Songs like Soul Sister by The Gaylads
Based on a tempo of (+/- 10%) and a similar genre
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The Gaylads
Soul Sister
116 bpm • C Maj • 02:52 • -11db
17% Popularity • 76% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 76% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Justin Hinds
The Higher The Monkey Climbs
116 bpm • F Maj • 02:59 • -14.23db
18% Popularity • 81% Danceability • 40% Energy • 49% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 81% Danceability • 40% Energy • 49% Liveness
0% Instrumentalness • 96% Positiveness
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The Melodians
(Come) Rock It With Me
115 bpm • G Maj • 02:54 • -13.97db
28% Popularity • 86% Danceability • 36% Energy • 8% Liveness
3% Instrumentalness • 97% Positiveness
28% Popularity • 86% Danceability • 36% Energy • 8% Liveness
3% Instrumentalness • 97% Positiveness
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Lord Creator
Kingston Town
115 bpm • A# Maj • 03:12 • -9.49db
47% Popularity • 94% Danceability • 50% Energy • 17% Liveness
1% Instrumentalness • 97% Positiveness
47% Popularity • 94% Danceability • 50% Energy • 17% Liveness
1% Instrumentalness • 97% Positiveness
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Larry Marshall
Run Babylon
117 bpm • E min • 03:03 • -6.92db
17% Popularity • 96% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 96% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Stranger Cole
When You Call My Name
117 bpm • F Maj • 03:14 • -6.43db
21% Popularity • 80% Danceability • 66% Energy • 9% Liveness
6% Instrumentalness • 97% Positiveness
21% Popularity • 80% Danceability • 66% Energy • 9% Liveness
6% Instrumentalness • 97% Positiveness
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The Gaylads
(God Loves You) Soul Sister
115 bpm • C Maj • 03:00 • -14.55db
3% Popularity • 76% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
3% Popularity • 76% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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Derrick Morgan
Blazing Fire
115 bpm • F Maj • 02:56 • -8.77db
30% Popularity • 83% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
30% Popularity • 83% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
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Justin Hinds
Say Me Say
114 bpm • C# Maj • 02:22 • -10.83db
21% Popularity • 96% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
21% Popularity • 96% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Delano Stewart
Stay a Little Bit Longer
118 bpm • F Maj • 02:20 • -11.1db
21% Popularity • 93% Danceability • 40% Energy • 9% Liveness
5% Instrumentalness • 98% Positiveness
21% Popularity • 93% Danceability • 40% Energy • 9% Liveness
5% Instrumentalness • 98% Positiveness
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Bruce Ruffin
The Bitterness of Life
118 bpm • A# Maj • 02:40 • -5.85db
18% Popularity • 88% Danceability • 60% Energy • 7% Liveness
22% Instrumentalness • 97% Positiveness
18% Popularity • 88% Danceability • 60% Energy • 7% Liveness
22% Instrumentalness • 97% Positiveness
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Lord Tanamo
Mattie Rag (Ol' Matilda)
119 bpm • E Maj • 02:33 • -9.15db
17% Popularity • 76% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 76% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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The Gaylads
Don't Listen to the Rumours
117 bpm • G# Maj • 02:44 • -14.83db
2% Popularity • 90% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
2% Popularity • 90% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Derrick Morgan
Forward March
114 bpm • D# Maj • 02:57 • -10.27db
22% Popularity • 63% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
22% Popularity • 63% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Justin Hinds
Teach The Youth
113 bpm • D# min • 03:06 • -12.67db
19% Popularity • 86% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
19% Popularity • 86% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Stranger Cole
Rough And Tough
113 bpm • C# Maj • 03:00 • -9.21db
27% Popularity • 94% Danceability • 58% Energy • 10% Liveness
6% Instrumentalness • 97% Positiveness
27% Popularity • 94% Danceability • 58% Energy • 10% Liveness
6% Instrumentalness • 97% Positiveness
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Danny Axeman
Soul Sister
113 bpm • G Maj • 04:12 • -7.19db
0% Popularity • 77% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
0% Popularity • 77% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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The Reggae Boys
Mama Look Deh
120 bpm • A# Maj • 03:06 • -9.03db
22% Popularity • 94% Danceability • 64% Energy • 12% Liveness
97% Instrumentalness • 100% Positiveness
22% Popularity • 94% Danceability • 64% Energy • 12% Liveness
97% Instrumentalness • 100% Positiveness
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The Gaylads
Don't Listen to the Rumours
117 bpm • C# Maj • 02:45 • -12.4db
2% Popularity • 91% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
2% Popularity • 91% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
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Derrick Morgan
Housewife's Choice
118 bpm • G Maj • 02:42 • -10.98db
26% Popularity • 56% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
