Songs like Sonata No. 8 in C for Piano, Op. 13 "Pathétique" (From Immortal Beloved) - 2006 Remaster by The Michael Garson Ensemble
Based on a tempo of (+/- 10%) and a similar genre
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Paul Reeves
A World of Wonder
136 bpm • A Maj • 02:25 • -14.89db
9% Popularity • 42% Danceability • 29% Energy • 13% Liveness
58% Instrumentalness • 14% Positiveness
9% Popularity • 42% Danceability • 29% Energy • 13% Liveness
58% Instrumentalness • 14% Positiveness
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Francesco Cerasi
La bella estate
136 bpm • G min • 02:26 • -14.4db
17% Popularity • 27% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 27% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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The Michael Garson Ensemble
Sonata No. 8 in C for Piano, Op. 13 "Pat...
136 bpm • G# Maj • 03:38 • -12.79db
1% Popularity • 38% Danceability • 36% Energy • 11% Liveness
77% Instrumentalness • 15% Positiveness
1% Popularity • 38% Danceability • 36% Energy • 11% Liveness
77% Instrumentalness • 15% Positiveness
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Zbigniew Preisner
Beginning of the Story
135 bpm • F Maj • 01:07 • -20.85db
23% Popularity • 19% Danceability • 6% Energy • 8% Liveness
81% Instrumentalness • 7% Positiveness
23% Popularity • 19% Danceability • 6% Energy • 8% Liveness
81% Instrumentalness • 7% Positiveness
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Chet Swiatkowski
Rhapsody On A Theme Of Paganini
137 bpm • C# Maj • 02:53 • -20db
38% Popularity • 23% Danceability • 8% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
38% Popularity • 23% Danceability • 8% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
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Dave Grusin
On Golden Pond
134 bpm • G Maj • 03:46 • -18.84db
33% Popularity • 54% Danceability • 5% Energy • 9% Liveness
86% Instrumentalness • 38% Positiveness
33% Popularity • 54% Danceability • 5% Energy • 9% Liveness
86% Instrumentalness • 38% Positiveness
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Jean Dollbell
Springhead Steps
138 bpm • C Maj • 02:10 • -18.87db
16% Popularity • 21% Danceability • 15% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
16% Popularity • 21% Danceability • 15% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Brice Davoli
Ghosts of Yesterday
134 bpm • F# min • 02:58 • -18.23db
10% Popularity • 50% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
10% Popularity • 50% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
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RaÃssa Azevedo
Ego
138 bpm • E min • 04:42 • -13.42db
9% Popularity • 34% Danceability • 21% Energy • 13% Liveness
90% Instrumentalness • 12% Positiveness
9% Popularity • 34% Danceability • 21% Energy • 13% Liveness
90% Instrumentalness • 12% Positiveness
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Fredell caparon
follow my rhythm
138 bpm • C min • 02:12 • -16.28db
9% Popularity • 34% Danceability • 24% Energy • 12% Liveness
87% Instrumentalness • 16% Positiveness
9% Popularity • 34% Danceability • 24% Energy • 12% Liveness
87% Instrumentalness • 16% Positiveness
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Brittanni Kia
Woman of Falling Stars
134 bpm • E min • 02:27 • -15.42db
13% Popularity • 16% Danceability • 16% Energy • 14% Liveness
96% Instrumentalness • 7% Positiveness
13% Popularity • 16% Danceability • 16% Energy • 14% Liveness
96% Instrumentalness • 7% Positiveness
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The Michael Garson Ensemble
Prelude No. 1 in C from the Well Tempere...
