Songs like Sonata no. 2 op. 109: Lento by Krzysztof Meyer
Based on a tempo of (+/- 10%) and a similar genre
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Mieczysław Weinberg
The Passenger, Op. 97, Act I Scene 1 "Sc...
83 bpm • C Maj • 07:37 • -26.55db
8% Popularity • 24% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 24% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 4% Positiveness
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Unsuk Chin
Violin Concerto No. 1: IV.
83 bpm • E min • 05:52 • -18.78db
23% Popularity • 22% Danceability • 26% Energy • 27% Liveness
59% Instrumentalness • 7% Positiveness
23% Popularity • 22% Danceability • 26% Energy • 27% Liveness
59% Instrumentalness • 7% Positiveness
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Dmitri Shostakovich
String Quartet No. 8 in C Minor, Op. 110...
83 bpm • C min • 03:58 • -22.57db
9% Popularity • 38% Danceability • 10% Energy • 8% Liveness
47% Instrumentalness • 54% Positiveness
9% Popularity • 38% Danceability • 10% Energy • 8% Liveness
47% Instrumentalness • 54% Positiveness
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Krzysztof Meyer
String Quartet No. 8: IV. Drammatico
83 bpm • D min • 03:42 • -24.17db
0% Popularity • 8% Danceability • 2% Energy • 48% Liveness
28% Instrumentalness • 4% Positiveness
0% Popularity • 8% Danceability • 2% Energy • 48% Liveness
28% Instrumentalness • 4% Positiveness
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Christian Lindberg
Meditation
83 bpm • C min • 02:54 • -41.88db
14% Popularity • 8% Danceability • 0% Energy • 17% Liveness
6% Instrumentalness • 6% Positiveness
14% Popularity • 8% Danceability • 0% Energy • 17% Liveness
6% Instrumentalness • 6% Positiveness
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György Ligeti
String Quartet No. 1 "MĂ©tamorphoses noc...
83 bpm • D min • 02:21 • -28.91db
10% Popularity • 10% Danceability • 1% Energy • 10% Liveness
2% Instrumentalness • 3% Positiveness
10% Popularity • 10% Danceability • 1% Energy • 10% Liveness
2% Instrumentalness • 3% Positiveness
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Igor Stravinsky
Violin Concerto in D Major, K. 053: II. ...
83 bpm • D min • 04:21 • -23.35db
12% Popularity • 27% Danceability • 10% Energy • 6% Liveness
32% Instrumentalness • 14% Positiveness
12% Popularity • 27% Danceability • 10% Energy • 6% Liveness
32% Instrumentalness • 14% Positiveness
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Leoš Janáček
Katya Kabanova, JW I/8, Act I Scene 1: I...
83 bpm • F# Maj • 01:18 • -24.86db
18% Popularity • 11% Danceability • 3% Energy • 34% Liveness
90% Instrumentalness • 4% Positiveness
18% Popularity • 11% Danceability • 3% Energy • 34% Liveness
90% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel: String Quartet in F Major, M. 35:...
83 bpm • F Maj • 06:06 • -26.36db
8% Popularity • 34% Danceability • 5% Energy • 8% Liveness
77% Instrumentalness • 14% Positiveness
8% Popularity • 34% Danceability • 5% Energy • 8% Liveness
77% Instrumentalness • 14% Positiveness
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Jean Sibelius
Symphony No. 2 in D Major, Op. 43: III. ...
83 bpm • F# Maj • 06:16 • -25.49db
16% Popularity • 11% Danceability • 4% Energy • 17% Liveness
90% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 4% Energy • 17% Liveness
90% Instrumentalness • 4% Positiveness
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Krzysztof Meyer
Sonata no. 2 op. 109: Lento
83 bpm • G# Maj • 08:17 • -32.28db
0% Popularity • 9% Danceability • 1% Energy • 8% Liveness
30% Instrumentalness • 4% Positiveness
0% Popularity • 9% Danceability • 1% Energy • 8% Liveness
30% Instrumentalness • 4% Positiveness
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Claude Debussy
Debussy: Nocturnes, CD 98, L. 91: No. 1,...
