Songs like Sounds and Syllables by Alan Davies
Based on a tempo of (+/- 10%) and a similar genre
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Nick Blaemire
We Beseech Thee
136 bpm • G Maj • 03:23 • -8.29db
32% Popularity • 75% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 75% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Richard M. Sherman
Chitty Chitty Bang Bang: You Two
136 bpm • B min • 02:23 • -19db
26% Popularity • 50% Danceability • 14% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 50% Danceability • 14% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
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Stubby Kaye (performer), Guys and Dolls Chorus
Sit Down You're Rockin the Boat!
136 bpm • D# Maj • 02:01 • -13db
23% Popularity • 63% Danceability • 46% Energy • 47% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 63% Danceability • 46% Energy • 47% Liveness
0% Instrumentalness • 68% Positiveness
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Jim Dale
Museum Song
136 bpm • A Maj • 01:49 • -9db
18% Popularity • 68% Danceability • 86% Energy • 46% Liveness
0% Instrumentalness • 88% Positiveness
18% Popularity • 68% Danceability • 86% Energy • 46% Liveness
0% Instrumentalness • 88% Positiveness
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Keith Carradine
Our Favorite Son
135 bpm • G# Maj • 03:40 • -11db
17% Popularity • 61% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
17% Popularity • 61% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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Gwen Verdon
Roxie
135 bpm • B Maj • 05:16 • -17.39db
20% Popularity • 67% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 67% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Hunter Parrish
All for the Best
136 bpm • G Maj • 03:16 • -10.76db
39% Popularity • 61% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
39% Popularity • 61% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Joel Grey
Give My Regards to Broadway
137 bpm • C Maj • 03:37 • -8db
20% Popularity • 45% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 45% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Frederick Loewe
Camelot: The Seven Deadly Virtues
135 bpm • A min • 01:26 • -16.4db
20% Popularity • 64% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 64% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Ernie Sabella
I Really Like Him
137 bpm • F Maj • 02:03 • -14db
22% Popularity • 63% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
22% Popularity • 63% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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James Marsden
(It's) Hairspray
135 bpm • C Maj • 02:20 • -5db
45% Popularity • 42% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
45% Popularity • 42% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
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Alan Davies
Beside The Still Waters
137 bpm • A Maj • 02:00 • -15.37db
0% Popularity • 46% Danceability • 11% Energy • 11% Liveness
19% Instrumentalness • 44% Positiveness
0% Popularity • 46% Danceability • 11% Energy • 11% Liveness
19% Instrumentalness • 44% Positiveness
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Renée Fleming
June Is Bustin' Out All Over
137 bpm • F# min • 06:45 • -10.3db
25% Popularity • 51% Danceability • 38% Energy • 58% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 51% Danceability • 38% Energy • 58% Liveness
0% Instrumentalness • 41% Positiveness
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Buddy Hackett
Shipoopi
138 bpm • A# Maj • 02:23 • -9db
31% Popularity • 49% Danceability • 68% Energy • 55% Liveness
0% Instrumentalness • 93% Positiveness
31% Popularity • 49% Danceability • 68% Energy • 55% Liveness
0% Instrumentalness • 93% Positiveness
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Sean Palmer as Prince Eric
Her Voice
134 bpm • D Maj • 03:15 • -17.71db
37% Popularity • 31% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
37% Popularity • 31% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Tammy Grimes
Shadow Waltz
138 bpm • A min • 03:29 • -21.42db
19% Popularity • 37% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
19% Popularity • 37% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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B.D. Wong
My Blanket and Me
134 bpm • F Maj • 03:51 • -16.59db
27% Popularity • 57% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 57% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Alan Davies
Don't Look Down !
138 bpm • E Maj • 02:29 • -8.73db
0% Popularity • 48% Danceability • 46% Energy • 20% Liveness
89% Instrumentalness • 61% Positiveness
0% Popularity • 48% Danceability • 46% Energy • 20% Liveness
89% Instrumentalness • 61% Positiveness
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Richard Harris
I Wonder What the King Is Doing Tonight ...