133 bpm • C Maj • 04:46 • -10.57db
0% Popularity • 18% Danceability • 37% Energy • 12% Liveness
1% Instrumentalness • 11% Positiveness
0% Popularity • 18% Danceability • 37% Energy • 12% Liveness
1% Instrumentalness • 11% Positiveness
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James Barth
Wonder
139 bpm • F Maj • 02:04 • -18.69db
13% Popularity • 19% Danceability • 13% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
13% Popularity • 19% Danceability • 13% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Sinfonia Of London
Best of All
132 bpm • F Maj • 02:25 • -13.76db
14% Popularity • 26% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
14% Popularity • 26% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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John Lunn
Maywood
140 bpm • G min • 02:02 • -14.92db
12% Popularity • 36% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 11% Positiveness
12% Popularity • 36% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 11% Positiveness
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Lino Cannavacciuolo
Sigla (reprise): Una villa per due
132 bpm • E min • 01:32 • -22.79db
22% Popularity • 36% Danceability • 14% Energy • 13% Liveness
95% Instrumentalness • 6% Positiveness
22% Popularity • 36% Danceability • 14% Energy • 13% Liveness
95% Instrumentalness • 6% Positiveness
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Luna Skylark
Solace in Serene Solitude's Solace
140 bpm • D Maj • 02:19 • -14.32db
18% Popularity • 56% Danceability • 44% Energy • 32% Liveness
91% Instrumentalness • 51% Positiveness
18% Popularity • 56% Danceability • 44% Energy • 32% Liveness
91% Instrumentalness • 51% Positiveness
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The Michael Garson Ensemble
The Heart Asks Pleasure First - 2006 Re...
140 bpm • A min • 03:37 • -16.51db
0% Popularity • 31% Danceability • 30% Energy • 12% Liveness
94% Instrumentalness • 28% Positiveness
0% Popularity • 31% Danceability • 30% Energy • 12% Liveness
94% Instrumentalness • 28% Positiveness
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Alessandro Gozzo
An Angel
132 bpm • F# Maj • 01:02 • -20.18db
12% Popularity • 32% Danceability • 15% Energy • 28% Liveness
93% Instrumentalness • 33% Positiveness
12% Popularity • 32% Danceability • 15% Energy • 28% Liveness
93% Instrumentalness • 33% Positiveness
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Natuils
Synchronized
140 bpm • D Maj • 03:27 • -18.24db
8% Popularity • 47% Danceability • 31% Energy • 10% Liveness
91% Instrumentalness • 22% Positiveness
8% Popularity • 47% Danceability • 31% Energy • 10% Liveness
91% Instrumentalness • 22% Positiveness
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John Chen Fitzgerald
Breeze for Yesterday
140 bpm • D# min • 02:50 • -16.29db
13% Popularity • 26% Danceability • 33% Energy • 12% Liveness
96% Instrumentalness • 52% Positiveness
13% Popularity • 26% Danceability • 33% Energy • 12% Liveness
96% Instrumentalness • 52% Positiveness
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Francis Laurent DeRenoir
Dreamscapes 2
140 bpm • G Maj • 01:35 • -11.98db
21% Popularity • 40% Danceability • 15% Energy • 12% Liveness
98% Instrumentalness • 19% Positiveness
21% Popularity • 40% Danceability • 15% Energy • 12% Liveness
98% Instrumentalness • 19% Positiveness
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Emanuela Dellana
Novedades
141 bpm • D# min • 02:31 • -16.26db
13% Popularity • 14% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
13% Popularity • 14% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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The Michael Garson Ensemble
Theme - 2006 Remaster
132 bpm • C Maj • 05:09 • -12.31db
0% Popularity • 44% Danceability • 36% Energy • 9% Liveness
63% Instrumentalness • 22% Positiveness
0% Popularity • 44% Danceability • 36% Energy • 9% Liveness
63% Instrumentalness • 22% Positiveness
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Danilo Rea
Two kids
140 bpm • C Maj • 01:30 • -20.02db
26% Popularity • 40% Danceability • 17% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
26% Popularity • 40% Danceability • 17% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Francis Lai
Theme From Love Story (Finale)
141 bpm • A min • 03:53 • -17.48db
29% Popularity • 26% Danceability • 24% Energy • 34% Liveness
54% Instrumentalness • 10% Positiveness