82 bpm • C Maj • 08:14 • -35.23db
0% Popularity • 11% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 3% Positiveness
0% Popularity • 11% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 3% Positiveness
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Eugène Ysaÿe
Violin Concerto in E Minor: II. Andante
84 bpm • B min • 07:49 • -29.9db
12% Popularity • 16% Danceability • 2% Energy • 9% Liveness
13% Instrumentalness • 3% Positiveness
12% Popularity • 16% Danceability • 2% Energy • 9% Liveness
13% Instrumentalness • 3% Positiveness
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Gabriel Yared
As Far as Florence
84 bpm • G Maj • 04:31 • -25.96db
23% Popularity • 12% Danceability • 5% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
23% Popularity • 12% Danceability • 5% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
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Erwin Schulhoff
5 Pieces: No. 1. Alla Valse Viennese
82 bpm • C Maj • 02:05 • -19db
11% Popularity • 57% Danceability • 21% Energy • 12% Liveness
15% Instrumentalness • 21% Positiveness
11% Popularity • 57% Danceability • 21% Energy • 12% Liveness
15% Instrumentalness • 21% Positiveness
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Jean Sibelius
Lemminkäinen, Op. 22: II. The Swan of T...
82 bpm • E min • 09:48 • -37.69db
12% Popularity • 8% Danceability • 1% Energy • 8% Liveness
34% Instrumentalness • 3% Positiveness
12% Popularity • 8% Danceability • 1% Energy • 8% Liveness
34% Instrumentalness • 3% Positiveness
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Krzysztof Meyer
Calmo
82 bpm • F Maj • 07:06 • -20.68db
0% Popularity • 9% Danceability • 8% Energy • 47% Liveness
35% Instrumentalness • 3% Positiveness
0% Popularity • 9% Danceability • 8% Energy • 47% Liveness
35% Instrumentalness • 3% Positiveness
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Lauri Porra
Ice
82 bpm • G Maj • 01:27 • -38.99db
16% Popularity • 17% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
16% Popularity • 17% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Maurice Ravel
Le Tombeau de Couperin, M. 68a: I. Prél...
82 bpm • E min • 03:12 • -25.48db
8% Popularity • 23% Danceability • 4% Energy • 49% Liveness
90% Instrumentalness • 8% Positiveness
8% Popularity • 23% Danceability • 4% Energy • 49% Liveness
90% Instrumentalness • 8% Positiveness
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Marvin Miller
Elternabend
82 bpm • C Maj • 01:13 • -21.2db
12% Popularity • 22% Danceability • 32% Energy • 12% Liveness
86% Instrumentalness • 60% Positiveness
12% Popularity • 22% Danceability • 32% Energy • 12% Liveness
86% Instrumentalness • 60% Positiveness
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Traditional
HaugelĂĄt (arr. by Nils Anders Mortensen...
84 bpm • A Maj • 03:38 • -18.17db
18% Popularity • 36% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 36% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Pierre Jalbert
Secret Alchemy
84 bpm • A Maj • 03:15 • -22.03db
8% Popularity • 43% Danceability • 19% Energy • 14% Liveness
53% Instrumentalness • 28% Positiveness
8% Popularity • 43% Danceability • 19% Energy • 14% Liveness
53% Instrumentalness • 28% Positiveness
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Krzysztof Meyer
String Quartet No.12, Op. 103 - 6th Move...
83 bpm • F min • 01:39 • -23.71db
0% Popularity • 18% Danceability • 7% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
0% Popularity • 18% Danceability • 7% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Winfred Jeremiah
The Stormy Weather
82 bpm • C Maj • 02:07 • -20.58db
10% Popularity • 21% Danceability • 9% Energy • 21% Liveness
77% Instrumentalness • 15% Positiveness
10% Popularity • 21% Danceability • 9% Energy • 21% Liveness
77% Instrumentalness • 15% Positiveness
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Robert Muczynski
Duos for Flute and Clarinet, Op. 24: No....
