Songs like Song Book: The Man I Love. Slow and in singing style by George Gershwin
Based on a tempo of (+/- 10%) and a similar genre
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Johannes Brahms
Sechs Klavierstücke, Op. 118: II. Inter...
69 bpm • A Maj • 06:18 • -30.92db
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Felix Mendelssohn
Songs Without Words, Book VI Opus 67: No...
69 bpm • F# min • 02:00 • -26.32db
59% Popularity • 26% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 50% Positiveness
59% Popularity • 26% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 50% Positiveness
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Claude Debussy
Deux Arabesques, L. 66, CD 74: I. Premi�...
69 bpm • E Maj • 04:04 • -32.34db
51% Popularity • 24% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 8% Positiveness
51% Popularity • 24% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 8% Positiveness
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Friedrich Gulda
Play Piano Play "10 Pieces for Yuko": No...
69 bpm • G Maj • 02:02 • -27.06db
19% Popularity • 25% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 52% Positiveness
19% Popularity • 25% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 52% Positiveness
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Pyotr Ilyich Tchaikovsky
VI. June. Barcarolle
69 bpm • G min • 05:25 • -35db
32% Popularity • 26% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
32% Popularity • 26% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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Robert Schumann
Waldszenen, op. 82: I. Eintritt
69 bpm • A# Maj • 02:08 • -33db
38% Popularity • 29% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 29% Positiveness
38% Popularity • 29% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 29% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: XIII. T...
69 bpm • G Maj • 02:33 • -22.02db
44% Popularity • 23% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
44% Popularity • 23% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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Frédéric Chopin
Chopin: Waltz No. 9 in A-Flat Major, Op....
69 bpm • G# Maj • 04:28 • -29.46db
48% Popularity • 35% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
48% Popularity • 35% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
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Clara Schumann
Piano Concerto in A Minor, Op. 7: II. Ro...
69 bpm • G# Maj • 04:29 • -31db
33% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
33% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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George Gershwin
Song Book: The Man I Love. Slow and in s...
69 bpm • F min • 02:25 • -36.03db
51% Popularity • 45% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
51% Popularity • 45% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Maurice Ravel
Miroirs: V. La vallée des cloches
69 bpm • C# Maj • 05:22 • -40db
34% Popularity • 26% Danceability • 0% Energy • 15% Liveness
96% Instrumentalness • 4% Positiveness
34% Popularity • 26% Danceability • 0% Energy • 15% Liveness
96% Instrumentalness • 4% Positiveness
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Claude Debussy
Rêverie, L. 68: Rêverie
69 bpm • G min • 04:17 • -31.95db
58% Popularity • 30% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
58% Popularity • 30% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Franz Liszt
6 Consolations, S. 172: No. 3 in D-Flat ...
69 bpm • C# Maj • 04:14 • -36.76db
58% Popularity • 37% Danceability • 0% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
58% Popularity • 37% Danceability • 0% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
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Nino Rota
15 Preludes: XIII. Andante cantabile
70 bpm • G min • 01:54 • -24.85db
25% Popularity • 42% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
25% Popularity • 42% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
69 bpm • C# Maj • 06:47 • -25.16db
32% Popularity • 12% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
32% Popularity • 12% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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George Gershwin
George Gershwin's Song-Book: No. 8. The ...
68 bpm • D# Maj • 02:01 • -28.91db
10% Popularity • 46% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
10% Popularity • 46% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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AntonÃn Dvořák
Gypsy Songs, Op. 55, B. 104: No. 4, Song...
68 bpm • C min • 02:54 • -25db
29% Popularity • 14% Danceability • 3% Energy • 20% Liveness
83% Instrumentalness • 7% Positiveness
29% Popularity • 14% Danceability • 3% Energy • 20% Liveness
83% Instrumentalness • 7% Positiveness
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Peter Breiner
The Man I Love
70 bpm • G# Maj • 04:38 • -26.99db
23% Popularity • 36% Danceability • 2% Energy • 15% Liveness
90% Instrumentalness • 15% Positiveness
23% Popularity • 36% Danceability • 2% Energy • 15% Liveness
90% Instrumentalness • 15% Positiveness
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Franz Liszt
Consolations, S. 172: No. 3, Lento placi...
70 bpm • C# Maj • 05:12 • -39db
54% Popularity • 27% Danceability • 0% Energy • 17% Liveness
87% Instrumentalness • 9% Positiveness
54% Popularity • 27% Danceability • 0% Energy • 17% Liveness
87% Instrumentalness • 9% Positiveness
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Samuel Coleridge-Taylor
Sometimes I Feel Like a Motherless Child
68 bpm • C Maj • 04:01 • -20.33db
43% Popularity • 38% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
43% Popularity • 38% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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![Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] cover art](https://i.scdn.co/image/ab67616d00001e02e7b0049790088d1115f1984b)
Seattle Symphony Orchestra
Etudes symphoniques (Symphonic Etudes), ...
