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South Australia
Songs like
South Australia
by
Tangleweed
Based on a tempo of (+/- 10%) and a similar genre
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Buffalo Galaxy
Sink In
132 bpm • F# min • 04:47 • -6.8db
14% Popularity • 67% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
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Blue Highway
Emerson
132 bpm • G Maj • 03:36 • -6.9db
12% Popularity • 52% Danceability • 78% Energy • 31% Liveness
94% Instrumentalness • 72% Positiveness
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Audey Ratliff
Cactus Polka
132 bpm • G Maj • 02:52 • -12.33db
7% Popularity • 64% Danceability • 42% Energy • 24% Liveness
90% Instrumentalness • 96% Positiveness
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Charlie Parr
Manifold
132 bpm • B min • 02:34 • -7.62db
9% Popularity • 48% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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J.D. Wilkes
Hills of Mexico
133 bpm • G# Maj • 02:59 • -12.23db
12% Popularity • 46% Danceability • 29% Energy • 19% Liveness
27% Instrumentalness • 29% Positiveness
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The Po' Ramblin' Boys
I’ll Be a Friend to Jesus
133 bpm • E Maj • 02:08 • -6.87db
16% Popularity • 58% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Tangleweed
South Australia
132 bpm • D Maj • 02:20 • -8.76db
0% Popularity • 67% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Cahalen Morrison
My Girls Heavy
133 bpm • F# Maj • 03:17 • -11.87db
9% Popularity • 53% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Pharis & Jason Romero
Going to Town
131 bpm • G Maj • 02:04 • -8.9db
8% Popularity • 49% Danceability • 59% Energy • 32% Liveness
95% Instrumentalness • 87% Positiveness
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Kyle Tuttle
Not Quite Spring
131 bpm • G Maj • 02:58 • -7.79db
12% Popularity • 50% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Caleb Klauder & Reeb Willms
Whispering Forest
131 bpm • A# Maj • 03:18 • -9.61db
8% Popularity • 57% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Yale Katrine
Rainbow Flag
133 bpm • C Maj • 04:11 • -14.08db
27% Popularity • 52% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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Tim Lake
The Achiever's Ball
131 bpm • G Maj • 02:54 • -5.49db
12% Popularity • 68% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Contact Outrageous
Spell Introduction
133 bpm • A Maj • 03:42 • -4.97db
16% Popularity • 53% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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Appalachian Smoke
Good at Gone
133 bpm • E min • 04:05 • -12.49db
13% Popularity • 58% Danceability • 57% Energy • 13% Liveness
43% Instrumentalness • 65% Positiveness
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Full Cord
Rogue River Valley
130 bpm • E Maj • 02:21 • -10.57db
17% Popularity • 51% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 87% Positiveness
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Gregory Page
Thought You Were Brilliant
134 bpm • G Maj • 04:08 • -8.67db
10% Popularity • 60% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Reeltime Travellers
Ain't Gwine Drink a, No More
130 bpm • G Maj • 02:18 • -8.84db
14% Popularity • 62% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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The Fretliners
Shadows of My Past
130 bpm • E min • 03:09 • -9.4db
13% Popularity • 65% Danceability • 61% Energy • 36% Liveness
1% Instrumentalness • 58% Positiveness
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Alison Brown
Bluegrass Radio
130 bpm • A Maj • 03:02 • -7.87db
29% Popularity • 74% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
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Yale Katrine
Cold Morning
134 bpm • D min • 02:32 • -8.79db
27% Popularity • 55% Danceability • 80% Energy • 20% Liveness