29% Popularity • 26% Danceability • 24% Energy • 34% Liveness
54% Instrumentalness • 10% Positiveness
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Sirenas Celestiales
Creaciones Sensoriales
131 bpm • D# min • 02:22 • -18.15db
18% Popularity • 51% Danceability • 18% Energy • 12% Liveness
97% Instrumentalness • 50% Positiveness
18% Popularity • 51% Danceability • 18% Energy • 12% Liveness
97% Instrumentalness • 50% Positiveness
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Michael Gore
Theme From "Terms Of Endearment"
130 bpm • C Maj • 02:55 • -30.35db
19% Popularity • 30% Danceability • 3% Energy • 15% Liveness
93% Instrumentalness • 27% Positiveness
19% Popularity • 30% Danceability • 3% Energy • 15% Liveness
93% Instrumentalness • 27% Positiveness
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Patrick Roberts
All in Love Is Fair
131 bpm • C Maj • 04:06 • -12.16db
10% Popularity • 25% Danceability • 35% Energy • 10% Liveness
77% Instrumentalness • 6% Positiveness
10% Popularity • 25% Danceability • 35% Energy • 10% Liveness
77% Instrumentalness • 6% Positiveness
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Byron McKay
Build, Sleep, Repeat
142 bpm • G Maj • 03:55 • -19.92db
8% Popularity • 16% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
8% Popularity • 16% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
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Dave Hewson
Innocent Love
142 bpm • D Maj • 01:44 • -20.39db
16% Popularity • 24% Danceability • 10% Energy • 10% Liveness
7% Instrumentalness • 37% Positiveness
16% Popularity • 24% Danceability • 10% Energy • 10% Liveness
7% Instrumentalness • 37% Positiveness
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Naoki Sato
æ–‡
142 bpm • F min • 03:09 • -18.44db
7% Popularity • 14% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
7% Popularity • 14% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Sirenas Celestiales
Amortización De Placer
131 bpm • A min • 02:26 • -22.39db
20% Popularity • 62% Danceability • 10% Energy • 12% Liveness
89% Instrumentalness • 36% Positiveness
20% Popularity • 62% Danceability • 10% Energy • 12% Liveness
89% Instrumentalness • 36% Positiveness
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The Michael Garson Ensemble
The Age of Innocence - 2006 Remaster
142 bpm • C min • 03:23 • -15.35db
0% Popularity • 30% Danceability • 23% Energy • 22% Liveness
74% Instrumentalness • 9% Positiveness
0% Popularity • 30% Danceability • 23% Energy • 22% Liveness
74% Instrumentalness • 9% Positiveness
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Steven Vitali
Eternity
142 bpm • A Maj • 03:19 • -15.94db
12% Popularity • 24% Danceability • 26% Energy • 9% Liveness
68% Instrumentalness • 19% Positiveness
12% Popularity • 24% Danceability • 26% Energy • 9% Liveness
68% Instrumentalness • 19% Positiveness
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Alessandro Gozzo
Sweet Mornings
130 bpm • A# Maj • 02:04 • -17.51db
9% Popularity • 18% Danceability • 21% Energy • 34% Liveness
70% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 21% Energy • 34% Liveness
70% Instrumentalness • 4% Positiveness
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Warren Wills
I Can Be Somebody
130 bpm • C Maj • 05:11 • -25.36db
11% Popularity • 31% Danceability • 6% Energy • 8% Liveness
87% Instrumentalness • 11% Positiveness
11% Popularity • 31% Danceability • 6% Energy • 8% Liveness
87% Instrumentalness • 11% Positiveness
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Bjørn Mattis Eng
Sakristien
130 bpm • D min • 03:23 • -15.73db
12% Popularity • 20% Danceability • 17% Energy • 7% Liveness
98% Instrumentalness • 7% Positiveness
12% Popularity • 20% Danceability • 17% Energy • 7% Liveness
98% Instrumentalness • 7% Positiveness
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Sirenas Celestiales
Paradojas Inevitables
130 bpm • E Maj • 02:08 • -17.07db
14% Popularity • 41% Danceability • 23% Energy • 32% Liveness
90% Instrumentalness • 38% Positiveness
14% Popularity • 41% Danceability • 23% Energy • 32% Liveness
90% Instrumentalness • 38% Positiveness
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Robert Jassen
Perhaps Love
143 bpm • D# Maj • 03:37 • -13.94db
10% Popularity • 16% Danceability • 26% Energy • 12% Liveness
95% Instrumentalness • 31% Positiveness
10% Popularity • 16% Danceability • 26% Energy • 12% Liveness
