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sorry isn't good enough
Songs like
sorry isn't good enough
by
Joy Oladokun
Based on a tempo of (+/- 10%) and a similar genre
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Joy Oladokun
sorry isn't good enough
140 bpm • D min • 03:07 • -7.41db
32% Popularity • 63% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Billianne
Simply The Best
140 bpm • B Maj • 02:53 • -11.81db
69% Popularity • 59% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Bre Kennedy
Progress
140 bpm • G# Maj • 03:55 • -11.23db
31% Popularity • 66% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Jensen McRae
Take It Easy
140 bpm • A Maj • 03:04 • -6.81db
36% Popularity • 73% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Lucie Silvas
We Don’t Know We’re Living (w/ Brand...
140 bpm • F Maj • 04:30 • -8db
45% Popularity • 56% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Trousdale
If You're Hurting
140 bpm • G Maj • 03:59 • -13.81db
36% Popularity • 39% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Hazlett
Even If It’s Lonely
140 bpm • A Maj • 04:05 • -12db
51% Popularity • 60% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Hans Williams
Willows
140 bpm • C Maj • 03:41 • -8.3db
58% Popularity • 52% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Abby Cates
Roadtripsong
140 bpm • D Maj • 03:41 • -17.69db
48% Popularity • 53% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Cecilia Castleman
It's Alright - Unplugged
140 bpm • D# Maj • 04:09 • -9.03db
20% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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The Paper Kites
Till the Flame Turns Blue
139 bpm • E Maj • 04:05 • -11.16db
45% Popularity • 32% Danceability • 42% Energy • 11% Liveness
23% Instrumentalness • 36% Positiveness
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Josiah and the Bonnevilles
Skinny Love (Country Version)
141 bpm • G# Maj • 02:38 • -7.76db
45% Popularity • 54% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Joy Williams
The Trouble with Wanting
139 bpm • D Maj • 03:55 • -9db
56% Popularity • 40% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Henry Jamison
Make It Out
138 bpm • D Maj • 03:03 • -13.18db
37% Popularity • 51% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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PJ Harding
The Best Of You
142 bpm • E Maj • 01:11 • -12.56db
47% Popularity • 46% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Wild Rivers
Thinking 'Bout Love
142 bpm • F Maj • 03:19 • -8.12db
74% Popularity • 73% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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The Paper Kites
For All You Give
139 bpm • B min • 03:11 • -17.14db
53% Popularity • 50% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Caroline Spence
True North
142 bpm • C# Maj • 02:17 • -12.32db
50% Popularity • 63% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Joy Oladokun
Taking Things For Granted
142 bpm • B Maj • 03:36 • -7.53db
43% Popularity • 59% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Woodlock
Settle Down - Acoustic
138 bpm • C Maj • 02:45 • -7db
61% Popularity • 60% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Houndmouth
Miracle Mile
142 bpm • F# Maj • 03:08 • -9.41db
56% Popularity • 78% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Penny and Sparrow
Eloise
138 bpm • G min • 02:48 • -8.32db
55% Popularity • 61% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Josiah and the Bonnevilles
Chronically Cautious - Country Version
138 bpm • A Maj • 02:12 • -5.9db
60% Popularity • 68% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Oliver Hazard
Northern Lights
138 bpm • G# Maj • 03:43 • -10.59db
37% Popularity • 55% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Aoife O'Donovan
B61
137 bpm • C# Maj • 03:41 • -16.45db
52% Popularity • 47% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Henry Jamison
Our House
143 bpm • G# Maj • 02:56 • -11.37db
26% Popularity • 49% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Tors
Anything Can Happen (Acoustic)
143 bpm • D Maj • 03:34 • -8.17db
45% Popularity • 56% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Fancy Hagood
Let Me Be
136 bpm • G# Maj • 03:31 • -7.2db
29% Popularity • 42% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Josiah and the Bonnevilles
Basic Channels
143 bpm • F# Maj • 01:54 • -5.38db
65% Popularity • 61% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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The Head And The Heart
Virginia (Wind In The Night)
136 bpm • G Maj • 03:25 • -3.7db
48% Popularity • 26% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 25% Positiveness
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James Vincent McMorrow
Hurricane
137 bpm • G Maj • 04:26 • -6.38db
44% Popularity • 68% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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Wild Child
Going In
144 bpm • E Maj • 02:41 • -12db
62% Popularity • 68% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Jordy Searcy
Fire
144 bpm • A Maj • 03:09 • -9.39db
46% Popularity • 66% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 67% Positiveness
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Mipso
Call Your Girlfriend
136 bpm • E Maj • 02:52 • -9.5db
33% Popularity • 63% Danceability • 34% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
