Popularity • 19% Danceability • 15% Energy • 21% Liveness
82% Instrumentalness • 7% Positiveness
9% Popularity • 19% Danceability • 15% Energy • 21% Liveness
82% Instrumentalness • 7% Positiveness
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Antonín Dvořák
From the Bohemian Forest, Op. 68, B. 133...
85 bpm • C# Maj • 05:58 • -26db
24% Popularity • 9% Danceability • 4% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
24% Popularity • 9% Danceability • 4% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Sarabande et rigaudon, Op. 93: Sarabande
84 bpm • E Maj • 06:16 • -26db
43% Popularity • 11% Danceability • 8% Energy • 22% Liveness
80% Instrumentalness • 5% Positiveness
43% Popularity • 11% Danceability • 8% Energy • 22% Liveness
80% Instrumentalness • 5% Positiveness
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Luigi Boccherini
Bocherini / Arr. Grützmacher: Cello Con...
86 bpm • G min • 06:54 • -23.72db
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Alexander Scriabin
24 Preludes, Op. 11: No. 14 in E-Flat Mi...
86 bpm • B Maj • 01:15 • -17db
54% Popularity • 26% Danceability • 44% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
54% Popularity • 26% Danceability • 44% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
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Alexander Glazunov
Mélodie, Op. 20, No. 1
84 bpm • D Maj • 06:39 • -23db
43% Popularity • 9% Danceability • 10% Energy • 19% Liveness
90% Instrumentalness • 8% Positiveness
43% Popularity • 9% Danceability • 10% Energy • 19% Liveness
90% Instrumentalness • 8% Positiveness
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Leoš Janáček
Katya Kabanova, JW I/8, Act III Scene 2:...
85 bpm • C# min • 02:02 • -20.32db
6% Popularity • 31% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
6% Popularity • 31% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Antonín Dvořák
Suite for String Orchestra, JW6 No. 2: I...
86 bpm • G Maj • 02:53 • -18db
11% Popularity • 28% Danceability • 11% Energy • 9% Liveness
82% Instrumentalness • 36% Positiveness
11% Popularity • 28% Danceability • 11% Energy • 9% Liveness
82% Instrumentalness • 36% Positiveness
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Claude Debussy
Beau soir, L. 6 (Arranged for Violin and...
86 bpm • F# min • 02:28 • -24.49db
33% Popularity • 14% Danceability • 5% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
33% Popularity • 14% Danceability • 5% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
86 bpm • C# Maj • 06:34 • -24.88db
34% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
34% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
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Maurice Ravel
Le tombeau de Couperin (version for orch...
86 bpm • G Maj • 04:25 • -30db
42% Popularity • 12% Danceability • 2% Energy • 5% Liveness
88% Instrumentalness • 8% Positiveness
42% Popularity • 12% Danceability • 2% Energy • 5% Liveness
88% Instrumentalness • 8% Positiveness
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Jean Sibelius
6 Impromptus, Op. 5: Impromptu No. 5 in ...
84 bpm • B min • 03:07 • -28db
39% Popularity • 18% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
39% Popularity • 18% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Luise Adolpha Le Beau
Cello Sonata in D Major, Op. 17: II. And...
86 bpm • B min • 04:30 • -24.14db
43% Popularity • 15% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
43% Popularity • 15% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
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Domenico Scarlatti
Sonata in E Major, K. 380
84 bpm • B Maj • 02:52 • -31.38db
42% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
42% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
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Claude Debussy
Debussy: Piano Trio in G Major, CD 5, L....
84 bpm • C Maj • 03:47 • -21.94db
41% Popularity • 12% Danceability • 10% Energy • 17% Liveness
67% Instrumentalness • 13% Positiveness
41% Popularity • 12% Danceability • 10% Energy • 17% Liveness
67% Instrumentalness • 13% Positiveness
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Camille Saint-Saëns
Cello Sonata No. 2 in F Major, Op. 123: ...
