Songs like SOS TITANIC: Main Theme by Dan Redfeld
Based on a tempo of (+/- 10%) and a similar genre
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Dan Redfeld
Tape Recording & The Appartiton / Saving...
86 bpm • F min • 03:02 • -23.07db
0% Popularity • 18% Danceability • 4% Energy • 10% Liveness
39% Instrumentalness • 4% Positiveness
0% Popularity • 18% Danceability • 4% Energy • 10% Liveness
39% Instrumentalness • 4% Positiveness
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John Williams
The Garden Meeting
86 bpm • E min • 02:44 • -22.65db
31% Popularity • 12% Danceability • 13% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
31% Popularity • 12% Danceability • 13% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Steven Bear
And Then I Kissed Him
86 bpm • C Maj • 02:58 • -24.61db
20% Popularity • 43% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
20% Popularity • 43% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
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The Meridian Studio Ensemble
Waltz For John And Mary - Series 3 (Exte...
86 bpm • C Maj • 03:16 • -21.46db
15% Popularity • 24% Danceability • 7% Energy • 10% Liveness
59% Instrumentalness • 27% Positiveness
15% Popularity • 24% Danceability • 7% Energy • 10% Liveness
59% Instrumentalness • 27% Positiveness
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The Chamber Orchestra Of London
Story Of My Life
86 bpm • F min • 01:57 • -18.17db
44% Popularity • 10% Danceability • 14% Energy • 12% Liveness
2% Instrumentalness • 3% Positiveness
44% Popularity • 10% Danceability • 14% Energy • 12% Liveness
2% Instrumentalness • 3% Positiveness
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The Pianists
Bella's Lullaby
86 bpm • E min • 04:09 • -14.43db
12% Popularity • 23% Danceability • 25% Energy • 12% Liveness
88% Instrumentalness • 10% Positiveness
12% Popularity • 23% Danceability • 25% Energy • 12% Liveness
88% Instrumentalness • 10% Positiveness
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Dan Redfeld
THE TWILIGHT SAGA-NEW MOON: New Moon
86 bpm • A min • 03:24 • -18.03db
9% Popularity • 25% Danceability • 20% Energy • 10% Liveness
83% Instrumentalness • 15% Positiveness
9% Popularity • 25% Danceability • 20% Energy • 10% Liveness
83% Instrumentalness • 15% Positiveness
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Abel Korzeniowski
Street. Horse. Smell. Candle.
85 bpm • A min • 02:25 • -20.24db
33% Popularity • 37% Danceability • 18% Energy • 7% Liveness
73% Instrumentalness • 38% Positiveness
33% Popularity • 37% Danceability • 18% Energy • 7% Liveness
73% Instrumentalness • 38% Positiveness
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The Twilight Saga: New Moon
New Moon
87 bpm • A min • 03:17 • -14.98db
35% Popularity • 16% Danceability • 27% Energy • 13% Liveness
92% Instrumentalness • 13% Positiveness
35% Popularity • 16% Danceability • 27% Energy • 13% Liveness
92% Instrumentalness • 13% Positiveness
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Jon Lorca
The Girl with Curious Hair
85 bpm • F# min • 02:48 • -18.4db
11% Popularity • 54% Danceability • 16% Energy • 10% Liveness
88% Instrumentalness • 43% Positiveness
11% Popularity • 54% Danceability • 16% Energy • 10% Liveness
88% Instrumentalness • 43% Positiveness
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Stephen Warbeck
Alone
87 bpm • D Maj • 01:10 • -22.81db
55% Popularity • 10% Danceability • 7% Energy • 13% Liveness
97% Instrumentalness • 13% Positiveness
55% Popularity • 10% Danceability • 7% Energy • 13% Liveness
97% Instrumentalness • 13% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 1, Sebastian
85 bpm • D# Maj • 02:11 • -23.06db
29% Popularity • 19% Danceability • 10% Energy • 13% Liveness
91% Instrumentalness • 6% Positiveness
29% Popularity • 19% Danceability • 10% Energy • 13% Liveness
91% Instrumentalness • 6% Positiveness
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Ari Posner
Forgiveness
