Songs like Sonata Seconda: Fontana by Giovanni Battista Fontana
Based on a tempo of (+/- 10%) and a similar genre
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Giovanni Battista Fontana
Sonata Seconda, for recorder and basso c...
137 bpm • D# Maj • 06:50 • -24.08db
0% Popularity • 26% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 10% Positiveness
0% Popularity • 26% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 10% Positiveness
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George Frideric Handel
Israel in Egypt, HWV 54: Symphony
137 bpm • F# min • 02:18 • -35.43db
16% Popularity • 15% Danceability • 1% Energy • 11% Liveness
53% Instrumentalness • 7% Positiveness
16% Popularity • 15% Danceability • 1% Energy • 11% Liveness
53% Instrumentalness • 7% Positiveness
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Nicola Matteis
The False Consonances of Musick, Aria I
137 bpm • F# Maj • 01:21 • -28.47db
29% Popularity • 47% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 65% Positiveness
29% Popularity • 47% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 65% Positiveness
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Joseph Haydn
Baryton Trio in A Major, Hob. XI:71: I. ...
137 bpm • G# Maj • 05:19 • -21.93db
8% Popularity • 35% Danceability • 7% Energy • 10% Liveness
82% Instrumentalness • 38% Positiveness
8% Popularity • 35% Danceability • 7% Energy • 10% Liveness
82% Instrumentalness • 38% Positiveness
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Johann Heinrich Schmelzer
Sonatæ Unarum Fidium. Nuremberg: Sonata...
138 bpm • G min • 07:53 • -17.94db
10% Popularity • 36% Danceability • 14% Energy • 16% Liveness
13% Instrumentalness • 13% Positiveness
10% Popularity • 36% Danceability • 14% Energy • 16% Liveness
13% Instrumentalness • 13% Positiveness
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Arcangelo Corelli
Concerto in F Major, Op. 6 No. 2: III. A...
136 bpm • D# Maj • 01:50 • -18.77db
9% Popularity • 26% Danceability • 15% Energy • 24% Liveness
84% Instrumentalness • 43% Positiveness
9% Popularity • 26% Danceability • 15% Energy • 24% Liveness
84% Instrumentalness • 43% Positiveness
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Giovanni Battista Fontana
Sonata No. 16
138 bpm • C# Maj • 05:46 • -16.22db
0% Popularity • 23% Danceability • 14% Energy • 9% Liveness
20% Instrumentalness • 11% Positiveness
0% Popularity • 23% Danceability • 14% Energy • 9% Liveness
20% Instrumentalness • 11% Positiveness
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Johann Sebastian Bach
Minuet in A Minor, BWV Anh. 120
136 bpm • A# min • 01:28 • -39.57db
11% Popularity • 36% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
11% Popularity • 36% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": VII....
138 bpm • C# min • 01:06 • -23.44db
15% Popularity • 73% Danceability • 19% Energy • 13% Liveness
5% Instrumentalness • 55% Positiveness
15% Popularity • 73% Danceability • 19% Energy • 13% Liveness
5% Instrumentalness • 55% Positiveness
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Francesco Geminiani
Cello Sonata in D Minor, Op. 5 No. 2, H....
136 bpm • C# min • 02:19 • -21.2db
10% Popularity • 21% Danceability • 12% Energy • 14% Liveness
6% Instrumentalness • 24% Positiveness
10% Popularity • 21% Danceability • 12% Energy • 14% Liveness
6% Instrumentalness • 24% Positiveness
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Nicola Matteis
Fuga (Prestissimo)
136 bpm • C# Maj • 01:07 • -16.14db
18% Popularity • 54% Danceability • 24% Energy • 19% Liveness
1% Instrumentalness • 69% Positiveness
18% Popularity • 54% Danceability • 24% Energy • 19% Liveness
1% Instrumentalness • 69% Positiveness
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Matthew Locke
Psyche, Act I Scene 1: Symphony of rusti...