87 bpm • A# Maj • 07:15 • -25.62db
18% Popularity • 14% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 5% Positiveness
18% Popularity • 14% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 5% Positiveness
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Francis Poulenc
Nocturnes n°7 en mi majeur
87 bpm • D# Maj • 01:52 • -26.04db
47% Popularity • 30% Danceability • 10% Energy • 13% Liveness
93% Instrumentalness • 11% Positiveness
47% Popularity • 30% Danceability • 10% Energy • 13% Liveness
93% Instrumentalness • 11% Positiveness
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Nadia Boulanger
3 Pieces for cello and piano: No. 1. Mod...
87 bpm • D# min • 02:37 • -30.78db
52% Popularity • 16% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
52% Popularity • 16% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
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César Franck
リート FWV 83
83 bpm • G Maj • 01:38 • -29.74db
38% Popularity • 15% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
38% Popularity • 15% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Leoš Janáček
On An Overgrown Path (Po zarostlém chod...
87 bpm • G# min • 02:08 • -25.02db
10% Popularity • 24% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
10% Popularity • 24% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
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Alexander Glazunov
Chant du menestrel for Cello and Orchest...
87 bpm • F# min • 04:01 • -33db
35% Popularity • 9% Danceability • 2% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
35% Popularity • 9% Danceability • 2% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
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Antonín Dvořák
Serenade for Strings in E Major, Op. 22,...
83 bpm • E Maj • 04:17 • -18.28db
39% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
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Carl Maria von Weber
6 Violin Sonatas, Op. 10b No. 1 in F Maj...
83 bpm • A# Maj • 01:55 • -28db
58% Popularity • 22% Danceability • 1% Energy • 24% Liveness
41% Instrumentalness • 5% Positiveness
58% Popularity • 22% Danceability • 1% Energy • 24% Liveness
41% Instrumentalness • 5% Positiveness
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Maurice Ravel
A la manière de. . . Chabrier
87 bpm • C Maj • 02:25 • -36db
41% Popularity • 29% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 8% Positiveness
41% Popularity • 29% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 8% Positiveness
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Sergei Rachmaninoff
Vocalise, Op 34, No. 14
87 bpm • E min • 05:59 • -26.49db
34% Popularity • 13% Danceability • 5% Energy • 7% Liveness
78% Instrumentalness • 4% Positiveness
34% Popularity • 13% Danceability • 5% Energy • 7% Liveness
78% Instrumentalness • 4% Positiveness
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Leoš Janáček
Katya Kabanova, JW I/8, Act III Scene 2:...
87 bpm • F# Maj • 02:04 • -24.5db
6% Popularity • 35% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
6% Popularity • 35% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Alexander Glazunov
The Seasons, Op. 67, Pt. 1 "L'hiver": No...
87 bpm • G# Maj • 01:17 • -29.98db
55% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
55% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
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Florence Beatrice Price
String Quartet No. 2 in A Minor: II. And...
87 bpm • A Maj • 07:06 • -30.53db
49% Popularity • 15% Danceability • 3% Energy • 16% Liveness
56% Instrumentalness • 3% Positiveness
49% Popularity • 15% Danceability • 3% Energy • 16% Liveness
56% Instrumentalness • 3% Positiveness
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Antonín Dvořák
String Quartet No. 12 in F Major, "Ameri...
87 bpm • D min • 06:25 • -24.06db
20% Popularity • 20% Danceability • 4% Energy • 10% Liveness
63% Instrumentalness • 8% Positiveness
20% Popularity • 20% Danceability • 4% Energy • 10% Liveness
63% Instrumentalness • 8% Positiveness
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Maurice Ravel
Ravel: A la manière de... Borodine, M. ...
83 bpm • F# Maj • 01:45 • -26.89db
40% Popularity • 14% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
40% Popularity • 14% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Zdes' khorosho ('How Fair This Spot'), O...
87 bpm • A Maj • 01:59 • -29.09db
57% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
57% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
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Pyotr Ilyich Tchaikovsky
The Seasons, Op. 37b: VI. June, "Barcaro...