95% Instrumentalness • 31% Positiveness
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Henri Seroka
Temptation 2
143 bpm • E min • 03:31 • -18.48db
20% Popularity • 22% Danceability • 12% Energy • 32% Liveness
93% Instrumentalness • 6% Positiveness
20% Popularity • 22% Danceability • 12% Energy • 32% Liveness
93% Instrumentalness • 6% Positiveness
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Crying Cello
Fading Shadows of Yesterday (Sad Cello)
129 bpm • D Maj • 01:51 • -11.2db
21% Popularity • 23% Danceability • 33% Energy • 37% Liveness
43% Instrumentalness • 23% Positiveness
21% Popularity • 23% Danceability • 33% Energy • 37% Liveness
43% Instrumentalness • 23% Positiveness
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Nicola Piovani
La vita è bella: La vita è bella
129 bpm • D Maj • 02:38 • -14.34db
40% Popularity • 26% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
40% Popularity • 26% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
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Ben Flumm
Slide
129 bpm • F min • 02:23 • -9.39db
10% Popularity • 33% Danceability • 19% Energy • 7% Liveness
79% Instrumentalness • 16% Positiveness
10% Popularity • 33% Danceability • 19% Energy • 7% Liveness
79% Instrumentalness • 16% Positiveness
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Anniballi Davide
Alearda in D Major
128 bpm • D Maj • 02:22 • -19.17db
16% Popularity • 20% Danceability • 14% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
16% Popularity • 20% Danceability • 14% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
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John Ottman
Paint Me A Rembrandt / Harry Accepts
128 bpm • F# min • 03:29 • -23.33db
14% Popularity • 25% Danceability • 10% Energy • 27% Liveness
92% Instrumentalness • 7% Positiveness
14% Popularity • 25% Danceability • 10% Energy • 27% Liveness
92% Instrumentalness • 7% Positiveness
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Heartened Soul
En harmonie
144 bpm • E Maj • 03:08 • -20.19db
13% Popularity • 41% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 14% Positiveness
13% Popularity • 41% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 14% Positiveness
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Steve Barakatt
I'm Sorry
128 bpm • A# Maj • 03:59 • -10.8db
13% Popularity • 58% Danceability • 27% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
13% Popularity • 58% Danceability • 27% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
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Loka Manya Prawiro
I Love You Evermore
128 bpm • D# Maj • 06:26 • -16.63db
24% Popularity • 18% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
24% Popularity • 18% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
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Henri Seroka
Hiding, Pt. 1
145 bpm • E Maj • 01:20 • -14.59db
12% Popularity • 48% Danceability • 12% Energy • 13% Liveness
84% Instrumentalness • 14% Positiveness
12% Popularity • 48% Danceability • 12% Energy • 13% Liveness
84% Instrumentalness • 14% Positiveness
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Pachelbel
Cannon In D Major
128 bpm • D Maj • 04:46 • -15.92db
24% Popularity • 24% Danceability • 17% Energy • 16% Liveness
78% Instrumentalness • 26% Positiveness
24% Popularity • 24% Danceability • 17% Energy • 16% Liveness
78% Instrumentalness • 26% Positiveness
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KNOXVILLETRACKZ
HFTEPU
128 bpm • D min • 01:04 • -36.25db
10% Popularity • 20% Danceability • 2% Energy • 56% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 20% Danceability • 2% Energy • 56% Liveness
0% Instrumentalness • 9% Positiveness
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Phil Driscoll
America
127 bpm • G Maj • 04:02 • -12.32db
8% Popularity • 17% Danceability • 28% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 28% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Ninfas De Ultramar
Mundos de Fantasia
127 bpm • C# min • 02:21 • -17.89db
12% Popularity • 19% Danceability • 18% Energy • 11% Liveness
38% Instrumentalness • 12% Positiveness
12% Popularity • 19% Danceability • 18% Energy • 11% Liveness
38% Instrumentalness • 12% Positiveness
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Loka Manya Prawiro
Passion
127 bpm • A# min • 05:23 • -16.7db
25% Popularity • 18% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 5% Positiveness
