Songs like Song For Irene by Eric Johnson
Based on a tempo of (+/- 10%) and a similar genre
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Eric Johnson
Song For Irene
163 bpm • D Maj • 02:29 • -16db
41% Popularity • 39% Danceability • 30% Energy • 11% Liveness
95% Instrumentalness • 83% Positiveness
41% Popularity • 39% Danceability • 30% Energy • 11% Liveness
95% Instrumentalness • 83% Positiveness
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Buckethead
For Mom
163 bpm • G# min • 05:10 • -8.67db
39% Popularity • 49% Danceability • 60% Energy • 13% Liveness
95% Instrumentalness • 25% Positiveness
39% Popularity • 49% Danceability • 60% Energy • 13% Liveness
95% Instrumentalness • 25% Positiveness
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Eric Johnson
Trail of Tears - Live
163 bpm • B min • 09:21 • -9.17db
17% Popularity • 28% Danceability • 65% Energy • 98% Liveness
3% Instrumentalness • 34% Positiveness
17% Popularity • 28% Danceability • 65% Energy • 98% Liveness
3% Instrumentalness • 34% Positiveness
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Joe Satriani, Steve Vai & Eric Johnson
Red House - Live
162 bpm • F# min • 09:11 • -7.11db
28% Popularity • 27% Danceability • 59% Energy • 68% Liveness
17% Instrumentalness • 33% Positiveness
28% Popularity • 27% Danceability • 59% Energy • 68% Liveness
17% Instrumentalness • 33% Positiveness
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Stuart Hamm
Black Ice
162 bpm • D Maj • 04:24 • -11.48db
14% Popularity • 45% Danceability • 89% Energy • 21% Liveness
82% Instrumentalness • 56% Positiveness
14% Popularity • 45% Danceability • 89% Energy • 21% Liveness
82% Instrumentalness • 56% Positiveness
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Joe Satriani
Summer Song
162 bpm • D Maj • 04:57 • -5.76db
47% Popularity • 38% Danceability • 92% Energy • 10% Liveness
93% Instrumentalness • 48% Positiveness
47% Popularity • 38% Danceability • 92% Energy • 10% Liveness
93% Instrumentalness • 48% Positiveness
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The Aristocrats
The Kentucky Meat Shower
161 bpm • A min • 04:48 • -9db
24% Popularity • 31% Danceability • 70% Energy • 16% Liveness
79% Instrumentalness • 50% Positiveness
24% Popularity • 31% Danceability • 70% Energy • 16% Liveness
79% Instrumentalness • 50% Positiveness
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Chad Smith's Bombastic Meatbats
Mountain Of Meat
165 bpm • D Maj • 04:55 • -8.17db
11% Popularity • 36% Danceability • 79% Energy • 14% Liveness
90% Instrumentalness • 36% Positiveness
11% Popularity • 36% Danceability • 79% Energy • 14% Liveness
90% Instrumentalness • 36% Positiveness
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Van Halen
Spanish Fly - 2015 Remaster
161 bpm • D min • 01:01 • -15db
46% Popularity • 44% Danceability • 24% Energy • 11% Liveness
87% Instrumentalness • 80% Positiveness
46% Popularity • 44% Danceability • 24% Energy • 11% Liveness
87% Instrumentalness • 80% Positiveness
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Steffen Shackinger
Perfect Waves
161 bpm • B min • 06:20 • -7.55db
8% Popularity • 55% Danceability • 57% Energy • 4% Liveness
63% Instrumentalness • 27% Positiveness
8% Popularity • 55% Danceability • 57% Energy • 4% Liveness
63% Instrumentalness • 27% Positiveness
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Tony MacAlpine
Chrome Castles
160 bpm • C# Maj • 03:36 • -4.34db
36% Popularity • 42% Danceability • 97% Energy • 16% Liveness
86% Instrumentalness • 31% Positiveness
36% Popularity • 42% Danceability • 97% Energy • 16% Liveness
86% Instrumentalness • 31% Positiveness
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Patrik Carlsson
Oriental Touch
160 bpm • E min • 04:07 • -5.39db
10% Popularity • 57% Danceability • 76% Energy • 12% Liveness
78% Instrumentalness • 85% Positiveness