87 bpm • G min • 04:31 • -27.95db
46% Popularity • 31% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 18% Positiveness
46% Popularity • 31% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 18% Positiveness
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Leoš Janáček
Katya Kabanova, JW I/8, Act III Scene 2:...
83 bpm • C# min • 03:12 • -24.42db
6% Popularity • 22% Danceability • 4% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
6% Popularity • 22% Danceability • 4% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
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Nadia Boulanger
3 Pieces for cello and piano: No. 2. San...
83 bpm • F Maj • 01:43 • -30db
26% Popularity • 20% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
26% Popularity • 20% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
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Frank Bridge
4 Short Pieces for Violin & Piano, H. 10...
87 bpm • G Maj • 02:32 • -27db
39% Popularity • 15% Danceability • 2% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
39% Popularity • 15% Danceability • 2% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
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Cécile Chaminade
3 Romances sans paroles : No. 1, Souvena...
87 bpm • B min • 01:59 • -30db
36% Popularity • 35% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
36% Popularity • 35% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
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Johann Sebastian Bach
Widerstehe doch der Sünde, BWV 54 (Tran...
82 bpm • D# Maj • 04:26 • -28.05db
44% Popularity • 42% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
44% Popularity • 42% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
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Florence Beatrice Price
Symphony No. 3 in C Minor: II. Andante m...
88 bpm • G# Maj • 09:32 • -24.98db
43% Popularity • 10% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
43% Popularity • 10% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
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Leoš Janáček
Katya Kabanova, JW I/8, Act III Scene 2:...
88 bpm • F# Maj • 03:26 • -25.16db
6% Popularity • 20% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
6% Popularity • 20% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Elégie in C Minor, Op. 24 (Arr. Parkin ...
88 bpm • G# Maj • 07:35 • -24db
49% Popularity • 12% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
49% Popularity • 12% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Alexander Scriabin
24 Preludes, Op. 11: No. 4 in E Minor
82 bpm • E min • 02:01 • -39db
48% Popularity • 38% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 8% Positiveness
48% Popularity • 38% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 8% Positiveness
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Dmitri Shostakovich
Five pieces for Two Violins and Piano: I...
82 bpm • B min • 02:26 • -31.1db
24% Popularity • 18% Danceability • 2% Energy • 8% Liveness
85% Instrumentalness • 13% Positiveness
24% Popularity • 18% Danceability • 2% Energy • 8% Liveness
85% Instrumentalness • 13% Positiveness
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Felix Mendelssohn
Etude in F Minor
82 bpm • F min • 01:55 • -24.37db
58% Popularity • 19% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
58% Popularity • 19% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
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Aram Khachaturian
Khachaturian: Spartacus (Highlights from...
88 bpm • G# Maj • 09:54 • -21.56db
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Leoš Janáček
String Quartet No. 2 'Intimate Pages': S...
88 bpm • C# min • 05:27 • -19.84db
9% Popularity • 22% Danceability • 10% Energy • 8% Liveness
25% Instrumentalness • 4% Positiveness
9% Popularity • 22% Danceability • 10% Energy • 8% Liveness
25% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Suite for String Orchestra, JW6 No. 2: V...
89 bpm • A# Maj • 03:36 • -34.07db
7% Popularity • 10% Danceability • 1% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
7% Popularity • 10% Danceability • 1% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: III. I p...
81 bpm • E Maj • 07:42 • -35.69db
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Variations on a Rococo Theme, Op. 33, TH...
89 bpm • D Maj • 02:36 • -31.18db
59% Popularity • 12% Danceability • 3% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
59% Popularity • 12% Danceability • 3% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
82 bpm • G min • 01:52 • -34.43db
54% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
54% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
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Erik Satie
Gymnopedie No.1
81 bpm • G Maj • 03:41 • -30.23db
36% Popularity • 15% Danceability • 6% Energy • 11% Liveness
65% Instrumentalness • 4% Positiveness
36% Popularity • 15% Danceability • 6% Energy • 11% Liveness
65% Instrumentalness • 4% Positiveness
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Leoš Janáček
Piano Sonata 1.X.1905, JW VIII/19: I. Pr...