70 bpm • A min • 01:51 • -29db
61% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
61% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
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George Gershwin
Gershwin / Arr Turrin: Someone to Watch ...
70 bpm • D# Maj • 04:00 • -26.3db
16% Popularity • 27% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
16% Popularity • 27% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 (Arranged by S...
70 bpm • D min • 03:01 • -36.89db
57% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
57% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
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Robert Schumann
No. 1, Von fremden Ländern und Menschen
70 bpm • G Maj • 01:33 • -35.55db
59% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
59% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
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George Frideric Handel
Rinaldo, HWV 7: Lascia ch'io pianga (Arr...
68 bpm • F Maj • 04:28 • -31.27db
51% Popularity • 25% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
51% Popularity • 25% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
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Claude Debussy
Reverie
68 bpm • F Maj • 04:25 • -34db
47% Popularity • 27% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
47% Popularity • 27% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Alexander Scriabin
Scriabin: 24 Preludes, Op. 11: No. 21 in...
70 bpm • D# Maj • 01:47 • -43.21db
59% Popularity • 22% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
59% Popularity • 22% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
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George Gershwin
Song Book: Oh, Lady Be Good. Rather slow
68 bpm • G Maj • 01:04 • -25.02db
23% Popularity • 52% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 65% Positiveness
23% Popularity • 52% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 65% Positiveness
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Manuel de Falla
7 canciones populares españolas: VI. Ca...
70 bpm • C min • 02:19 • -32.94db
44% Popularity • 24% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
44% Popularity • 24% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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William Walton
Walton: Henry V: Touch Her Soft Lips and...
70 bpm • C Maj • 01:46 • -31.04db
30% Popularity • 7% Danceability • 4% Energy • 11% Liveness
99% Instrumentalness • 6% Positiveness
30% Popularity • 7% Danceability • 4% Energy • 11% Liveness
99% Instrumentalness • 6% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
68 bpm • D# Maj • 04:42 • -28.66db
55% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
55% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Wolfgang Amadeus Mozart
Serenade in B-Flat Major, K. 361 "Gran P...
68 bpm • D# Maj • 05:30 • -25.19db
59% Popularity • 17% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
59% Popularity • 17% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Jean Sibelius
5 Pieces, Op. 75, "The Trees": No. 5 Gra...
68 bpm • D Maj • 03:38 • -27.55db
48% Popularity • 37% Danceability • 0% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
48% Popularity • 37% Danceability • 0% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
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George Gershwin
Three Preludes: II. Andante con moto e p...
70 bpm • F# Maj • 03:52 • -33.86db
16% Popularity • 37% Danceability • 0% Energy • 10% Liveness
86% Instrumentalness • 14% Positiveness
16% Popularity • 37% Danceability • 0% Energy • 10% Liveness
86% Instrumentalness • 14% Positiveness
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Johann Sebastian Bach
Concerto en ré mineur, BWV 974: II. Ada...
68 bpm • D min • 04:13 • -27db
57% Popularity • 35% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
57% Popularity • 35% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
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Lalo Schifrin
Lullaby for Jack
70 bpm • F Maj • 01:35 • -34.56db
35% Popularity • 34% Danceability • 1% Energy • 7% Liveness
85% Instrumentalness • 22% Positiveness
35% Popularity • 34% Danceability • 1% Energy • 7% Liveness
85% Instrumentalness • 22% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39: No. 15 In A Flat Maj...
68 bpm • G# Maj • 01:34 • -34.56db
64% Popularity • 39% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
64% Popularity • 39% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
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Karol Szymanowski
Variations on a Polish Theme, Op. 10: No...
70 bpm • B min • 01:16 • -34db
47% Popularity • 33% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
47% Popularity • 33% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
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Ottorino Respighi
6 Pezzi, P. 44: No. 1. Valse Caressante
70 bpm • D# Maj • 03:24 • -29.87db
43% Popularity • 20% Danceability • 6% Energy • 24% Liveness
91% Instrumentalness • 36% Positiveness
43% Popularity • 20% Danceability • 6% Energy • 24% Liveness
91% Instrumentalness • 36% Positiveness
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George Gershwin
Porgy and Bess, Act 2: I Loves You, Porg...