10% Popularity • 57% Danceability • 76% Energy • 12% Liveness
78% Instrumentalness • 85% Positiveness
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Jack Thammarat
Back to the Start
160 bpm • E min • 03:50 • -9.89db
29% Popularity • 42% Danceability • 63% Energy • 18% Liveness
92% Instrumentalness • 62% Positiveness
29% Popularity • 42% Danceability • 63% Energy • 18% Liveness
92% Instrumentalness • 62% Positiveness
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Kiko Loureiro
No Gravity
160 bpm • E Maj • 04:23 • -6.23db
35% Popularity • 49% Danceability • 82% Energy • 10% Liveness
90% Instrumentalness • 65% Positiveness
35% Popularity • 49% Danceability • 82% Energy • 10% Liveness
90% Instrumentalness • 65% Positiveness
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Shawn Lane
Peace in Mississippi
160 bpm • G Maj • 03:54 • -8db
20% Popularity • 34% Danceability • 77% Energy • 14% Liveness
91% Instrumentalness • 49% Positiveness
20% Popularity • 34% Danceability • 77% Energy • 14% Liveness
91% Instrumentalness • 49% Positiveness
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Luca Mantovanelli
Dream Part 2
160 bpm • E min • 01:20 • -7.8db
38% Popularity • 57% Danceability • 65% Energy • 13% Liveness
87% Instrumentalness • 59% Positiveness
38% Popularity • 57% Danceability • 65% Energy • 13% Liveness
87% Instrumentalness • 59% Positiveness
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Buckethead
Big Sur Moon
160 bpm • F# min • 01:13 • -14.95db
47% Popularity • 50% Danceability • 78% Energy • 10% Liveness
93% Instrumentalness • 72% Positiveness
47% Popularity • 50% Danceability • 78% Energy • 10% Liveness
93% Instrumentalness • 72% Positiveness
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Joe Satriani
Surfing with the Alien
167 bpm • F Maj • 04:26 • -6.53db
53% Popularity • 39% Danceability • 94% Energy • 41% Liveness
84% Instrumentalness • 56% Positiveness
53% Popularity • 39% Danceability • 94% Energy • 41% Liveness
84% Instrumentalness • 56% Positiveness
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Jack Thammarat
Midnight Rain
160 bpm • D Maj • 01:33 • -8.96db
32% Popularity • 46% Danceability • 60% Energy • 8% Liveness
93% Instrumentalness • 8% Positiveness
32% Popularity • 46% Danceability • 60% Energy • 8% Liveness
93% Instrumentalness • 8% Positiveness
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Derek Sherinian
Atlantis Part 1. - Apocalypse 1470 B.C.
167 bpm • C# Maj • 06:59 • -11.82db
14% Popularity • 45% Danceability • 56% Energy • 10% Liveness
90% Instrumentalness • 24% Positiveness
14% Popularity • 45% Danceability • 56% Energy • 10% Liveness
90% Instrumentalness • 24% Positiveness
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Flying Colors
Blue Ocean
168 bpm • D Maj • 07:03 • -4.16db
28% Popularity • 46% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 46% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Eric Johnson
Columbia
158 bpm • F Maj • 02:22 • -8.59db
19% Popularity • 28% Danceability • 78% Energy • 16% Liveness
15% Instrumentalness • 22% Positiveness
19% Popularity • 28% Danceability • 78% Energy • 16% Liveness
15% Instrumentalness • 22% Positiveness
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Van Halen
Respect the Wind - 2023 Remaster
168 bpm • G min • 05:47 • -10.84db
27% Popularity • 36% Danceability • 48% Energy • 14% Liveness
84% Instrumentalness • 6% Positiveness
27% Popularity • 36% Danceability • 48% Energy • 14% Liveness
84% Instrumentalness • 6% Positiveness
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The Aristocrats
Furtive Jack
158 bpm • A Maj • 06:52 • -7db
25% Popularity • 60% Danceability • 72% Energy • 8% Liveness
84% Instrumentalness • 76% Positiveness
25% Popularity • 60% Danceability • 72% Energy • 8% Liveness
84% Instrumentalness • 76% Positiveness
