Songs like Sonata No. 16 in B Flat Major, II. Adagio by Maria João Pires
Based on a tempo of (+/- 10%) and a similar genre
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David Oistrakh
Concerto Grosso in A Minor for Two Violi...
96 bpm • A min • 03:59 • -16db
30% Popularity • 50% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 50% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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Franz Schubert
Die schöne Müllerin, Op. 25, D. 795: N...
96 bpm • G Maj • 04:22 • -25.79db
36% Popularity • 14% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 8% Positiveness
36% Popularity • 14% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 8% Positiveness
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Joseph Haydn
Cello Concerto in C, H.VIIb, No.1: 2. Ad...
96 bpm • F Maj • 09:14 • -23.97db
29% Popularity • 18% Danceability • 6% Energy • 7% Liveness
53% Instrumentalness • 10% Positiveness
29% Popularity • 18% Danceability • 6% Energy • 7% Liveness
53% Instrumentalness • 10% Positiveness
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Gabriel Fauré
Après un Rêve Op. 7, No. 1
96 bpm • F min • 03:22 • -26.28db
30% Popularity • 16% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 5% Positiveness
30% Popularity • 16% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 5% Positiveness
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Maria João Pires
Sonata No. 16 in B Flat Major, II. Adagi...
96 bpm • D# Maj • 06:17 • -30.17db
33% Popularity • 44% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
33% Popularity • 44% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
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Edward Elgar
Cello Concerto in E Minor, Op. 85: III. ...
96 bpm • A# Maj • 05:55 • -31.12db
16% Popularity • 16% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
16% Popularity • 16% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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Carl Maria von Weber
Piano Concerto No. 1 in C Major, Op. 11,...
95 bpm • G# Maj • 04:17 • -33.85db
42% Popularity • 17% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
42% Popularity • 17% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Franz Schubert
Piano Quintet in A Major, D. 667, Op. 11...
96 bpm • D Maj • 08:21 • -21.4db
10% Popularity • 29% Danceability • 13% Energy • 9% Liveness
51% Instrumentalness • 21% Positiveness
10% Popularity • 29% Danceability • 13% Energy • 9% Liveness
51% Instrumentalness • 21% Positiveness
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Antonín Dvořák
Dvořák: From the Bohemian Forest, Op. ...
95 bpm • C# Maj • 06:46 • -20db
28% Popularity • 12% Danceability • 14% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
28% Popularity • 12% Danceability • 14% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Berceuse, Op. 16 (Arr. by Bergström)
95 bpm • D Maj • 03:50 • -29.73db
16% Popularity • 23% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 24% Positiveness
16% Popularity • 23% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 24% Positiveness
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Johann Sebastian Bach
Partita No. 1 in B Flat Major, BWV 825: ...
97 bpm • A# Maj • 02:05 • -22.1db
14% Popularity • 47% Danceability • 18% Energy • 27% Liveness
88% Instrumentalness • 57% Positiveness
14% Popularity • 47% Danceability • 18% Energy • 27% Liveness
88% Instrumentalness • 57% Positiveness
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Robert Schumann
Schumann: Kinderszenen, Op. 15: No. 4, B...
95 bpm • D Maj • 01:44 • -36.68db
18% Popularity • 31% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 29% Positiveness
18% Popularity • 31% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 29% Positiveness
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Carl Ditters von Dittersdorf
Harp Concerto in A major: 3. Rondeau: Al...
97 bpm • A Maj • 03:56 • -18.75db
28% Popularity • 61% Danceability • 14% Energy • 8% Liveness
95% Instrumentalness • 40% Positiveness
28% Popularity • 61% Danceability • 14% Energy • 8% Liveness
95% Instrumentalness • 40% Positiveness
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Anonymous
3 Songs, Op. 7: No. 1. Apres un reve (ar...
95 bpm • F min • 03:15 • -26db
21% Popularity • 13% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
21% Popularity • 13% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
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Claude Debussy
Suite Bergamasque, L. 75, CD 82: IV. Pas...