135 bpm • C# min • 01:00 • -18.65db
19% Popularity • 58% Danceability • 31% Energy • 26% Liveness
56% Instrumentalness • 34% Positiveness
19% Popularity • 58% Danceability • 31% Energy • 26% Liveness
56% Instrumentalness • 34% Positiveness
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Giovanni Battista Fontana
Sonata settima, No. 7
138 bpm • D min • 07:14 • -15.73db
0% Popularity • 21% Danceability • 18% Energy • 32% Liveness
1% Instrumentalness • 13% Positiveness
0% Popularity • 21% Danceability • 18% Energy • 32% Liveness
1% Instrumentalness • 13% Positiveness
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Francesco Mancini
Concerto VIII in C Minor from 24 Concert...
135 bpm • B min • 01:48 • -17.2db
24% Popularity • 45% Danceability • 15% Energy • 10% Liveness
2% Instrumentalness • 47% Positiveness
24% Popularity • 45% Danceability • 15% Energy • 10% Liveness
2% Instrumentalness • 47% Positiveness
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Bülent Oral
Gray's Inn
139 bpm • D# min • 02:57 • -22.15db
10% Popularity • 27% Danceability • 5% Energy • 10% Liveness
52% Instrumentalness • 41% Positiveness
10% Popularity • 27% Danceability • 5% Energy • 10% Liveness
52% Instrumentalness • 41% Positiveness
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Antonio Vivaldi
Cello Sonata in F Major, Op. 14 No. 2, R...
135 bpm • F Maj • 04:15 • -18.29db
9% Popularity • 22% Danceability • 8% Energy • 8% Liveness
13% Instrumentalness • 20% Positiveness
9% Popularity • 22% Danceability • 8% Energy • 8% Liveness
13% Instrumentalness • 20% Positiveness
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Dario Castello
Sonata Duodecima a 3 In A Minor
135 bpm • G# min • 07:58 • -17.46db
6% Popularity • 30% Danceability • 13% Energy • 11% Liveness
67% Instrumentalness • 5% Positiveness
6% Popularity • 30% Danceability • 13% Energy • 11% Liveness
67% Instrumentalness • 5% Positiveness
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Pietro Locatelli
Concerto Grosso in C Minor, Op. 1 No. 11...
134 bpm • F min • 03:14 • -19.08db
17% Popularity • 20% Danceability • 10% Energy • 33% Liveness
5% Instrumentalness • 12% Positiveness
17% Popularity • 20% Danceability • 10% Energy • 33% Liveness
5% Instrumentalness • 12% Positiveness
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Giovanni Battista Fontana
18 Sonatas in 1, 2, 3 Parts: Sonata terz...
139 bpm • C Maj • 04:02 • -18.26db
0% Popularity • 28% Danceability • 18% Energy • 9% Liveness
2% Instrumentalness • 51% Positiveness
0% Popularity • 28% Danceability • 18% Energy • 9% Liveness
2% Instrumentalness • 51% Positiveness
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Antonio Maria Bononcini
Sonata a Violoncello Solo G Major: Largo
140 bpm • F# Maj • 02:04 • -19.08db
7% Popularity • 17% Danceability • 13% Energy • 15% Liveness
96% Instrumentalness • 34% Positiveness
7% Popularity • 17% Danceability • 13% Energy • 15% Liveness
96% Instrumentalness • 34% Positiveness
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Arcangelo Corelli
Trio Sonata in D Minor, Op. 3 No. 5: IV....
140 bpm • C# min • 01:11 • -17.66db
9% Popularity • 31% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 31% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Antonio Vivaldi
Trio Sonata in A Minor, RV 86: II. Alleg...
134 bpm • G# min • 02:55 • -17.24db
11% Popularity • 53% Danceability • 16% Energy • 13% Liveness
57% Instrumentalness • 54% Positiveness
11% Popularity • 53% Danceability • 16% Energy • 13% Liveness
57% Instrumentalness • 54% Positiveness
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Dietrich Becker
Sonata in A Minor: V. Sarabande
134 bpm • G# min • 01:32 • -29db
12% Popularity • 16% Danceability • 1% Energy • 12% Liveness
87% Instrumentalness • 8% Positiveness
12% Popularity • 16% Danceability • 1% Energy • 12% Liveness
87% Instrumentalness • 8% Positiveness
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Benedetto Marcello
Sinfonia a quattro No. 2 in A Major, SF ...