134 bpm • D# Maj • 02:08 • -15db
19% Popularity • 51% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 51% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Gwen Verdon
We Both Reached for the Gun
138 bpm • B Maj • 03:57 • -18db
29% Popularity • 60% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
29% Popularity • 60% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Katrina Murphy
Mister Snow
134 bpm • G Maj • 05:49 • -17.67db
11% Popularity • 43% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 43% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Gordon Macrae
People Will Say We're in Love (Excerpts ...
134 bpm • G# Maj • 04:22 • -12db
22% Popularity • 29% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 29% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Adam Searles
Consider Yourself
134 bpm • C Maj • 05:40 • -13.37db
37% Popularity • 56% Danceability • 28% Energy • 52% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 56% Danceability • 28% Energy • 52% Liveness
0% Instrumentalness • 67% Positiveness
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James Naughton
The Tennis Song
134 bpm • C Maj • 02:36 • -15.98db
17% Popularity • 65% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 65% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Richard Gere
All I Care About
133 bpm • F# Maj • 03:48 • -8.87db
31% Popularity • 43% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 43% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
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Emile De Becque
This Nearly Was Mine
138 bpm • C Maj • 02:09 • -13.76db
27% Popularity • 23% Danceability • 26% Energy • 16% Liveness
95% Instrumentalness • 4% Positiveness
27% Popularity • 23% Danceability • 26% Energy • 16% Liveness
95% Instrumentalness • 4% Positiveness
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Dan Truhitte
Sixteen Going On Seventeen
133 bpm • D# Maj • 04:55 • -13db
43% Popularity • 42% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
43% Popularity • 42% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Frederick Loewe
My Fair Lady: Why Can't the English?
133 bpm • F Maj • 02:46 • -14db
12% Popularity • 60% Danceability • 38% Energy • 62% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 60% Danceability • 38% Energy • 62% Liveness
0% Instrumentalness • 70% Positiveness
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Annette & Tommy Sands
The Parent Trap
139 bpm • G# Maj • 02:17 • -10.63db
12% Popularity • 63% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 63% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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Carole Cook
Go into Your Dance
133 bpm • G# Maj • 03:23 • -14.95db
20% Popularity • 56% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 56% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Vanessa Redgrave
Take Me to the Fair - Guenevere and the ...
139 bpm • F# Maj • 04:58 • -16.78db
15% Popularity • 50% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 50% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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Richard M. Sherman
Chitty Chitty Bang Bang: Truly Scrumptio...
133 bpm • A min • 03:08 • -18.32db
30% Popularity • 45% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 45% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Peter Marshall
You're Never Fully Dressed Without A Smi...
139 bpm • A# Maj • 03:01 • -14.68db
39% Popularity • 52% Danceability • 23% Energy • 57% Liveness
0% Instrumentalness • 63% Positiveness
39% Popularity • 52% Danceability • 23% Energy • 57% Liveness
0% Instrumentalness • 63% Positiveness
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Josie de Guzman
I'll Know
139 bpm • G Maj • 04:55 • -20db
29% Popularity • 40% Danceability • 9% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 40% Danceability • 9% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
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Frederick Loewe
Camelot: I Wonder What the King Is Doing...
133 bpm • D# Maj • 02:01 • -15db
27% Popularity • 64% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 64% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Karen Prunczik
Sunny Side to Every Situation
139 bpm • D# Maj • 02:20 • -18.92db
20% Popularity • 37% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 37% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Alan Davies
Man On A Tightrope
139 bpm • B min • 02:59 • -9.99db
0% Popularity • 49% Danceability • 37% Energy • 11% Liveness
12% Instrumentalness • 33% Positiveness
0% Popularity • 49% Danceability • 37% Energy • 11% Liveness
12% Instrumentalness • 33% Positiveness
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A Chorus Line Ensemble (2006)
One (Reprise) / Finale
140 bpm • G min • 04:56 • -7.91db
34% Popularity • 61% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
34% Popularity • 61% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Richard M. Sherman
Chitty Chitty Bang Bang: Me Ol' Bamboo
133 bpm • C Maj • 02:35 • -14.25db
29% Popularity • 76% Danceability • 54% Energy • 58% Liveness
0% Instrumentalness • 81% Positiveness
29% Popularity • 76% Danceability • 54% Energy • 58% Liveness
0% Instrumentalness • 81% Positiveness
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Camarata
Me Ol' Bam-Boo
140 bpm • G Maj • 02:12 • -8.46db
18% Popularity • 66% Danceability • 83% Energy • 48% Liveness
0% Instrumentalness • 88% Positiveness
18% Popularity • 66% Danceability • 83% Energy • 48% Liveness
0% Instrumentalness • 88% Positiveness
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Angela Lansbury
Reprise: Eglantine / Portebello Road
140 bpm • A# Maj • 01:14 • -18.78db
28% Popularity • 29% Danceability • 20% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
28% Popularity • 29% Danceability • 20% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
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Sarah Jessica Parker
Shy
140 bpm • A# Maj • 04:20 • -11.44db
28% Popularity • 52% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 52% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Red Buttons
Every Little Piece
132 bpm • G Maj • 04:25 • -17db
28% Popularity • 50% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 50% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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A Chorus Line Ensemble (2006)
One
132 bpm • G min • 05:56 • -10db
33% Popularity • 55% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 55% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
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Betty Noyes
Would You?