87 bpm • E min • 03:32 • -31db
39% Popularity • 11% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
39% Popularity • 11% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Midnite String Quartet
My Love
85 bpm • F Maj • 03:24 • -17.49db
26% Popularity • 26% Danceability • 18% Energy • 14% Liveness
79% Instrumentalness • 14% Positiveness
26% Popularity • 26% Danceability • 18% Energy • 14% Liveness
79% Instrumentalness • 14% Positiveness
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The Hollywood LA Soundtrack Orchestra
Jacob's Theme
87 bpm • C Maj • 02:25 • -19.47db
27% Popularity • 44% Danceability • 11% Energy • 13% Liveness
94% Instrumentalness • 18% Positiveness
27% Popularity • 44% Danceability • 11% Energy • 13% Liveness
94% Instrumentalness • 18% Positiveness
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Patrick Doyle
Harry In Winter
88 bpm • B min • 02:58 • -17db
29% Popularity • 18% Danceability • 23% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 23% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Rob Lane
First Meeting
88 bpm • A min • 01:53 • -23.52db
32% Popularity • 14% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
32% Popularity • 14% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Thomas Newman
Someone Else
84 bpm • C# Maj • 05:19 • -27.12db
34% Popularity • 13% Danceability • 3% Energy • 28% Liveness
41% Instrumentalness • 4% Positiveness
34% Popularity • 13% Danceability • 3% Energy • 28% Liveness
41% Instrumentalness • 4% Positiveness
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Conrad Pope
Such Stuff That Dreams Are Made of
88 bpm • E Maj • 03:37 • -23.98db
19% Popularity • 9% Danceability • 5% Energy • 12% Liveness
76% Instrumentalness • 5% Positiveness
19% Popularity • 9% Danceability • 5% Energy • 12% Liveness
76% Instrumentalness • 5% Positiveness
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Antonin Charvat
Young and Beautiful
84 bpm • B min • 04:00 • -14.51db
41% Popularity • 17% Danceability • 29% Energy • 9% Liveness
93% Instrumentalness • 8% Positiveness
41% Popularity • 17% Danceability • 29% Energy • 9% Liveness
93% Instrumentalness • 8% Positiveness
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Atli Örvarsson
The Hug
84 bpm • G Maj • 02:11 • -26db
25% Popularity • 14% Danceability • 4% Energy • 7% Liveness
83% Instrumentalness • 4% Positiveness
25% Popularity • 14% Danceability • 4% Energy • 7% Liveness
83% Instrumentalness • 4% Positiveness
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Nicholas Hooper
When Ginny Kissed Harry
84 bpm • E min • 02:38 • -28.26db
57% Popularity • 48% Danceability • 6% Energy • 4% Liveness
96% Instrumentalness • 8% Positiveness
57% Popularity • 48% Danceability • 6% Energy • 4% Liveness
96% Instrumentalness • 8% Positiveness
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John Williams
Confluence
84 bpm • D min • 03:42 • -18.22db
32% Popularity • 9% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
32% Popularity • 9% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Thomas Newman
The Inside Out
84 bpm • A# min • 01:20 • -25.21db
26% Popularity • 27% Danceability • 11% Energy • 38% Liveness
92% Instrumentalness • 18% Positiveness
26% Popularity • 27% Danceability • 11% Energy • 38% Liveness
92% Instrumentalness • 18% Positiveness
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Ari Posner
No Regrets
84 bpm • G Maj • 01:44 • -21db
38% Popularity • 19% Danceability • 12% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
38% Popularity • 19% Danceability • 12% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
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Mary-Jess
Did I Make The Most Of Loving You
84 bpm • F Maj • 04:13 • -12.03db
33% Popularity • 33% Danceability • 34% Energy • 10% Liveness
6% Instrumentalness • 29% Positiveness
33% Popularity • 33% Danceability • 34% Energy • 10% Liveness
6% Instrumentalness • 29% Positiveness