28% Instrumentalness • 97% Positiveness
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The Rice Menzone Alliance
I Know What It Means To Be Lonesome
134 bpm • F Maj • 03:11 • -7.37db
10% Popularity • 65% Danceability • 69% Energy • 13% Liveness
14% Instrumentalness • 94% Positiveness
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Stefan Michael Raab, Christoph Allerstorfer
Dancing in the Wildwood
130 bpm • G Maj • 01:04 • -8.32db
14% Popularity • 51% Danceability • 52% Energy • 30% Liveness
76% Instrumentalness • 98% Positiveness
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Magoo
Sick Dawg
130 bpm • G Maj • 04:03 • -6.04db
9% Popularity • 60% Danceability • 82% Energy • 17% Liveness
89% Instrumentalness • 89% Positiveness
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Broke Mountain Bluegrass Band
Yours To Abuse
130 bpm • G Maj • 02:42 • -6.99db
11% Popularity • 57% Danceability • 68% Energy • 26% Liveness
23% Instrumentalness • 71% Positiveness
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Rebecca Frazier
Make Hay While the Moon Shines
130 bpm • G Maj • 02:51 • -6.77db
22% Popularity • 67% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Rick Lovett
High Grass Roller Song
130 bpm • G Maj • 03:32 • -3.42db
8% Popularity • 55% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
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Dan Menzone, Wyatt Rice, Rickie Simpkins, Ron Rice, Adam Steffey
Frostbite
130 bpm • E Maj • 03:41 • -10.7db
9% Popularity • 55% Danceability • 70% Energy • 33% Liveness
93% Instrumentalness • 88% Positiveness
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Ashley MacIsaac
The Green Fields Of Glentown
134 bpm • F Maj • 00:59 • -12.43db
9% Popularity • 32% Danceability • 36% Energy • 20% Liveness
82% Instrumentalness • 96% Positiveness
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North Fork Crossing
Ear to the Ground
130 bpm • D min • 03:45 • -12.04db
16% Popularity • 59% Danceability • 47% Energy • 32% Liveness
4% Instrumentalness • 64% Positiveness
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Tim Lake
Jingle Bells
130 bpm • G Maj • 01:32 • -2.85db
12% Popularity • 59% Danceability • 67% Energy • 22% Liveness
10% Instrumentalness • 96% Positiveness
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Brannock McCartan
Moonlit Memories
130 bpm • G# Maj • 04:01 • -9.06db
13% Popularity • 62% Danceability • 57% Energy • 19% Liveness
3% Instrumentalness • 82% Positiveness
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Cup O’Joe
Azazel's Escape
134 bpm • C Maj • 02:50 • -8.01db
12% Popularity • 44% Danceability • 68% Energy • 10% Liveness
90% Instrumentalness • 80% Positiveness
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Ben Tout
Our Love
135 bpm • A# Maj • 03:40 • -14.57db
20% Popularity • 60% Danceability • 29% Energy • 17% Liveness
82% Instrumentalness • 67% Positiveness
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Broken Compass Bluegrass
Ghost (On That Train)
135 bpm • C Maj • 03:34 • -10.23db
9% Popularity • 62% Danceability • 56% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
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The North Fork Rounders
Turkey in the Straw
135 bpm • D Maj • 03:00 • -15.47db
10% Popularity • 66% Danceability • 44% Energy • 13% Liveness
1% Instrumentalness • 97% Positiveness
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Magoo
West Dakota Rose
135 bpm • C# min • 04:47 • -5.43db
15% Popularity • 60% Danceability • 84% Energy • 12% Liveness
79% Instrumentalness • 56% Positiveness
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Charm City Junction
Roll on John
135 bpm • A# Maj • 03:24 • -8.77db
12% Popularity • 66% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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T M Hanna
The No Power Waltz (Thinking of You)
129 bpm • A Maj • 03:38 • -17db
14% Popularity • 55% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Old Man Luedecke
Real Wet Wood