82 bpm • G# min • 05:07 • -22.65db
7% Popularity • 22% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
7% Popularity • 22% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
12 Romances, Op. 21: No. 7, How Fair Thi...
89 bpm • A Maj • 01:49 • -24.42db
42% Popularity • 16% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
42% Popularity • 16% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Antonín Dvořák
Serenade for Strings in E Major, B.52: I...
89 bpm • E Maj • 04:04 • -23.74db
14% Popularity • 18% Danceability • 4% Energy • 14% Liveness
80% Instrumentalness • 11% Positiveness
14% Popularity • 18% Danceability • 4% Energy • 14% Liveness
80% Instrumentalness • 11% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
String Quartet No. 1 in D Major, Op. 11:...
89 bpm • A# Maj • 06:35 • -31.66db
36% Popularity • 16% Danceability • 1% Energy • 11% Liveness
12% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 1% Energy • 11% Liveness
12% Instrumentalness • 4% Positiveness
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Alexander Glazunov
Rhapsodie Orientale, Op. 29: 1. Andante
89 bpm • C# Maj • 04:32 • -31db
42% Popularity • 10% Danceability • 2% Energy • 8% Liveness
65% Instrumentalness • 4% Positiveness
42% Popularity • 10% Danceability • 2% Energy • 8% Liveness
65% Instrumentalness • 4% Positiveness
► Preview
Felix Mendelssohn
Prelude In B Minor Opus 104a No.2
81 bpm • B min • 01:30 • -18.88db
53% Popularity • 28% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 31% Positiveness
53% Popularity • 28% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 31% Positiveness
► Preview
Leoš Janáček
Katya Kabanova, JW I/8, Act III Scene 2:...
82 bpm • G# min • 05:18 • -22.95db
7% Popularity • 15% Danceability • 2% Energy • 15% Liveness
1% Instrumentalness • 4% Positiveness
7% Popularity • 15% Danceability • 2% Energy • 15% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Frédéric Chopin
Fantasy on Polish Airs, Op. 13: Largo no...
81 bpm • A Maj • 04:55 • -33.71db
51% Popularity • 26% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
51% Popularity • 26% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Aram Khachaturian
Khachaturian: Children's Album, Book I, ...
90 bpm • G# Maj • 01:27 • -30.39db
46% Popularity • 37% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 28% Positiveness
46% Popularity • 37% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 28% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Serenade in C Major, Op. 48: III. Elegie
89 bpm • D Maj • 09:05 • -21.19db
41% Popularity • 11% Danceability • 7% Energy • 22% Liveness
53% Instrumentalness • 4% Positiveness
41% Popularity • 11% Danceability • 7% Energy • 22% Liveness
53% Instrumentalness • 4% Positiveness
► Preview
Claude Debussy
Debussy: Piano Trio in G Major, L. 5: II...
80 bpm • F# min • 03:12 • -26db
38% Popularity • 39% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 34% Positiveness
38% Popularity • 39% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 34% Positiveness
► Preview
Felix Mendelssohn
Piano Concerto No. 1 in G Minor, Op. 25,...
80 bpm • G# Maj • 07:23 • -19db
32% Popularity • 48% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 29% Positiveness
32% Popularity • 48% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 29% Positiveness
► Preview
Leoš Janáček
Jenufa / Act 3: Neni ti teskno, Jenufko?
90 bpm • G# min • 02:39 • -20.76db
5% Popularity • 45% Danceability • 12% Energy • 68% Liveness
2% Instrumentalness • 30% Positiveness
5% Popularity • 45% Danceability • 12% Energy • 68% Liveness
2% Instrumentalness • 30% Positiveness
► Preview
Anton Arensky
Piano Trio No. 1 in D Minor, Op. 32: III...