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Jack Thammarat
Awakening
160 bpm • F# min • 04:10 • -6.59db
23% Popularity • 30% Danceability • 82% Energy • 9% Liveness
95% Instrumentalness • 21% Positiveness
23% Popularity • 30% Danceability • 82% Energy • 9% Liveness
95% Instrumentalness • 21% Positiveness
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John Petrucci
Wishful Thinking
158 bpm • F# Maj • 07:28 • -5db
32% Popularity • 39% Danceability • 66% Energy • 32% Liveness
81% Instrumentalness • 43% Positiveness
32% Popularity • 39% Danceability • 66% Energy • 32% Liveness
81% Instrumentalness • 43% Positiveness
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Shawn Lane
Not Again - Live
169 bpm • D Maj • 05:23 • -7.97db
15% Popularity • 20% Danceability • 83% Energy • 58% Liveness
91% Instrumentalness • 52% Positiveness
15% Popularity • 20% Danceability • 83% Energy • 58% Liveness
91% Instrumentalness • 52% Positiveness
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Eric Johnson
12 To 12 Vibe
168 bpm • E Maj • 02:21 • -7.79db
19% Popularity • 27% Danceability • 80% Energy • 21% Liveness
88% Instrumentalness • 81% Positiveness
19% Popularity • 27% Danceability • 80% Energy • 21% Liveness
88% Instrumentalness • 81% Positiveness
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Jan Cyrka
This Fine Feeling
170 bpm • G Maj • 02:09 • -7db
33% Popularity • 54% Danceability • 65% Energy • 11% Liveness
94% Instrumentalness • 47% Positiveness
33% Popularity • 54% Danceability • 65% Energy • 11% Liveness
94% Instrumentalness • 47% Positiveness
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The Aristocrats
Sweaty Knockers
168 bpm • A Maj • 08:09 • -5.72db
28% Popularity • 34% Danceability • 81% Energy • 39% Liveness
74% Instrumentalness • 34% Positiveness
28% Popularity • 34% Danceability • 81% Energy • 39% Liveness
74% Instrumentalness • 34% Positiveness
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Marco Sfogli
Heartburn
170 bpm • E min • 04:47 • -6db
35% Popularity • 36% Danceability • 65% Energy • 16% Liveness
88% Instrumentalness • 14% Positiveness
35% Popularity • 36% Danceability • 65% Energy • 16% Liveness
88% Instrumentalness • 14% Positiveness
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Nili Brosh
Double Entendre
170 bpm • A min • 05:04 • -7.1db
24% Popularity • 45% Danceability • 89% Energy • 33% Liveness
88% Instrumentalness • 54% Positiveness
24% Popularity • 45% Danceability • 89% Energy • 33% Liveness
88% Instrumentalness • 54% Positiveness
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Guthrie Govan
Waves
156 bpm • A Maj • 05:08 • -5db
44% Popularity • 32% Danceability • 94% Energy • 96% Liveness
30% Instrumentalness • 46% Positiveness
44% Popularity • 32% Danceability • 94% Energy • 96% Liveness
30% Instrumentalness • 46% Positiveness
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Eric Johnson
Pavilion
157 bpm • A# Maj • 05:02 • -11.83db
23% Popularity • 30% Danceability • 61% Energy • 32% Liveness
55% Instrumentalness • 18% Positiveness
23% Popularity • 30% Danceability • 61% Energy • 32% Liveness
55% Instrumentalness • 18% Positiveness
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Jan Cyrka
Graduation
156 bpm • D Maj • 04:33 • -6.8db
26% Popularity • 16% Danceability • 67% Energy • 16% Liveness
90% Instrumentalness • 44% Positiveness
26% Popularity • 16% Danceability • 67% Energy • 16% Liveness
90% Instrumentalness • 44% Positiveness
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Black Country Communion
Song Of Yesterday
156 bpm • A min • 08:32 • -8.05db
40% Popularity • 36% Danceability • 71% Energy • 30% Liveness
52% Instrumentalness • 29% Positiveness
40% Popularity • 36% Danceability • 71% Energy • 30% Liveness
52% Instrumentalness • 29% Positiveness
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Marco Sfogli