140 bpm • G# Maj • 01:05 • -16.1db
20% Popularity • 14% Danceability • 21% Energy • 11% Liveness
14% Instrumentalness • 23% Positiveness
20% Popularity • 14% Danceability • 21% Energy • 11% Liveness
14% Instrumentalness • 23% Positiveness
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Giovanni Battista Fontana
Sonata duodecima, A violino e fagotto
140 bpm • F# Maj • 05:50 • -19.14db
0% Popularity • 22% Danceability • 7% Energy • 15% Liveness
65% Instrumentalness • 8% Positiveness
0% Popularity • 22% Danceability • 7% Energy • 15% Liveness
65% Instrumentalness • 8% Positiveness
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Joseph Haydn
Baryton Trio in C Major, Hob. XI:93: I. ...
141 bpm • B Maj • 03:02 • -21.2db
12% Popularity • 43% Danceability • 18% Energy • 12% Liveness
88% Instrumentalness • 66% Positiveness
12% Popularity • 43% Danceability • 18% Energy • 12% Liveness
88% Instrumentalness • 66% Positiveness
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Henry Purcell
The Gordion Knot Unty'd, Z. 597: Fourth ...
141 bpm • B Maj • 01:28 • -21db
19% Popularity • 65% Danceability • 19% Energy • 10% Liveness
99% Instrumentalness • 40% Positiveness
19% Popularity • 65% Danceability • 19% Energy • 10% Liveness
99% Instrumentalness • 40% Positiveness
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Marin Marais
Marais: Pièces en trio: Suite No. 5 en ...
141 bpm • D# min • 01:07 • -23.35db
9% Popularity • 24% Danceability • 10% Energy • 15% Liveness
5% Instrumentalness • 58% Positiveness
9% Popularity • 24% Danceability • 10% Energy • 15% Liveness
5% Instrumentalness • 58% Positiveness
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Jean-Marie Leclair
Scylla et Glaucus, Op. 11: Prologue. Air...
133 bpm • G# min • 01:21 • -33.04db
29% Popularity • 31% Danceability • 1% Energy • 31% Liveness
98% Instrumentalness • 47% Positiveness
29% Popularity • 31% Danceability • 1% Energy • 31% Liveness
98% Instrumentalness • 47% Positiveness
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Marc-Antoine Charpentier
Médée, H. 491, Act II: Suite de la pas...
141 bpm • C Maj • 01:46 • -20.18db
11% Popularity • 22% Danceability • 22% Energy • 28% Liveness
50% Instrumentalness • 57% Positiveness
11% Popularity • 22% Danceability • 22% Energy • 28% Liveness
50% Instrumentalness • 57% Positiveness
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Giovanni Battista Fontana
Sonata nona, A violino e fagotto
134 bpm • F# Maj • 05:34 • -21.71db
0% Popularity • 26% Danceability • 7% Energy • 13% Liveness
42% Instrumentalness • 15% Positiveness
0% Popularity • 26% Danceability • 7% Energy • 13% Liveness
42% Instrumentalness • 15% Positiveness
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Georg Philipp Telemann
Divertimento in E-Flat Major, TWV 50:21:...
133 bpm • B min • 02:28 • -28.27db
30% Popularity • 29% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 29% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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George Frideric Handel
Water Music Suite No. 3 in G Major, HWV ...
133 bpm • G Maj • 02:33 • -15.09db
17% Popularity • 40% Danceability • 25% Energy • 34% Liveness
43% Instrumentalness • 92% Positiveness
17% Popularity • 40% Danceability • 25% Energy • 34% Liveness
43% Instrumentalness • 92% Positiveness
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Jean-Baptiste Lully
Thésée, LWV 51, Prologue: La descente ...
141 bpm • A# Maj • 00:57 • -17.47db
9% Popularity • 37% Danceability • 38% Energy • 14% Liveness
88% Instrumentalness • 76% Positiveness
9% Popularity • 37% Danceability • 38% Energy • 14% Liveness
88% Instrumentalness • 76% Positiveness
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Louis-Antoine Dornel
Suitte en Trio No. 3 in E Minor, Op. 1: ...