82 bpm • G min • 01:02 • -22.08db
13% Popularity • 18% Danceability • 2% Energy • 15% Liveness
58% Instrumentalness • 5% Positiveness
13% Popularity • 18% Danceability • 2% Energy • 15% Liveness
58% Instrumentalness • 5% Positiveness
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Igor Stravinsky
The Firebird Suite, K010, (1945 Version)...
82 bpm • A Maj • 04:51 • -37.53db
9% Popularity • 8% Danceability • 1% Energy • 12% Liveness
52% Instrumentalness • 3% Positiveness
9% Popularity • 8% Danceability • 1% Energy • 12% Liveness
52% Instrumentalness • 3% Positiveness
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Florence Beatrice Price
String Quartet No. 2 in A Minor: II. And...
84 bpm • A Maj • 05:50 • -25.31db
16% Popularity • 19% Danceability • 7% Energy • 35% Liveness
49% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 7% Energy • 35% Liveness
49% Instrumentalness • 4% Positiveness
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John Cage
Four Walls Act 1 Scene VI
84 bpm • D min • 03:14 • -18.15db
8% Popularity • 64% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 23% Positiveness
8% Popularity • 64% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 23% Positiveness
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Krzysztof Meyer
Aphorisms, Op. 3: VIII. quarter note = 1...
83 bpm • G# Maj • 01:36 • -34.05db
0% Popularity • 41% Danceability • 11% Energy • 7% Liveness
68% Instrumentalness • 28% Positiveness
0% Popularity • 41% Danceability • 11% Energy • 7% Liveness
68% Instrumentalness • 28% Positiveness
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Walter Kaufmann
Concerto for Piano and Orchestra No. 3: ...
84 bpm • F min • 09:44 • -24.3db
10% Popularity • 20% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Leoš Janáček
Janáček: String Quartet No. 2 "Intimat...
82 bpm • C# Maj • 06:25 • -20.56db
0% Popularity • 18% Danceability • 9% Energy • 9% Liveness
67% Instrumentalness • 4% Positiveness
0% Popularity • 18% Danceability • 9% Energy • 9% Liveness
67% Instrumentalness • 4% Positiveness
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Haukur TĂłmasson
Náttúruljóð (v) (hunangsblaut fluga)
82 bpm • C min • 03:18 • -26.12db
10% Popularity • 9% Danceability • 5% Energy • 21% Liveness
31% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 5% Energy • 21% Liveness
31% Instrumentalness • 4% Positiveness
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Vitezslava Kaprálová
Piano Concerto in D Minor, Op. 7: I. All...
82 bpm • A min • 10:10 • -18.87db
16% Popularity • 19% Danceability • 17% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 17% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Maurice Ravel
Daphnis et Chloé, Suite No. 2, M. 57b: ...
82 bpm • B Maj • 04:42 • -16.48db
8% Popularity • 31% Danceability • 32% Energy • 7% Liveness
82% Instrumentalness • 7% Positiveness
8% Popularity • 31% Danceability • 32% Energy • 7% Liveness
82% Instrumentalness • 7% Positiveness
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Krzysztof Meyer
"Musica Concertante" For Cello, Piano, S...
83 bpm • F min • 05:16 • -21.88db
0% Popularity • 23% Danceability • 16% Energy • 31% Liveness
79% Instrumentalness • 10% Positiveness
0% Popularity • 23% Danceability • 16% Energy • 31% Liveness
79% Instrumentalness • 10% Positiveness
► Preview
Igor Stravinsky
The Firebird Suite, K010, (1945 Version)...
81 bpm • B min • 02:31 • -35.25db
8% Popularity • 43% Danceability • 5% Energy • 36% Liveness
17% Instrumentalness • 23% Positiveness
8% Popularity • 43% Danceability • 5% Energy • 36% Liveness
17% Instrumentalness • 23% Positiveness
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Sergei Prokofiev
Prokofiev: Violin Concerto No. 1 in D Ma...
