Songs like Sonata in F Minor, K.183: Allegro by Domenico Scarlatti
Based on a tempo of (+/- 10%) and a similar genre
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Domenico Scarlatti
Keyboard Sonata in A Major, Kk. 208 (Arr...
132 bpm • C Maj • 03:54 • -17.78db
31% Popularity • 41% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 32% Positiveness
31% Popularity • 41% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 32% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Fantasia for Piano in D Minor, K...
132 bpm • D Maj • 05:58 • -27db
26% Popularity • 43% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
26% Popularity • 43% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
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Maurice Ravel
Ravel: Miroirs, M. 43: V. La Vallée des...
132 bpm • C# Maj • 06:06 • -33db
38% Popularity • 44% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 44% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
132 bpm • C min • 02:07 • -27.63db
35% Popularity • 42% Danceability • 7% Energy • 7% Liveness
89% Instrumentalness • 30% Positiveness
35% Popularity • 42% Danceability • 7% Energy • 7% Liveness
89% Instrumentalness • 30% Positiveness
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Frédéric Chopin
Nocturne No. 6 in G Minor, Op. 15 No. 3
132 bpm • D min • 03:56 • -25.61db
50% Popularity • 45% Danceability • 2% Energy • 20% Liveness
93% Instrumentalness • 11% Positiveness
50% Popularity • 45% Danceability • 2% Energy • 20% Liveness
93% Instrumentalness • 11% Positiveness
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Franz Schubert
Variations on an Original Theme in A-Fla...
133 bpm • D# Maj • 02:03 • -36.8db
44% Popularity • 40% Danceability • 1% Energy • 15% Liveness
96% Instrumentalness • 13% Positiveness
44% Popularity • 40% Danceability • 1% Energy • 15% Liveness
96% Instrumentalness • 13% Positiveness
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Domenico Scarlatti
Sonata in F Minor, K.183: Allegro
132 bpm • A# min • 06:10 • -28.05db
26% Popularity • 32% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 19% Positiveness
26% Popularity • 32% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 19% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
131 bpm • A Maj • 01:21 • -15db
59% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
59% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
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Alessandro Marcello
Oboe Concerto in D Minor: II. Adagio
131 bpm • D min • 04:14 • -25.18db
41% Popularity • 26% Danceability • 5% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
41% Popularity • 26% Danceability • 5% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
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Joseph Haydn
Concerto pour Violoncelle et Orchestre e...
131 bpm • C Maj • 08:12 • -23.05db
45% Popularity • 20% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
45% Popularity • 20% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 2 ...
133 bpm • C# Maj • 02:00 • -31.22db
44% Popularity • 24% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
44% Popularity • 24% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Maurice Ravel
Ravel: Sonatine, M. 40: II. Mouvement de...
131 bpm • C# Maj • 02:56 • -27.01db
34% Popularity • 39% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
34% Popularity • 39% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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François Couperin
Les Barricades mystérieuses
131 bpm • A# Maj • 02:10 • -37.66db
31% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
31% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Zdeněk Fibich
Moods, Impressions and Reminiscences, Op...
133 bpm • C# Maj • 01:41 • -26db
35% Popularity • 47% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 21% Positiveness
35% Popularity • 47% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 21% Positiveness
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Jean-Philippe Rameau
Les Boréades, RCT 31, Acte IV, Scène I...
130 bpm • C# Maj • 07:01 • -19db
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
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Domenico Scarlatti
Sonata in A Major, Kk.208
130 bpm • A Maj • 04:15 • -27.38db
16% Popularity • 37% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
16% Popularity • 37% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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Pyotr Ilyich Tchaikovsky
X. October - Autumn Song
134 bpm • D min • 05:43 • -34db
24% Popularity • 42% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 11% Positiveness
24% Popularity • 42% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 11% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
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Claude Debussy
Préludes / Book 1, L.117: 8. La fille a...
135 bpm • F# Maj • 02:21 • -36.79db
37% Popularity • 37% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
37% Popularity • 37% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
129 bpm • D Maj • 01:13 • -16.72db
61% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
61% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
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Cologne Chamber Orchestra
Concerto For 4 Violins in B Minor, Op. 3...