142 bpm • D# min • 01:45 • -19.71db
18% Popularity • 21% Danceability • 8% Energy • 8% Liveness
14% Instrumentalness • 11% Positiveness
18% Popularity • 21% Danceability • 8% Energy • 8% Liveness
14% Instrumentalness • 11% Positiveness
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Evaristo Felice Dall'Abaco
12 Concerti da Chiesa, Op. 2 No.4: III. ...
141 bpm • B Maj • 01:17 • -11.16db
18% Popularity • 44% Danceability • 33% Energy • 25% Liveness
3% Instrumentalness • 78% Positiveness
18% Popularity • 44% Danceability • 33% Energy • 25% Liveness
3% Instrumentalness • 78% Positiveness
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Giovanni Battista Fontana
Sonata a due
133 bpm • D Maj • 06:42 • -15.59db
0% Popularity • 31% Danceability • 21% Energy • 14% Liveness
1% Instrumentalness • 32% Positiveness
0% Popularity • 31% Danceability • 21% Energy • 14% Liveness
1% Instrumentalness • 32% Positiveness
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Marin Marais
Première suite à 3 violes in D Major: ...
132 bpm • C# Maj • 02:59 • -16.9db
11% Popularity • 27% Danceability • 21% Energy • 8% Liveness
94% Instrumentalness • 14% Positiveness
11% Popularity • 27% Danceability • 21% Energy • 8% Liveness
94% Instrumentalness • 14% Positiveness
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Arcangelo Corelli
Trio Sonata in G Major, Op. 3 No. 6: I. ...
132 bpm • F# Maj • 02:08 • -16.8db
8% Popularity • 40% Danceability • 14% Energy • 28% Liveness
1% Instrumentalness • 51% Positiveness
8% Popularity • 40% Danceability • 14% Energy • 28% Liveness
1% Instrumentalness • 51% Positiveness
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Charles Buterne
Sonata No. 4 in C minor for recorder & b...
132 bpm • B Maj • 03:26 • -25.92db
16% Popularity • 36% Danceability • 3% Energy • 13% Liveness
83% Instrumentalness • 50% Positiveness
16% Popularity • 36% Danceability • 3% Energy • 13% Liveness
83% Instrumentalness • 50% Positiveness
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Joseph Haydn
Baryton Trio in A Major, Hob. XI:6: I. A...
132 bpm • G# Maj • 06:16 • -23.38db
8% Popularity • 41% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 52% Positiveness
8% Popularity • 41% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 52% Positiveness
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Johan Helmich Roman
Golovinmusiken, BeRI 1: No. 8, Presto
143 bpm • G# Maj • 01:04 • -18.6db
17% Popularity • 37% Danceability • 25% Energy • 19% Liveness
92% Instrumentalness • 88% Positiveness
17% Popularity • 37% Danceability • 25% Energy • 19% Liveness
92% Instrumentalness • 88% Positiveness
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Giovanni Battista Fontana
Violin Sonata in C Major, F 1475.03 (Arr...
141 bpm • C# Maj • 04:37 • -21.01db
0% Popularity • 39% Danceability • 13% Energy • 7% Liveness
86% Instrumentalness • 55% Positiveness
0% Popularity • 39% Danceability • 13% Energy • 7% Liveness
86% Instrumentalness • 55% Positiveness
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Alessandro Scarlatti
Sinfonia No. 9 in G Minor, RosS 533.9: I...
131 bpm • F# min • 01:19 • -21.97db
13% Popularity • 24% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 24% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Arcangelo Corelli
Trio Sonata in D Minor, Op. 3 No. 5: II....
131 bpm • C# min • 01:42 • -17.5db
17% Popularity • 36% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
17% Popularity • 36% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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![Water Music, Suite No. 2 in D Major, HWV 349: IV. [Rigaudon 1] cover art](https://i.scdn.co/image/ab67616d00001e024901a4a7fbdb16c43cfcd61d)
George Frideric Handel
Water Music, Suite No. 2 in D Major, HWV...