25% Popularity • 18% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 5% Positiveness
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Tribrid
Harmonia's Song
146 bpm • G Maj • 01:21 • -15.88db
19% Popularity • 15% Danceability • 24% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
19% Popularity • 15% Danceability • 24% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
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Jean Dollbell
Late Summers
146 bpm • C min • 01:32 • -21.58db
24% Popularity • 20% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
24% Popularity • 20% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
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Klaus Doldinger
Salt on Our Skin (Main Theme)
146 bpm • F min • 02:30 • -18.94db
9% Popularity • 21% Danceability • 15% Energy • 12% Liveness
97% Instrumentalness • 7% Positiveness
9% Popularity • 21% Danceability • 15% Energy • 12% Liveness
97% Instrumentalness • 7% Positiveness
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Tərlan Məmmədli
Le Moral
147 bpm • D# Maj • 01:32 • -15.8db
13% Popularity • 26% Danceability • 14% Energy • 13% Liveness
94% Instrumentalness • 7% Positiveness
13% Popularity • 26% Danceability • 14% Energy • 13% Liveness
94% Instrumentalness • 7% Positiveness
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Mike Strickland
Part Of Your World
126 bpm • F Maj • 03:29 • -14.12db
9% Popularity • 43% Danceability • 25% Energy • 11% Liveness
86% Instrumentalness • 18% Positiveness
9% Popularity • 43% Danceability • 25% Energy • 11% Liveness
86% Instrumentalness • 18% Positiveness
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George Fenton
Venice Proud And Pretty
148 bpm • F Maj • 02:34 • -23.07db
14% Popularity • 34% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 23% Positiveness
14% Popularity • 34% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 23% Positiveness
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Ian Rae
Finding Mount Fuji
126 bpm • A min • 01:58 • -10.62db
11% Popularity • 31% Danceability • 28% Energy • 10% Liveness
42% Instrumentalness • 10% Positiveness
11% Popularity • 31% Danceability • 28% Energy • 10% Liveness
42% Instrumentalness • 10% Positiveness
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Las Guerreras
Complejo De Inferioridad
124 bpm • C# min • 02:16 • -15.63db
13% Popularity • 22% Danceability • 14% Energy • 12% Liveness
75% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 14% Energy • 12% Liveness
75% Instrumentalness • 4% Positiveness
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Michael Kamen
Band Of Brothers
125 bpm • F Maj • 04:00 • -17.5db
9% Popularity • 27% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
9% Popularity • 27% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
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The Michael Garson Ensemble
I'm Forrest...Forrest Gump
124 bpm • A Maj • 03:18 • -13db
0% Popularity • 54% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 54% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Abel Korzeniowski
Anna and Volder
124 bpm • D min • 03:53 • -20.23db
14% Popularity • 27% Danceability • 11% Energy • 12% Liveness
15% Instrumentalness • 10% Positiveness
14% Popularity • 27% Danceability • 11% Energy • 12% Liveness
15% Instrumentalness • 10% Positiveness
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City of Prague Orchestra
Life is Beautiful
124 bpm • A Maj • 04:05 • -10.86db
13% Popularity • 26% Danceability • 28% Energy • 9% Liveness
84% Instrumentalness • 14% Positiveness
13% Popularity • 26% Danceability • 28% Energy • 9% Liveness
84% Instrumentalness • 14% Positiveness
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Ian Rae
I Look Unto the Hills
125 bpm • D Maj • 03:22 • -15.46db
10% Popularity • 54% Danceability • 33% Energy • 12% Liveness
70% Instrumentalness • 25% Positiveness
10% Popularity • 54% Danceability • 33% Energy • 12% Liveness
70% Instrumentalness • 25% Positiveness
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Sibille Crawford
He Loves He Can Dance
150 bpm • D# min • 02:29 • -8.08db
8% Popularity • 12% Danceability • 34% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
8% Popularity • 12% Danceability • 34% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
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Anne Dudley
The Enchanted Forest