90 bpm • G min • 05:08 • -35db
30% Popularity • 21% Danceability • 1% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
30% Popularity • 21% Danceability • 1% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
► Preview
Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
90 bpm • D# Maj • 01:23 • -29db
52% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
52% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
► Preview
Edward Elgar
Chanson de nuit, Op.15 No.1
80 bpm • G Maj • 04:32 • -28db
29% Popularity • 13% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
29% Popularity • 13% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
► Preview
John Field
Nocturne No. 2 in C Minor, H.25
80 bpm • C min • 03:11 • -19.31db
45% Popularity • 35% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
45% Popularity • 35% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Claude Debussy
Debussy: Piano Trio in G Major, L. 5: I....
80 bpm • C Maj • 08:16 • -21.17db
33% Popularity • 15% Danceability • 11% Energy • 8% Liveness
23% Instrumentalness • 18% Positiveness
33% Popularity • 15% Danceability • 11% Energy • 8% Liveness
23% Instrumentalness • 18% Positiveness
► Preview
Leoš Janáček
On the Overgrown Path, Series I: No. 7, ...
82 bpm • E min • 02:52 • -27.09db
4% Popularity • 46% Danceability • 1% Energy • 6% Liveness
88% Instrumentalness • 22% Positiveness
4% Popularity • 46% Danceability • 1% Energy • 6% Liveness
88% Instrumentalness • 22% Positiveness
► Preview
Franz Schubert
Nacht und Träume, Op. 43 No. 2, D. 827
80 bpm • E Maj • 03:25 • -25.16db
38% Popularity • 21% Danceability • 6% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
38% Popularity • 21% Danceability • 6% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
91 bpm • G Maj • 07:43 • -21.41db
46% Popularity • 36% Danceability • 7% Energy • 5% Liveness
35% Instrumentalness • 26% Positiveness
46% Popularity • 36% Danceability • 7% Energy • 5% Liveness
35% Instrumentalness • 26% Positiveness
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Gabriel Fauré
3 Romances sans paroles, Op. 17: No. 3 i...
79 bpm • A Maj • 02:02 • -27.11db
44% Popularity • 16% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
44% Popularity • 16% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
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Antonín Dvořák
Serenade for Strings in E Major, Op. 22,...
91 bpm • A Maj • 05:44 • -21.15db
33% Popularity • 13% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
33% Popularity • 13% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Jean Sibelius
4 Lyric Pieces, Op. 74: No. 3 Auf dem Ta...
91 bpm • C Maj • 01:44 • -22db
38% Popularity • 32% Danceability • 20% Energy • 16% Liveness
93% Instrumentalness • 36% Positiveness
38% Popularity • 32% Danceability • 20% Energy • 16% Liveness
93% Instrumentalness • 36% Positiveness
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Leoš Janáček
Katya Kabanova, JW I/8, Act II Scene 2: ...
88 bpm • F# Maj • 05:33 • -19.81db
7% Popularity • 23% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 23% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Louise Farrenc
Nonet in E-Flat Major, Op. 38: III. Sche...
79 bpm • C Maj • 05:07 • -25db
45% Popularity • 39% Danceability • 5% Energy • 9% Liveness
62% Instrumentalness • 30% Positiveness
45% Popularity • 39% Danceability • 5% Energy • 9% Liveness
62% Instrumentalness • 30% Positiveness
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Clara Schumann
Schumann: 12 Gedichte aus Liebesfrühlin...
91 bpm • C# Maj • 02:08 • -30.66db
29% Popularity • 17% Danceability • 0% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
29% Popularity • 17% Danceability • 0% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Capriccio brillant, Op. 22: Andante
91 bpm • B Maj • 02:30 • -30.47db
54% Popularity • 25% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
54% Popularity • 25% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Fanny Mendelssohn
Allegro molto in C Minor
79 bpm • F min • 03:23 • -21.24db
34% Popularity • 45% Danceability • 19% Energy • 8% Liveness
87% Instrumentalness • 7% Positiveness
34% Popularity • 45% Danceability • 19% Energy • 8% Liveness
87% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Siciliano (After "Erbarme dich" from Mat...