131 bpm • F# Maj • 01:08 • -19.76db
12% Popularity • 56% Danceability • 22% Energy • 7% Liveness
26% Instrumentalness • 97% Positiveness
12% Popularity • 56% Danceability • 22% Energy • 7% Liveness
26% Instrumentalness • 97% Positiveness
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Nicola Matteis
Preludio in ostination: Passagio rotto
131 bpm • F# min • 01:09 • -16.8db
14% Popularity • 38% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 38% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Giovanni Maria Bononcini
Sonata a tre in sol minore: V. Allegro
131 bpm • F# min • 01:05 • -15.79db
13% Popularity • 44% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 44% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 37% Positiveness
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Giovanni Battista Fontana
Sonata quarta, A violino solo
132 bpm • G# Maj • 05:26 • -24.35db
0% Popularity • 29% Danceability • 6% Energy • 13% Liveness
88% Instrumentalness • 14% Positiveness
0% Popularity • 29% Danceability • 6% Energy • 13% Liveness
88% Instrumentalness • 14% Positiveness
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Alessandro Marcello
Concerto di Flauti, S.D945: III. Presto
143 bpm • G Maj • 01:19 • -21.65db
18% Popularity • 48% Danceability • 10% Energy • 8% Liveness
73% Instrumentalness • 69% Positiveness
18% Popularity • 48% Danceability • 10% Energy • 8% Liveness
73% Instrumentalness • 69% Positiveness
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Dolci Accenti
Sonata Per Viola da Gamba No. 2 in a Min...
131 bpm • G# min • 02:28 • -23db
9% Popularity • 25% Danceability • 2% Energy • 35% Liveness
97% Instrumentalness • 11% Positiveness
9% Popularity • 25% Danceability • 2% Energy • 35% Liveness
97% Instrumentalness • 11% Positiveness
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Arcangelo Corelli
Trio Sonata in D Minor, Op. 3 No. 5: III...
144 bpm • E Maj • 01:41 • -19.36db
8% Popularity • 14% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 14% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Nicola Matteis
Allegro
131 bpm • D# min • 02:01 • -17.55db
16% Popularity • 48% Danceability • 26% Energy • 29% Liveness
44% Instrumentalness • 80% Positiveness
16% Popularity • 48% Danceability • 26% Energy • 29% Liveness
44% Instrumentalness • 80% Positiveness
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James Oswald
A Sonata of Scots Tunes: II. Ettrick Ban...
131 bpm • C# Maj • 01:00 • -19.45db
23% Popularity • 30% Danceability • 7% Energy • 18% Liveness
51% Instrumentalness • 50% Positiveness
23% Popularity • 30% Danceability • 7% Energy • 18% Liveness
51% Instrumentalness • 50% Positiveness
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Giovanni Battista Fontana
Sonata quinta a violino solo
131 bpm • C# Maj • 05:43 • -20.07db
0% Popularity • 25% Danceability • 13% Energy • 5% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 25% Danceability • 13% Energy • 5% Liveness
0% Instrumentalness • 17% Positiveness
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Jean-Baptiste Quentin
Sonates à violon ou flûte seule avec b...
130 bpm • G# Maj • 04:43 • -20.34db
12% Popularity • 25% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 25% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Girolamo Frescobaldi
A miei pianti al fine un dì, F7.32
130 bpm • G Maj • 01:27 • -23.58db
23% Popularity • 46% Danceability • 12% Energy • 30% Liveness
90% Instrumentalness • 73% Positiveness
23% Popularity • 46% Danceability • 12% Energy • 30% Liveness
90% Instrumentalness • 73% Positiveness
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Johann Hermann Schein
Corollarium. Canzon à 5
130 bpm • A min • 04:09 • -17.62db
13% Popularity • 24% Danceability • 14% Energy • 11% Liveness
39% Instrumentalness • 11% Positiveness
13% Popularity • 24% Danceability • 14% Energy • 11% Liveness
39% Instrumentalness • 11% Positiveness
► Preview
Francesca Caccini
Scene 1
130 bpm • F# Maj • 01:20 • -15.87db
18% Popularity • 32% Danceability • 16% Energy • 16% Liveness
29% Instrumentalness • 38% Positiveness
18% Popularity • 32% Danceability • 16% Energy • 16% Liveness
29% Instrumentalness • 38% Positiveness
► Preview
![Sonata III in G-Moll, Op. 2, BuxWV 261: Sonata III in G-Moll, Op. 2, BuxWV 261: III. Andante [Passacaglia] cover art](https://i.scdn.co/image/ab67616d00001e02f90d6525c5a62ca2c4975b93)
Dietrich Buxtehude
Sonata III in G-Moll, Op. 2, BuxWV 261: ...