95 bpm • F# min • 03:43 • -31.14db
29% Popularity • 39% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
29% Popularity • 39% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
95 bpm • C Maj • 01:40 • -37db
58% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
58% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
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Gabriel Fauré
Tristesse, Op. 6, No. 2
97 bpm • F min • 02:47 • -24db
29% Popularity • 19% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
29% Popularity • 19% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
95 bpm • C Maj • 01:06 • -26db
55% Popularity • 42% Danceability • 8% Energy • 13% Liveness
93% Instrumentalness • 57% Positiveness
55% Popularity • 42% Danceability • 8% Energy • 13% Liveness
93% Instrumentalness • 57% Positiveness
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Robert Schumann
Schumann: Waldszenen, Op. 82: No. 3, Ein...
97 bpm • A# Maj • 01:54 • -34db
18% Popularity • 33% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 32% Positiveness
18% Popularity • 33% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 32% Positiveness
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Frédéric Chopin
24 Préludes, Op. 28: No. 15 in D-Flat M...
95 bpm • C# Maj • 04:51 • -26.15db
31% Popularity • 33% Danceability • 1% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
31% Popularity • 33% Danceability • 1% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
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Ludwig van Beethoven
Beethoven: Piano Concerto No. 5 in E-Fla...
97 bpm • B Maj • 07:33 • -34db
31% Popularity • 25% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
31% Popularity • 25% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Carl Philipp Emanuel Bach
Sonata in G major, Wq. 62/19: 2. Andante
98 bpm • B min • 03:07 • -32db
43% Popularity • 44% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 34% Positiveness
43% Popularity • 44% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 34% Positiveness
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Antonín Dvořák
Bagatelles, Op. 47, B. 79: No. 1. Allegr...
94 bpm • G min • 03:18 • -21.16db
17% Popularity • 19% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
17% Popularity • 19% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
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Domenico Scarlatti
Sonata in D Minor, K. 9
94 bpm • D min • 04:14 • -32.37db
42% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
42% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
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Robert Schumann
Schumann: Kinderszenen, Op. 15: No. 13, ...
95 bpm • G Maj • 02:56 • -36db
30% Popularity • 48% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 15% Positiveness
30% Popularity • 48% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 15% Positiveness
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Nimrod David Pfeffer
Bach Siciliano
94 bpm • G min • 02:32 • -39.09db
31% Popularity • 31% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 14% Positiveness
31% Popularity • 31% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 14% Positiveness
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César Franck
Violin Sonata in A major, FWV 8: IV. All...
94 bpm • A Maj • 06:04 • -18.62db
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
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Leopold Godowsky
Renaissance, Book 2: Sarabande (Lully)
94 bpm • E min • 05:36 • -35db
33% Popularity • 48% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 8% Positiveness
33% Popularity • 48% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 8% Positiveness
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Jean Sibelius
Sonatina No. 1, Op. 67: III. Allegro mod...
94 bpm • F# Maj • 01:41 • -30db
43% Popularity • 36% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 33% Positiveness
43% Popularity • 36% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 33% Positiveness
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Johann Sebastian Bach
Partita No. 1 in B-Flat Major, BWV 825: ...
98 bpm • A# Maj • 01:47 • -25.87db
39% Popularity • 35% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 63% Positiveness
39% Popularity • 35% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 63% Positiveness
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Vladimir Ashkenazy
Piano Concerto No.2 in G Major, Op. 44: ...
94 bpm • D Maj • 09:34 • -18.61db
14% Popularity • 34% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 4% Positiveness
14% Popularity • 34% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 4% Positiveness
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Maria João Pires
Sonata No. 15 in C Major, III. Rondo
98 bpm • C Maj • 01:45 • -22.86db
38% Popularity • 36% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 82% Positiveness
38% Popularity • 36% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 82% Positiveness
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Yehudi Menuhin
Violin Concerto in B Minor, Op. 3 No. 10...