85 bpm • G min • 08:12 • -26.76db
21% Popularity • 17% Danceability • 7% Energy • 12% Liveness
11% Instrumentalness • 8% Positiveness
21% Popularity • 17% Danceability • 7% Energy • 12% Liveness
11% Instrumentalness • 8% Positiveness
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Carrie Baynes
Fall In Love
85 bpm • C# Maj • 03:02 • -19.83db
25% Popularity • 14% Danceability • 12% Energy • 8% Liveness
14% Instrumentalness • 19% Positiveness
25% Popularity • 14% Danceability • 12% Energy • 8% Liveness
14% Instrumentalness • 19% Positiveness
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Massimiliano Damerini & Michele Carulli
Sonate FĂĽr Klarinette Und Klavier In B ...
85 bpm • C# Maj • 02:51 • -25.07db
19% Popularity • 55% Danceability • 3% Energy • 9% Liveness
70% Instrumentalness • 17% Positiveness
19% Popularity • 55% Danceability • 3% Energy • 9% Liveness
70% Instrumentalness • 17% Positiveness
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Witold Lutosławski
Concerto for Orchestra: II. Capriccio no...
81 bpm • C# Maj • 05:46 • -25.68db
9% Popularity • 18% Danceability • 6% Energy • 36% Liveness
56% Instrumentalness • 10% Positiveness
9% Popularity • 18% Danceability • 6% Energy • 36% Liveness
56% Instrumentalness • 10% Positiveness
► Preview
Krzysztof Meyer
Aphorisms, Op. 3: II. quarter note = 60
84 bpm • D Maj • 02:20 • -34.14db
0% Popularity • 38% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 20% Positiveness
0% Popularity • 38% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 20% Positiveness
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Dmitri Shostakovich
String Quartet No. 7 in F-Sharp Minor, O...
85 bpm • F# min • 05:04 • -17.1db
8% Popularity • 38% Danceability • 16% Energy • 9% Liveness
4% Instrumentalness • 36% Positiveness
8% Popularity • 38% Danceability • 16% Energy • 9% Liveness
4% Instrumentalness • 36% Positiveness
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Almeida Prado
Sinfonia dos orixás: II. Manifestação...
81 bpm • E min • 01:36 • -21.78db
10% Popularity • 12% Danceability • 12% Energy • 9% Liveness
98% Instrumentalness • 10% Positiveness
10% Popularity • 12% Danceability • 12% Energy • 9% Liveness
98% Instrumentalness • 10% Positiveness
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Stephen Rush
Short Stacks, Sextet No. 2: Chocolate Ch...
81 bpm • D min • 02:19 • -21.25db
13% Popularity • 51% Danceability • 7% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
13% Popularity • 51% Danceability • 7% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Carrie Baynes
Nightingales Sing In Berkeley Square
81 bpm • C# Maj • 03:02 • -20.14db
25% Popularity • 16% Danceability • 12% Energy • 13% Liveness
43% Instrumentalness • 16% Positiveness
25% Popularity • 16% Danceability • 12% Energy • 13% Liveness
43% Instrumentalness • 16% Positiveness
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Ned Bennett
The Jazz Sax Collection
85 bpm • A# Maj • 01:47 • -15.27db
13% Popularity • 40% Danceability • 8% Energy • 13% Liveness
88% Instrumentalness • 61% Positiveness
13% Popularity • 40% Danceability • 8% Energy • 13% Liveness
88% Instrumentalness • 61% Positiveness
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Krzysztof Meyer
String Quartet No.12, Op. 103 - 1st Move...
82 bpm • G# Maj • 03:27 • -21.54db
0% Popularity • 12% Danceability • 9% Energy • 9% Liveness
78% Instrumentalness • 3% Positiveness
0% Popularity • 12% Danceability • 9% Energy • 9% Liveness
78% Instrumentalness • 3% Positiveness
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György Ligeti
Concerto pour violon et orchestre: III. ...