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Dan Redfeld & Elizabeth Hedman
Theme from Schindler's List
84 bpm • D min • 04:39 • -15.32db
11% Popularity • 15% Danceability • 21% Energy • 8% Liveness
26% Instrumentalness • 8% Positiveness
11% Popularity • 15% Danceability • 21% Energy • 8% Liveness
26% Instrumentalness • 8% Positiveness
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Fernando Velázquez
I'm Here
84 bpm • C Maj • 03:02 • -15.69db
24% Popularity • 16% Danceability • 18% Energy • 11% Liveness
37% Instrumentalness • 4% Positiveness
24% Popularity • 16% Danceability • 18% Energy • 11% Liveness
37% Instrumentalness • 4% Positiveness
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Kris Bowers
A Love Based on Friendship
84 bpm • A min • 04:19 • -18.68db
42% Popularity • 8% Danceability • 19% Energy • 18% Liveness
92% Instrumentalness • 5% Positiveness
42% Popularity • 8% Danceability • 19% Energy • 18% Liveness
92% Instrumentalness • 5% Positiveness
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Dan Redfeld
Killer Mind (
83 bpm • C# min • 02:45 • -18.6db
0% Popularity • 24% Danceability • 11% Energy • 14% Liveness
59% Instrumentalness • 4% Positiveness
0% Popularity • 24% Danceability • 11% Energy • 14% Liveness
59% Instrumentalness • 4% Positiveness
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Ari Posner
Unrequited Love
84 bpm • G min • 02:30 • -25db
46% Popularity • 22% Danceability • 5% Energy • 13% Liveness
86% Instrumentalness • 8% Positiveness
46% Popularity • 22% Danceability • 5% Energy • 13% Liveness
86% Instrumentalness • 8% Positiveness
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Geoff Zanelli
Evelyn Goes It Alone
83 bpm • F# min • 02:33 • -25.17db
43% Popularity • 21% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 11% Positiveness
43% Popularity • 21% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 11% Positiveness
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The Twilight Saga: New Moon
Break Up
83 bpm • A min • 02:02 • -29.05db
29% Popularity • 14% Danceability • 4% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
29% Popularity • 14% Danceability • 4% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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George Fenton
Ever After Main Title
89 bpm • G min • 03:32 • -20.45db
34% Popularity • 16% Danceability • 7% Energy • 22% Liveness
90% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 7% Energy • 22% Liveness
90% Instrumentalness • 4% Positiveness
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Rael Jones
Memory of a Happy Day
82 bpm • G min • 01:28 • -15.84db
23% Popularity • 34% Danceability • 24% Energy • 22% Liveness
78% Instrumentalness • 17% Positiveness
23% Popularity • 34% Danceability • 24% Energy • 22% Liveness
78% Instrumentalness • 17% Positiveness
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Greg Maroney
Dark
89 bpm • B min • 06:20 • -14.4db
18% Popularity • 19% Danceability • 23% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
18% Popularity • 19% Danceability • 23% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Salzberg Symphony Orchestra
Schindlers List
82 bpm • D min • 03:57 • -26.25db
22% Popularity • 8% Danceability • 9% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
22% Popularity • 8% Danceability • 9% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
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Anne Dudley
The Longest Walk
90 bpm • G min • 02:42 • -14.91db
22% Popularity • 10% Danceability • 18% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
22% Popularity • 10% Danceability • 18% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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thenewno2
Breaking The Ice
90 bpm • G Maj • 04:00 • -18.34db
18% Popularity • 34% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
18% Popularity • 34% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Ken Poolar
Tennessee - Pearl Harbor Theme Song On P...