98 bpm • B min • 04:14 • -18.41db
31% Popularity • 47% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 71% Positiveness
31% Popularity • 47% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 71% Positiveness
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John Field
Nocturne No. 15 in D Minor “Song witho...
94 bpm • D min • 04:06 • -27db
19% Popularity • 45% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 21% Positiveness
19% Popularity • 45% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 21% Positiveness
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Franz Liszt
6 Consolations, S. 172: No. 4 in D-Flat ...
99 bpm • C# Maj • 03:14 • -30.07db
26% Popularity • 48% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
26% Popularity • 48% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
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Pyotr Ilyich Tchaikovsky
Souvenir d'un lieu cher, Op. 42: 3. Mél...
99 bpm • D# Maj • 03:52 • -25.25db
43% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
43% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Partita No. 1 in B Flat Major, BWV 825: ...
93 bpm • A# Maj • 01:57 • -22.86db
17% Popularity • 32% Danceability • 10% Energy • 7% Liveness
92% Instrumentalness • 48% Positiveness
17% Popularity • 32% Danceability • 10% Energy • 7% Liveness
92% Instrumentalness • 48% Positiveness
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Joseph Haydn
Cello Concerto No. 2 in D Major, Hob. VI...
99 bpm • D Maj • 04:23 • -19db
19% Popularity • 44% Danceability • 12% Energy • 10% Liveness
86% Instrumentalness • 38% Positiveness
19% Popularity • 44% Danceability • 12% Energy • 10% Liveness
86% Instrumentalness • 38% Positiveness
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Felix Mendelssohn
Mendelssohn: Song Without Words in D Maj...
93 bpm • D Maj • 05:30 • -24.91db
26% Popularity • 18% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
26% Popularity • 18% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Vocalise, Op. 34, No. 14 (Arr. for Cello...
93 bpm • C# min • 06:58 • -26db
27% Popularity • 16% Danceability • 3% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
27% Popularity • 16% Danceability • 3% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
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Clara Schumann
3 Preludes and Fugues, Op. 16: No. 2. Pr...
100 bpm • A# Maj • 03:43 • -33db
44% Popularity • 28% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 9% Positiveness
44% Popularity • 28% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 9% Positiveness
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Radu Lupu
Concert nr. 5 pentru pian și orchestră...
92 bpm • B Maj • 07:55 • -30.79db
11% Popularity • 26% Danceability • 3% Energy • 13% Liveness
89% Instrumentalness • 7% Positiveness
11% Popularity • 26% Danceability • 3% Energy • 13% Liveness
89% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Violin Concerto No. 2 In E Major, BWV 10...
99 bpm • C# min • 06:36 • -19.03db
25% Popularity • 22% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
25% Popularity • 22% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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Jean-Philippe Rameau
Rameau: Nouvelles suites de pièces de c...
100 bpm • G min • 02:03 • -24db
27% Popularity • 35% Danceability • 15% Energy • 14% Liveness
92% Instrumentalness • 77% Positiveness
27% Popularity • 35% Danceability • 15% Energy • 14% Liveness
92% Instrumentalness • 77% Positiveness
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Ludwig van Beethoven
Andante favori, WoO 57
92 bpm • F Maj • 07:55 • -21.99db
41% Popularity • 37% Danceability • 12% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
41% Popularity • 37% Danceability • 12% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
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Antonio Vivaldi
Concerto for Oboe, Violin, Strings and C...