123 bpm • D min • 02:11 • -17.03db
11% Popularity • 30% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 13% Positiveness
11% Popularity • 30% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 13% Positiveness
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Steven Vitali
Star Bright Melody
124 bpm • A# Maj • 03:16 • -15db
17% Popularity • 57% Danceability • 40% Energy • 9% Liveness
4% Instrumentalness • 59% Positiveness
17% Popularity • 57% Danceability • 40% Energy • 9% Liveness
4% Instrumentalness • 59% Positiveness
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Tim Lea Young
Walk Lightly
150 bpm • D min • 02:24 • -15.09db
17% Popularity • 44% Danceability • 18% Energy • 9% Liveness
94% Instrumentalness • 34% Positiveness
17% Popularity • 44% Danceability • 18% Energy • 9% Liveness
94% Instrumentalness • 34% Positiveness
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Violin Anton
Tango - Por Una Cabeza
122 bpm • G Maj • 02:21 • -20.39db
13% Popularity • 51% Danceability • 21% Energy • 18% Liveness
76% Instrumentalness • 58% Positiveness
13% Popularity • 51% Danceability • 21% Energy • 18% Liveness
76% Instrumentalness • 58% Positiveness
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Ian Rae
The Castle of Ice
124 bpm • G Maj • 02:24 • -15.08db
11% Popularity • 29% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
11% Popularity • 29% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
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Frederic Botton
Tous les flots bleus
122 bpm • F min • 02:13 • -17.25db
9% Popularity • 34% Danceability • 16% Energy • 10% Liveness
37% Instrumentalness • 13% Positiveness
9% Popularity • 34% Danceability • 16% Energy • 10% Liveness
37% Instrumentalness • 13% Positiveness
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Bobby Crush
As Time Goes
122 bpm • C min • 02:41 • -20db
14% Popularity • 38% Danceability • 14% Energy • 15% Liveness
92% Instrumentalness • 8% Positiveness
14% Popularity • 38% Danceability • 14% Energy • 15% Liveness
92% Instrumentalness • 8% Positiveness
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The Michael Garson Ensemble
Main Title - 2006 Remaster
121 bpm • D Maj • 03:40 • -11.75db
0% Popularity • 50% Danceability • 60% Energy • 28% Liveness
64% Instrumentalness • 44% Positiveness
0% Popularity • 50% Danceability • 60% Energy • 28% Liveness
64% Instrumentalness • 44% Positiveness
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Rachel Portman
Positano
121 bpm • C Maj • 01:44 • -14.36db
12% Popularity • 18% Danceability • 24% Energy • 13% Liveness
62% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 24% Energy • 13% Liveness
62% Instrumentalness • 4% Positiveness
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Sirenas Celestiales
Activando Sensaciones
121 bpm • C# Maj • 02:22 • -22.16db
13% Popularity • 70% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 38% Positiveness
13% Popularity • 70% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 38% Positiveness
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Ian Rae
I Don't Care
122 bpm • D Maj • 02:14 • -12.29db
18% Popularity • 30% Danceability • 26% Energy • 19% Liveness
95% Instrumentalness • 25% Positiveness
18% Popularity • 30% Danceability • 26% Energy • 19% Liveness
95% Instrumentalness • 25% Positiveness
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Angelo Badalamenti
Montage (Maria's Theme)
121 bpm • D Maj • 02:46 • -23.56db
10% Popularity • 23% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
10% Popularity • 23% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
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Anatolia Amoretti
Once Every Lifetime
120 bpm • F Maj • 01:54 • -16.49db
26% Popularity • 28% Danceability • 10% Energy • 9% Liveness
11% Instrumentalness • 8% Positiveness
26% Popularity • 28% Danceability • 10% Energy • 9% Liveness
11% Instrumentalness • 8% Positiveness
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The Michael Garson Ensemble
Main Title - 2006 Remaster
120 bpm • C Maj • 03:34 • -11.6db
0% Popularity • 36% Danceability • 48% Energy • 11% Liveness
83% Instrumentalness • 11% Positiveness
0% Popularity • 36% Danceability • 48% Energy • 11% Liveness
83% Instrumentalness • 11% Positiveness
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Ernesto Vallini
Funk of Subtlety
121 bpm • E Maj • 02:26 • -14.99db