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Cecilia Castleman
It's Alright
136 bpm • G# Maj • 04:08 • -7.79db
42% Popularity • 63% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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The Head And The Heart
Honeybee
136 bpm • A Maj • 03:16 • -7.89db
66% Popularity • 64% Danceability • 52% Energy • 55% Liveness
0% Instrumentalness • 49% Positiveness
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Josiah and the Bonnevilles
One Last Breath
145 bpm • C# Maj • 02:38 • -7.11db
47% Popularity • 57% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Billianne
No Wonder
135 bpm • C Maj • 03:21 • -12db
48% Popularity • 46% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Mon RovÃŽa
To Watch the World Spin Without You
145 bpm • D Maj • 02:32 • -9.42db
55% Popularity • 76% Danceability • 32% Energy • 14% Liveness
12% Instrumentalness • 38% Positiveness
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Bre Kennedy
Whirlwind
145 bpm • D Maj • 03:08 • -16db
37% Popularity • 66% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Trousdale
Any Day Now
135 bpm • D Maj • 03:21 • -6.51db
47% Popularity • 53% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
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Mt. Joy
Bathroom Light
135 bpm • D# Maj • 03:08 • -10.82db
64% Popularity • 65% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 65% Positiveness
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Gregory Alan Isakov
The Fall
135 bpm • A Maj • 03:27 • -10.52db
58% Popularity • 56% Danceability • 55% Energy • 12% Liveness
44% Instrumentalness • 21% Positiveness
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Wilder Woods
Mary, You're Wrong
146 bpm • C# Maj • 03:36 • -7.94db
43% Popularity • 61% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Madi Diaz
New Person, Old Place
135 bpm • C Maj • 04:06 • -8db
38% Popularity • 60% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Noah Kahan
Anyway
134 bpm • G Maj • 05:12 • -10.69db
65% Popularity • 65% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Sam Burchfield
The Last of the Honey Bees
134 bpm • F# Maj • 03:50 • -6.93db
58% Popularity • 50% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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PJ Harding
Dear August
147 bpm • C Maj • 03:20 • -7.82db
67% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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The Head And The Heart
Tiebreaker
133 bpm • F# Maj • 03:59 • -5.24db
50% Popularity • 60% Danceability • 71% Energy • 57% Liveness
0% Instrumentalness • 54% Positiveness
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Ben Abraham
If I Didn’t Love You
147 bpm • A# Maj • 04:06 • -11.62db
44% Popularity • 57% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Joy Oladokun
Somehow - Living Proof Version
133 bpm • G# Maj • 02:14 • -12.1db
27% Popularity • 46% Danceability • 23% Energy • 71% Liveness
0% Instrumentalness • 50% Positiveness
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Josiah and the Bonnevilles
Blood Moon
133 bpm • G# Maj • 02:48 • -9.52db
68% Popularity • 65% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Wilder Woods
Go Ahead
133 bpm • C# Maj • 04:07 • -5.57db
36% Popularity • 65% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Oliver Hazard
Fly Right
133 bpm • A# Maj • 03:23 • -9.37db
39% Popularity • 69% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Wesley Schultz
My City of Ruins
148 bpm • C Maj • 04:16 • -15db
39% Popularity • 44% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Kacey Musgraves
Slow Burn
148 bpm • D Maj • 04:06 • -9.11db
71% Popularity • 56% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Joy Oladokun
Fight for It
133 bpm • D Maj • 03:40 • -4.82db
15% Popularity • 62% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Gregory Alan Isakov
Southern Star
133 bpm • C Maj • 02:19 • -11db
69% Popularity • 56% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Josiah and the Bonnevilles
Holy Place
148 bpm • D# Maj • 02:59 • -6.84db
44% Popularity • 52% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Patrick Droney
Yours in the Morning
148 bpm • B Maj • 03:34 • -5db
46% Popularity • 45% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Katie Pruitt
Searching For The Truth
148 bpm • F Maj • 04:31 • -9.02db
28% Popularity • 52% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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John Vincent III
Next to You
132 bpm • G Maj • 04:16 • -7.98db
74% Popularity • 44% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 7% Positiveness
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Joy Oladokun
Charleston
133 bpm • A Maj • 04:59 • -11db
14% Popularity • 49% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Delacey
Manly Man
132 bpm • C Maj • 03:30 • -7db
37% Popularity • 63% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Bahamas
Half Your Love
132 bpm • A min • 02:24 • -9.89db
53% Popularity • 73% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Patrick Droney
High Hope
132 bpm • C Maj • 04:11 • -9.71db
50% Popularity • 68% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Hazlett
Part Time Lovers
132 bpm • C Maj • 03:10 • -16.3db
57% Popularity • 54% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Anderson East