100 bpm • F# min • 03:20 • -26.27db
33% Popularity • 18% Danceability • 3% Energy • 12% Liveness
8% Instrumentalness • 14% Positiveness
33% Popularity • 18% Danceability • 3% Energy • 12% Liveness
8% Instrumentalness • 14% Positiveness
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Gabriel Fauré
Berceuse, Op. 16
92 bpm • D Maj • 04:28 • -31db
26% Popularity • 14% Danceability • 4% Energy • 8% Liveness
82% Instrumentalness • 8% Positiveness
26% Popularity • 14% Danceability • 4% Energy • 8% Liveness
82% Instrumentalness • 8% Positiveness
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John Field
Kamarinskaya (Air russe varie)
92 bpm • A# Maj • 03:05 • -28db
33% Popularity • 36% Danceability • 7% Energy • 8% Liveness
91% Instrumentalness • 24% Positiveness
33% Popularity • 36% Danceability • 7% Energy • 8% Liveness
91% Instrumentalness • 24% Positiveness
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Johann Sebastian Bach
Concerto in D Minor for Two Violins, BWV...
99 bpm • D min • 03:39 • -16db
32% Popularity • 47% Danceability • 32% Energy • 23% Liveness
11% Instrumentalness • 74% Positiveness
32% Popularity • 47% Danceability • 32% Energy • 23% Liveness
11% Instrumentalness • 74% Positiveness
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Seattle Symphony Orchestra
Symphony No. 3 in F major, Op. 90: III. ...
92 bpm • C min • 06:48 • -26.93db
26% Popularity • 11% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
26% Popularity • 11% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
100 bpm • D# Maj • 09:33 • -29.92db
21% Popularity • 15% Danceability • 3% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
21% Popularity • 15% Danceability • 3% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Piano Sonata No. 2 in F Major, K. 280: I...
92 bpm • F min • 08:48 • -28.5db
17% Popularity • 42% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 14% Positiveness
17% Popularity • 42% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 14% Positiveness
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Pyotr Ilyich Tchaikovsky
Chanson triste, Op. 40: No. 2
101 bpm • G min • 02:58 • -33db
31% Popularity • 43% Danceability • 0% Energy • 7% Liveness
91% Instrumentalness • 14% Positiveness
31% Popularity • 43% Danceability • 0% Energy • 7% Liveness
91% Instrumentalness • 14% Positiveness
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Clara Schumann
Schumann: 12 Gedichte aus Liebesfrühlin...
91 bpm • C# Maj • 02:08 • -30.66db
31% Popularity • 17% Danceability • 0% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
31% Popularity • 17% Danceability • 0% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Robert Schumann
Schumann: Bunte Blätter, Op. 99: No. 6,...
91 bpm • G# Maj • 01:25 • -31.31db
42% Popularity • 49% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
42% Popularity • 49% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
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Carl Stamitz
Cello Concerto No. 1 in G Major: II. Rom...
91 bpm • A# Maj • 05:23 • -28db
39% Popularity • 14% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
39% Popularity • 14% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
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Domenico Scarlatti
Sonata in G Major, K 13 (L 486)
101 bpm • G Maj • 02:17 • -19.76db
37% Popularity • 44% Danceability • 27% Energy • 18% Liveness
87% Instrumentalness • 96% Positiveness
37% Popularity • 44% Danceability • 27% Energy • 18% Liveness
87% Instrumentalness • 96% Positiveness
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Antonín Dvořák
Serenade for Strings in E Major, Op. 22,...
91 bpm • A Maj • 05:44 • -21.15db
34% Popularity • 13% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 13% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
![Concerto for 2 Harpsichords, Strings & Continuo in C Major, BWV 1061: 1. [No Tempo Indication] cover art](https://i.scdn.co/image/ab67616d00001e025ee40dc5470c9a97095be13d)
Johann Sebastian Bach
Concerto for 2 Harpsichords, Strings & C...
91 bpm • C Maj • 07:33 • -21.5db
34% Popularity • 51% Danceability • 24% Energy • 12% Liveness
93% Instrumentalness • 68% Positiveness
34% Popularity • 51% Danceability • 24% Energy • 12% Liveness
93% Instrumentalness • 68% Positiveness
► Preview
Tomaso Albinoni
Oboe Concerto in D Minor, Op. 9, No. 2: ...