140 bpm • G# Maj • 02:59 • -13db
33% Popularity • 27% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
33% Popularity • 27% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Hermione Gingold
Pick-A-Little, Talk-A-Little
140 bpm • G Maj • 02:02 • -8.54db
32% Popularity • 72% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
32% Popularity • 72% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
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Wallace Smith
Prepare Ye
140 bpm • B Maj • 02:12 • -7.53db
31% Popularity • 29% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 29% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Lt. Cable
Carefully Taught
141 bpm • E Maj • 01:13 • -13.95db
27% Popularity • 54% Danceability • 22% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 54% Danceability • 22% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
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Tom Chambers
Isn't This a Lovely Day (To Be Caught in...
132 bpm • B min • 03:44 • -11.37db
9% Popularity • 47% Danceability • 27% Energy • 18% Liveness
3% Instrumentalness • 58% Positiveness
9% Popularity • 47% Danceability • 27% Energy • 18% Liveness
3% Instrumentalness • 58% Positiveness
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Tammy Grimes
About a Quarter to Nine
141 bpm • C# Maj • 02:16 • -20.79db
18% Popularity • 41% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 41% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Julie Dawn Cole
I Want It Now/Oompa-Loompa
131 bpm • A# Maj • 02:50 • -14.1db
42% Popularity • 61% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
42% Popularity • 61% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Robert Preston
Ya Got Trouble / Seventy-Six Trombones
132 bpm • C min • 02:50 • -11.88db
32% Popularity • 59% Danceability • 63% Energy • 50% Liveness
0% Instrumentalness • 85% Positiveness
32% Popularity • 59% Danceability • 63% Energy • 50% Liveness
0% Instrumentalness • 85% Positiveness
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Brian Stokes Mitchell
Finale Sequence: The Death of Alonso Qui...
131 bpm • F min • 08:22 • -14.18db
21% Popularity • 43% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 43% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Original Broadway Cast of 'Joseph and the Amazing Technicolor Dreamcoat'
Prologue-You Are What You Feel/Jacob And...
141 bpm • F Maj • 03:27 • -14db
18% Popularity • 40% Danceability • 24% Energy • 54% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 40% Danceability • 24% Energy • 54% Liveness
0% Instrumentalness • 39% Positiveness
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Marlin
Finale - The Big Blue World (Reprise) - ...