81 bpm • C min • 02:16 • -19.62db
18% Popularity • 16% Danceability • 15% Energy • 74% Liveness
33% Instrumentalness • 11% Positiveness
18% Popularity • 16% Danceability • 15% Energy • 74% Liveness
33% Instrumentalness • 11% Positiveness
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Criticalx47
Rozhaki Bad
81 bpm • A Maj • 01:28 • -30.67db
16% Popularity • 22% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 24% Positiveness
16% Popularity • 22% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 24% Positiveness
► Preview
Klas Torstensson
The Expedition: The Expedition: Prologue
81 bpm • G# Maj • 01:34 • -35.09db
10% Popularity • 45% Danceability • 24% Energy • 26% Liveness
93% Instrumentalness • 3% Positiveness
10% Popularity • 45% Danceability • 24% Energy • 26% Liveness
93% Instrumentalness • 3% Positiveness
► Preview
Frank Michael Beyer
Griechenland: I. Mosso e rubato. Sempre ...
81 bpm • D Maj • 06:00 • -19.89db
7% Popularity • 20% Danceability • 16% Energy • 42% Liveness
86% Instrumentalness • 4% Positiveness
7% Popularity • 20% Danceability • 16% Energy • 42% Liveness
86% Instrumentalness • 4% Positiveness
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Douglas Anderson
Chamber Symphony No. 4: I. Introduction
85 bpm • G Maj • 04:49 • -22.17db
9% Popularity • 24% Danceability • 10% Energy • 10% Liveness
28% Instrumentalness • 4% Positiveness
9% Popularity • 24% Danceability • 10% Energy • 10% Liveness
28% Instrumentalness • 4% Positiveness
► Preview
Krzysztof Meyer
Sonata no. 2 op. 109: Lento
84 bpm • F Maj • 05:36 • -27.74db
0% Popularity • 11% Danceability • 2% Energy • 6% Liveness
60% Instrumentalness • 4% Positiveness
0% Popularity • 11% Danceability • 2% Energy • 6% Liveness
60% Instrumentalness • 4% Positiveness
► Preview
Benjamin Britten
Suite for Violin and Piano, Op. 6: III. ...
85 bpm • C min • 04:14 • -32.31db
25% Popularity • 14% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
25% Popularity • 14% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Peter Kiesewetter
Reineke Fuchs (Arr. H. Ruhmann for Narra...
81 bpm • C# Maj • 01:00 • -13.29db
9% Popularity • 56% Danceability • 42% Energy • 11% Liveness
87% Instrumentalness • 59% Positiveness
9% Popularity • 56% Danceability • 42% Energy • 11% Liveness
87% Instrumentalness • 59% Positiveness
► Preview
Gisle Kverndokk
The Silk Road, Suite in 10 movements: No...
81 bpm • C Maj • 01:50 • -22.56db
8% Popularity • 16% Danceability • 19% Energy • 11% Liveness
92% Instrumentalness • 33% Positiveness
8% Popularity • 16% Danceability • 19% Energy • 11% Liveness
92% Instrumentalness • 33% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Tchaikovsky: Suite from Pique Dame (Arr....
81 bpm • C# min • 01:17 • -18.14db
10% Popularity • 34% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
10% Popularity • 34% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
► Preview
RTÉ National Symphony Orchestra
Dr. Merryheart: VI. Variation 5: Merryhe...
85 bpm • F min • 00:59 • -39.52db
20% Popularity • 19% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 34% Positiveness
20% Popularity • 19% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 34% Positiveness
► Preview
Krzysztof Meyer
String Quartet No.12, Op. 103 - 9th Move...
84 bpm • F min • 04:33 • -24.49db
0% Popularity • 18% Danceability • 6% Energy • 18% Liveness
14% Instrumentalness • 3% Positiveness
0% Popularity • 18% Danceability • 6% Energy • 18% Liveness
14% Instrumentalness • 3% Positiveness
► Preview
Henri Dutilleux
Dutilleux: The Shadows of Time: V. Domin...
85 bpm • C# Maj • 04:46 • -29.08db
2% Popularity • 15% Danceability • 6% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
2% Popularity • 15% Danceability • 6% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
► Preview
Gabriel Fauré
Élégie in C Minor, Op. 24 (Arr. for Vi...