101 bpm • D min • 03:07 • -16db
42% Popularity • 58% Danceability • 31% Energy • 17% Liveness
93% Instrumentalness • 80% Positiveness
42% Popularity • 58% Danceability • 31% Energy • 17% Liveness
93% Instrumentalness • 80% Positiveness
► Preview
Alessandro Marcello
Adagio
91 bpm • D min • 02:49 • -33.56db
35% Popularity • 47% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
35% Popularity • 47% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
► Preview
Gabriel Fauré
Romance In B Flat Major, Op. 28 : Romanc...
102 bpm • A# Maj • 05:40 • -22.04db
23% Popularity • 27% Danceability • 11% Energy • 7% Liveness
29% Instrumentalness • 24% Positiveness
23% Popularity • 27% Danceability • 11% Energy • 7% Liveness
29% Instrumentalness • 24% Positiveness
► Preview
Sergei Rachmaninoff
Cello Sonata in G Minor, Op. 19: III. An...
90 bpm • D# Maj • 06:32 • -27db
22% Popularity • 18% Danceability • 2% Energy • 6% Liveness
86% Instrumentalness • 4% Positiveness
22% Popularity • 18% Danceability • 2% Energy • 6% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Ludwig van Beethoven
Beethoven: Symphony No. 1 in C Major, Op...
103 bpm • C Maj • 07:46 • -26db
15% Popularity • 27% Danceability • 2% Energy • 10% Liveness
8% Instrumentalness • 8% Positiveness
15% Popularity • 27% Danceability • 2% Energy • 10% Liveness
8% Instrumentalness • 8% Positiveness
► Preview
Cologne Chamber Orchestra
Concerto For 2 Keyboards In C Minor, BWV...
103 bpm • D# Maj • 06:07 • -26db
49% Popularity • 25% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
49% Popularity • 25% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Luigi Boccherini
Cello Concerto in B-Flat Major, G. 482: ...
90 bpm • G min • 06:20 • -26.33db
27% Popularity • 15% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
27% Popularity • 15% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Franz Schubert
Sonate pour Arpeggione et Piano en La Mi...
90 bpm • B Maj • 04:28 • -26.93db
43% Popularity • 12% Danceability • 3% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
43% Popularity • 12% Danceability • 3% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Gabriel Fauré
Après un rêve (Arr. by Söllscher)
103 bpm • F min • 03:03 • -23db
31% Popularity • 30% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
31% Popularity • 30% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
► Preview
Sergei Rachmaninoff
Ten Preludes, Op. 23: IV. Andante cantab...
89 bpm • D Maj • 05:14 • -33.93db
15% Popularity • 24% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 8% Positiveness
15% Popularity • 24% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 8% Positiveness
► Preview
Christoph Willibald Gluck
Melodie from "Orfeo ed Euridice" (Dance ...
103 bpm • D min • 04:42 • -34.5db
36% Popularity • 44% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
36% Popularity • 44% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
► Preview
Ludwig van Beethoven
Cello Sonata No. 3 in A Major, Op. 69: I...
89 bpm • E Maj • 01:59 • -37db
42% Popularity • 17% Danceability • 1% Energy • 12% Liveness
82% Instrumentalness • 12% Positiveness
42% Popularity • 17% Danceability • 1% Energy • 12% Liveness
82% Instrumentalness • 12% Positiveness
► Preview
Edward Elgar
Chanson de Matin, Op. 15 No. 2 (Arr. Cul...
89 bpm • G Maj • 03:05 • -22.24db
31% Popularity • 24% Danceability • 11% Energy • 60% Liveness
92% Instrumentalness • 11% Positiveness
31% Popularity • 24% Danceability • 11% Energy • 60% Liveness
92% Instrumentalness • 11% Positiveness
► Preview
Antonín Dvořák
Cypresses B.152: 2. Allegro ma non tropp...
89 bpm • F min • 02:52 • -22db
26% Popularity • 29% Danceability • 11% Energy • 17% Liveness
23% Instrumentalness • 5% Positiveness
26% Popularity • 29% Danceability • 11% Energy • 17% Liveness
23% Instrumentalness • 5% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 1 in E Ma...