141 bpm • D# Maj • 02:15 • -13db
31% Popularity • 36% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 36% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Aaron Tveit
Someone Else's Skin
141 bpm • F Maj • 04:14 • -7.32db
32% Popularity • 44% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 44% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Nikki Blonsky
Mama, I'm A Big Girl Now
141 bpm • B Maj • 03:18 • -5db
44% Popularity • 65% Danceability • 71% Energy • 62% Liveness
0% Instrumentalness • 59% Positiveness
44% Popularity • 65% Danceability • 71% Energy • 62% Liveness
0% Instrumentalness • 59% Positiveness
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John Davidson
Detroit
131 bpm • G Maj • 04:30 • -13.84db
12% Popularity • 40% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 40% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Brian Stokes Mitchell
Dulcinea
131 bpm • C Maj • 03:11 • -11.4db
29% Popularity • 40% Danceability • 32% Energy • 46% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 40% Danceability • 32% Energy • 46% Liveness
0% Instrumentalness • 40% Positiveness
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Danny Kaye
Outfox The Fox
141 bpm • F Maj • 02:50 • -7.78db
21% Popularity • 56% Danceability • 69% Energy • 41% Liveness
0% Instrumentalness • 79% Positiveness
21% Popularity • 56% Danceability • 69% Energy • 41% Liveness
0% Instrumentalness • 79% Positiveness
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Ruthie Henshall
Someone To Watch Over Me
131 bpm • A# Maj • 03:47 • -20.97db
24% Popularity • 25% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 25% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Josie de Guzman
I've Never Been in Love Before
141 bpm • C# Maj • 02:06 • -15db
31% Popularity • 31% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 31% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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Helen Reddy
I Saw A Dragon
131 bpm • A Maj • 02:33 • -12db
29% Popularity • 72% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 72% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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The Music Man Motion-Picture Ensemble
The Wells Fargo Wagon
131 bpm • A Maj • 02:36 • -13.29db
29% Popularity • 68% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 68% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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South Pacific 1988 London Cast Recording Male Ensemble
There Is Nothing Like A Dame
141 bpm • E Maj • 03:39 • -17.6db
14% Popularity • 63% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 63% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Scatman Crothers
Ev'rybody Wants to Be a Cat (Finale)
131 bpm • F min • 01:21 • -10.24db
28% Popularity • 59% Danceability • 54% Energy • 54% Liveness
0% Instrumentalness • 92% Positiveness
28% Popularity • 59% Danceability • 54% Energy • 54% Liveness
0% Instrumentalness • 92% Positiveness
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Don Francks, Petula Clark, Fred Astaire & Chorus
If This Isn't Love
141 bpm • F Maj • 03:37 • -11.36db
12% Popularity • 55% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 55% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Nathan Lane
The Oldest Established
141 bpm • G Maj • 02:34 • -17.64db
31% Popularity • 58% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
31% Popularity • 58% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
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Ken Darby Male Chorus
There Is Nothin' Like A Dame
131 bpm • G Maj • 03:48 • -15.77db
28% Popularity • 62% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
28% Popularity • 62% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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Richard M. Sherman
Chitty Chitty Bang Bang: Doll on a Music...
131 bpm • F# Maj • 02:21 • -20.36db
32% Popularity • 44% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
32% Popularity • 44% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Lynnette Perry
The Crime of the Century
142 bpm • D# Maj • 02:52 • -7.77db
24% Popularity • 54% Danceability • 52% Energy • 42% Liveness
0% Instrumentalness • 71% Positiveness
24% Popularity • 54% Danceability • 52% Energy • 42% Liveness
0% Instrumentalness • 71% Positiveness
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William C. Witter
Join the Circus
142 bpm • C# Maj • 05:50 • -7.79db
16% Popularity • 72% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 72% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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Burl Ives
The Ugly Bug Ball
131 bpm • A# Maj • 03:04 • -12.35db
33% Popularity • 71% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
33% Popularity • 71% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Amar Ramasar
Blow High, Blow Low
142 bpm • G Maj • 05:45 • -12db
17% Popularity • 47% Danceability • 36% Energy • 15% Liveness
2% Instrumentalness • 35% Positiveness
17% Popularity • 47% Danceability • 36% Energy • 15% Liveness
2% Instrumentalness • 35% Positiveness
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Frederick Loewe
My Fair Lady: A Hymn to Him
142 bpm • G Maj • 03:15 • -14.09db
9% Popularity • 58% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 58% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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Michael McGrath
Always Look On The Bright Side Of Life -...