129 bpm • F# min • 02:08 • -20.34db
51% Popularity • 44% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
51% Popularity • 44% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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Domenico Scarlatti
Sonata in D Minor, K. 32
130 bpm • D min • 02:43 • -30db
39% Popularity • 56% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
39% Popularity • 56% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
129 bpm • D min • 01:46 • -28.77db
54% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
54% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
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Carl Philipp Emanuel Bach
Rondo in D Minor, Wq. 61/4, H. 290
135 bpm • A# Maj • 04:05 • -22db
45% Popularity • 38% Danceability • 9% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
45% Popularity • 38% Danceability • 9% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
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Johann Christian Bach
Sonata No. 5 in A Major, Op. 17, No. 5: ...
135 bpm • A Maj • 03:38 • -27.59db
40% Popularity • 24% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
40% Popularity • 24% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
135 bpm • F Maj • 02:30 • -35.8db
51% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
51% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Jean-Philippe Rameau
Suite en La Mineur, RCT 5: IV. Les Trois...
135 bpm • A min • 04:12 • -23db
17% Popularity • 44% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 61% Positiveness
17% Popularity • 44% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 61% Positiveness
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Domenico Scarlatti
Sonata in B Minor, K.27: Allegro
130 bpm • D Maj • 03:21 • -24.76db
9% Popularity • 25% Danceability • 13% Energy • 16% Liveness
91% Instrumentalness • 36% Positiveness
9% Popularity • 25% Danceability • 13% Energy • 16% Liveness
91% Instrumentalness • 36% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 8 in C Minor, Op. 13 "P...
129 bpm • G# Maj • 05:26 • -37.66db
20% Popularity • 34% Danceability • 0% Energy • 12% Liveness
90% Instrumentalness • 26% Positiveness
20% Popularity • 34% Danceability • 0% Energy • 12% Liveness
90% Instrumentalness • 26% Positiveness
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Valentin Silvestrov
Bagatelles I-XIII: Bagatelle I
135 bpm • C min • 03:20 • -35.94db
17% Popularity • 35% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
17% Popularity • 35% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Fantasia in D Minor, K.397
129 bpm • G Maj • 05:24 • -25.03db
35% Popularity • 39% Danceability • 15% Energy • 11% Liveness
79% Instrumentalness • 18% Positiveness
35% Popularity • 39% Danceability • 15% Energy • 11% Liveness
79% Instrumentalness • 18% Positiveness
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Enrique Granados
IV. La campana de la tarde. Allegretto
129 bpm • F Maj • 02:17 • -36db
28% Popularity • 48% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 26% Positiveness
28% Popularity • 48% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 26% Positiveness
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Maria João Pires
Sonata No. 15 in C Major, I. Allegro
136 bpm • C Maj • 03:05 • -24db
35% Popularity • 31% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 60% Positiveness
35% Popularity • 31% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 60% Positiveness
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Sergei Rachmaninoff
Vocalise, Op. 34, No. 14, Lentamente can...
135 bpm • E min • 05:22 • -22.94db
15% Popularity • 20% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
15% Popularity • 20% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Domenico Scarlatti
Sonata in D Minor, Kk. 89: I. Allegro (T...
128 bpm • D min • 02:43 • -26db
11% Popularity • 54% Danceability • 19% Energy • 10% Liveness
21% Instrumentalness • 61% Positiveness
11% Popularity • 54% Danceability • 19% Energy • 10% Liveness
21% Instrumentalness • 61% Positiveness
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Ignaz Friedman
Orfeo ed Euridice, Act II: Dance of the ...
128 bpm • D min • 04:11 • -34db
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 1. Von fremden Lä...
128 bpm • G Maj • 01:53 • -41.93db
61% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
61% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
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Claude Debussy
Préludes / Book 1, L. 117: VIII. La fil...
128 bpm • F# Maj • 02:31 • -33db
50% Popularity • 34% Danceability • 0% Energy • 5% Liveness
90% Instrumentalness • 13% Positiveness
50% Popularity • 34% Danceability • 0% Energy • 5% Liveness
90% Instrumentalness • 13% Positiveness
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Edvard Grieg
Lyric Pieces, Op. 57, Book VI: VI. Hjemv...