86 bpm • G# Maj • 06:24 • -26.81db
8% Popularity • 9% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
► Preview
George Gershwin
Ten songs: The man I love
80 bpm • F min • 03:01 • -26.95db
7% Popularity • 18% Danceability • 2% Energy • 8% Liveness
17% Instrumentalness • 5% Positiveness
7% Popularity • 18% Danceability • 2% Energy • 8% Liveness
17% Instrumentalness • 5% Positiveness
► Preview
Igor Stravinsky
Stravinsky: The Rite of Spring, Pt. 1 "A...
80 bpm • G Maj • 01:16 • -18db
8% Popularity • 26% Danceability • 33% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
8% Popularity • 26% Danceability • 33% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
► Preview
Jörgen Dafgård
Iridescence
80 bpm • D Maj • 03:45 • -16.76db
12% Popularity • 40% Danceability • 6% Energy • 9% Liveness
78% Instrumentalness • 59% Positiveness
12% Popularity • 40% Danceability • 6% Energy • 9% Liveness
78% Instrumentalness • 59% Positiveness
► Preview
Krzysztof Meyer
"Musica Concertante" For Cello, Piano, S...
82 bpm • G# Maj • 03:08 • -23.67db
0% Popularity • 18% Danceability • 9% Energy • 18% Liveness
91% Instrumentalness • 4% Positiveness
0% Popularity • 18% Danceability • 9% Energy • 18% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
The Snow Maiden, Op. 12, Act II: No. 10,...
86 bpm • F# min • 05:11 • -31.63db
8% Popularity • 9% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
8% Popularity • 9% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Imants Zemzaris
Moonlight
86 bpm • C Maj • 04:42 • -26.52db
12% Popularity • 19% Danceability • 4% Energy • 7% Liveness
35% Instrumentalness • 5% Positiveness
12% Popularity • 19% Danceability • 4% Energy • 7% Liveness
35% Instrumentalness • 5% Positiveness
► Preview
Charles Koechlin
Les Heures persanes (Persian Hours), Op....
86 bpm • A# min • 02:50 • -35.51db
4% Popularity • 10% Danceability • 1% Energy • 11% Liveness
20% Instrumentalness • 3% Positiveness
4% Popularity • 10% Danceability • 1% Energy • 11% Liveness
20% Instrumentalness • 3% Positiveness
► Preview
Heitor Villa-Lobos
Cirandas, W220: No. 16, CĂł-CĂł-CĂł
80 bpm • A# Maj • 02:12 • -22.95db
10% Popularity • 35% Danceability • 22% Energy • 9% Liveness
82% Instrumentalness • 11% Positiveness
10% Popularity • 35% Danceability • 22% Energy • 9% Liveness
82% Instrumentalness • 11% Positiveness
► Preview
George Templeton Strong
Suite No. 3: "Le Livre d’Images": II. ...
79 bpm • A min • 05:03 • -25.74db
15% Popularity • 10% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
15% Popularity • 10% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Krzysztof Meyer
Concerto for Guitar, Timpani & Strings, ...
81 bpm • G# min • 04:41 • -31.92db
0% Popularity • 35% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
0% Popularity • 35% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Sextet in D Minor, Op. 70, TH 118 "Souve...
80 bpm • D min • 06:47 • -18.03db
20% Popularity • 44% Danceability • 17% Energy • 11% Liveness
68% Instrumentalness • 29% Positiveness
20% Popularity • 44% Danceability • 17% Energy • 11% Liveness
68% Instrumentalness • 29% Positiveness
► Preview
Thomas Hyde
Symphony, Op. 20: VII. Temps suspendu
79 bpm • G# min • 00:57 • -45.42db
12% Popularity • 17% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Arthur Bliss
Clarinet Quintet: I. Moderato
79 bpm • F# min • 05:27 • -20.78db
7% Popularity • 12% Danceability • 10% Energy • 8% Liveness
80% Instrumentalness • 7% Positiveness
7% Popularity • 12% Danceability • 10% Energy • 8% Liveness
80% Instrumentalness • 7% Positiveness
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Leoš Janáček
Katya Kabanova, JW I/8, Act II Scene 2: ...