129 bpm • A Maj • 02:04 • -11.05db
10% Popularity • 60% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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New Family Dog
Grow
135 bpm • G Maj • 02:32 • -8.64db
17% Popularity • 63% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Herschel Sizemore
Loar's Waltz
135 bpm • A# Maj • 03:20 • -12.88db
10% Popularity • 52% Danceability • 22% Energy • 10% Liveness
87% Instrumentalness • 54% Positiveness
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Marshall Harte
Bow Valley Break
129 bpm • E Maj • 04:10 • -7.87db
9% Popularity • 62% Danceability • 64% Energy • 13% Liveness
17% Instrumentalness • 86% Positiveness
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The Black Swans Of Trespass
Wattletree
135 bpm • G Maj • 02:14 • -10.49db
8% Popularity • 59% Danceability • 58% Energy • 16% Liveness
86% Instrumentalness • 75% Positiveness
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Nathan Sefalden
Chasing The Rainbow
129 bpm • D Maj • 03:16 • -8db
29% Popularity • 72% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Little Roots
Roll on Buddy
135 bpm • A Maj • 02:14 • -8.96db
11% Popularity • 55% Danceability • 32% Energy • 18% Liveness
9% Instrumentalness • 60% Positiveness
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Michael Prewitt
Tombstone Junction
129 bpm • G Maj • 05:08 • -12.25db
9% Popularity • 47% Danceability • 62% Energy • 7% Liveness
95% Instrumentalness • 96% Positiveness
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East Nash Grass
Had to Be a Full Moon
136 bpm • A Maj • 03:30 • -9.42db
11% Popularity • 58% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Yonder Mountain String Band
Don't Lean On Me
136 bpm • B Maj • 02:25 • -9.35db
24% Popularity • 61% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
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small void
down in the holler
136 bpm • G Maj • 01:54 • -9.26db
14% Popularity • 38% Danceability • 67% Energy • 38% Liveness
80% Instrumentalness • 90% Positiveness
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None of the Above
Maybe Tomorrow
128 bpm • C Maj • 02:28 • -9.14db
7% Popularity • 75% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
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Dan Menzone, Wyatt Rice, Rickie Simpkins, Ron Rice, Adam Steffey
Wheel Hoss
136 bpm • G Maj • 03:56 • -9.73db
9% Popularity • 56% Danceability • 74% Energy • 17% Liveness
97% Instrumentalness • 97% Positiveness
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The Travelin' McCourys
Runaway Train
128 bpm • C Maj • 04:20 • -5.76db
25% Popularity • 61% Danceability • 79% Energy • 33% Liveness
1% Instrumentalness • 81% Positiveness
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Andy Leftwich
Liberty
128 bpm • D Maj • 04:11 • -8.39db
7% Popularity • 58% Danceability • 89% Energy • 14% Liveness
85% Instrumentalness • 63% Positiveness
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Charm City Junction
Let Me Roll
128 bpm • A Maj • 02:09 • -8.74db
13% Popularity • 61% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
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Ransomed Bluegrass
In the Twinkling of an Eye
127 bpm • A Maj • 03:19 • -7.6db
10% Popularity • 60% Danceability • 72% Energy • 28% Liveness
10% Instrumentalness • 92% Positiveness
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Ben Tout
Hannah
137 bpm • D Maj • 01:43 • -16.46db
20% Popularity • 50% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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Tangleweed
The Old Country Waltz
127 bpm • G Maj • 02:40 • -6.34db
0% Popularity • 53% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Chandler Beavers
Runaway Traveler
137 bpm • G Maj • 03:25 • -10.27db
15% Popularity • 51% Danceability • 74% Energy • 36% Liveness
94% Instrumentalness • 91% Positiveness
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The Blue Canyon Boys
Like a Heart That's Grown Weary of the B...