79 bpm • G min • 02:05 • -22.72db
56% Popularity • 30% Danceability • 6% Energy • 7% Liveness
88% Instrumentalness • 35% Positiveness
56% Popularity • 30% Danceability • 6% Energy • 7% Liveness
88% Instrumentalness • 35% Positiveness
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Leoš Janáček
String Quartet No. 1 'Kreutzer Sonata': ...
82 bpm • D# min • 05:19 • -19db
8% Popularity • 16% Danceability • 17% Energy • 11% Liveness
17% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 17% Energy • 11% Liveness
17% Instrumentalness • 4% Positiveness
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Karol Szymanowski
9 Preludes, Op. 1: No. 1 in B Minor. And...
91 bpm • E min • 02:56 • -27.93db
31% Popularity • 27% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
31% Popularity • 27% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
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Franz Schubert
String Quartet No. 14 in D Minor, D. 810...
92 bpm • D min • 09:03 • -16.98db
20% Popularity • 39% Danceability • 12% Energy • 11% Liveness
62% Instrumentalness • 21% Positiveness
20% Popularity • 39% Danceability • 12% Energy • 11% Liveness
62% Instrumentalness • 21% Positiveness
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Sergei Rachmaninoff
Cello Sonata in G Minor, Op. 19: II. All...
92 bpm • G# Maj • 06:25 • -25.69db
27% Popularity • 24% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
27% Popularity • 24% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: When I am Laid ...
79 bpm • G min • 03:09 • -21.75db
43% Popularity • 12% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
43% Popularity • 12% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Alexander Scriabin
5 Preludes, Op. 16: IV. Prelude No. 4 in...
79 bpm • D# min • 01:01 • -42db
58% Popularity • 40% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 36% Positiveness
58% Popularity • 40% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 36% Positiveness
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Leoš Janáček
Jenufa / Act 3: Odesli
82 bpm • A# Maj • 03:34 • -18db
6% Popularity • 25% Danceability • 19% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
6% Popularity • 25% Danceability • 19% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
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Claude Debussy
Petite suite: I. En bateau (arr. H. Buss...
93 bpm • G Maj • 03:47 • -30.82db
54% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
54% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
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Pyotr Ilyich Tchaikovsky
The Seasons, Op. 37b: X. October (Autumn...
78 bpm • D min • 04:51 • -38db
36% Popularity • 23% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
36% Popularity • 23% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
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Felix Mendelssohn
Mendelssohn: Song Without Words in D Maj...
93 bpm • D Maj • 05:30 • -24.91db
26% Popularity • 18% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
26% Popularity • 18% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Rybář [The Fisherman], JB1: 7
78 bpm • D# Maj • 04:19 • -20.16db
6% Popularity • 13% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
6% Popularity • 13% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244 / Part Two:...
93 bpm • B min • 07:01 • -25.18db
21% Popularity • 17% Danceability • 7% Energy • 15% Liveness
2% Instrumentalness • 8% Positiveness
21% Popularity • 17% Danceability • 7% Energy • 15% Liveness
2% Instrumentalness • 8% Positiveness
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Leoš Janáček
The Cunning Little Vixen (Prihody Lisky ...
89 bpm • G# Maj • 03:26 • -17.52db
6% Popularity • 26% Danceability • 31% Energy • 34% Liveness
34% Instrumentalness • 20% Positiveness
6% Popularity • 26% Danceability • 31% Energy • 34% Liveness
34% Instrumentalness • 20% Positiveness
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Edvard Grieg
Lyric Pieces, Op. 12: No. 1, Arietta
78 bpm • D# Maj • 01:31 • -39.59db
24% Popularity • 24% Danceability • 0% Energy • 13% Liveness
66% Instrumentalness • 34% Positiveness
24% Popularity • 24% Danceability • 0% Energy • 13% Liveness
66% Instrumentalness • 34% Positiveness
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Francis Poulenc
Poulenc: Cello Sonata, FP 143: II. Cavat...
77 bpm • F# Maj • 06:26 • -28db
57% Popularity • 13% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
57% Popularity • 13% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
77 bpm • C min • 06:53 • -36.38db
52% Popularity • 15% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
52% Popularity • 15% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