89 bpm • B Maj • 03:08 • -28db
38% Popularity • 24% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 19% Positiveness
38% Popularity • 24% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 19% Positiveness
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Sergei Rachmaninoff
Preghiera (Arr. by Fritz Kreisler from P...
104 bpm • C Maj • 05:29 • -21.34db
46% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
46% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
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Georg Philipp Telemann
Tafelmusik - Banquet Music In 3 Parts / ...
105 bpm • E Maj • 05:10 • -18db
36% Popularity • 53% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 53% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Frédéric Chopin
Nocturne No. 6 In G Minor, Op. 15 No. 3
105 bpm • D min • 04:11 • -28.84db
45% Popularity • 38% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 12% Positiveness
45% Popularity • 38% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 12% Positiveness
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Leoš Janáček
Idyl for Strings - Adagio
105 bpm • G Maj • 05:37 • -27db
25% Popularity • 16% Danceability • 6% Energy • 13% Liveness
66% Instrumentalness • 5% Positiveness
25% Popularity • 16% Danceability • 6% Energy • 13% Liveness
66% Instrumentalness • 5% Positiveness
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Domenico Scarlatti
Keyboard Sonata in E Major, K. 380: Anda...
88 bpm • B Maj • 04:59 • -28db
30% Popularity • 36% Danceability • 5% Energy • 14% Liveness
93% Instrumentalness • 22% Positiveness
30% Popularity • 36% Danceability • 5% Energy • 14% Liveness
93% Instrumentalness • 22% Positiveness
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Antonio Vivaldi
Concerto for 2 Mandolins, Strings and Co...
105 bpm • C# Maj • 04:00 • -21db
38% Popularity • 65% Danceability • 28% Energy • 7% Liveness
78% Instrumentalness • 72% Positiveness
38% Popularity • 65% Danceability • 28% Energy • 7% Liveness
78% Instrumentalness • 72% Positiveness
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Franz Schubert
Auf dem Wasser zu singen, D. 774 - Trans...
105 bpm • G# min • 03:52 • -20.8db
47% Popularity • 24% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
47% Popularity • 24% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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Edvard Grieg
Pièces Lyriques, Op. 47 No. 3: Mélodie
105 bpm • F Maj • 04:16 • -30.93db
51% Popularity • 41% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
51% Popularity • 41% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Cécile Chaminade
3 Romances sans paroles : No. 1, Souvena...
87 bpm • B min • 01:59 • -30db
36% Popularity • 35% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
36% Popularity • 35% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
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Robert Schumann
Waldszenen, Op. 82: No. 3 Einsame Blumen
105 bpm • A# Maj • 01:49 • -30.98db
24% Popularity • 33% Danceability • 6% Energy • 8% Liveness
89% Instrumentalness • 17% Positiveness
24% Popularity • 33% Danceability • 6% Energy • 8% Liveness
89% Instrumentalness • 17% Positiveness
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Janos Sebestyen
Concerto In The Italian Style, BWV 971, ...
105 bpm • F Maj • 03:45 • -20db
52% Popularity • 40% Danceability • 31% Energy • 12% Liveness
88% Instrumentalness • 86% Positiveness
52% Popularity • 40% Danceability • 31% Energy • 12% Liveness
88% Instrumentalness • 86% Positiveness
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Antonio Vivaldi
Violin Concerto No. 4 in F Minor, RV 297...
87 bpm • F min • 03:15 • -18.33db
28% Popularity • 33% Danceability • 16% Energy • 7% Liveness
10% Instrumentalness • 16% Positiveness
28% Popularity • 33% Danceability • 16% Energy • 7% Liveness
10% Instrumentalness • 16% Positiveness
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Pyotr Ilyich Tchaikovsky
The Seasons, Op. 37b: VI. June, "Barcaro...
87 bpm • G min • 04:31 • -27.95db
47% Popularity • 31% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 18% Positiveness
47% Popularity • 31% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 18% Positiveness
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Johann Sebastian Bach
Sonata No.2 in E flat major, BWV 1031 - ...