26% Popularity • 56% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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The Rulers
Copasetic
112 bpm • G Maj • 02:32 • -11.79db
29% Popularity • 92% Danceability • 41% Energy • 12% Liveness
2% Instrumentalness • 98% Positiveness
29% Popularity • 92% Danceability • 41% Energy • 12% Liveness
2% Instrumentalness • 98% Positiveness
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The Slickers
I Want to Take a Chance
112 bpm • C# Maj • 02:46 • -8.37db
15% Popularity • 83% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 83% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Justin Hinds & The Dominoes
Fight for Your Right
120 bpm • F Maj • 02:33 • -8.32db
16% Popularity • 73% Danceability • 56% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
16% Popularity • 73% Danceability • 56% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
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Stranger Cole
Pretty Cottage
120 bpm • F# Maj • 02:52 • -6.91db
20% Popularity • 94% Danceability • 65% Energy • 18% Liveness
3% Instrumentalness • 97% Positiveness
20% Popularity • 94% Danceability • 65% Energy • 18% Liveness
3% Instrumentalness • 97% Positiveness
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The Gaylads
Secret Admirer
115 bpm • F Maj • 02:30 • -11.48db
2% Popularity • 84% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
2% Popularity • 84% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Derrick Morgan
The Hop
119 bpm • F Maj • 02:28 • -3db
29% Popularity • 79% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 79% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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The Shades
Who You Gonna Run To?
112 bpm • F Maj • 02:35 • -3.83db
17% Popularity • 88% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 88% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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The Skatalites
Storm Warning
121 bpm • C min • 02:27 • -6.05db
32% Popularity • 96% Danceability • 49% Energy • 10% Liveness
92% Instrumentalness • 96% Positiveness
32% Popularity • 96% Danceability • 49% Energy • 10% Liveness
92% Instrumentalness • 96% Positiveness
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Baba Brooks
Strongman Sampson
121 bpm • C Maj • 02:39 • -10.34db
21% Popularity • 83% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 83% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
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Bruce Ruffin
Dry Up Your Tears
111 bpm • C Maj • 02:13 • -13.53db
29% Popularity • 86% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 86% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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The Gaylads
Secret Admirer
114 bpm • F Maj • 02:29 • -13.25db
5% Popularity • 84% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
5% Popularity • 84% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Derrick Morgan
I Want to Go Home
113 bpm • F Maj • 02:21 • -13.42db
37% Popularity • 82% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
37% Popularity • 82% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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The Pioneers
Simmer Down Quashie
111 bpm • A# Maj • 01:57 • -12.77db
32% Popularity • 88% Danceability • 46% Energy • 7% Liveness
4% Instrumentalness • 98% Positiveness
32% Popularity • 88% Danceability • 46% Energy • 7% Liveness
4% Instrumentalness • 98% Positiveness
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Owen Gray
Patricia
122 bpm • D# Maj • 02:53 • -7.23db
13% Popularity • 63% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 63% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
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The Kingstonians
Come We Go Moonwalk
122 bpm • A Maj • 02:52 • -12.77db
27% Popularity • 82% Danceability • 51% Energy • 8% Liveness
1% Instrumentalness • 98% Positiveness
27% Popularity • 82% Danceability • 51% Energy • 8% Liveness
1% Instrumentalness • 98% Positiveness
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Stranger Cole
Everyday Tomorrow
122 bpm • F Maj • 02:34 • -11.64db
25% Popularity • 90% Danceability • 47% Energy • 38% Liveness
0% Instrumentalness • 97% Positiveness
25% Popularity • 90% Danceability • 47% Energy • 38% Liveness
0% Instrumentalness • 97% Positiveness
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The Gaylads
Someday I Will Be Free
113 bpm • C min • 03:07 • -14.3db
3% Popularity • 83% Danceability • 38% Energy • 34% Liveness
1% Instrumentalness • 92% Positiveness
3% Popularity • 83% Danceability • 38% Energy • 34% Liveness
1% Instrumentalness • 92% Positiveness
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Derrick Morgan
Feeling so Fine
122 bpm • G min • 02:42 • -11.14db
28% Popularity • 74% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 74% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
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The Pioneers
Long Shot (Kick De Bucket)
122 bpm • G Maj • 02:50 • -8.97db
51% Popularity • 94% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 56% Positiveness
51% Popularity • 94% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 56% Positiveness
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The Melodians
Sweet Sensation
122 bpm • C Maj • 03:50 • -15.11db