Spread the Disease
170 bpm • G Maj • 04:07 • -4.52db
29% Popularity • 33% Danceability • 84% Energy • 11% Liveness
26% Instrumentalness • 66% Positiveness
29% Popularity • 33% Danceability • 84% Energy • 11% Liveness
26% Instrumentalness • 66% Positiveness
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Jack Thammarat
The Sky Was the Limit
156 bpm • A Maj • 04:17 • -4.76db
25% Popularity • 39% Danceability • 95% Energy • 13% Liveness
82% Instrumentalness • 54% Positiveness
25% Popularity • 39% Danceability • 95% Energy • 13% Liveness
82% Instrumentalness • 54% Positiveness
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Ethan Meixsell
Unsurfaced
156 bpm • G min • 06:35 • -7.86db
8% Popularity • 46% Danceability • 69% Energy • 27% Liveness
88% Instrumentalness • 30% Positiveness
8% Popularity • 46% Danceability • 69% Energy • 27% Liveness
88% Instrumentalness • 30% Positiveness
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John Petrucci
Happy Song
156 bpm • E Maj • 06:01 • -4.93db
37% Popularity • 37% Danceability • 98% Energy • 17% Liveness
91% Instrumentalness • 43% Positiveness
37% Popularity • 37% Danceability • 98% Energy • 17% Liveness
91% Instrumentalness • 43% Positiveness
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Greg Howe
Emergency Exit
155 bpm • D Maj • 07:31 • -7db
12% Popularity • 35% Danceability • 86% Energy • 8% Liveness
72% Instrumentalness • 57% Positiveness
12% Popularity • 35% Danceability • 86% Energy • 8% Liveness
72% Instrumentalness • 57% Positiveness
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Pete Thorn
Rosemary
156 bpm • D Maj • 02:05 • -11.54db
24% Popularity • 47% Danceability • 45% Energy • 12% Liveness
92% Instrumentalness • 78% Positiveness
24% Popularity • 47% Danceability • 45% Energy • 12% Liveness
92% Instrumentalness • 78% Positiveness
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Jordan Rudess
Dance on a Volcano
155 bpm • D Maj • 08:44 • -4.86db
19% Popularity • 25% Danceability • 86% Energy • 22% Liveness
3% Instrumentalness • 29% Positiveness
19% Popularity • 25% Danceability • 86% Energy • 22% Liveness
3% Instrumentalness • 29% Positiveness
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Liquid Tension Experiment
Freedom Of Speech
171 bpm • D Maj • 09:19 • -5.06db
28% Popularity • 24% Danceability • 92% Energy • 28% Liveness
82% Instrumentalness • 22% Positiveness
28% Popularity • 24% Danceability • 92% Energy • 28% Liveness
82% Instrumentalness • 22% Positiveness
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Clive Carroll
Bossa Tropicale
154 bpm • E min • 02:19 • -11db
28% Popularity • 80% Danceability • 38% Energy • 10% Liveness
76% Instrumentalness • 65% Positiveness
28% Popularity • 80% Danceability • 38% Energy • 10% Liveness
76% Instrumentalness • 65% Positiveness
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Michael Lee Firkins
The Sargasso Sea
172 bpm • F# min • 05:25 • -13.97db
16% Popularity • 34% Danceability • 57% Energy • 7% Liveness
89% Instrumentalness • 38% Positiveness
16% Popularity • 34% Danceability • 57% Energy • 7% Liveness
89% Instrumentalness • 38% Positiveness
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Mattias IA Eklundh
La Bamba
173 bpm • D Maj • 02:33 • -6db
8% Popularity • 42% Danceability • 94% Energy • 29% Liveness
64% Instrumentalness • 55% Positiveness
8% Popularity • 42% Danceability • 94% Energy • 29% Liveness
64% Instrumentalness • 55% Positiveness
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Pete Thorn
Promise
154 bpm • D# min • 01:43 • -12.83db
35% Popularity • 44% Danceability • 41% Energy • 12% Liveness
88% Instrumentalness • 59% Positiveness
35% Popularity • 44% Danceability • 41% Energy • 12% Liveness
88% Instrumentalness • 59% Positiveness
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Guthrie Govan
Beautiful Imperfection