130 bpm • F# min • 05:34 • -17.29db
9% Popularity • 30% Danceability • 17% Energy • 10% Liveness
73% Instrumentalness • 6% Positiveness
9% Popularity • 30% Danceability • 17% Energy • 10% Liveness
73% Instrumentalness • 6% Positiveness
► Preview
Giovanni Battista Fontana
Sonate Per 1, 2, 3, per il violino, o co...
130 bpm • G Maj • 05:35 • -18.38db
10% Popularity • 34% Danceability • 6% Energy • 24% Liveness
64% Instrumentalness • 10% Positiveness
10% Popularity • 34% Danceability • 6% Energy • 24% Liveness
64% Instrumentalness • 10% Positiveness
► Preview
Maurizio Cazzati
Corrente quarta
130 bpm • F# min • 00:39 • -11.13db
24% Popularity • 55% Danceability • 46% Energy • 11% Liveness
26% Instrumentalness • 61% Positiveness
24% Popularity • 55% Danceability • 46% Energy • 11% Liveness
26% Instrumentalness • 61% Positiveness
► Preview
John Adson
Adson's Masque
130 bpm • G min • 01:40 • -16.23db
11% Popularity • 31% Danceability • 16% Energy • 13% Liveness
3% Instrumentalness • 38% Positiveness
11% Popularity • 31% Danceability • 16% Energy • 13% Liveness
3% Instrumentalness • 38% Positiveness
► Preview
Marin Marais
Quatrième suite in A Minor: No. 7, Muze...
130 bpm • G# Maj • 01:05 • -20.98db
24% Popularity • 23% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 13% Positiveness
24% Popularity • 23% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 13% Positiveness
► Preview
Heinrich Ignaz Franz von Biber
Violin Sonata No. 1 in A Major, C. 138: ...
129 bpm • D# Maj • 01:05 • -25.63db
17% Popularity • 18% Danceability • 5% Energy • 20% Liveness
45% Instrumentalness • 24% Positiveness
17% Popularity • 18% Danceability • 5% Energy • 20% Liveness
45% Instrumentalness • 24% Positiveness
► Preview
Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": IV. ...
129 bpm • E Maj • 01:38 • -25.63db
28% Popularity • 41% Danceability • 3% Energy • 9% Liveness
15% Instrumentalness • 21% Positiveness
28% Popularity • 41% Danceability • 3% Energy • 9% Liveness
15% Instrumentalness • 21% Positiveness
► Preview
Giovanni Battista Fontana
Sonata No. 8
130 bpm • D# Maj • 06:51 • -17.54db
1% Popularity • 24% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
1% Popularity • 24% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
François Couperin
Concert No. 8 in G Major "Les goûts ré...
129 bpm • F Maj • 02:18 • -25.41db
17% Popularity • 23% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 21% Positiveness
17% Popularity • 23% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 21% Positiveness
► Preview
Alessandro Scarlatti
29 Partite sopra l'aria della Folia (Arr...
129 bpm • C# min • 07:50 • -21.13db
8% Popularity • 38% Danceability • 19% Energy • 8% Liveness
41% Instrumentalness • 48% Positiveness
8% Popularity • 38% Danceability • 19% Energy • 8% Liveness
41% Instrumentalness • 48% Positiveness
► Preview
Giovanni Battista Pergolesi
Il Flaminio: I. Allegro e spiritoso
146 bpm • C# Maj • 01:11 • -19.27db
11% Popularity • 56% Danceability • 25% Energy • 8% Liveness
51% Instrumentalness • 70% Positiveness
11% Popularity • 56% Danceability • 25% Energy • 8% Liveness
51% Instrumentalness • 70% Positiveness
► Preview
Marin Marais
Deuxième Suite en ré majeur, no 14: Ro...
128 bpm • C# Maj • 03:39 • -20.49db
8% Popularity • 25% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 25% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Johann Rosenmüller
Sonata Decima à 5 en fa majeur
129 bpm • E Maj • 05:33 • -18.3db
11% Popularity • 36% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 25% Positiveness
11% Popularity • 36% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 25% Positiveness
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Giovanni Battista Fontana
Sonata Settima : Sonate a 1,2,3 per il v...