70 bpm • C# Maj • 03:58 • -16.5db
21% Popularity • 12% Danceability • 17% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
21% Popularity • 12% Danceability • 17% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
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Franz Liszt
Liebestraum (Love Dream)
70 bpm • G# Maj • 04:39 • -15.14db
46% Popularity • 34% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
46% Popularity • 34% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Valentin Silvestrov
Three Postludes (1981/82): Postlude No. ...
70 bpm • D Maj • 04:15 • -40db
54% Popularity • 12% Danceability • 0% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
54% Popularity • 12% Danceability • 0% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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Maurice Ravel
Miroirs: III. Une Barque sur l'Océan
68 bpm • D Maj • 07:45 • -25.36db
35% Popularity • 17% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
35% Popularity • 17% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Camille Saint-Saëns
Carnival of the Animals: Aquarium
70 bpm • A min • 02:46 • -28.43db
47% Popularity • 19% Danceability • 2% Energy • 8% Liveness
56% Instrumentalness • 4% Positiveness
47% Popularity • 19% Danceability • 2% Energy • 8% Liveness
56% Instrumentalness • 4% Positiveness
► Preview
JoaquÃn Rodrigo
Cançoneta for Violin and Orchestra
70 bpm • A Maj • 02:52 • -34.94db
45% Popularity • 14% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
45% Popularity • 14% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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George Gershwin
Embraceable You
68 bpm • C Maj • 01:45 • -22.83db
23% Popularity • 20% Danceability • 10% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
23% Popularity • 20% Danceability • 10% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
► Preview
Francis Poulenc
Mélancolie
70 bpm • D Maj • 05:25 • -25db
28% Popularity • 20% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Giacomo Puccini
Crisantemi
70 bpm • F# min • 07:22 • -28.12db
29% Popularity • 10% Danceability • 1% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
29% Popularity • 10% Danceability • 1% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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Rik
Prelude in G-Flat Major, La Fille Aux Ch...
70 bpm • F# Maj • 02:18 • -27db
43% Popularity • 43% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 17% Positiveness
43% Popularity • 43% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 17% Positiveness
► Preview
Ludwig van Beethoven
Symphony No. 7 in A Major, Op. 92: II. A...
68 bpm • E min • 07:41 • -24db
49% Popularity • 12% Danceability • 4% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
49% Popularity • 12% Danceability • 4% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Gustav Mahler
Symphony No. 5 in C-Sharp Minor (arr. J....
71 bpm • F Maj • 09:59 • -24.95db
35% Popularity • 45% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
35% Popularity • 45% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
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George Gershwin
Prelude: Melody N°17. Slowly with feeli...
68 bpm • A# min • 02:14 • -33.23db
16% Popularity • 38% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 9% Positiveness
16% Popularity • 38% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 9% Positiveness
► Preview
Robert Schumann
Schumann: Kinderszenen, Op. 15: No. 1, V...
67 bpm • G Maj • 01:40 • -38.34db
49% Popularity • 28% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
49% Popularity • 28% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
► Preview
Samuel Coleridge-Taylor
Petite suite de concert, Op. 77: III. Un...
71 bpm • A Maj • 03:05 • -35db
43% Popularity • 10% Danceability • 1% Energy • 13% Liveness
12% Instrumentalness • 6% Positiveness
43% Popularity • 10% Danceability • 1% Energy • 13% Liveness
12% Instrumentalness • 6% Positiveness
► Preview
Franz Liszt
En rêve, S. 207
67 bpm • B Maj • 02:34 • -39db
38% Popularity • 28% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
38% Popularity • 28% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Bedřich Smetana
Bagatelles et impromptus: VII. Love
71 bpm • A Maj • 02:18 • -36.38db
52% Popularity • 21% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 10% Positiveness
52% Popularity • 21% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 10% Positiveness
► Preview
Clara Schumann
Schumann: 12 Gedichte aus Liebesfrühlin...
71 bpm • G# Maj • 02:09 • -32db
57% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
57% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Jonny Greenwood
House of Woodcock
67 bpm • D min • 03:53 • -17.01db
46% Popularity • 25% Danceability • 13% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
46% Popularity • 25% Danceability • 13% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
William Grant Still
3 Visions: No. 2, Summerland
67 bpm • F# Maj • 04:53 • -28.12db
58% Popularity • 46% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
58% Popularity • 46% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
► Preview
Leo Brouwer
An Idea
71 bpm • E min • 02:38 • -29.64db
58% Popularity • 29% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 17% Positiveness
58% Popularity • 29% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 17% Positiveness
► Preview
Franz Liszt
Années de pèlerinage III, S. 163: No. ...
71 bpm • F# Maj • 08:19 • -21.44db
34% Popularity • 24% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
34% Popularity • 24% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte, Book 2, Op. 30: No. 6...