174 bpm • C Maj • 02:20 • -8.64db
48% Popularity • 37% Danceability • 49% Energy • 17% Liveness
73% Instrumentalness • 22% Positiveness
48% Popularity • 37% Danceability • 49% Energy • 17% Liveness
73% Instrumentalness • 22% Positiveness
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Liquid Tension Experiment
The Stretch
173 bpm • D Maj • 02:00 • -4.64db
27% Popularity • 43% Danceability • 86% Energy • 12% Liveness
56% Instrumentalness • 84% Positiveness
27% Popularity • 43% Danceability • 86% Energy • 12% Liveness
56% Instrumentalness • 84% Positiveness
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Lee Ritenour's 6 String Theory
Fives
153 bpm • G Maj • 04:33 • -5db
25% Popularity • 43% Danceability • 76% Energy • 7% Liveness
74% Instrumentalness • 52% Positiveness
25% Popularity • 43% Danceability • 76% Energy • 7% Liveness
74% Instrumentalness • 52% Positiveness
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Michael Lee Firkins
Deja Blues
153 bpm • A Maj • 06:27 • -15.21db
16% Popularity • 36% Danceability • 45% Energy • 12% Liveness
12% Instrumentalness • 25% Positiveness
16% Popularity • 36% Danceability • 45% Energy • 12% Liveness
12% Instrumentalness • 25% Positiveness
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Joya
Takin' Care Of Business - Queen's Mix
174 bpm • D Maj • 04:00 • -10.24db
3% Popularity • 63% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
3% Popularity • 63% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
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Buckethead
The Redeem Team
174 bpm • E min • 05:01 • -7.78db
34% Popularity • 41% Danceability • 82% Energy • 12% Liveness
89% Instrumentalness • 38% Positiveness
34% Popularity • 41% Danceability • 82% Energy • 12% Liveness
89% Instrumentalness • 38% Positiveness
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Doyle Dykes
Cuerdas De Luz
174 bpm • G Maj • 04:08 • -12.65db
11% Popularity • 34% Danceability • 14% Energy • 15% Liveness
56% Instrumentalness • 36% Positiveness
11% Popularity • 34% Danceability • 14% Energy • 15% Liveness
56% Instrumentalness • 36% Positiveness
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Liquid Tension Experiment
Universal Mind
153 bpm • C Maj • 07:53 • -4.88db
37% Popularity • 23% Danceability • 91% Energy • 10% Liveness
85% Instrumentalness • 51% Positiveness
37% Popularity • 23% Danceability • 91% Energy • 10% Liveness
85% Instrumentalness • 51% Positiveness
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Muris Varajic
Blue Note in A
174 bpm • A min • 05:17 • -9db
19% Popularity • 48% Danceability • 37% Energy • 11% Liveness
79% Instrumentalness • 32% Positiveness
19% Popularity • 48% Danceability • 37% Energy • 11% Liveness
79% Instrumentalness • 32% Positiveness
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Guthrie Govan
The Blue Room
174 bpm • F Maj • 02:14 • -7.17db
42% Popularity • 58% Danceability • 48% Energy • 4% Liveness
1% Instrumentalness • 72% Positiveness
42% Popularity • 58% Danceability • 48% Energy • 4% Liveness
1% Instrumentalness • 72% Positiveness
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Blues Saraceno
Remember When
174 bpm • E min • 02:30 • -9.62db
34% Popularity • 47% Danceability • 59% Energy • 13% Liveness
68% Instrumentalness • 80% Positiveness
34% Popularity • 47% Danceability • 59% Energy • 13% Liveness
68% Instrumentalness • 80% Positiveness
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Triumph
Little Boy Blues (Instrumental)
175 bpm • A Maj • 03:38 • -6.32db
33% Popularity • 39% Danceability • 52% Energy • 9% Liveness
30% Instrumentalness • 31% Positiveness
33% Popularity • 39% Danceability • 52% Energy • 9% Liveness
30% Instrumentalness • 31% Positiveness
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Neal Schon
Blues for Miles
175 bpm • E min • 04:55 • -8.73db