137 bpm • E Maj • 04:04 • -11.22db
14% Popularity • 49% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Reeltime Travellers
Sally Goodin
127 bpm • D Maj • 02:49 • -8.76db
11% Popularity • 55% Danceability • 56% Energy • 22% Liveness
90% Instrumentalness • 84% Positiveness
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Dan Menzone, Wyatt Rice, Rickie Simpkins, Ron Rice, Adam Steffey
Pallet On Your Floor
127 bpm • A Maj • 04:13 • -9.11db
9% Popularity • 62% Danceability • 71% Energy • 32% Liveness
46% Instrumentalness • 80% Positiveness
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Theodore Nehemiah
Diamond
127 bpm • E Maj • 04:12 • -15db
20% Popularity • 37% Danceability • 19% Energy • 23% Liveness
0% Instrumentalness • 17% Positiveness
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John Kane
The Dying Stockman
127 bpm • D Maj • 02:07 • -11.47db
8% Popularity • 56% Danceability • 20% Energy • 8% Liveness
76% Instrumentalness • 42% Positiveness
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Wyatt Ellis
Johnson Mountain Blues
127 bpm • C Maj • 05:23 • -11.07db
12% Popularity • 48% Danceability • 44% Energy • 16% Liveness
86% Instrumentalness • 58% Positiveness
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Broke Mountain Bluegrass Band
Dark Hollow
127 bpm • C Maj • 02:17 • -8.58db
10% Popularity • 56% Danceability • 59% Energy • 19% Liveness
4% Instrumentalness • 75% Positiveness
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Billy C. Hurt Jr.
Sixteen Days in Georgia
126 bpm • C Maj • 02:07 • -9.71db
7% Popularity • 63% Danceability • 39% Energy • 6% Liveness
85% Instrumentalness • 96% Positiveness
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Lonesome Ace Stringband
Country Mile
127 bpm • F Maj • 03:00 • -7.06db
16% Popularity • 62% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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The Well Drinkers
Meet Me in Montana
138 bpm • A Maj • 03:34 • -6.3db
15% Popularity • 62% Danceability • 66% Energy • 41% Liveness
0% Instrumentalness • 82% Positiveness
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Tangleweed
Hunter's Jig / Swallow Tail Jig / Forked...
138 bpm • D Maj • 03:39 • -6.25db
0% Popularity • 33% Danceability • 71% Energy • 10% Liveness
73% Instrumentalness • 67% Positiveness
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East Nash Grass
Why Did You Call
126 bpm • D# Maj • 02:54 • -9.03db
11% Popularity • 54% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Nathan Sefalden
China Collapse
126 bpm • B Maj • 04:08 • -7.03db
29% Popularity • 59% Danceability • 56% Energy • 21% Liveness
70% Instrumentalness • 86% Positiveness
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Tim Lake
A Russian Sailor Running From A Fight
138 bpm • D Maj • 01:07 • -5.81db
12% Popularity • 52% Danceability • 89% Energy • 34% Liveness
96% Instrumentalness • 74% Positiveness
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Lonesome Ace Stringband
Lonesome Ace #1
126 bpm • G Maj • 02:52 • -7.96db
17% Popularity • 68% Danceability • 71% Energy • 10% Liveness
14% Instrumentalness • 79% Positiveness
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Dirt Road Sweetheart
Rose of My Heart
126 bpm • F Maj • 03:12 • -7.94db
8% Popularity • 53% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Max Lazzarin
Take me home
126 bpm • F min • 02:18 • -16.53db
17% Popularity • 63% Danceability • 12% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
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Translate Ahead
Evaluate Client
126 bpm • B min • 04:24 • -11.03db
16% Popularity • 66% Danceability • 55% Energy • 32% Liveness
1% Instrumentalness • 93% Positiveness
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Melody House
No Turning Back
139 bpm • E Maj • 03:36 • -19.1db
9% Popularity • 66% Danceability • 27% Energy • 8% Liveness
1% Instrumentalness • 91% Positiveness
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Tim Lake
Happiness
126 bpm • G Maj • 02:52 • -5.77db
11% Popularity • 76% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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Jim Lauderdale
You Fell Off The Face Of The Earth
125 bpm • A# Maj • 02:51 • -11.09db
12% Popularity • 57% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Wyatt Ellis
Sandy Gap
126 bpm • C Maj • 03:31 • -9.78db
12% Popularity • 43% Danceability • 74% Energy • 6% Liveness
92% Instrumentalness • 96% Positiveness
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The Rice Menzone Alliance
I'll Sail My Ship Alone
125 bpm • A# Maj • 02:16 • -8.03db
12% Popularity • 66% Danceability • 63% Energy • 32% Liveness
2% Instrumentalness • 96% Positiveness
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Junior Sisk
Old Cold Shoulder
139 bpm • B Maj • 02:53 • -8.51db
7% Popularity • 61% Danceability • 70% Energy • 7% Liveness
22% Instrumentalness • 94% Positiveness
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Stevie O'Connor
Fair Them Hills
125 bpm • D# Maj • 03:06 • -12.52db
18% Popularity • 57% Danceability • 48% Energy • 23% Liveness
6% Instrumentalness • 66% Positiveness
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John Kane
Australian Tv Medley: Rush / Skippy / Ho...