45% Popularity • 96% Danceability • 32% Energy • 8% Liveness
5% Instrumentalness • 96% Positiveness
45% Popularity • 96% Danceability • 32% Energy • 8% Liveness
5% Instrumentalness • 96% Positiveness
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Justin Hinds & The Dominoes
Here I Stand
110 bpm • A# Maj • 02:27 • -8.3db
29% Popularity • 83% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
29% Popularity • 83% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
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Owen Gray
Next Door Neighbour
123 bpm • C min • 02:28 • -10.15db
15% Popularity • 72% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
15% Popularity • 72% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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The Gaylads
Young, Gifted and Black
113 bpm • C Maj • 02:27 • -14.46db
2% Popularity • 81% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
2% Popularity • 81% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Boy Friday
Version Girl
123 bpm • A Maj • 03:03 • -8.47db
19% Popularity • 76% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 76% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Justin Hinds
Here I Stand
110 bpm • A# Maj • 02:27 • -9.74db
21% Popularity • 84% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 84% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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The Slickers
Every Wolf
123 bpm • B Maj • 03:45 • -5.1db
27% Popularity • 85% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 85% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
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The Melodians
Sweet Sensation
123 bpm • F Maj • 03:45 • -10.62db
24% Popularity • 93% Danceability • 41% Energy • 8% Liveness
2% Instrumentalness • 96% Positiveness
24% Popularity • 93% Danceability • 41% Energy • 8% Liveness
2% Instrumentalness • 96% Positiveness
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The Silvertones
True Confession
123 bpm • G Maj • 02:42 • -8.61db
23% Popularity • 81% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
23% Popularity • 81% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
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The Gaylads
Someday I Will Be Free
113 bpm • F min • 03:05 • -14.07db
3% Popularity • 82% Danceability • 40% Energy • 62% Liveness
1% Instrumentalness • 86% Positiveness
3% Popularity • 82% Danceability • 40% Energy • 62% Liveness
1% Instrumentalness • 86% Positiveness
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Lloyd Charmers
Dollars And Bonds
109 bpm • D Maj • 02:45 • -6.94db
16% Popularity • 68% Danceability • 72% Energy • 19% Liveness
36% Instrumentalness • 69% Positiveness
16% Popularity • 68% Danceability • 72% Energy • 19% Liveness
36% Instrumentalness • 69% Positiveness
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King Stitt
Lee Van Cleef
124 bpm • C Maj • 02:55 • -11.23db
20% Popularity • 70% Danceability • 58% Energy • 27% Liveness
1% Instrumentalness • 80% Positiveness
20% Popularity • 70% Danceability • 58% Energy • 27% Liveness
1% Instrumentalness • 80% Positiveness
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Dawn Penn
Are You There
109 bpm • G Maj • 02:33 • -9db
36% Popularity • 88% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
36% Popularity • 88% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Justin Hinds
Carry Go Bring Come
124 bpm • C Maj • 02:44 • -10.94db
37% Popularity • 80% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
37% Popularity • 80% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
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Clancy Eccles
Freedom
124 bpm • A# Maj • 02:39 • -11.34db
29% Popularity • 88% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 88% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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The Gaylads
Everything is Beautiful
112 bpm • F Maj • 03:10 • -14.59db
2% Popularity • 78% Danceability • 33% Energy • 64% Liveness
0% Instrumentalness • 94% Positiveness
2% Popularity • 78% Danceability • 33% Energy • 64% Liveness
0% Instrumentalness • 94% Positiveness
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Derrick Morgan
Don't Call Me Daddy
124 bpm • G Maj • 02:35 • -8.56db
18% Popularity • 84% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
18% Popularity • 84% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Justin Hinds & The Dominoes
Carry Go, Bring Come
124 bpm • C Maj • 02:44 • -7.7db
32% Popularity • 78% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
32% Popularity • 78% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
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The Spanishtonians
Rudie Gets Plenty
108 bpm • G# Maj • 02:42 • -9.26db
24% Popularity • 83% Danceability • 61% Energy • 8% Liveness
2% Instrumentalness • 97% Positiveness
24% Popularity • 83% Danceability • 61% Energy • 8% Liveness
2% Instrumentalness • 97% Positiveness
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Lord Creator
Evening News
125 bpm • C Maj • 02:31 • -9.75db
13% Popularity • 74% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 74% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
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Justin Hinds
King Samuel
125 bpm • A# Maj • 02:34 • -6.29db
18% Popularity • 85% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