24% Popularity • 24% Danceability • 56% Energy • 16% Liveness
92% Instrumentalness • 19% Positiveness
24% Popularity • 24% Danceability • 56% Energy • 16% Liveness
92% Instrumentalness • 19% Positiveness
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Eric Johnson
Once Upon A Time In Texas
152 bpm • E min • 03:43 • -11.95db
23% Popularity • 47% Danceability • 44% Energy • 11% Liveness
71% Instrumentalness • 57% Positiveness
23% Popularity • 47% Danceability • 44% Energy • 11% Liveness
71% Instrumentalness • 57% Positiveness
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Boston
Smokin'
175 bpm • D Maj • 04:21 • -7.34db
62% Popularity • 20% Danceability • 80% Energy • 19% Liveness
42% Instrumentalness • 52% Positiveness
62% Popularity • 20% Danceability • 80% Energy • 19% Liveness
42% Instrumentalness • 52% Positiveness
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Guthrie Govan
Fives
152 bpm • G Maj • 04:36 • -5.79db
38% Popularity • 41% Danceability • 91% Energy • 37% Liveness
54% Instrumentalness • 44% Positiveness
38% Popularity • 41% Danceability • 91% Energy • 37% Liveness
54% Instrumentalness • 44% Positiveness
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Buckethead
Soothsayer (Dedicated to Aunt Suzie)
151 bpm • A# min • 09:04 • -3.85db
53% Popularity • 23% Danceability • 77% Energy • 16% Liveness
84% Instrumentalness • 23% Positiveness
53% Popularity • 23% Danceability • 77% Energy • 16% Liveness
84% Instrumentalness • 23% Positiveness
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Extreme
Midnight Express
176 bpm • C Maj • 03:59 • -12db
33% Popularity • 48% Danceability • 59% Energy • 6% Liveness
93% Instrumentalness • 92% Positiveness
33% Popularity • 48% Danceability • 59% Energy • 6% Liveness
93% Instrumentalness • 92% Positiveness
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Joe Satriani
Cryin'
151 bpm • E Maj • 05:42 • -8.6db
43% Popularity • 36% Danceability • 45% Energy • 10% Liveness
5% Instrumentalness • 15% Positiveness
43% Popularity • 36% Danceability • 45% Energy • 10% Liveness
5% Instrumentalness • 15% Positiveness
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Chickenfoot
Soap on a Rope
176 bpm • A Maj • 05:32 • -4db
32% Popularity • 26% Danceability • 91% Energy • 52% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 26% Danceability • 91% Energy • 52% Liveness
0% Instrumentalness • 44% Positiveness
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Jan Cyrka
Slide Around
151 bpm • E min • 01:24 • -12.07db
36% Popularity • 57% Danceability • 20% Energy • 13% Liveness
69% Instrumentalness • 24% Positiveness
36% Popularity • 57% Danceability • 20% Energy • 13% Liveness
69% Instrumentalness • 24% Positiveness
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Steve Morse Band
Sacred Ground
150 bpm • A Maj • 04:01 • -10.67db
11% Popularity • 44% Danceability • 68% Energy • 17% Liveness
77% Instrumentalness • 36% Positiveness
11% Popularity • 44% Danceability • 68% Energy • 17% Liveness
77% Instrumentalness • 36% Positiveness
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Michael Angelo Batio
Zeppelin Forever
177 bpm • G# Maj • 07:10 • -6.69db
14% Popularity • 22% Danceability • 88% Energy • 10% Liveness
70% Instrumentalness • 32% Positiveness
14% Popularity • 22% Danceability • 88% Energy • 10% Liveness
70% Instrumentalness • 32% Positiveness
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Daniele Gottardo
Guitar Sbrego
177 bpm • A min • 04:19 • -6.91db
35% Popularity • 24% Danceability • 70% Energy • 26% Liveness
16% Instrumentalness • 37% Positiveness
35% Popularity • 24% Danceability • 70% Energy • 26% Liveness
16% Instrumentalness • 37% Positiveness
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Reagan Browne
Gypsy Woman's Got the Groove
150 bpm • D min • 04:20 • -3.84db
3% Popularity • 39% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