67 bpm • F# min • 02:52 • -32.82db
37% Popularity • 35% Danceability • 1% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
37% Popularity • 35% Danceability • 1% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Claude Debussy
2 Arabesques: Arabesque No. 1
67 bpm • F# min • 05:10 • -31.26db
45% Popularity • 18% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
45% Popularity • 18% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
► Preview
Germaine Tailleferre
Valses pour 2 pianos: Valse lente
71 bpm • B min • 01:15 • -30.06db
42% Popularity • 55% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
42% Popularity • 55% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
► Preview
Alexander Scriabin
24 Preludes for piano, Op. 11: No. 11 In...
67 bpm • B Maj • 01:31 • -32.01db
43% Popularity • 22% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
43% Popularity • 22% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
► Preview
John Field
Nocturne No. 2 in C Minor
67 bpm • C min • 03:43 • -33.29db
57% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
57% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
► Preview
Aaron Copland
Appalachian Spring - 1945 Suite: 1. Very...
71 bpm • A Maj • 02:54 • -35db
43% Popularity • 7% Danceability • 1% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
43% Popularity • 7% Danceability • 1% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
► Preview
Richard Strauss
Morgen, Op. 27 No. 4 (Arr. Reger for Pia...
67 bpm • G Maj • 03:52 • -37db
58% Popularity • 29% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 26% Positiveness
58% Popularity • 29% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 26% Positiveness
► Preview
Frederick Delius
Over the Mountains High (arr. J. Lloyd W...
71 bpm • C Maj • 02:20 • -28db
46% Popularity • 23% Danceability • 3% Energy • 5% Liveness
89% Instrumentalness • 7% Positiveness
46% Popularity • 23% Danceability • 3% Energy • 5% Liveness
89% Instrumentalness • 7% Positiveness
► Preview
Giovanni Sgambati
Orfeo ed Euridice: Melody (arr. G. Sgamb...
71 bpm • D min • 03:49 • -34.2db
41% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
41% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
► Preview
Alexander Scriabin
24 Preludes, Op. 11: No. 1 in C Major
71 bpm • C Maj • 01:02 • -21db
55% Popularity • 35% Danceability • 27% Energy • 25% Liveness
87% Instrumentalness • 6% Positiveness
55% Popularity • 35% Danceability • 27% Energy • 25% Liveness
87% Instrumentalness • 6% Positiveness
► Preview
Frédéric Chopin
Nocturne No. 19 in E Minor, Op. 72, No. ...
67 bpm • E min • 04:01 • -30.9db
55% Popularity • 33% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
55% Popularity • 33% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
► Preview
William Walton
Henry V - Suite (arr. Mathieson): IV. To...
71 bpm • C Maj • 01:40 • -32.65db
34% Popularity • 16% Danceability • 2% Energy • 7% Liveness
99% Instrumentalness • 6% Positiveness
34% Popularity • 16% Danceability • 2% Energy • 7% Liveness
99% Instrumentalness • 6% Positiveness
► Preview
Camille Saint-Saëns
Valse nonchalante en Ré-Bémol Majeur, ...
67 bpm • C# Maj • 04:21 • -28db
26% Popularity • 30% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
26% Popularity • 30% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
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Franz Liszt
Le mal du pays
67 bpm • E Maj • 06:11 • -29.64db
29% Popularity • 29% Danceability • 1% Energy • 13% Liveness
83% Instrumentalness • 5% Positiveness
29% Popularity • 29% Danceability • 1% Energy • 13% Liveness
83% Instrumentalness • 5% Positiveness
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Manuel Ponce
Intermezzo No. 1
67 bpm • E min • 02:41 • -24.2db
37% Popularity • 25% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
37% Popularity • 25% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Maurice Ravel
Prélude
66 bpm • D min • 01:23 • -41db
44% Popularity • 41% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 7% Positiveness
44% Popularity • 41% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 7% Positiveness
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Claude Debussy
Symphony in B Minor (arr. T. Finno for o...
72 bpm • D Maj • 02:45 • -24.78db
51% Popularity • 18% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
51% Popularity • 18% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
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Frederick Delius
2 Aquarelles: Lento, ma non troppo
72 bpm • A# Maj • 02:12 • -27.63db
62% Popularity • 18% Danceability • 5% Energy • 29% Liveness
92% Instrumentalness • 3% Positiveness
62% Popularity • 18% Danceability • 5% Energy • 29% Liveness
92% Instrumentalness • 3% Positiveness
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George Gershwin
The Man I Love (Arr. Grainger for Piano)
66 bpm • G# Maj • 03:16 • -23.22db
8% Popularity • 34% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
8% Popularity • 34% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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![Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] cover art](https://i.scdn.co/image/ab67616d00001e027de83c6c3607df60e997e186)
Franz Liszt
Schwanengesang, S. 560: Schubert - Schwa...
