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Sounds Of Summer
Songs like
Sounds Of Summer
by
Dierks Bentley
Based on a tempo of (+/- 10%) and a similar genre
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Chris Janson
Save a Little Sugar
154 bpm • A Maj • 03:01 • -4.37db
25% Popularity • 58% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Dierks Bentley
Sounds Of Summer
154 bpm • E Maj • 03:21 • -6.94db
36% Popularity • 53% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
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Brothers Osborne
Let's Go There
154 bpm • C Maj • 02:57 • -4db
35% Popularity • 57% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
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Outshyne
Night with Your Name on It
154 bpm • A# Maj • 03:21 • -6db
13% Popularity • 51% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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David Nail
Summer Job Days
154 bpm • F Maj • 04:10 • -2.74db
16% Popularity • 39% Danceability • 64% Energy • 8% Liveness
1% Instrumentalness • 27% Positiveness
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Old Dominion
Dirt on a Road
154 bpm • C# Maj • 02:59 • -4.67db
38% Popularity • 66% Danceability • 78% Energy • 41% Liveness
0% Instrumentalness • 89% Positiveness
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Chris Janson
Buy Me a Boat
154 bpm • D Maj • 02:59 • -6.66db
68% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Tyler Farr
Whiskey in My Water
154 bpm • G Maj • 03:08 • -5.08db
51% Popularity • 53% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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Darius Rucker
Southern State Of Mind
155 bpm • C# Maj • 03:36 • -6.87db
48% Popularity • 60% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
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Dierks Bentley
Can't Be Replaced
155 bpm • D Maj • 05:40 • -7.4db
31% Popularity • 54% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Joe Diffie
Girl Ridin' Shotgun
155 bpm • G Maj • 03:30 • -5db
46% Popularity • 57% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 53% Positiveness
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Josh Thompson
Left This Town
156 bpm • F# Maj • 03:12 • -5db
14% Popularity • 54% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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Chris Janson
Cut Me Some Slack
155 bpm • D Maj • 02:51 • -4db
27% Popularity • 64% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Craig Campbell
Family Man
156 bpm • B Maj • 03:39 • -7.08db
42% Popularity • 55% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Josh Turner
Hometown Girl
156 bpm • D# min • 03:35 • -5.47db
64% Popularity • 50% Danceability • 79% Energy • 14% Liveness
4% Instrumentalness • 44% Positiveness
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Darius Rucker
You Can Have Charleston
152 bpm • C Maj • 04:28 • -6.85db
10% Popularity • 52% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Ronnie Dunn
Ain't No Trucks In Texas
152 bpm • G# Maj • 03:20 • -3.89db
36% Popularity • 39% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
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Josh Thompson
Cold Beer With Your Name On It
153 bpm • C Maj • 03:21 • -4.46db
43% Popularity • 59% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Chase Rice
50 Shades of Crazy
152 bpm • D# min • 03:10 • -5db
19% Popularity • 52% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Brett Kissel
Cool with That
152 bpm • A Maj • 03:49 • -4.74db
33% Popularity • 43% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
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Easton Corbin
That's Gonna Leave A Memory
156 bpm • D Maj • 03:07 • -4.42db
34% Popularity • 57% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Tyler Farr
Why We Live Here
156 bpm • A Maj • 03:17 • -5.8db
22% Popularity • 35% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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David Lee Murphy
Winnebago
156 bpm • C Maj • 03:05 • -4.82db
25% Popularity • 58% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Jerrod Niemann
Come On, Come On
156 bpm • E Maj • 03:19 • -8.35db
13% Popularity • 62% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Adam Sanders
Nothin' to Do but Drink
156 bpm • E Maj • 03:16 • -4.55db
38% Popularity • 50% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
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Old Dominion
Break Up with Him
152 bpm • G# Maj • 03:27 • -5db
63% Popularity • 62% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Easton Corbin
Kiss Me One More Time
152 bpm • E Maj • 03:17 • -6db
24% Popularity • 60% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Brad Paisley
Little Moments
157 bpm • A Maj • 03:39 • -9.17db
51% Popularity • 51% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
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Chase Bryant
Take it On Back
158 bpm • D Maj • 04:06 • -5.38db
40% Popularity • 56% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Jason Michael Carroll
Meet Me In the Barn
158 bpm • F Maj • 03:15 • -3db
30% Popularity • 56% Danceability • 81% Energy • 70% Liveness
0% Instrumentalness • 79% Positiveness
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Josh Thompson
Wanted Me Gone
158 bpm • G Maj • 03:11 • -5db
22% Popularity • 60% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Old Dominion
Shut Me Up
152 bpm • G Maj • 02:51 • -4db
40% Popularity • 55% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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Chris Janson