18% Popularity • 85% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
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Desmond Baker
Rude Boy Gone A Jail
125 bpm • G# Maj • 02:45 • -5.92db
12% Popularity • 75% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 75% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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The Pioneers
Samfie Man
107 bpm • D# Maj • 02:58 • -7.35db
31% Popularity • 91% Danceability • 56% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
31% Popularity • 91% Danceability • 56% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
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Danny Axeman
No Good Girl
107 bpm • F Maj • 04:02 • -7.57db
0% Popularity • 70% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
0% Popularity • 70% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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The Gaylads
There's a Fire
126 bpm • A# Maj • 02:17 • -14.31db
4% Popularity • 84% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
4% Popularity • 84% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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The Kingstonians
Your Love
126 bpm • C Maj • 03:02 • -11.76db
17% Popularity • 86% Danceability • 45% Energy • 8% Liveness
25% Instrumentalness • 96% Positiveness
17% Popularity • 86% Danceability • 45% Energy • 8% Liveness
25% Instrumentalness • 96% Positiveness
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Justin Hinds & The Dominoes
No Good Rudie (aka No Good Rudy)
108 bpm • A# Maj • 03:09 • -8.65db
23% Popularity • 84% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
23% Popularity • 84% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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The Melodians
It's My Delight
126 bpm • G Maj • 03:17 • -12.55db
24% Popularity • 83% Danceability • 55% Energy • 29% Liveness
65% Instrumentalness • 93% Positiveness
24% Popularity • 83% Danceability • 55% Energy • 29% Liveness
65% Instrumentalness • 93% Positiveness
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Gloria & The Dreamlets
Really Now
126 bpm • G Maj • 02:22 • -7.22db
20% Popularity • 80% Danceability • 52% Energy • 22% Liveness
9% Instrumentalness • 69% Positiveness
20% Popularity • 80% Danceability • 52% Energy • 22% Liveness
9% Instrumentalness • 69% Positiveness
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Danny Axeman
Do That
107 bpm • A# Maj • 03:57 • -7.19db
0% Popularity • 79% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
0% Popularity • 79% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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The Skatalites
Blow Roland Blow
126 bpm • G Maj • 02:29 • -8.11db
36% Popularity • 62% Danceability • 55% Energy • 9% Liveness
2% Instrumentalness • 88% Positiveness
36% Popularity • 62% Danceability • 55% Energy • 9% Liveness
2% Instrumentalness • 88% Positiveness
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The Gaylads
Tell the Children the Truth
126 bpm • C Maj • 02:37 • -13.57db
2% Popularity • 78% Danceability • 38% Energy • 12% Liveness
1% Instrumentalness • 97% Positiveness
2% Popularity • 78% Danceability • 38% Energy • 12% Liveness
1% Instrumentalness • 97% Positiveness
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Justin Hinds
Over The River
127 bpm • C Maj • 02:21 • -11.62db
30% Popularity • 78% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
30% Popularity • 78% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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The Zodiacs
Renegade
127 bpm • F# min • 02:40 • -6.25db
26% Popularity • 62% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
26% Popularity • 62% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
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Freddie Notes
Shanghai
127 bpm • D# Maj • 02:37 • -7.24db
11% Popularity • 94% Danceability • 50% Energy • 23% Liveness
57% Instrumentalness • 97% Positiveness
11% Popularity • 94% Danceability • 50% Energy • 23% Liveness
57% Instrumentalness • 97% Positiveness
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Hortense Ellis
My Last Date
127 bpm • C Maj • 02:16 • -9.21db
20% Popularity • 73% Danceability • 65% Energy • 14% Liveness
4% Instrumentalness • 84% Positiveness
20% Popularity • 73% Danceability • 65% Energy • 14% Liveness
4% Instrumentalness • 84% Positiveness
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Larry Marshall
I've Got to Make It
105 bpm • D min • 02:55 • -7.65db
21% Popularity • 65% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 97% Positiveness
21% Popularity • 65% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 97% Positiveness
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The Gaylads
There's a Fire
126 bpm • A# Maj • 02:12 • -13.67db
27% Popularity • 79% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
27% Popularity • 79% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Don Drummond
Don Cosmic
128 bpm • F Maj • 02:32 • -10.66db
23% Popularity • 74% Danceability • 62% Energy • 9% Liveness
74% Instrumentalness • 96% Positiveness
23% Popularity • 74% Danceability • 62% Energy • 9% Liveness
74% Instrumentalness • 96% Positiveness
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Shenley Duffus
Rukumbine
128 bpm • G Maj • 02:40 • -4db