3% Popularity • 39% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Juanpa
Diving Into the Unmapped
150 bpm • C# Maj • 05:19 • -4.3db
25% Popularity • 45% Danceability • 84% Energy • 11% Liveness
82% Instrumentalness • 46% Positiveness
25% Popularity • 45% Danceability • 84% Energy • 11% Liveness
82% Instrumentalness • 46% Positiveness
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Michael Lee Firkins
Runaway Train
150 bpm • F min • 03:08 • -13.73db
18% Popularity • 40% Danceability • 84% Energy • 29% Liveness
26% Instrumentalness • 18% Positiveness
18% Popularity • 40% Danceability • 84% Energy • 29% Liveness
26% Instrumentalness • 18% Positiveness
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Jeff Kollman
Homage to King Edward
178 bpm • E min • 01:13 • -11.71db
36% Popularity • 35% Danceability • 26% Energy • 16% Liveness
95% Instrumentalness • 29% Positiveness
36% Popularity • 35% Danceability • 26% Energy • 16% Liveness
95% Instrumentalness • 29% Positiveness
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Blue Öyster Cult
Cities On Flame with Rock and Roll
178 bpm • E Maj • 04:02 • -8.61db
54% Popularity • 34% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
54% Popularity • 34% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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The Aristocrats
Louisville Stomp
150 bpm • C# Maj • 04:39 • -8.87db
23% Popularity • 38% Danceability • 75% Energy • 28% Liveness
83% Instrumentalness • 56% Positiveness
23% Popularity • 38% Danceability • 75% Energy • 28% Liveness
83% Instrumentalness • 56% Positiveness
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Eric Johnson
My Back Pages
178 bpm • D Maj • 03:47 • -6.97db
11% Popularity • 21% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 55% Positiveness
11% Popularity • 21% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 55% Positiveness
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Tim Pierce
I Made It So
149 bpm • F Maj • 06:19 • -11.9db
12% Popularity • 60% Danceability • 67% Energy • 9% Liveness
79% Instrumentalness • 92% Positiveness
12% Popularity • 60% Danceability • 67% Energy • 9% Liveness
79% Instrumentalness • 92% Positiveness
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Van Halen
Little Dreamer - 2015 Remaster
179 bpm • B min • 03:21 • -6.19db
50% Popularity • 38% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
50% Popularity • 38% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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Nick Johnston
Atomic Mind
179 bpm • A# min • 04:37 • -5.44db
29% Popularity • 13% Danceability • 74% Energy • 10% Liveness
86% Instrumentalness • 20% Positiveness
29% Popularity • 13% Danceability • 74% Energy • 10% Liveness
86% Instrumentalness • 20% Positiveness
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Ted Nugent
Stranglehold
148 bpm • D Maj • 08:23 • -7.78db
63% Popularity • 48% Danceability • 71% Energy • 9% Liveness
17% Instrumentalness • 49% Positiveness
63% Popularity • 48% Danceability • 71% Energy • 9% Liveness
17% Instrumentalness • 49% Positiveness
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Daniele Gottardo
Marrakech Market
148 bpm • G min • 04:30 • -4.56db
28% Popularity • 27% Danceability • 69% Energy • 40% Liveness
61% Instrumentalness • 42% Positiveness
28% Popularity • 27% Danceability • 69% Energy • 40% Liveness
61% Instrumentalness • 42% Positiveness
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Kiko Loureiro
Escaping
180 bpm • D Maj • 05:34 • -6db
29% Popularity • 34% Danceability • 93% Energy • 25% Liveness
91% Instrumentalness • 25% Positiveness
29% Popularity • 34% Danceability • 93% Energy • 25% Liveness
91% Instrumentalness • 25% Positiveness
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Pete Thorn
Homage
146 bpm • E Maj • 03:12 • -4.46db