79 bpm • G# Maj • 01:20 • -30.96db
12% Popularity • 11% Danceability • 0% Energy • 19% Liveness
50% Instrumentalness • 5% Positiveness
12% Popularity • 11% Danceability • 0% Energy • 19% Liveness
50% Instrumentalness • 5% Positiveness
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Claude Debussy
Petite pièce, CD 127 (Version for Oboe ...
87 bpm • G Maj • 01:35 • -30.11db
9% Popularity • 14% Danceability • 2% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 2% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Krzysztof Meyer
Aphorisms, Op. 3: IV. quarter note = 168
81 bpm • C Maj • 01:15 • -25.38db
0% Popularity • 44% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 12% Positiveness
0% Popularity • 44% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 12% Positiveness
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Nicholas Weininger
All Is Mere Breath: No. 1, Overture
79 bpm • F Maj • 02:02 • -16.95db
8% Popularity • 17% Danceability • 12% Energy • 42% Liveness
84% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 12% Energy • 42% Liveness
84% Instrumentalness • 4% Positiveness
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Allan Pettersson
Romanza for Violin & Piano
87 bpm • A# min • 03:12 • -16.94db
18% Popularity • 19% Danceability • 16% Energy • 8% Liveness
2% Instrumentalness • 9% Positiveness
18% Popularity • 19% Danceability • 16% Energy • 8% Liveness
2% Instrumentalness • 9% Positiveness
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György Ligeti
String Quartet No. 1 "MĂ©tamorphoses noc...
87 bpm • G Maj • 01:32 • -30.59db
12% Popularity • 21% Danceability • 4% Energy • 73% Liveness
3% Instrumentalness • 9% Positiveness
12% Popularity • 21% Danceability • 4% Energy • 73% Liveness
3% Instrumentalness • 9% Positiveness
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Johannes Brahms
Concerto in D Major, Op. 77: II. Adagio
87 bpm • C Maj • 08:41 • -30.46db
52% Popularity • 12% Danceability • 2% Energy • 7% Liveness
14% Instrumentalness • 4% Positiveness
52% Popularity • 12% Danceability • 2% Energy • 7% Liveness
14% Instrumentalness • 4% Positiveness
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Maya Badian
Violin Concerto: III. Sonata
88 bpm • G# Maj • 05:30 • -24db
4% Popularity • 26% Danceability • 16% Energy • 68% Liveness
50% Instrumentalness • 15% Positiveness
4% Popularity • 26% Danceability • 16% Energy • 68% Liveness
50% Instrumentalness • 15% Positiveness
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Krzysztof Meyer
24 Preludes, Op. 43: No. 2, Liberamente
81 bpm • G# min • 02:23 • -28.31db
0% Popularity • 32% Danceability • 7% Energy • 13% Liveness
85% Instrumentalness • 17% Positiveness
0% Popularity • 32% Danceability • 7% Energy • 13% Liveness
85% Instrumentalness • 17% Positiveness
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Selena Ivanova
Synthesis
79 bpm • C min • 02:04 • -39.42db
14% Popularity • 14% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 16% Positiveness
14% Popularity • 14% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 16% Positiveness
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Dmitri Shostakovich
String Quartet No. 8 in C Minor, Op. 110...
88 bpm • G Maj • 04:26 • -32.75db
10% Popularity • 9% Danceability • 1% Energy • 11% Liveness
37% Instrumentalness • 3% Positiveness
10% Popularity • 9% Danceability • 1% Energy • 11% Liveness
37% Instrumentalness • 3% Positiveness
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Eunho Chang
Sensational Bliss (2021-2022): Part 2: V
88 bpm • A Maj • 03:02 • -16.17db
9% Popularity • 29% Danceability • 33% Energy • 17% Liveness
75% Instrumentalness • 32% Positiveness
9% Popularity • 29% Danceability • 33% Energy • 17% Liveness
75% Instrumentalness • 32% Positiveness
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Thomas Adès
Alchymia: II. The Woods So Wild
78 bpm • C Maj • 03:10 • -28.77db
12% Popularity • 28% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 49% Positiveness
12% Popularity • 28% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 49% Positiveness
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Igor Stravinsky
The Firebird Suite, K010, (1945 Version)...
