Songs like Sonata in F Major, Op. 5 No. 4: IV. Adagio by Arcangelo Corelli
Based on a tempo of (+/- 10%) and a similar genre
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Ottorino Respighi
Antiche danze ed arie per liuto, Suite N...
172 bpm • A# Maj • 03:14 • -26db
39% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
39% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
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Nicola Francesco Haym
Sonata da camera No. 2 in D Minor, H 492...
172 bpm • C min • 01:17 • -19db
6% Popularity • 16% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
6% Popularity • 16% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Johann Sebastian Bach
Bach, JS: Brandenburg Concerto No. 1 in ...
172 bpm • E Maj • 04:04 • -14db
40% Popularity • 39% Danceability • 36% Energy • 11% Liveness
70% Instrumentalness • 73% Positiveness
40% Popularity • 39% Danceability • 36% Energy • 11% Liveness
70% Instrumentalness • 73% Positiveness
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George Frideric Handel
Apollo e Dafne, HWV 122: Aria: Felicissi...
172 bpm • F# Maj • 05:18 • -20.87db
34% Popularity • 19% Danceability • 10% Energy • 18% Liveness
4% Instrumentalness • 27% Positiveness
34% Popularity • 19% Danceability • 10% Energy • 18% Liveness
4% Instrumentalness • 27% Positiveness
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Tomaso Albinoni
Concerto a cinque No. 2, Op. 9: I. Alleg...
169 bpm • C# min • 03:54 • -14db
42% Popularity • 33% Danceability • 26% Energy • 5% Liveness
77% Instrumentalness • 51% Positiveness
42% Popularity • 33% Danceability • 26% Energy • 5% Liveness
77% Instrumentalness • 51% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
169 bpm • D Maj • 01:54 • -15.5db
48% Popularity • 26% Danceability • 30% Energy • 15% Liveness
8% Instrumentalness • 52% Positiveness
48% Popularity • 26% Danceability • 30% Energy • 15% Liveness
8% Instrumentalness • 52% Positiveness
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Jean-Marie Leclair
Violin Concerto in D Minor, Op. 7 No. 1:...
173 bpm • C# min • 04:12 • -17.62db
24% Popularity • 29% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
24% Popularity • 29% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Robert Schumann
Schumann: 6 Studien in kanonischer Form,...
173 bpm • C Maj • 02:05 • -37db
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
173 bpm • C Maj • 01:34 • -35db
61% Popularity • 23% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
61% Popularity • 23% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
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Johann Christian Bach
Symphony in D Major, Op. 3, No. 1, W. C1...
169 bpm • G Maj • 03:47 • -23.45db
27% Popularity • 15% Danceability • 7% Energy • 8% Liveness
51% Instrumentalness • 10% Positiveness
27% Popularity • 15% Danceability • 7% Energy • 8% Liveness
51% Instrumentalness • 10% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
168 bpm • G min • 01:58 • -37db
55% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
55% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
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Georg Philipp Telemann
Ouverture in D Major, "Darmstadt": Harle...
174 bpm • C# Maj • 01:59 • -16.95db
47% Popularity • 12% Danceability • 14% Energy • 8% Liveness
61% Instrumentalness • 7% Positiveness
47% Popularity • 12% Danceability • 14% Energy • 8% Liveness
61% Instrumentalness • 7% Positiveness
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Nicola Francesco Haym
Sonata a tre No. 7 in C Major, Op. 2: I....
174 bpm • A# Maj • 01:39 • -21.37db
6% Popularity • 8% Danceability • 5% Energy • 7% Liveness
60% Instrumentalness • 32% Positiveness
6% Popularity • 8% Danceability • 5% Energy • 7% Liveness
60% Instrumentalness • 32% Positiveness
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Johann Rosenmüller
Trio Sonata in E Minor: I. Grave
175 bpm • E min • 01:03 • -27db
46% Popularity • 10% Danceability • 3% Energy • 23% Liveness
94% Instrumentalness • 8% Positiveness
46% Popularity • 10% Danceability • 3% Energy • 23% Liveness
94% Instrumentalness • 8% Positiveness
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Alessandro Scarlatti
Concerto Grosso No. 3 in F Major: IV. La...
167 bpm • D min • 01:21 • -19db
43% Popularity • 17% Danceability • 8% Energy • 8% Liveness
3% Instrumentalness • 10% Positiveness
43% Popularity • 17% Danceability • 8% Energy • 8% Liveness
3% Instrumentalness • 10% Positiveness
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Antonio Vivaldi
Concerto for Strings and Continuo in G M...
176 bpm • C# Maj • 01:08 • -15.77db
41% Popularity • 37% Danceability • 53% Energy • 37% Liveness
26% Instrumentalness • 57% Positiveness
41% Popularity • 37% Danceability • 53% Energy • 37% Liveness
26% Instrumentalness • 57% Positiveness
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![Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] cover art](https://i.scdn.co/image/ab67616d00001e02b03d3ef34d5769b0e3f94feb)
Carl Philipp Emanuel Bach
Notebook for Anna Magdalena Bach (1725) ...