137 bpm • E min • 04:33 • -34db
44% Popularity • 37% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
44% Popularity • 37% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
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Clara Schumann
3 Romances, Op. 11: No. 1, Andante
127 bpm • D# min • 03:02 • -29db
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Cécile Chaminade
6 Romances sans paroles, Op.76: 6. Medit...
128 bpm • G# Maj • 04:42 • -25.26db
27% Popularity • 42% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
27% Popularity • 42% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Jean Sibelius
Sibelius: 13 Pieces, Op. 76: No. 2, Étu...
127 bpm • A min • 01:14 • -27db
43% Popularity • 41% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
43% Popularity • 41% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
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김준영
Paradis: Sicilienne 파라디스 시실�...
137 bpm • D# Maj • 03:03 • -28.25db
27% Popularity • 18% Danceability • 2% Energy • 19% Liveness
80% Instrumentalness • 11% Positiveness
27% Popularity • 18% Danceability • 2% Energy • 19% Liveness
80% Instrumentalness • 11% Positiveness
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César Franck
Franck: Prélude, fugue et variation, Op...
127 bpm • B min • 04:21 • -34.47db
25% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
25% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
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Frédéric Chopin
Andante spianato et Grande polonaise bri...
127 bpm • G Maj • 04:55 • -35.89db
29% Popularity • 28% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
29% Popularity • 28% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Domenico Scarlatti
Sonata in D Major, K.119: Allegro
126 bpm • D Maj • 05:18 • -23db
11% Popularity • 50% Danceability • 17% Energy • 11% Liveness
93% Instrumentalness • 28% Positiveness
11% Popularity • 50% Danceability • 17% Energy • 11% Liveness
93% Instrumentalness • 28% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19, No. 1
138 bpm • E Maj • 03:14 • -34db
46% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
46% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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François Couperin
La Muse-Plantine: 19ème ordre, 3ème li...
126 bpm • D min • 02:19 • -24.78db
42% Popularity • 27% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
42% Popularity • 27% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
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Georg Philipp Telemann
Overture in D Minor, TWV 55:2: Menuet II...
126 bpm • F Maj • 01:17 • -23db
43% Popularity • 64% Danceability • 3% Energy • 10% Liveness
98% Instrumentalness • 69% Positiveness
43% Popularity • 64% Danceability • 3% Energy • 10% Liveness
98% Instrumentalness • 69% Positiveness
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César Franck
Violin Sonata in A Major, FWV 8: I. Alle...
138 bpm • A Maj • 06:32 • -25db
20% Popularity • 24% Danceability • 4% Energy • 6% Liveness
5% Instrumentalness • 4% Positiveness
20% Popularity • 24% Danceability • 4% Energy • 6% Liveness
5% Instrumentalness • 4% Positiveness
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Benjamin Frith
Nocturne No. 12 In G Major, H. 58d: Noct...
125 bpm • G Maj • 02:27 • -32db
51% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
51% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
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Francesco Tristano
Circle Song
139 bpm • C Maj • 03:13 • -22db
25% Popularity • 29% Danceability • 21% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
25% Popularity • 29% Danceability • 21% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
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Domenico Scarlatti
Sonata in G Major, KK. 455
139 bpm • G Maj • 01:44 • -30db
41% Popularity • 40% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 70% Positiveness
41% Popularity • 40% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 70% Positiveness
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François Couperin
Les baricades mystérieuses - Arranged B...
138 bpm • A# Maj • 02:43 • -27.44db
34% Popularity • 22% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
34% Popularity • 22% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: IV. Solve...
139 bpm • E min • 04:37 • -30db
31% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
31% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
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Arcangelo Corelli
Sonata in C Major, No. 3: IV. Allegro
125 bpm • B Maj • 01:02 • -15.61db
56% Popularity • 47% Danceability • 35% Energy • 27% Liveness
27% Instrumentalness • 90% Positiveness
56% Popularity • 47% Danceability • 35% Energy • 27% Liveness
27% Instrumentalness • 90% Positiveness
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Wolfgang Amadeus Mozart
Piano Quartet in G Minor, K.478: II. And...