78 bpm • B Maj • 04:42 • -38.56db
33% Popularity • 14% Danceability • 0% Energy • 10% Liveness
34% Instrumentalness • 4% Positiveness
33% Popularity • 14% Danceability • 0% Energy • 10% Liveness
34% Instrumentalness • 4% Positiveness
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Krzysztof Meyer
String Quartet No. 8: III. Infernale, lo...
86 bpm • F Maj • 03:49 • -27.93db
0% Popularity • 18% Danceability • 3% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
0% Popularity • 18% Danceability • 3% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
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Enjott Schneider
Dunkelwelt Untersberg, 7. Sinfonie: I. M...
78 bpm • C Maj • 07:34 • -29.31db
8% Popularity • 7% Danceability • 7% Energy • 29% Liveness
93% Instrumentalness • 6% Positiveness
8% Popularity • 7% Danceability • 7% Energy • 29% Liveness
93% Instrumentalness • 6% Positiveness
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Henri Dutilleux
Dutilleux: The Shadows of Time: IV. Vagu...
78 bpm • A Maj • 02:57 • -21.45db
3% Popularity • 20% Danceability • 21% Energy • 15% Liveness
92% Instrumentalness • 5% Positiveness
3% Popularity • 20% Danceability • 21% Energy • 15% Liveness
92% Instrumentalness • 5% Positiveness
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Arvo Pärt
Spiegel im Spiegel: for Violin and Piano
78 bpm • F Maj • 09:47 • -34.96db
7% Popularity • 14% Danceability • 1% Energy • 6% Liveness
4% Instrumentalness • 7% Positiveness
7% Popularity • 14% Danceability • 1% Energy • 6% Liveness
4% Instrumentalness • 7% Positiveness
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Thomas Adès
Alchymia: IV. Divisions on a Lute-Song
88 bpm • G Maj • 08:40 • -22.91db
8% Popularity • 14% Danceability • 3% Energy • 7% Liveness
39% Instrumentalness • 4% Positiveness
8% Popularity • 14% Danceability • 3% Energy • 7% Liveness
39% Instrumentalness • 4% Positiveness
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Jörg Widmann
25 Duos for Violin and Cello: XXI. Valse...
88 bpm • G min • 01:55 • -23db
17% Popularity • 57% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 18% Positiveness
17% Popularity • 57% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 18% Positiveness
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Krzysztof Meyer
24 Preludes, Op. 43: No. 4, Quarter Note...
80 bpm • C Maj • 03:00 • -26.4db
0% Popularity • 38% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
0% Popularity • 38% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
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GĂ©rard Grisey
MĂ©galithes, Version 3: II. 5-2 - III. 9...
88 bpm • E Maj • 01:49 • -21.25db
14% Popularity • 31% Danceability • 28% Energy • 19% Liveness
28% Instrumentalness • 9% Positiveness
14% Popularity • 31% Danceability • 28% Energy • 19% Liveness
28% Instrumentalness • 9% Positiveness
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Richard Strauss
Ein Heldenleben, Op. 40, TrV 190: VIII. ...
88 bpm • D# Maj • 04:56 • -37.18db
23% Popularity • 9% Danceability • 0% Energy • 10% Liveness
30% Instrumentalness • 3% Positiveness
23% Popularity • 9% Danceability • 0% Energy • 10% Liveness
30% Instrumentalness • 3% Positiveness
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Sergei Prokofiev
Five Melodies, Op. 35b: IV. Allegretto l...
78 bpm • D Maj • 01:30 • -19.63db
12% Popularity • 44% Danceability • 24% Energy • 9% Liveness
55% Instrumentalness • 11% Positiveness
12% Popularity • 44% Danceability • 24% Energy • 9% Liveness
55% Instrumentalness • 11% Positiveness