90 bpm • C Maj • 04:10 • -11.46db
25% Popularity • 78% Danceability • 31% Energy • 10% Liveness
96% Instrumentalness • 27% Positiveness
25% Popularity • 78% Danceability • 31% Energy • 10% Liveness
96% Instrumentalness • 27% Positiveness
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Mark Isham
I Built Myself A Life
82 bpm • G# Maj • 05:48 • -19.93db
21% Popularity • 10% Danceability • 7% Energy • 9% Liveness
64% Instrumentalness • 4% Positiveness
21% Popularity • 10% Danceability • 7% Energy • 9% Liveness
64% Instrumentalness • 4% Positiveness
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Patrick Doyle
A Little Princess
90 bpm • D Maj • 02:00 • -23.31db
29% Popularity • 40% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
29% Popularity • 40% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
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Royal Philharmonic Orchestra
Star Wars: Attack of the Clones: Across ...
82 bpm • C min • 05:44 • -15db
20% Popularity • 12% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
20% Popularity • 12% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Anne Dudley
Resurgam
82 bpm • F min • 03:24 • -13.24db
30% Popularity • 12% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 12% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Firth
Stillness Of The Mind (A Single Man)
82 bpm • A# Maj • 04:00 • -13.39db
21% Popularity • 18% Danceability • 23% Energy • 10% Liveness
86% Instrumentalness • 12% Positiveness
21% Popularity • 18% Danceability • 23% Energy • 10% Liveness
86% Instrumentalness • 12% Positiveness
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Dan Redfeld
Theme from Barbara Jean
91 bpm • D Maj • 02:27 • -20.07db
0% Popularity • 14% Danceability • 12% Energy • 36% Liveness
62% Instrumentalness • 4% Positiveness
0% Popularity • 14% Danceability • 12% Energy • 36% Liveness
62% Instrumentalness • 4% Positiveness
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The Meridian Studio Ensemble
You're Alive/Memories of Edward from "Th...
81 bpm • G min • 04:29 • -17.92db
5% Popularity • 10% Danceability • 15% Energy • 9% Liveness
55% Instrumentalness • 5% Positiveness
5% Popularity • 10% Danceability • 15% Energy • 9% Liveness
55% Instrumentalness • 5% Positiveness
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Patrick Doyle
Snow In August
82 bpm • D# Maj • 07:03 • -14.81db
37% Popularity • 21% Danceability • 23% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
37% Popularity • 21% Danceability • 23% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Martin Phipps
New Start
81 bpm • G Maj • 03:41 • -17.54db
43% Popularity • 8% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
43% Popularity • 8% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Anne Dudley
Little Psycho
82 bpm • G min • 01:49 • -18.11db
15% Popularity • 25% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
15% Popularity • 25% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Bear McCreary
Faith
81 bpm • E min • 03:29 • -26.69db
35% Popularity • 8% Danceability • 5% Energy • 18% Liveness
99% Instrumentalness • 4% Positiveness
35% Popularity • 8% Danceability • 5% Energy • 18% Liveness
99% Instrumentalness • 4% Positiveness
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Michael Giacchino
There's No Place Like Home
81 bpm • D Maj • 02:35 • -18.8db
33% Popularity • 12% Danceability • 6% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
33% Popularity • 12% Danceability • 6% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
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John Lunn
One Hundred Years Of Downton
81 bpm • A min • 05:13 • -17db
32% Popularity • 16% Danceability • 21% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
32% Popularity • 16% Danceability • 21% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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The Chamber Orchestra Of London
Telegram
81 bpm • G# min • 01:44 • -12.98db
30% Popularity • 27% Danceability • 31% Energy • 12% Liveness
82% Instrumentalness • 16% Positiveness