140 bpm • A# Maj • 06:43 • -27.65db
45% Popularity • 28% Danceability • 1% Energy • 10% Liveness
7% Instrumentalness • 17% Positiveness
45% Popularity • 28% Danceability • 1% Energy • 10% Liveness
7% Instrumentalness • 17% Positiveness
► Preview
Frédéric Chopin
12 Études, Op. 10: No. 3 in E Major "Tr...
124 bpm • E Maj • 03:51 • -23db
33% Popularity • 40% Danceability • 9% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
33% Popularity • 40% Danceability • 9% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Domenico Scarlatti
Sonata in D Minor, K141
140 bpm • D min • 03:41 • -27.26db
11% Popularity • 32% Danceability • 13% Energy • 8% Liveness
86% Instrumentalness • 35% Positiveness
11% Popularity • 32% Danceability • 13% Energy • 8% Liveness
86% Instrumentalness • 35% Positiveness
► Preview
Fanny Mendelssohn
6 Melodies, Op. 4 - 6 melodies, Op. 5: A...
140 bpm • C# min • 01:33 • -30.89db
42% Popularity • 28% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 5% Positiveness
42% Popularity • 28% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 5% Positiveness
► Preview
Manuel de Falla
Siete Canciones Populares Españolas: VI...
141 bpm • C Maj • 02:13 • -39db
29% Popularity • 14% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 14% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Luigi Boccherini
Boccherini: Cello Concerto No. 9 in B-Fl...
141 bpm • A# Maj • 06:08 • -16.83db
30% Popularity • 40% Danceability • 16% Energy • 7% Liveness
56% Instrumentalness • 48% Positiveness
30% Popularity • 40% Danceability • 16% Energy • 7% Liveness
56% Instrumentalness • 48% Positiveness
► Preview
Robert Schumann
Kinderszenen, Op. 15: 12. Kind im Einsch...
123 bpm • E min • 02:23 • -40db
47% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
47% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
► Preview
Antonio Vivaldi
Concerto for 2 Cellos, Strings and Conti...
141 bpm • G min • 03:02 • -15.73db
31% Popularity • 40% Danceability • 37% Energy • 33% Liveness
91% Instrumentalness • 76% Positiveness
31% Popularity • 40% Danceability • 37% Energy • 33% Liveness
91% Instrumentalness • 76% Positiveness
► Preview
Domenico Scarlatti
Sonata in B Minor, K. 27
141 bpm • B min • 03:02 • -26.52db
13% Popularity • 32% Danceability • 7% Energy • 14% Liveness
85% Instrumentalness • 49% Positiveness
13% Popularity • 32% Danceability • 7% Energy • 14% Liveness
85% Instrumentalness • 49% Positiveness
► Preview
Carl Philipp Emanuel Bach
Solfeggietto in C minor, Wq. 117/2
122 bpm • F min • 01:16 • -26.68db
56% Popularity • 34% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
56% Popularity • 34% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
► Preview
Francis Poulenc
Cello Sonata, FP 143: Cavatine: Tres cal...
122 bpm • A# min • 06:22 • -25db
36% Popularity • 22% Danceability • 2% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
36% Popularity • 22% Danceability • 2% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Enrique Granados
Apariciones: Valses Romanticos: Sensitiv...
143 bpm • C min • 01:40 • -33db
44% Popularity • 37% Danceability • 1% Energy • 13% Liveness
86% Instrumentalness • 31% Positiveness
44% Popularity • 37% Danceability • 1% Energy • 13% Liveness
86% Instrumentalness • 31% Positiveness
► Preview
Georg Philipp Telemann
Viola Concerto in G Major, TWV 51:G9: I....
144 bpm • G Maj • 03:44 • -21.35db
45% Popularity • 20% Danceability • 10% Energy • 40% Liveness
73% Instrumentalness • 11% Positiveness
45% Popularity • 20% Danceability • 10% Energy • 40% Liveness
73% Instrumentalness • 11% Positiveness
► Preview
Antonio Vivaldi
Violin Concerto in D Major, RV 228: I. A...