23% Popularity • 45% Danceability • 89% Energy • 10% Liveness
74% Instrumentalness • 46% Positiveness
23% Popularity • 45% Danceability • 89% Energy • 10% Liveness
74% Instrumentalness • 46% Positiveness
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Eric Johnson
Off My Mind
147 bpm • F# Maj • 04:01 • -10.21db
20% Popularity • 59% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
20% Popularity • 59% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
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Tony MacAlpine
Death of Roses
146 bpm • D Maj • 04:07 • -3.85db
34% Popularity • 42% Danceability • 90% Energy • 29% Liveness
88% Instrumentalness • 36% Positiveness
34% Popularity • 42% Danceability • 90% Energy • 29% Liveness
88% Instrumentalness • 36% Positiveness
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Stuart Hamm
The Hammer
146 bpm • A min • 04:53 • -10db
8% Popularity • 61% Danceability • 82% Energy • 31% Liveness
88% Instrumentalness • 59% Positiveness
8% Popularity • 61% Danceability • 82% Energy • 31% Liveness
88% Instrumentalness • 59% Positiveness
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Daniele Gottardo
Scarecrow's Dance
180 bpm • F Maj • 00:57 • -5.29db
35% Popularity • 35% Danceability • 85% Energy • 8% Liveness
1% Instrumentalness • 59% Positiveness
35% Popularity • 35% Danceability • 85% Energy • 8% Liveness
1% Instrumentalness • 59% Positiveness
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Dream Theater
Under a Glass Moon
146 bpm • C# min • 07:03 • -9.99db
49% Popularity • 51% Danceability • 85% Energy • 35% Liveness
9% Instrumentalness • 59% Positiveness
49% Popularity • 51% Danceability • 85% Energy • 35% Liveness
9% Instrumentalness • 59% Positiveness
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The Aristocrats
Get It Like That
145 bpm • D min • 07:46 • -9db
30% Popularity • 47% Danceability • 57% Energy • 12% Liveness
86% Instrumentalness • 30% Positiveness
30% Popularity • 47% Danceability • 57% Energy • 12% Liveness
86% Instrumentalness • 30% Positiveness
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Eric Johnson
Lonely In The Night
146 bpm • F min • 06:04 • -12db
30% Popularity • 41% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 41% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Marco Sfogli
Texas BBQ
145 bpm • A Maj • 02:13 • -5.56db
15% Popularity • 53% Danceability • 93% Energy • 19% Liveness
90% Instrumentalness • 78% Positiveness
15% Popularity • 53% Danceability • 93% Energy • 19% Liveness
90% Instrumentalness • 78% Positiveness
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Tony MacAlpine
Electric Illusionist
145 bpm • C# Maj • 03:36 • -4db
34% Popularity • 49% Danceability • 96% Energy • 28% Liveness
89% Instrumentalness • 37% Positiveness
34% Popularity • 49% Danceability • 96% Energy • 28% Liveness
89% Instrumentalness • 37% Positiveness
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Buckethead
Magellan's Maze
145 bpm • B Maj • 02:57 • -6db
45% Popularity • 48% Danceability • 95% Energy • 9% Liveness
69% Instrumentalness • 65% Positiveness
45% Popularity • 48% Danceability • 95% Energy • 9% Liveness
69% Instrumentalness • 65% Positiveness
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Liquid Tension Experiment
Acid Rain
145 bpm • A Maj • 06:36 • -4.66db
43% Popularity • 41% Danceability • 94% Energy • 31% Liveness
48% Instrumentalness • 56% Positiveness
43% Popularity • 41% Danceability • 94% Energy • 31% Liveness
48% Instrumentalness • 56% Positiveness
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Stuart Hamm
Charlotte's Song
184 bpm • D Maj • 03:29 • -15.93db
9% Popularity • 27% Danceability • 7% Energy • 13% Liveness
83% Instrumentalness • 20% Positiveness
9% Popularity • 27% Danceability • 7% Energy • 13% Liveness
83% Instrumentalness • 20% Positiveness