125 bpm • D Maj • 02:46 • -6.68db
7% Popularity • 63% Danceability • 47% Energy • 7% Liveness
66% Instrumentalness • 76% Positiveness
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The Dixie Micks
Look Down That Lonesome Road
125 bpm • C Maj • 03:48 • -9.11db
11% Popularity • 79% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Brand New Box of Matches
Work All Day Blues
125 bpm • G Maj • 03:55 • -7.66db
11% Popularity • 65% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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New Grass Revival
Spring Peepers
125 bpm • B min • 03:27 • -12.92db
7% Popularity • 54% Danceability • 57% Energy • 18% Liveness
2% Instrumentalness • 76% Positiveness
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None of the Above
Taking to the Mountain
125 bpm • B Maj • 02:24 • -7.13db
7% Popularity • 69% Danceability • 53% Energy • 9% Liveness
2% Instrumentalness • 86% Positiveness
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Benjamin Thorndike
Play
125 bpm • D Maj • 02:16 • -8.34db
12% Popularity • 62% Danceability • 46% Energy • 11% Liveness
43% Instrumentalness • 73% Positiveness
► Preview
The Lucky Ones
Two-Step Medley
125 bpm • G Maj • 02:36 • -9.82db
13% Popularity • 53% Danceability • 69% Energy • 30% Liveness
7% Instrumentalness • 96% Positiveness
► Preview
T M Hanna
Macrofiche
140 bpm • G# Maj • 03:22 • -16.02db
12% Popularity • 71% Danceability • 29% Energy • 12% Liveness
2% Instrumentalness • 91% Positiveness
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The Price Sisters
Tuel's Landing
124 bpm • G Maj • 03:00 • -6.44db
9% Popularity • 60% Danceability • 75% Energy • 24% Liveness
82% Instrumentalness • 92% Positiveness
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The Mosstins
Keep Your Dirty Lights On
140 bpm • G Maj • 03:38 • -9.71db
29% Popularity • 68% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Broken Compass Bluegrass
End of the World
140 bpm • E min • 03:49 • -9.58db
10% Popularity • 62% Danceability • 51% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
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North Fork Crossing
If You Quit
140 bpm • A Maj • 03:32 • -8.64db
12% Popularity • 56% Danceability • 63% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
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Tangleweed
What Goes On
124 bpm • D Maj • 03:40 • -4.96db
0% Popularity • 45% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Any Old Time String Band
Falls of Richmond / Camp Chase
124 bpm • D Maj • 02:59 • -10.48db
13% Popularity • 43% Danceability • 64% Energy • 27% Liveness
90% Instrumentalness • 65% Positiveness
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T M Hanna
Looks Like Spring Is Here
124 bpm • G# Maj • 03:22 • -14.32db
14% Popularity • 81% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
► Preview
Nefesh Mountain
Red Staggerwing
124 bpm • D Maj • 04:23 • -5.8db
8% Popularity • 60% Danceability • 85% Energy • 29% Liveness
4% Instrumentalness • 69% Positiveness
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South Australia