30% Popularity • 27% Danceability • 31% Energy • 12% Liveness
82% Instrumentalness • 16% Positiveness
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Dan Redfeld
Questionnaires & Syringes
81 bpm • A# min • 01:08 • -21.81db
0% Popularity • 23% Danceability • 19% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
0% Popularity • 23% Danceability • 19% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Junkie XL
Sacrifice
81 bpm • C min • 04:20 • -15.67db
25% Popularity • 7% Danceability • 20% Energy • 12% Liveness
64% Instrumentalness • 4% Positiveness
25% Popularity • 7% Danceability • 20% Energy • 12% Liveness
64% Instrumentalness • 4% Positiveness
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Fernando Velázquez
Edith's Theme
81 bpm • G min • 01:56 • -14.8db
42% Popularity • 22% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
42% Popularity • 22% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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The Twilight Saga: New Moon
Victoria
81 bpm • E min • 02:03 • -25.25db
26% Popularity • 20% Danceability • 11% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
26% Popularity • 20% Danceability • 11% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
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Greg Maroney
Breathe
92 bpm • C# min • 05:42 • -16db
39% Popularity • 21% Danceability • 24% Energy • 14% Liveness
86% Instrumentalness • 18% Positiveness
39% Popularity • 21% Danceability • 24% Energy • 14% Liveness
86% Instrumentalness • 18% Positiveness
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Samuel Sim
Knightley's Walk
92 bpm • G Maj • 01:07 • -16db
40% Popularity • 13% Danceability • 10% Energy • 14% Liveness
80% Instrumentalness • 7% Positiveness
40% Popularity • 13% Danceability • 10% Energy • 14% Liveness
80% Instrumentalness • 7% Positiveness
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Rael Jones
Precious to Me
80 bpm • E min • 01:49 • -27.77db
39% Popularity • 19% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
39% Popularity • 19% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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The Chamber Orchestra Of London
Preparation
80 bpm • A min • 03:27 • -14db
35% Popularity • 41% Danceability • 28% Energy • 13% Liveness
83% Instrumentalness • 17% Positiveness
35% Popularity • 41% Danceability • 28% Energy • 13% Liveness
83% Instrumentalness • 17% Positiveness
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David Hirschfelder
You Moved!
92 bpm • A# Maj • 06:30 • -17.49db
22% Popularity • 11% Danceability • 18% Energy • 36% Liveness
86% Instrumentalness • 4% Positiveness
22% Popularity • 11% Danceability • 18% Energy • 36% Liveness
86% Instrumentalness • 4% Positiveness
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Max Richter
Luminous
80 bpm • E Maj • 05:05 • -13.28db
18% Popularity • 26% Danceability • 32% Energy • 30% Liveness
92% Instrumentalness • 3% Positiveness
18% Popularity • 26% Danceability • 32% Energy • 30% Liveness
92% Instrumentalness • 3% Positiveness
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Dustin O'Halloran
Departures n.1
80 bpm • D# Maj • 01:53 • -15.31db
21% Popularity • 51% Danceability • 19% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
21% Popularity • 51% Danceability • 19% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Dan Redfeld & Elizabeth Hedman
THE TWILIGHT SAGA-ECLIPSE: Jacob's Theme
80 bpm • C Maj • 02:37 • -17.77db
16% Popularity • 23% Danceability • 12% Energy • 25% Liveness
69% Instrumentalness • 10% Positiveness
16% Popularity • 23% Danceability • 12% Energy • 25% Liveness
69% Instrumentalness • 10% Positiveness
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Rolfe Kent
Sunset Goodbye
80 bpm • E min • 03:30 • -17.35db
12% Popularity • 17% Danceability • 24% Energy • 10% Liveness
81% Instrumentalness • 3% Positiveness
12% Popularity • 17% Danceability • 24% Energy • 10% Liveness
81% Instrumentalness • 3% Positiveness
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Dan Redfeld
Kick Ass / Theme from M.A.M.A.