123 bpm • D Maj • 02:46 • -20db
48% Popularity • 34% Danceability • 21% Energy • 15% Liveness
61% Instrumentalness • 33% Positiveness
48% Popularity • 34% Danceability • 21% Energy • 15% Liveness
61% Instrumentalness • 33% Positiveness
► Preview
Fanny Mendelssohn
Schwanenlied
143 bpm • G min • 02:30 • -21.42db
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
► Preview
Carl Philipp Emanuel Bach
Bach, CPE: Solfegietto in C Minor, Wq. 1...
143 bpm • F min • 01:04 • -28.06db
50% Popularity • 21% Danceability • 14% Energy • 15% Liveness
90% Instrumentalness • 56% Positiveness
50% Popularity • 21% Danceability • 14% Energy • 15% Liveness
90% Instrumentalness • 56% Positiveness
► Preview
Joseph-Nicolas-Pancrace Royer
Royer: Premier livre de pièces de clave...
121 bpm • G min • 04:51 • -24db
29% Popularity • 29% Danceability • 16% Energy • 14% Liveness
93% Instrumentalness • 11% Positiveness
29% Popularity • 29% Danceability • 16% Energy • 14% Liveness
93% Instrumentalness • 11% Positiveness
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Jean-Philippe Rameau
Suite en ré: Les niais de Sologne
121 bpm • D Maj • 01:44 • -29db
35% Popularity • 48% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 89% Positiveness
35% Popularity • 48% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 89% Positiveness
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François Couperin
Le Tic-Toc-Choc, ou Les Maillotins: 18è...
145 bpm • C Maj • 02:18 • -20db
31% Popularity • 35% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 72% Positiveness
31% Popularity • 35% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 72% Positiveness
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Antonio Vivaldi
Concerto for 2 Mandolins, Strings and Co...
144 bpm • C# Maj • 03:50 • -21db
52% Popularity • 55% Danceability • 21% Energy • 9% Liveness
22% Instrumentalness • 79% Positiveness
52% Popularity • 55% Danceability • 21% Energy • 9% Liveness
22% Instrumentalness • 79% Positiveness
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Domenico Scarlatti
Keyboard Sonata in C Major, Kk. 159
120 bpm • C Maj • 02:23 • -27db
52% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
52% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
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Lazar Berman
Chaconne in sol maggiore : Variazione 10
120 bpm • G min • 01:01 • -37.28db
51% Popularity • 53% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
51% Popularity • 53% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
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Fanny Mendelssohn
Schluss
118 bpm • C Maj • 02:15 • -34db
50% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
50% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
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Franz Liszt
Mendelssohns Lieder, S. 547: Auf Flugeln...
149 bpm • G# Maj • 03:19 • -30.75db
52% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
52% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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François Couperin
Pièces de Clavecin, Livre II, 6e ordre,...
117 bpm • E min • 03:54 • -27db
20% Popularity • 32% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
20% Popularity • 32% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
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Antonio Vivaldi
Concerto for Clarinet and Orchestra No. ...
119 bpm • E min • 03:31 • -26db
33% Popularity • 45% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 32% Positiveness
33% Popularity • 45% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 32% Positiveness
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Domenico Scarlatti
Sonata in B Minor, K. 87: Andante
147 bpm • B min • 06:21 • -35.22db
29% Popularity • 41% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 32% Positiveness
29% Popularity • 41% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 32% Positiveness
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Enrique Granados
No. 1: Melódico
149 bpm • A Maj • 01:36 • -30.79db
46% Popularity • 36% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 15% Positiveness
46% Popularity • 36% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 15% Positiveness
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Arcangelo Corelli
Sonata in D Major, No. 1: III. Allegro
117 bpm • G# Maj • 01:05 • -15.54db
58% Popularity • 41% Danceability • 36% Energy • 11% Liveness
7% Instrumentalness • 44% Positiveness
58% Popularity • 41% Danceability • 36% Energy • 11% Liveness
7% Instrumentalness • 44% Positiveness
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Georg Philipp Telemann
Overture in G Major, TWV 55:10 "Burlesqu...