10% Popularity • 17% Danceability • 19% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
10% Popularity • 17% Danceability • 19% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Sirenas Celestiales
Imaginando Paraiso
121 bpm • F Maj • 02:21 • -14.92db
13% Popularity • 38% Danceability • 20% Energy • 7% Liveness
97% Instrumentalness • 50% Positiveness
13% Popularity • 38% Danceability • 20% Energy • 7% Liveness
97% Instrumentalness • 50% Positiveness
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Jason Solowsky
Angels Take Flight
120 bpm • C Maj • 02:29 • -15.88db
12% Popularity • 45% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 20% Positiveness
12% Popularity • 45% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 20% Positiveness
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Jonathan Paul Vicent
Happy - Ambient
120 bpm • G Maj • 01:09 • -15.43db
20% Popularity • 52% Danceability • 29% Energy • 8% Liveness
97% Instrumentalness • 24% Positiveness
20% Popularity • 52% Danceability • 29% Energy • 8% Liveness
97% Instrumentalness • 24% Positiveness
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James Barth
Slow Ride
120 bpm • D min • 01:51 • -19.44db
13% Popularity • 69% Danceability • 16% Energy • 36% Liveness
92% Instrumentalness • 41% Positiveness
13% Popularity • 69% Danceability • 16% Energy • 36% Liveness
92% Instrumentalness • 41% Positiveness
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The Michael Garson Ensemble
Main Title - 2006 Remaster
120 bpm • A# min • 03:51 • -14.43db
0% Popularity • 34% Danceability • 58% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
0% Popularity • 34% Danceability • 58% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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Max Richtar
Forgive My Error
120 bpm • C min • 02:15 • -23.43db
12% Popularity • 51% Danceability • 18% Energy • 13% Liveness
93% Instrumentalness • 22% Positiveness
12% Popularity • 51% Danceability • 18% Energy • 13% Liveness
93% Instrumentalness • 22% Positiveness
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Musica Clasica
Musica Sinfonica Clasica
120 bpm • G Maj • 03:27 • -19db
13% Popularity • 39% Danceability • 19% Energy • 14% Liveness
86% Instrumentalness • 25% Positiveness
13% Popularity • 39% Danceability • 19% Energy • 14% Liveness
86% Instrumentalness • 25% Positiveness
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Brian Withycombe
The Last Song
120 bpm • C Maj • 04:26 • -15.62db
8% Popularity • 57% Danceability • 9% Energy • 10% Liveness
86% Instrumentalness • 13% Positiveness
8% Popularity • 57% Danceability • 9% Energy • 10% Liveness
86% Instrumentalness • 13% Positiveness
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Las Guerreras
Distancias Finales
119 bpm • A# min • 02:14 • -19.35db
15% Popularity • 37% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 14% Positiveness
15% Popularity • 37% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 14% Positiveness
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Claire Hamill
Someday We Will All Be Together
119 bpm • D Maj • 07:48 • -12db
17% Popularity • 17% Danceability • 31% Energy • 11% Liveness
96% Instrumentalness • 18% Positiveness
17% Popularity • 17% Danceability • 31% Energy • 11% Liveness
96% Instrumentalness • 18% Positiveness
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Byron McKay
Ingenuity
120 bpm • F# min • 04:07 • -23.91db
8% Popularity • 24% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
8% Popularity • 24% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Ernesto Vallini
State of a Man
118 bpm • A min • 02:22 • -16.1db
10% Popularity • 17% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
10% Popularity • 17% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
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Björn Karlsson
Ballet Dance for Angelica
118 bpm • A# Maj • 04:19 • -18db
9% Popularity • 32% Danceability • 20% Energy • 14% Liveness
86% Instrumentalness • 21% Positiveness
9% Popularity • 32% Danceability • 20% Energy • 14% Liveness
86% Instrumentalness • 21% Positiveness
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Henri Seroka Orchestra
Anasazi - Orchestrated by Ralph Benatar
118 bpm • F min • 01:41 • -19.59db
12% Popularity • 32% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 23% Positiveness
12% Popularity • 32% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 23% Positiveness