166 bpm • G Maj • 01:04 • -25db
46% Popularity • 33% Danceability • 25% Energy • 15% Liveness
87% Instrumentalness • 95% Positiveness
46% Popularity • 33% Danceability • 25% Energy • 15% Liveness
87% Instrumentalness • 95% Positiveness
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Georg Philipp Telemann
Concerto in G major: Largo
166 bpm • G Maj • 02:58 • -23.91db
29% Popularity • 22% Danceability • 5% Energy • 40% Liveness
29% Instrumentalness • 20% Positiveness
29% Popularity • 22% Danceability • 5% Energy • 40% Liveness
29% Instrumentalness • 20% Positiveness
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Cologne Chamber Orchestra
Concerto For 2 Keyboards In C Minor, BWV...
176 bpm • C min • 05:22 • -29db
33% Popularity • 28% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
33% Popularity • 28% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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Francesco Maria Veracini
Overture No. 6 in B-Flat Major: I. Alleg...
178 bpm • F# min • 03:33 • -14.05db
25% Popularity • 29% Danceability • 29% Energy • 21% Liveness
92% Instrumentalness • 47% Positiveness
25% Popularity • 29% Danceability • 29% Energy • 21% Liveness
92% Instrumentalness • 47% Positiveness
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William Boyce
Symphony No. 2 in A Major, Op. 2, "Birth...
181 bpm • G# Maj • 01:31 • -23db
45% Popularity • 30% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 44% Positiveness
45% Popularity • 30% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 44% Positiveness
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Antonio Vivaldi
Concerto for Recorder, Oboe and 2 Violin...
176 bpm • C Maj • 02:23 • -15db
45% Popularity • 45% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
45% Popularity • 45% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
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Felix Mendelssohn
Mendelssohn: Songs Without Words, Book V...
182 bpm • F# min • 02:01 • -30db
53% Popularity • 23% Danceability • 6% Energy • 7% Liveness
91% Instrumentalness • 22% Positiveness
53% Popularity • 23% Danceability • 6% Energy • 7% Liveness
91% Instrumentalness • 22% Positiveness
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Joseph Boulogne Chevalier de Saint-Georges
Violin Concerto No. 10 in G Major: Largo
186 bpm • D Maj • 06:37 • -24.47db
50% Popularity • 21% Danceability • 5% Energy • 11% Liveness
64% Instrumentalness • 15% Positiveness
50% Popularity • 21% Danceability • 5% Energy • 11% Liveness
64% Instrumentalness • 15% Positiveness
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Carl Maria von Weber
Concertino for Clarinet and Orchestra in...
157 bpm • D# Maj • 01:58 • -20db
36% Popularity • 36% Danceability • 15% Energy • 17% Liveness
81% Instrumentalness • 43% Positiveness
36% Popularity • 36% Danceability • 15% Energy • 17% Liveness
81% Instrumentalness • 43% Positiveness
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Karoly Botvay
Sinfonia in E major, RV 132: III. Allegr...
187 bpm • E Maj • 02:37 • -21.89db
51% Popularity • 38% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 78% Positiveness
51% Popularity • 38% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 78% Positiveness
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William Boyce
Symphony No. 2 in A Major, Op. 2, "Birth...
187 bpm • G# Maj • 01:04 • -28db
49% Popularity • 37% Danceability • 13% Energy • 14% Liveness
1% Instrumentalness • 46% Positiveness
49% Popularity • 37% Danceability • 13% Energy • 14% Liveness
1% Instrumentalness • 46% Positiveness
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Eder Quartet
String Quartet No. 2 in D Major, K. 155:...
153 bpm • D Maj • 01:24 • -21.17db
47% Popularity • 32% Danceability • 11% Energy • 12% Liveness
93% Instrumentalness • 69% Positiveness
47% Popularity • 32% Danceability • 11% Energy • 12% Liveness
93% Instrumentalness • 69% Positiveness
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Antonio Vivaldi
Oboe Concerto in D Minor, Op. 8, No. 9, ...
177 bpm • D min • 02:10 • -23.58db
40% Popularity • 17% Danceability • 7% Energy • 18% Liveness
89% Instrumentalness • 7% Positiveness
40% Popularity • 17% Danceability • 7% Energy • 18% Liveness
89% Instrumentalness • 7% Positiveness
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Joseph Haydn
Symphony No. 45 in F-Sharp Minor, Hob.I:...
156 bpm • F# min • 05:40 • -17.03db
42% Popularity • 34% Danceability • 15% Energy • 10% Liveness
78% Instrumentalness • 13% Positiveness
42% Popularity • 34% Danceability • 15% Energy • 10% Liveness
78% Instrumentalness • 13% Positiveness
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Johann Pachelbel
Partie 2 en ut mineur: Gigue
194 bpm • B min • 01:16 • -14.54db
47% Popularity • 32% Danceability • 33% Energy • 12% Liveness
60% Instrumentalness • 84% Positiveness
47% Popularity • 32% Danceability • 33% Energy • 12% Liveness
60% Instrumentalness • 84% Positiveness
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![Water Music, Suite No. 1, HWV 348: III. [Allegro] cover art](https://i.scdn.co/image/ab67616d00001e020467d27cbc2ac9ea30779a5d)
George Frideric Handel
Water Music, Suite No. 1, HWV 348: III. ...