117 bpm • G Maj • 02:00 • -24db
26% Popularity • 38% Danceability • 3% Energy • 8% Liveness
5% Instrumentalness • 12% Positiveness
26% Popularity • 38% Danceability • 3% Energy • 8% Liveness
5% Instrumentalness • 12% Positiveness
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François Couperin
Les Barricades Mystérieuses
149 bpm • A# Maj • 02:24 • -33db
39% Popularity • 17% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 33% Positiveness
39% Popularity • 17% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 33% Positiveness
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Jean-Philippe Rameau
Zoroastre, RCT 62, Acte III, Scène VII:...
116 bpm • G# min • 02:13 • -22.16db
32% Popularity • 31% Danceability • 8% Energy • 19% Liveness
2% Instrumentalness • 31% Positiveness
32% Popularity • 31% Danceability • 8% Energy • 19% Liveness
2% Instrumentalness • 31% Positiveness
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Domenico Scarlatti
Keyboard Sonata in D Minor, K.9/L.413/P....
118 bpm • F Maj • 03:18 • -25.07db
44% Popularity • 47% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 76% Positiveness
44% Popularity • 47% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 76% Positiveness
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Antonio Vivaldi
Cello Concerto in C Major, RV 398: II. L...
115 bpm • A min • 01:45 • -23.52db
39% Popularity • 35% Danceability • 3% Energy • 11% Liveness
84% Instrumentalness • 22% Positiveness
39% Popularity • 35% Danceability • 3% Energy • 11% Liveness
84% Instrumentalness • 22% Positiveness
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Henry Purcell
King Arthur, Z. 628, "The British Worthy...
114 bpm • C# min • 01:25 • -24.82db
47% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
47% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
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Georg Philipp Telemann
Sonata for Violin and Basso Continuo in ...
116 bpm • F# Maj • 02:32 • -12db
36% Popularity • 49% Danceability • 35% Energy • 27% Liveness
1% Instrumentalness • 65% Positiveness
36% Popularity • 49% Danceability • 35% Energy • 27% Liveness
1% Instrumentalness • 65% Positiveness
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Robert Schumann
No. 7, Träumerei
114 bpm • F Maj • 02:54 • -38db
38% Popularity • 47% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 37% Positiveness
38% Popularity • 47% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 37% Positiveness
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Wolfgang Amadeus Mozart
Piano Sonata No. 5 in G Major, K. 283: I...
115 bpm • D Maj • 04:46 • -23db
21% Popularity • 45% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 53% Positiveness
21% Popularity • 45% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 53% Positiveness
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Domenico Scarlatti
Sonata in D Minor, Kk. 89: III. Allegro ...
117 bpm • A Maj • 01:45 • -20db
18% Popularity • 65% Danceability • 32% Energy • 10% Liveness
81% Instrumentalness • 72% Positiveness
18% Popularity • 65% Danceability • 32% Energy • 10% Liveness
81% Instrumentalness • 72% Positiveness
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Johann Sebastian Bach/Alexander Siloti
Prelude in B minor
114 bpm • B min • 03:19 • -31db
28% Popularity • 28% Danceability • 7% Energy • 7% Liveness
96% Instrumentalness • 14% Positiveness
28% Popularity • 28% Danceability • 7% Energy • 7% Liveness
96% Instrumentalness • 14% Positiveness
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Antonio Vivaldi
Concerto for 2 Cellos, Strings and Conti...
113 bpm • D min • 04:23 • -22.28db
17% Popularity • 22% Danceability • 7% Energy • 30% Liveness
87% Instrumentalness • 12% Positiveness
17% Popularity • 22% Danceability • 7% Energy • 30% Liveness
87% Instrumentalness • 12% Positiveness
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Henry Purcell
The Fairy Queen, Z. 629: Prelude
113 bpm • F# min • 01:42 • -13db
37% Popularity • 35% Danceability • 39% Energy • 19% Liveness
34% Instrumentalness • 76% Positiveness
37% Popularity • 35% Danceability • 39% Energy • 19% Liveness
34% Instrumentalness • 76% Positiveness