80 bpm • A min • 01:53 • -15.85db
0% Popularity • 10% Danceability • 16% Energy • 10% Liveness
9% Instrumentalness • 15% Positiveness
0% Popularity • 10% Danceability • 16% Energy • 10% Liveness
9% Instrumentalness • 15% Positiveness
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Thomas Newman
Yes
80 bpm • D Maj • 02:05 • -42.16db
27% Popularity • 18% Danceability • 0% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
27% Popularity • 18% Danceability • 0% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
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The Chamber Orchestra Of London
Damaged
79 bpm • E min • 05:23 • -20.19db
26% Popularity • 11% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
26% Popularity • 11% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
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Enzo De Rosa
De natura
80 bpm • D Maj • 03:36 • -23.05db
8% Popularity • 24% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 11% Positiveness
8% Popularity • 24% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 11% Positiveness
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Wesley Sprayue
Across the Stars - Piano
79 bpm • A# Maj • 03:30 • -24.21db
27% Popularity • 47% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 18% Positiveness
27% Popularity • 47% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 18% Positiveness
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John Powell
P.S. I Love You
79 bpm • C Maj • 01:23 • -28.16db
46% Popularity • 46% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 39% Positiveness
46% Popularity • 46% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 39% Positiveness
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L'Orchestre d'Academie
Beauty & The Beast - Film Trailer Music
93 bpm • G Maj • 03:16 • -23.2db
17% Popularity • 20% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
17% Popularity • 20% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Gabriel Yared
Ada Plays
79 bpm • D Maj • 03:18 • -21.92db
31% Popularity • 25% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 6% Positiveness
31% Popularity • 25% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 6% Positiveness
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Harry Gregson-Williams
The Door in the Air - Score
79 bpm • C Maj • 07:50 • -22.54db
36% Popularity • 8% Danceability • 8% Energy • 28% Liveness
81% Instrumentalness • 3% Positiveness
36% Popularity • 8% Danceability • 8% Energy • 28% Liveness
81% Instrumentalness • 3% Positiveness
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Dan Redfeld
Theme from Fly (End Credits)
79 bpm • F Maj • 02:20 • -20.85db
0% Popularity • 21% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
0% Popularity • 21% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Patrick Doyle
The Wedding Night
79 bpm • C Maj • 02:05 • -18db
26% Popularity • 18% Danceability • 25% Energy • 13% Liveness
91% Instrumentalness • 7% Positiveness
26% Popularity • 18% Danceability • 25% Energy • 13% Liveness
91% Instrumentalness • 7% Positiveness
► Preview
Kerry Muzzey
The Looking Glass
94 bpm • G min • 03:20 • -13.3db
9% Popularity • 21% Danceability • 19% Energy • 12% Liveness
72% Instrumentalness • 4% Positiveness
9% Popularity • 21% Danceability • 19% Energy • 12% Liveness
72% Instrumentalness • 4% Positiveness
► Preview
Joby Talbot
Fairground
94 bpm • C# min • 01:31 • -15db
29% Popularity • 34% Danceability • 20% Energy • 10% Liveness
7% Instrumentalness • 5% Positiveness
29% Popularity • 34% Danceability • 20% Energy • 10% Liveness
7% Instrumentalness • 5% Positiveness
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Ralf Wengenmayr
Reprise
79 bpm • G Maj • 01:50 • -22.56db
23% Popularity • 28% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
23% Popularity • 28% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
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Philip Wesley
Lamentations of the Heart
78 bpm • E min • 04:08 • -20.44db
38% Popularity • 31% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 24% Positiveness
38% Popularity • 31% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 24% Positiveness
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Dan Redfeld
Theme from Purim Spiel
78 bpm • D Maj • 02:42 • -25.3db
0% Popularity • 26% Danceability • 7% Energy • 42% Liveness
50% Instrumentalness • 5% Positiveness
0% Popularity • 26% Danceability • 7% Energy • 42% Liveness
50% Instrumentalness • 5% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 24, Always Sum...