151 bpm • E Maj • 02:08 • -17.98db
37% Popularity • 36% Danceability • 39% Energy • 41% Liveness
90% Instrumentalness • 78% Positiveness
37% Popularity • 36% Danceability • 39% Energy • 41% Liveness
90% Instrumentalness • 78% Positiveness
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Jean-Baptiste Lully
Alcidiane: Petite Chaconne
150 bpm • B Maj • 01:32 • -31db
39% Popularity • 27% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 29% Positiveness
39% Popularity • 27% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 29% Positiveness
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Ottorino Respighi
Antiche Danze Ed Arie Per Liuto (Ancient...
197 bpm • B min • 02:47 • -35.32db
56% Popularity • 30% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 34% Positiveness
56% Popularity • 30% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 34% Positiveness
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Antonio Vivaldi
Violin Concerto No. 3 in F Major, RV 293...
152 bpm • C Maj • 03:11 • -16.14db
32% Popularity • 44% Danceability • 24% Energy • 12% Liveness
84% Instrumentalness • 35% Positiveness
32% Popularity • 44% Danceability • 24% Energy • 12% Liveness
84% Instrumentalness • 35% Positiveness
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Arcangelo Corelli
Concerto Grosso In F Major, Op. 6, No. 9...
198 bpm • F Maj • 01:26 • -17db
41% Popularity • 46% Danceability • 22% Energy • 25% Liveness
2% Instrumentalness • 68% Positiveness
41% Popularity • 46% Danceability • 22% Energy • 25% Liveness
2% Instrumentalness • 68% Positiveness
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Carl Friedrich Abel
Sonata for violoncello and basso continu...
147 bpm • F# Maj • 01:58 • -18db
24% Popularity • 33% Danceability • 16% Energy • 13% Liveness
28% Instrumentalness • 66% Positiveness
24% Popularity • 33% Danceability • 16% Energy • 13% Liveness
28% Instrumentalness • 66% Positiveness
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Giuseppe Tartini
12 Trio Sonate, Op. 3: Sonata No. 2 in r...
147 bpm • D Maj • 01:21 • -14.06db
34% Popularity • 32% Danceability • 25% Energy • 18% Liveness
95% Instrumentalness • 44% Positiveness
34% Popularity • 32% Danceability • 25% Energy • 18% Liveness
95% Instrumentalness • 44% Positiveness
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Ludwig van Beethoven
Violin Sonata No. 5 in F Major, Op. 24 "...
147 bpm • F Maj • 09:40 • -21db
39% Popularity • 36% Danceability • 6% Energy • 6% Liveness
19% Instrumentalness • 20% Positiveness
39% Popularity • 36% Danceability • 6% Energy • 6% Liveness
19% Instrumentalness • 20% Positiveness
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Francesco Geminiani
Concerto Grosso in D Minor, H. 143 "La F...
147 bpm • C# min • 03:22 • -14.46db
24% Popularity • 30% Danceability • 29% Energy • 29% Liveness
92% Instrumentalness • 45% Positiveness
24% Popularity • 30% Danceability • 29% Energy • 29% Liveness
92% Instrumentalness • 45% Positiveness
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Tomaso Albinoni
Sonata a 5 in G Minor, Op. 2, No. 6: I. ...
147 bpm • C min • 01:15 • -18db
56% Popularity • 28% Danceability • 8% Energy • 27% Liveness
5% Instrumentalness • 20% Positiveness
56% Popularity • 28% Danceability • 8% Energy • 27% Liveness
5% Instrumentalness • 20% Positiveness
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Arcangelo Corelli
Sonata in D Major, No. 1: I. Grave - All...
147 bpm • G# Maj • 03:18 • -16db
28% Popularity • 20% Danceability • 12% Energy • 11% Liveness
15% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 12% Energy • 11% Liveness
15% Instrumentalness • 4% Positiveness
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Cologne Chamber Orchestra
Overture (Suite) In G Minor, TWV 55: G4:...
146 bpm • G min • 01:31 • -15db
54% Popularity • 51% Danceability • 42% Energy • 27% Liveness
91% Instrumentalness • 97% Positiveness
54% Popularity • 51% Danceability • 42% Energy • 27% Liveness
91% Instrumentalness • 97% Positiveness
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Karoly Botvay
Sinfonia for Strings in G major, RV 149:...
146 bpm • D Maj • 02:11 • -22.86db
45% Popularity • 43% Danceability • 10% Energy • 15% Liveness
93% Instrumentalness • 64% Positiveness
45% Popularity • 43% Danceability • 10% Energy • 15% Liveness
93% Instrumentalness • 64% Positiveness