This Too Shall Last
149 bpm • E Maj • 03:42 • -9db
57% Popularity • 50% Danceability • 49% Energy • 9% Liveness
80% Instrumentalness • 68% Positiveness
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Ed Patrick
Minute Of Your Love
132 bpm • F Maj • 02:16 • -17.97db
54% Popularity • 51% Danceability • 11% Energy • 11% Liveness
5% Instrumentalness • 36% Positiveness
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Maggie Rogers
Overdrive
149 bpm • G Maj • 03:14 • -6.19db
55% Popularity • 37% Danceability • 78% Energy • 8% Liveness
10% Instrumentalness • 9% Positiveness
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Joy Oladokun
someone that i used to be
150 bpm • C Maj • 03:41 • -9.85db
31% Popularity • 47% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 13% Positiveness
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Patrick Droney
Ruined
132 bpm • F Maj • 04:30 • -9.5db
43% Popularity • 71% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Mon RovÃŽa
Big Love Ahead
149 bpm • F Maj • 01:48 • -6.78db
56% Popularity • 55% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Josiah and the Bonnevilles
Heat Waves
150 bpm • B Maj • 02:15 • -9.4db
61% Popularity • 58% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Billianne
A Little Older
150 bpm • A# Maj • 03:02 • -10.78db
39% Popularity • 52% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Jensen McRae
Immune
150 bpm • F# Maj • 03:30 • -9db
44% Popularity • 55% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Leif Vollebekk
Hot Tears
150 bpm • B min • 04:07 • -9.67db
56% Popularity • 70% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Katie Pruitt
It's Always Been You
130 bpm • G Maj • 05:13 • -10.91db
32% Popularity • 38% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Gregory Alan Isakov
Dark, Dark, Dark
130 bpm • D Maj • 02:59 • -8.19db
65% Popularity • 48% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Ed Patrick
Shoulder
151 bpm • G# Maj • 03:01 • -12.37db
55% Popularity • 58% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Henry Jamison
Fanfare
130 bpm • F Maj • 04:03 • -10db
21% Popularity • 64% Danceability • 44% Energy • 12% Liveness
72% Instrumentalness • 23% Positiveness
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Ruston Kelly
Rubber
130 bpm • E Maj • 03:18 • -9db
36% Popularity • 55% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Salt Tree
She's The One
130 bpm • C min • 03:51 • -9db
50% Popularity • 68% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Jensen McRae
My Ego Dies At The End
130 bpm • D# Maj • 04:02 • -6.36db
52% Popularity • 70% Danceability • 45% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Lily Meola
Sunshine
130 bpm • E Maj • 03:25 • -9.29db
52% Popularity • 67% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
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Foy Vance
Sapling
130 bpm • A# min • 04:17 • -8.53db
47% Popularity • 45% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Hazlett
Please Don't Be
130 bpm • A Maj • 02:55 • -11db
69% Popularity • 58% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Bebe Stockwell
Love Me Back
152 bpm • G min • 02:28 • -14.54db
51% Popularity • 49% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Nathaniel Rateliff & The Night Sweats
Face Down In The Moment
151 bpm • F# Maj • 04:39 • -3.23db
53% Popularity • 52% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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LULLANAS
Pennsylvania Skies
152 bpm • B Maj • 03:39 • -8.16db
40% Popularity • 57% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Matt Nathanson
German Cars
152 bpm • F# Maj • 03:21 • -10db
39% Popularity • 52% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Oshima Brothers
Goldmine
152 bpm • F# Maj • 01:54 • -11.37db
30% Popularity • 64% Danceability • 36% Energy • 10% Liveness
12% Instrumentalness • 33% Positiveness
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Joy Oladokun
too high
129 bpm • F# Maj • 03:16 • -12.44db
29% Popularity • 49% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Hush Kids
Spend My Time
128 bpm • C Maj • 03:10 • -9.48db
32% Popularity • 64% Danceability • 52% Energy • 13% Liveness
1% Instrumentalness • 20% Positiveness
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Garrett Kato
Drugstore Houses
128 bpm • D min • 03:02 • -12.91db
36% Popularity • 67% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Lennon Stella
Time After Time - Spotify Singles
128 bpm • C Maj • 03:39 • -9.45db
55% Popularity • 65% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Marcus Mumford
Better Angels
128 bpm • D Maj • 03:25 • -8.65db
40% Popularity • 76% Danceability • 67% Energy • 7% Liveness
2% Instrumentalness • 78% Positiveness
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Valerie June
You And I - Moon And Stars / Acoustic
153 bpm • G Maj • 03:20 • -9db
40% Popularity • 42% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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Noah Kahan
She Calls Me Back
128 bpm • B Maj • 04:03 • -6.3db
79% Popularity • 74% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
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Jill Andrews
80's Baby
128 bpm • C Maj • 04:32 • -9.71db
39% Popularity • 41% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
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sorry isn't good enough