66 bpm • D Maj • 07:05 • -37.69db
45% Popularity • 31% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
45% Popularity • 31% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Alena Cherny
Gnossienne No. 1
72 bpm • F min • 04:56 • -31.62db
49% Popularity • 38% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
49% Popularity • 38% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel: Miroirs, M. 43: III. Une barque s...
66 bpm • D Maj • 07:00 • -23.19db
43% Popularity • 20% Danceability • 12% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
43% Popularity • 20% Danceability • 12% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 2 Etude
72 bpm • A min • 01:11 • -26.24db
62% Popularity • 25% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 65% Positiveness
62% Popularity • 25% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 65% Positiveness
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AntonÃn Dvořák
8 Humoresques, Op. 101, B. 187: No. 7, P...
72 bpm • F# Maj • 03:30 • -25.08db
47% Popularity • 12% Danceability • 6% Energy • 14% Liveness
25% Instrumentalness • 14% Positiveness
47% Popularity • 12% Danceability • 6% Energy • 14% Liveness
25% Instrumentalness • 14% Positiveness
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Johann Sebastian Bach
The Well-Tempered Clavier, Book 1, Prelu...
72 bpm • C Maj • 01:57 • -40.4db
38% Popularity • 17% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
38% Popularity • 17% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
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Jascha Heifetz
Porgy and Bess (arr. J. Heifetz for viol...
66 bpm • D min • 02:37 • -16.69db
14% Popularity • 36% Danceability • 25% Energy • 21% Liveness
3% Instrumentalness • 33% Positiveness
14% Popularity • 36% Danceability • 25% Energy • 21% Liveness
3% Instrumentalness • 33% Positiveness
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Sergei Prokofiev
Visions fugitives, Op. 22: No. 8, Commod...
66 bpm • F# min • 01:22 • -40db
44% Popularity • 28% Danceability • 0% Energy • 11% Liveness
81% Instrumentalness • 16% Positiveness
44% Popularity • 28% Danceability • 0% Energy • 11% Liveness
81% Instrumentalness • 16% Positiveness
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George Gershwin
But Not For Me - l
72 bpm • E Maj • 01:09 • -32.71db
24% Popularity • 18% Danceability • 3% Energy • 15% Liveness
90% Instrumentalness • 9% Positiveness
24% Popularity • 18% Danceability • 3% Energy • 15% Liveness
90% Instrumentalness • 9% Positiveness
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Jean Sibelius
6 Impromptus, Op. 5: Impromptu V
72 bpm • B min • 03:51 • -31.63db
41% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
41% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
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Alexander Scriabin
Etude in D-Sharp Minor, Op. 8, No. 12: P...
72 bpm • C# min • 02:10 • -16db
39% Popularity • 36% Danceability • 29% Energy • 15% Liveness
89% Instrumentalness • 34% Positiveness
39% Popularity • 36% Danceability • 29% Energy • 15% Liveness
89% Instrumentalness • 34% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
72 bpm • G min • 02:04 • -33.47db
60% Popularity • 39% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
60% Popularity • 39% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
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Edvard Grieg
Lyric Pieces, Book 5, Op. 54: Nocturne
72 bpm • C Maj • 03:40 • -29.73db
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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William Walton
2 Pieces for Strings from Henry V: No. 2...
72 bpm • C Maj • 01:46 • -29db
39% Popularity • 14% Danceability • 3% Energy • 21% Liveness
97% Instrumentalness • 7% Positiveness
39% Popularity • 14% Danceability • 3% Energy • 21% Liveness
97% Instrumentalness • 7% Positiveness
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Claude Debussy
Clair de Lune, L. 32
66 bpm • C# Maj • 04:28 • -31.65db
67% Popularity • 34% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
67% Popularity • 34% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 3 Carillon
72 bpm • F Maj • 01:35 • -31.25db
61% Popularity • 25% Danceability • 2% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
61% Popularity • 25% Danceability • 2% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
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Ottorino Respighi
6 Pezzi, P. 44: No. 5. Studio
72 bpm • A# min • 01:32 • -26.72db
43% Popularity • 26% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 23% Positiveness
43% Popularity • 26% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 23% Positiveness
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Mikhail Glinka
La separation, Nocturne in F Minor
72 bpm • F min • 04:28 • -23.32db
18% Popularity • 38% Danceability • 6% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
18% Popularity • 38% Danceability • 6% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