Fix a Drink
158 bpm • C# Maj • 03:08 • -5db
59% Popularity • 56% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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Brad Paisley
Beat This Summer
150 bpm • F# Maj • 04:41 • -5db
45% Popularity • 56% Danceability • 72% Energy • 39% Liveness
0% Instrumentalness • 80% Positiveness
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Blackjack Billy
Why God Made Summertime
150 bpm • D Maj • 03:11 • -4.18db
9% Popularity • 60% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
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Eric Church
Guys Like Me
158 bpm • C Maj • 03:11 • -6.92db
56% Popularity • 45% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
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Canaan Smith
Stuck
150 bpm • D Maj • 03:25 • -6db
19% Popularity • 57% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Jon Pardi
Write You A Song
150 bpm • A Maj • 03:05 • -4db
39% Popularity • 54% Danceability • 89% Energy • 48% Liveness
0% Instrumentalness • 85% Positiveness
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Darius Rucker
Half Full Dixie Cup
150 bpm • G Maj • 03:33 • -5.09db
16% Popularity • 52% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Ronnie Dunn
Young Buck
150 bpm • A Maj • 03:12 • -6db
38% Popularity • 62% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Easton Corbin
Diggin' On You
150 bpm • F Maj • 02:42 • -6.31db
32% Popularity • 65% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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Brett Kissel
Raise Your Glass
158 bpm • C Maj • 03:51 • -5db
23% Popularity • 56% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Outshyne
Moonlight Crush
150 bpm • G# Maj • 03:53 • -7db
28% Popularity • 56% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Chase Rice
Carolina Can
158 bpm • B Maj • 03:40 • -6.61db
20% Popularity • 48% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Canaan Smith
We Got Us
150 bpm • D Maj • 03:49 • -4db
28% Popularity • 55% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Jordan Rager
Southern Boy
150 bpm • D# Maj • 03:47 • -7.08db
35% Popularity • 51% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 30% Positiveness
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Jason Michael Carroll
Where I'm From
150 bpm • G# Maj • 04:36 • -6db
45% Popularity • 53% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Toby Keith
Drunk Americans
149 bpm • D Maj • 03:20 • -6db
42% Popularity • 46% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
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Chris Janson
Waitin' on 5
160 bpm • C# Maj • 02:54 • -2.97db
44% Popularity • 54% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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Jon Pardi
What I Can't Put Down
160 bpm • G Maj • 03:23 • -4db
61% Popularity • 57% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Chuck Wicks
Watcha Got Girl
160 bpm • D Maj • 03:01 • -5.11db
7% Popularity • 55% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
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Keith Urban
Little Bit Of Everything
160 bpm • G# Maj • 03:25 • -5.99db
45% Popularity • 62% Danceability • 88% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
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Josh Thompson
Comin' Around
160 bpm • A Maj • 02:58 • -4.32db
24% Popularity • 46% Danceability • 76% Energy • 27% Liveness
0% Instrumentalness • 41% Positiveness
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Russell Dickerson
Blue Tacoma
160 bpm • A Maj • 03:32 • -4.88db
63% Popularity • 46% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Chase Rice
Look at My Truck
160 bpm • A Maj • 03:16 • -5.32db
15% Popularity • 45% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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Tracy Lawrence
Stop Drop and Roll
148 bpm • C# Maj • 02:55 • -2.39db
13% Popularity • 60% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Brothers Osborne
Shoot From The Hip
148 bpm • G Maj • 03:33 • -4.81db
45% Popularity • 60% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 53% Positiveness
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Emerson Drive
The Road
148 bpm • C# Maj • 03:35 • -4.15db
26% Popularity • 55% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Dierks Bentley
Country & Cold Cans - 2012 Recording
148 bpm • A# Maj • 03:44 • -3.43db
26% Popularity • 55% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Mitchell Tenpenny
Truck I Drove in High School
148 bpm • F# Maj • 03:27 • -2.78db
33% Popularity • 61% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
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Canaan Smith
This Night Back
160 bpm • A Maj • 03:04 • -5db
42% Popularity • 58% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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David Lee Murphy
No Zip Code
148 bpm • F# Maj • 03:05 • -4.8db
25% Popularity • 52% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Trace Adkins
Mind on Fishin'
148 bpm • G# Maj • 03:17 • -4.96db
47% Popularity • 65% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Old Dominion
Wake up Loving You
148 bpm • G# Maj • 03:48 • -8.2db
43% Popularity • 58% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Dierks Bentley
Hope For Me Yet
160 bpm • B Maj • 02:55 • -4.89db
19% Popularity • 50% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
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Tyler Farr
A Guy Walks Into a Bar
148 bpm • C Maj • 03:16 • -3db