27% Popularity • 86% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
27% Popularity • 86% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
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Justin Hinds & The Dominoes
Mother Banner
128 bpm • G Maj • 02:39 • -6.09db
23% Popularity • 88% Danceability • 67% Energy • 8% Liveness
4% Instrumentalness • 98% Positiveness
23% Popularity • 88% Danceability • 67% Energy • 8% Liveness
4% Instrumentalness • 98% Positiveness
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Niney The Observer
Aily and Ailaloo
128 bpm • E Maj • 02:16 • -5db
38% Popularity • 86% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
38% Popularity • 86% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Lord Tanamo
You Belong to My Heart
128 bpm • D# Maj • 02:24 • -10.38db
26% Popularity • 81% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 93% Positiveness
26% Popularity • 81% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 93% Positiveness
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The Gaylads
Cold Lonely Night
106 bpm • C Maj • 02:57 • -13.55db
2% Popularity • 74% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
2% Popularity • 74% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Don Drummond
Confucious
128 bpm • D Maj • 02:52 • -5.97db
22% Popularity • 76% Danceability • 69% Energy • 11% Liveness
84% Instrumentalness • 73% Positiveness
22% Popularity • 76% Danceability • 69% Energy • 11% Liveness
84% Instrumentalness • 73% Positiveness
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Jackie Opel
Sit Down Servant
128 bpm • F# Maj • 02:12 • -8.76db
18% Popularity • 68% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 68% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Bob Andy
You Don't Know
128 bpm • C Maj • 03:16 • -12.97db
29% Popularity • 86% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 86% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Harry J Allstars
The Big Three (Put a Little Love In Your...
105 bpm • C# min • 02:46 • -12.19db
16% Popularity • 79% Danceability • 57% Energy • 15% Liveness
93% Instrumentalness • 97% Positiveness
16% Popularity • 79% Danceability • 57% Energy • 15% Liveness
93% Instrumentalness • 97% Positiveness
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Danny Axeman
Making Love
105 bpm • F Maj • 04:12 • -7.08db
0% Popularity • 77% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
0% Popularity • 77% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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The Gaylads
Tell the Children the Truth
127 bpm • C Maj • 02:30 • -14.4db
4% Popularity • 78% Danceability • 43% Energy • 14% Liveness
34% Instrumentalness • 96% Positiveness
4% Popularity • 78% Danceability • 43% Energy • 14% Liveness
34% Instrumentalness • 96% Positiveness
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Lord Tanamo
I'm in the Mood for Love (I'm in the Moo...
129 bpm • D# Maj • 02:31 • -8.29db
44% Popularity • 76% Danceability • 63% Energy • 11% Liveness
80% Instrumentalness • 89% Positiveness
44% Popularity • 76% Danceability • 63% Energy • 11% Liveness
80% Instrumentalness • 89% Positiveness
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The Kingstonians
The Clip
129 bpm • C Maj • 02:46 • -11.01db
18% Popularity • 90% Danceability • 50% Energy • 16% Liveness
1% Instrumentalness • 97% Positiveness
18% Popularity • 90% Danceability • 50% Energy • 16% Liveness
1% Instrumentalness • 97% Positiveness
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The Maytones
Throw Down Your Arms (Bonus Track)
129 bpm • G# Maj • 03:33 • -12.7db
28% Popularity • 86% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
28% Popularity • 86% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
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Roy Panton
We'll Meet
129 bpm • D# min • 02:26 • -7db
37% Popularity • 75% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
37% Popularity • 75% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Danny Axeman
A Who
129 bpm • A Maj • 03:57 • -9.56db
0% Popularity • 85% Danceability • 47% Energy • 10% Liveness
15% Instrumentalness • 92% Positiveness
0% Popularity • 85% Danceability • 47% Energy • 10% Liveness
15% Instrumentalness • 92% Positiveness
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The Gaylads
Slipping & Sliding
106 bpm • C min • 02:10 • -8.44db
20% Popularity • 75% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
20% Popularity • 75% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
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The Pioneers
Give and Take (Give a Little, Take a Lit...
129 bpm • C Maj • 02:20 • -8.95db
30% Popularity • 82% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
30% Popularity • 82% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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The Kingstonians
Singer Man
129 bpm • D Maj • 03:04 • -11.1db
24% Popularity • 71% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 71% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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The Soulmates
Them A Laugh And A Kiki
129 bpm • F Maj • 02:34 • -10.62db
27% Popularity • 82% Danceability • 47% Energy • 15% Liveness
69% Instrumentalness • 92% Positiveness
27% Popularity • 82% Danceability • 47% Energy • 15% Liveness
69% Instrumentalness • 92% Positiveness