78 bpm • A# Maj • 02:29 • -25db
37% Popularity • 34% Danceability • 9% Energy • 14% Liveness
92% Instrumentalness • 10% Positiveness
37% Popularity • 34% Danceability • 9% Energy • 14% Liveness
92% Instrumentalness • 10% Positiveness
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Ari Posner
Never Going Back
95 bpm • F min • 02:10 • -17.51db
36% Popularity • 14% Danceability • 17% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
36% Popularity • 14% Danceability • 17% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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Atli Örvarsson
Clary's Theme
95 bpm • D min • 03:22 • -18db
26% Popularity • 14% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
26% Popularity • 14% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Deborah Lurie
John And Savannah
78 bpm • D# Maj • 01:55 • -19db
37% Popularity • 15% Danceability • 12% Energy • 14% Liveness
94% Instrumentalness • 9% Positiveness
37% Popularity • 15% Danceability • 12% Energy • 14% Liveness
94% Instrumentalness • 9% Positiveness
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Trevor Rabin
Who We Are
78 bpm • E min • 03:02 • -24.21db
17% Popularity • 27% Danceability • 7% Energy • 13% Liveness
95% Instrumentalness • 5% Positiveness
17% Popularity • 27% Danceability • 7% Energy • 13% Liveness
95% Instrumentalness • 5% Positiveness
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Dan Redfeld
A Hopeful Place: No. 3. Words They Never...
95 bpm • D min • 03:14 • -14.01db
0% Popularity • 20% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
0% Popularity • 20% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Yiruma
Dream A Little Dream Of Me
78 bpm • C Maj • 02:12 • -23.05db
41% Popularity • 32% Danceability • 9% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
41% Popularity • 32% Danceability • 9% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Michel Simone
Starlight
78 bpm • E Maj • 05:01 • -21.57db
16% Popularity • 37% Danceability • 7% Energy • 5% Liveness
83% Instrumentalness • 6% Positiveness
16% Popularity • 37% Danceability • 7% Energy • 5% Liveness
83% Instrumentalness • 6% Positiveness
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Mark Fowler
Piano Suite, Pt. 1
95 bpm • C Maj • 06:34 • -21.72db
12% Popularity • 35% Danceability • 4% Energy • 9% Liveness
37% Instrumentalness • 4% Positiveness
12% Popularity • 35% Danceability • 4% Energy • 9% Liveness
37% Instrumentalness • 4% Positiveness
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The Twilight Saga: New Moon
Memories Of Edward
78 bpm • D min • 01:37 • -28.14db
36% Popularity • 19% Danceability • 5% Energy • 11% Liveness
98% Instrumentalness • 15% Positiveness
36% Popularity • 19% Danceability • 5% Energy • 11% Liveness
98% Instrumentalness • 15% Positiveness
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Angèle Dubeau
Suite Harry Potter: Lily’s Theme – H...
78 bpm • B min • 06:26 • -18.85db
33% Popularity • 9% Danceability • 16% Energy • 15% Liveness
46% Instrumentalness • 4% Positiveness
33% Popularity • 9% Danceability • 16% Energy • 15% Liveness
46% Instrumentalness • 4% Positiveness
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Dan Redfeld
A Hopeful Place: No. 7. A Hopeful Place
78 bpm • A# Maj • 05:41 • -16.85db
0% Popularity • 16% Danceability • 12% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
0% Popularity • 16% Danceability • 12% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
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Edward Cullen
Gnossiennes 1
78 bpm • F min • 04:16 • -28.07db
23% Popularity • 37% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
23% Popularity • 37% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Carl Davis
Dawn / Georgiana
77 bpm • C Maj • 03:33 • -20.7db
18% Popularity • 30% Danceability • 13% Energy • 8% Liveness
83% Instrumentalness • 7% Positiveness
18% Popularity • 30% Danceability • 13% Energy • 8% Liveness
83% Instrumentalness • 7% Positiveness
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Martin Phipps
Andrei
77 bpm • C Maj • 03:19 • -20.13db
37% Popularity • 10% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
37% Popularity • 10% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