106 bpm • G min • 03:39 • -29.15db
21% Popularity • 38% Danceability • 5% Energy • 9% Liveness
86% Instrumentalness • 24% Positiveness
21% Popularity • 38% Danceability • 5% Energy • 9% Liveness
86% Instrumentalness • 24% Positiveness
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Jean-Philippe Rameau
Rigaudons I, II & Double
106 bpm • E Maj • 01:02 • -24db
50% Popularity • 33% Danceability • 34% Energy • 15% Liveness
90% Instrumentalness • 68% Positiveness
50% Popularity • 33% Danceability • 34% Energy • 15% Liveness
90% Instrumentalness • 68% Positiveness
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Johannes Brahms
Piano Trio No. 2 in C Major, Op. 87: II....
87 bpm • A min • 08:14 • -21.42db
12% Popularity • 17% Danceability • 10% Energy • 28% Liveness
1% Instrumentalness • 8% Positiveness
12% Popularity • 17% Danceability • 10% Energy • 28% Liveness
1% Instrumentalness • 8% Positiveness
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Frédéric Chopin
Piano Concerto No. 1 in E Minor, Op. 11:...
87 bpm • E Maj • 09:47 • -30.31db
22% Popularity • 17% Danceability • 2% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
22% Popularity • 17% Danceability • 2% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
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Carl Ditters von Dittersdorf
Symphony No. 1 in C Major, "Die 4 Weltal...
87 bpm • C Maj • 04:15 • -20db
41% Popularity • 22% Danceability • 7% Energy • 14% Liveness
52% Instrumentalness • 10% Positiveness
41% Popularity • 22% Danceability • 7% Energy • 14% Liveness
52% Instrumentalness • 10% Positiveness
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Clara Schumann
3 Romances, Op. 11: I. Andante
106 bpm • D# min • 03:30 • -31db
40% Popularity • 38% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
40% Popularity • 38% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
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Sergei Rachmaninoff
Vocalise, Op 34, No. 14
87 bpm • E min • 05:59 • -26.49db
34% Popularity • 13% Danceability • 5% Energy • 7% Liveness
78% Instrumentalness • 4% Positiveness
34% Popularity • 13% Danceability • 5% Energy • 7% Liveness
78% Instrumentalness • 4% Positiveness
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Edward Elgar
Elgar: Cello Concerto in E Minor, Op. 85...
87 bpm • G Maj • 04:33 • -23db
30% Popularity • 32% Danceability • 16% Energy • 11% Liveness
49% Instrumentalness • 7% Positiveness
30% Popularity • 32% Danceability • 16% Energy • 11% Liveness
49% Instrumentalness • 7% Positiveness
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Carl Philipp Emanuel Bach
Keyboard Concerto in G Major, Wq. 44: II...
87 bpm • E min • 03:18 • -27db
51% Popularity • 38% Danceability • 3% Energy • 23% Liveness
62% Instrumentalness • 20% Positiveness
51% Popularity • 38% Danceability • 3% Energy • 23% Liveness
62% Instrumentalness • 20% Positiveness
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Johann Christian Bach
Symphony in G Minor, Op. 6, No. 6, W. C1...
87 bpm • F# min • 03:23 • -19db
39% Popularity • 47% Danceability • 9% Energy • 14% Liveness
79% Instrumentalness • 35% Positiveness
39% Popularity • 47% Danceability • 9% Energy • 14% Liveness
79% Instrumentalness • 35% Positiveness
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Johann Sebastian Bach
Goldberg Variations, BWV 988: Var. 1
106 bpm • G Maj • 01:50 • -20.25db
37% Popularity • 43% Danceability • 32% Energy • 16% Liveness
92% Instrumentalness • 96% Positiveness
37% Popularity • 43% Danceability • 32% Energy • 16% Liveness
92% Instrumentalness • 96% Positiveness