54% Popularity • 43% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Canaan Smith
Beer Drinkin' Weather
148 bpm • A# Maj • 03:04 • -2.88db
47% Popularity • 46% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Brett Eldredge
Gotta Get There
148 bpm • G# Maj • 03:23 • -6.5db
28% Popularity • 66% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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James Barker Band
New Old Trucks
148 bpm • G Maj • 03:11 • -3.74db
38% Popularity • 59% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Big & Rich
Run Away with You
148 bpm • F# min • 03:44 • -4.12db
46% Popularity • 54% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Dierks Bentley
Pick Up
148 bpm • C Maj • 03:33 • -5.7db
41% Popularity • 59% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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David Nail
Whatever She's Got
160 bpm • C# Maj • 03:56 • -6.13db
61% Popularity • 53% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Easton Corbin
Hearts Drawn In The Sand
147 bpm • F# Maj • 03:10 • -4db
29% Popularity • 62% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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John King
On Your Lips
162 bpm • C# Maj • 03:23 • -3.76db
10% Popularity • 42% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Jason Michael Carroll
Numbers
162 bpm • F# Maj • 03:29 • -3.02db
24% Popularity • 42% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Big & Rich
Lost in This Moment
148 bpm • B Maj • 03:30 • -7db
33% Popularity • 60% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Dierks Bentley
Five
162 bpm • D Maj • 04:45 • -6.64db
31% Popularity • 46% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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James Barker Band
Lawn Chair Lazy
162 bpm • C# Maj • 03:16 • -5db
40% Popularity • 59% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Chris Lane
Fill Them Boots
146 bpm • C# Maj • 02:42 • -5.12db
41% Popularity • 61% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 77% Positiveness
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CJ Solar
Tall Boy
146 bpm • D Maj • 03:37 • -4.87db
19% Popularity • 50% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
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Eric Paslay
Young Forever
162 bpm • C Maj • 03:17 • -5.39db
41% Popularity • 55% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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Chase Rice
How She Rolls
146 bpm • E Maj • 02:59 • -5.27db
25% Popularity • 46% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Canaan Smith
Pour Decisions
146 bpm • D Maj • 02:26 • -4.12db
33% Popularity • 54% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Jason Michael Carroll
Growing Up Is Getting Old
146 bpm • G Maj • 03:09 • -5db
25% Popularity • 54% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
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Ronnie Dunn
That's Why They Make Jack Daniels
146 bpm • D# Maj • 03:23 • -5db
39% Popularity • 53% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Toby Keith
What She Left Behind
146 bpm • G Maj • 03:32 • -7.15db
29% Popularity • 53% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Dierks Bentley
With The Band
146 bpm • D min • 03:46 • -2.95db
15% Popularity • 64% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Jon Pardi
Up All Night
163 bpm • A Maj • 03:29 • -4.94db
59% Popularity • 55% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Canaan Smith
Love You Like That
145 bpm • B Maj • 03:23 • -5db
58% Popularity • 56% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Tyler Farr
I Don't Even Want This Beer
146 bpm • B min • 03:13 • -5.71db
39% Popularity • 56% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Bobby Wills
Down By The River
164 bpm • C Maj • 03:45 • -4db
28% Popularity • 50% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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Josh Thompson
Down For A Get Down
164 bpm • D Maj • 02:30 • -4.2db
26% Popularity • 58% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 60% Positiveness
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David Nail
Red Light
164 bpm • A Maj • 04:06 • -3db
48% Popularity • 39% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
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Little Big Town
Day Drinking
164 bpm • A Maj • 02:58 • -2.52db
58% Popularity • 59% Danceability • 96% Energy • 78% Liveness
0% Instrumentalness • 86% Positiveness
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Big & Rich
Freedom Road
164 bpm • G Maj • 03:24 • -5.5db
13% Popularity • 55% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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Tracy Lawrence
If the World Had a Front Porch
164 bpm • C Maj • 03:01 • -4.2db
42% Popularity • 47% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Craig Campbell
My Baby's Daddy
164 bpm • A Maj • 03:08 • -6.08db
10% Popularity • 68% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
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Luke Bryan
Wild Weekend
164 bpm • F Maj • 04:01 • -5.26db
31% Popularity • 56% Danceability • 91% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
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Old Dominion
We Got It Right
164 bpm • B Maj • 03:15 • -7db
33% Popularity • 60% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Josh Gracin
We Weren't Crazy
164 bpm • C Maj • 03:47 • -3db
30% Popularity • 42% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Sounds Of Summer