144 bpm • D min • 06:20 • -18.49db
1% Popularity • 20% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
1% Popularity • 20% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Charles Buterne
Sonata No. 4 in C minor for recorder & b...
128 bpm • B min • 01:56 • -23.28db
17% Popularity • 40% Danceability • 10% Energy • 19% Liveness
94% Instrumentalness • 86% Positiveness
17% Popularity • 40% Danceability • 10% Energy • 19% Liveness
94% Instrumentalness • 86% Positiveness
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Giuseppe Antonio Brescianello
Ouverture for Strings & Continuo in A Ma...
128 bpm • A Maj • 02:07 • -16.58db
8% Popularity • 17% Danceability • 17% Energy • 15% Liveness
85% Instrumentalness • 21% Positiveness
8% Popularity • 17% Danceability • 17% Energy • 15% Liveness
85% Instrumentalness • 21% Positiveness
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Giuseppe Torelli
Concerto grosso in D Minor, op. 8, No. 7...
128 bpm • E Maj • 01:07 • -18.15db
14% Popularity • 25% Danceability • 15% Energy • 36% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 25% Danceability • 15% Energy • 36% Liveness
0% Instrumentalness • 26% Positiveness
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Nicola Porpora
Il trionfo della divina Giustizia ne' to...
127 bpm • B min • 06:53 • -21.45db
18% Popularity • 19% Danceability • 9% Energy • 22% Liveness
18% Instrumentalness • 4% Positiveness
18% Popularity • 19% Danceability • 9% Energy • 22% Liveness
18% Instrumentalness • 4% Positiveness
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Monsieur de Sainte-Colombe
Concert XLIV
127 bpm • F Maj • 06:16 • -24.76db
9% Popularity • 21% Danceability • 4% Energy • 24% Liveness
86% Instrumentalness • 5% Positiveness
9% Popularity • 21% Danceability • 4% Energy • 24% Liveness
86% Instrumentalness • 5% Positiveness
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Giovanni Battista Fontana
Sonata quintadecima, No. 15
128 bpm • C Maj • 04:52 • -15.66db
0% Popularity • 32% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
0% Popularity • 32% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Antonio Vivaldi
Cello Concerto in D Minor, RV 405: II. A...
148 bpm • G# min • 03:50 • -21.74db
23% Popularity • 18% Danceability • 8% Energy • 20% Liveness
4% Instrumentalness • 14% Positiveness
23% Popularity • 18% Danceability • 8% Energy • 20% Liveness
4% Instrumentalness • 14% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad pedes: ...
126 bpm • C min • 01:33 • -20.73db
20% Popularity • 35% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
20% Popularity • 35% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
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Andrea Falconieri
Il Spiritillo Brando
126 bpm • G Maj • 01:00 • -19.24db
20% Popularity • 57% Danceability • 15% Energy • 14% Liveness
80% Instrumentalness • 69% Positiveness
20% Popularity • 57% Danceability • 15% Energy • 14% Liveness
80% Instrumentalness • 69% Positiveness
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Nicola Matteis
The False Consonances of Musick, Aria II
126 bpm • F# Maj • 01:10 • -27.77db
22% Popularity • 64% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 47% Positiveness
22% Popularity • 64% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 47% Positiveness
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Antonio Caldara
Sinfonia No. 8 in si bemolle maggiore (G...
149 bpm • A# Maj • 01:02 • -17.28db
30% Popularity • 20% Danceability • 15% Energy • 9% Liveness
96% Instrumentalness • 7% Positiveness
30% Popularity • 20% Danceability • 15% Energy • 9% Liveness
96% Instrumentalness • 7% Positiveness
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Giovanni Battista Fontana
Sonata 3 a Flauto Solo col Basso
127 bpm • C Maj • 04:56 • -21.54db
0% Popularity • 31% Danceability • 11% Energy • 14% Liveness
15% Instrumentalness • 46% Positiveness
0% Popularity • 31% Danceability • 11% Energy • 14% Liveness
15% Instrumentalness • 46% Positiveness
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Élisabeth Jacquet de La Guerre
Chamber Sonata No. 2 in C Minor: II. Viv...