130 bpm • F# min • 04:29 • -6.74db
36% Popularity • 54% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 54% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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Rex Allen
There's a Great Big Beautiful Tomorrow
130 bpm • E min • 02:16 • -9.84db
40% Popularity • 45% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 45% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Burke Moses
The Mob Song
143 bpm • A min • 03:02 • -17.03db
34% Popularity • 50% Danceability • 39% Energy • 67% Liveness
0% Instrumentalness • 64% Positiveness
34% Popularity • 50% Danceability • 39% Energy • 67% Liveness
0% Instrumentalness • 64% Positiveness
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Helen Reddy
Brazzle Dazzle Day
143 bpm • D Maj • 02:47 • -13db
32% Popularity • 56% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
32% Popularity • 56% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
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Lin-Manuel Miranda
(Underneath the) Lovely London Sky
143 bpm • C Maj • 03:46 • -13.94db
40% Popularity • 32% Danceability • 24% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 32% Danceability • 24% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
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And the World Goes 'Round Ensemble
Coffee in a Cardboard Cup
143 bpm • F min • 02:46 • -16.93db
16% Popularity • 64% Danceability • 42% Energy • 64% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 64% Danceability • 42% Energy • 64% Liveness
0% Instrumentalness • 76% Positiveness
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Frederick Loewe
Camelot: March
129 bpm • A# Maj • 01:27 • -17db
20% Popularity • 63% Danceability • 26% Energy • 8% Liveness
85% Instrumentalness • 68% Positiveness
20% Popularity • 63% Danceability • 26% Energy • 8% Liveness
85% Instrumentalness • 68% Positiveness
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John Davidson
'Bout Time
143 bpm • D Maj • 02:45 • -8db
13% Popularity • 35% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
13% Popularity • 35% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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'Anything Goes' New Broadway Cast Ensemble
There's No Cure Like Travel / Bon Voyage
129 bpm • G Maj • 01:54 • -7.8db
31% Popularity • 63% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
31% Popularity • 63% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Richard M. Sherman
The Best Time of Your Life
129 bpm • D# Maj • 03:00 • -9.89db
32% Popularity • 61% Danceability • 51% Energy • 66% Liveness
0% Instrumentalness • 86% Positiveness
32% Popularity • 61% Danceability • 51% Energy • 66% Liveness
0% Instrumentalness • 86% Positiveness
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Walter Bobbie
Sit Down, You're Rockin' the Boat
129 bpm • A# Maj • 02:57 • -15.74db
39% Popularity • 58% Danceability • 30% Energy • 77% Liveness
0% Instrumentalness • 52% Positiveness
39% Popularity • 58% Danceability • 30% Energy • 77% Liveness
0% Instrumentalness • 52% Positiveness
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Brian Stokes Mitchell
Man of La Mancha (I, Don Quixote)
144 bpm • D Maj • 02:15 • -7.8db
33% Popularity • 62% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 62% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Stanley Wayne Mathis
Beethoven Day
144 bpm • C Maj • 03:07 • -12db
30% Popularity • 61% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
30% Popularity • 61% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Sherman Edwards
1776: But, Mr. Adams
128 bpm • F Maj • 05:08 • -14.05db
23% Popularity • 63% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 63% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Ken Darby Male Chorus
Bloody Mary
129 bpm • D# Maj • 01:54 • -10.37db
27% Popularity • 79% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
27% Popularity • 79% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
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The Kiss Me Kate 2019 Broadway Company
Another Op'nin', Another Show
144 bpm • G Maj • 03:59 • -6.3db
24% Popularity • 43% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 43% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Original Broadway Cast of 'Joseph and the Amazing Technicolor Dreamcoat'
Joseph's Coat (The Coat Of Many Colors)
144 bpm • D# Maj • 03:33 • -13.14db
25% Popularity • 59% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 59% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Charmian Carr
Sixteen Going On Seventeen
128 bpm • G# Maj • 03:20 • -15.87db
51% Popularity • 49% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
51% Popularity • 49% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
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The Pirates Of Penzance
With Cat-Like Tread, Upon Our Prey We St...
128 bpm • D Maj • 03:22 • -10.79db
26% Popularity • 44% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 44% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Natascia Diaz
I'm Only Thinking of Him
128 bpm • F min • 03:36 • -13.84db
23% Popularity • 58% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 58% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
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Chad Stuart
That's What Friends are For (The Vulture...
128 bpm • A min • 02:06 • -16db
45% Popularity • 51% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
45% Popularity • 51% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Fred MacMurray
What's Wrong with That
128 bpm • D# Maj • 01:32 • -13.54db
16% Popularity • 53% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 53% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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Rex Allen
There's a Great Big Beautiful Tomorrow
128 bpm • E min • 07:02 • -13.22db
39% Popularity • 40% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
39% Popularity • 40% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