125 bpm • F# min • 01:43 • -16.94db
10% Popularity • 44% Danceability • 23% Energy • 11% Liveness
81% Instrumentalness • 54% Positiveness
10% Popularity • 44% Danceability • 23% Energy • 11% Liveness
81% Instrumentalness • 54% Positiveness
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Johann Pachelbel
Partie 5 en si bémol majeur: Gavotte - ...
125 bpm • A Maj • 02:25 • -15db
15% Popularity • 35% Danceability • 20% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 35% Danceability • 20% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Henry Purcell
The Indian Queen, Z. 630 / Act III: Rond...
124 bpm • G# Maj • 01:41 • -18.22db
13% Popularity • 41% Danceability • 22% Energy • 9% Liveness
89% Instrumentalness • 47% Positiveness
13% Popularity • 41% Danceability • 22% Energy • 9% Liveness
89% Instrumentalness • 47% Positiveness
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James Paisible
Sett in D Minor, Op. 2: V. Jigg
123 bpm • E Maj • 01:16 • -21db
16% Popularity • 39% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 81% Positiveness
16% Popularity • 39% Danceability • 12% Energy • 12% Liveness
93% Instrumentalness • 81% Positiveness
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Jean-Baptiste Quentin
2e Livre de Sonates à violon seul et ba...
123 bpm • D# min • 03:22 • -20.18db
14% Popularity • 23% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
14% Popularity • 23% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Giovanni Battista Fontana
Sonata No. 17
127 bpm • F# Maj • 05:51 • -17.22db
2% Popularity • 26% Danceability • 19% Energy • 13% Liveness
52% Instrumentalness • 16% Positiveness
2% Popularity • 26% Danceability • 19% Energy • 13% Liveness
52% Instrumentalness • 16% Positiveness
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Élisabeth Jacquet de La Guerre
Violin Sonata No. 1 in D Minor: I. Adagi...
125 bpm • C# min • 02:51 • -18.24db
13% Popularity • 18% Danceability • 10% Energy • 8% Liveness
4% Instrumentalness • 5% Positiveness
13% Popularity • 18% Danceability • 10% Energy • 8% Liveness
4% Instrumentalness • 5% Positiveness
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Johann Pachelbel
Partie 2 en ut mineur: Sonata
123 bpm • B min • 01:48 • -15.26db
11% Popularity • 19% Danceability • 20% Energy • 15% Liveness
26% Instrumentalness • 6% Positiveness
11% Popularity • 19% Danceability • 20% Energy • 15% Liveness
26% Instrumentalness • 6% Positiveness
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Johann Heinrich Schmelzer
Sonatae unarum fidium: III. Gigue
123 bpm • G# Maj • 00:55 • -16.83db
21% Popularity • 55% Danceability • 36% Energy • 12% Liveness
53% Instrumentalness • 35% Positiveness
21% Popularity • 55% Danceability • 36% Energy • 12% Liveness
53% Instrumentalness • 35% Positiveness
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Baldassare Galuppi
Concerto primo in G Major: I. Andante - ...
122 bpm • G Maj • 02:08 • -17db
15% Popularity • 41% Danceability • 20% Energy • 12% Liveness
65% Instrumentalness • 37% Positiveness
15% Popularity • 41% Danceability • 20% Energy • 12% Liveness
65% Instrumentalness • 37% Positiveness
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Philipp Heinrich Erlebach
Sonata Sesta in F Major: II. Allemande
121 bpm • E Maj • 02:13 • -16.96db
11% Popularity • 32% Danceability • 15% Energy • 45% Liveness
9% Instrumentalness • 40% Positiveness
11% Popularity • 32% Danceability • 15% Energy • 45% Liveness
9% Instrumentalness • 40% Positiveness
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Giovanni Battista Fontana
Sonate à 1. 2. 3. per il violino, o cor...
127 bpm • C Maj • 04:35 • -17.38db
0% Popularity • 32% Danceability • 16% Energy • 6% Liveness
2% Instrumentalness • 51% Positiveness
0% Popularity • 32% Danceability • 16% Energy • 6% Liveness
2% Instrumentalness • 51% Positiveness
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Arcangelo Corelli
Violin Sonata in C Major, Op. 5 No. 3: I...
121 bpm • C# Maj • 02:11 • -18.65db
22% Popularity • 36% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 36% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
