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South Bay Beatdown
Songs like
South Bay Beatdown
by
Gary Smith
Based on a tempo of (+/- 10%) and a similar genre
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David Barrett
It Takes Three
137 bpm • A# Maj • 06:43 • -5.79db
5% Popularity • 56% Danceability • 77% Energy • 29% Liveness
84% Instrumentalness • 71% Positiveness
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Kim Wilson
Tiger Man
137 bpm • G# Maj • 03:40 • -8db
21% Popularity • 50% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Lazy Lester
Alligator Shuffle
137 bpm • A Maj • 02:45 • -10.1db
30% Popularity • 46% Danceability • 88% Energy • 10% Liveness
89% Instrumentalness • 77% Positiveness
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Gary Smith
South Bay Beatdown
137 bpm • A Maj • 02:58 • -9.95db
17% Popularity • 58% Danceability • 63% Energy • 12% Liveness
94% Instrumentalness • 77% Positiveness
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Lacy Gibson
Wish Me Well
138 bpm • C Maj • 02:57 • -15.22db
30% Popularity • 63% Danceability • 76% Energy • 7% Liveness
9% Instrumentalness • 61% Positiveness
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Cephas & Wiggins
Screaming And Crying
136 bpm • G Maj • 02:58 • -9.12db
15% Popularity • 53% Danceability • 43% Energy • 51% Liveness
0% Instrumentalness • 69% Positiveness
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Rick Estrin & The Nightcats
So Long (for Jay P.)
136 bpm • F Maj • 03:23 • -6.05db
24% Popularity • 50% Danceability • 61% Energy • 7% Liveness
16% Instrumentalness • 91% Positiveness
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Manuel Galvin
Jump Up
136 bpm • D min • 01:57 • -7.79db
24% Popularity • 58% Danceability • 73% Energy • 18% Liveness
84% Instrumentalness • 97% Positiveness
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Lazy Lester
Rooster Blues
135 bpm • A Maj • 03:02 • -7db
20% Popularity • 44% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Gary Smith
Losin' Hand
136 bpm • A# Maj • 03:41 • -7.96db
1% Popularity • 61% Danceability • 58% Energy • 6% Liveness
4% Instrumentalness • 82% Positiveness
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Hoochie Coochie Blues Band
Don´t Go No Further
135 bpm • B min • 02:37 • -8.78db
17% Popularity • 41% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
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The Gay Barbarians
The House Plant Daphnie
135 bpm • D Maj • 07:11 • -13.64db
0% Popularity • 21% Danceability • 66% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
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Harmonica Shah
Baby, You Have Got to Change
135 bpm • C min • 04:46 • -4.09db
15% Popularity • 62% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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The Butler Twins
I Ain't Got Nobody To Tell My Troubles T...
139 bpm • C Maj • 07:11 • -3.89db
11% Popularity • 46% Danceability • 94% Energy • 88% Liveness
0% Instrumentalness • 78% Positiveness
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Zuzu Bollin
Big Legs
139 bpm • G# Maj • 02:37 • -13.78db
21% Popularity • 66% Danceability • 63% Energy • 30% Liveness
2% Instrumentalness • 68% Positiveness
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Gary Smith
Bloody Tears
138 bpm • A Maj • 04:31 • -9.76db
0% Popularity • 36% Danceability • 74% Energy • 36% Liveness
2% Instrumentalness • 64% Positiveness
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Eddy Clearwater
Blues Hang Out
135 bpm • G Maj • 05:13 • -10.03db
13% Popularity • 69% Danceability • 69% Energy • 36% Liveness
48% Instrumentalness • 84% Positiveness
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Snooky Pryor
Headed South
139 bpm • D min • 05:43 • -7db
11% Popularity • 54% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Steve Freund
Worried About That Gal
139 bpm • C min • 05:12 • -10.67db
11% Popularity • 61% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Homesick James
Homesick's Shuffle
139 bpm • B Maj • 04:14 • -13db
24% Popularity • 60% Danceability • 66% Energy • 31% Liveness
87% Instrumentalness • 93% Positiveness
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Adolph Walker
Night Fish
134 bpm • B Maj • 03:48 • -10.88db
26% Popularity • 50% Danceability • 43% Energy • 22% Liveness
44% Instrumentalness • 84% Positiveness
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Gary Smith
Just Blew In to Your Town
138 bpm • G Maj • 03:59 • -10.37db
0% Popularity • 44% Danceability • 59% Energy • 61% Liveness
3% Instrumentalness • 82% Positiveness
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Mark Hodgson
Tequila Quicksand
140 bpm • A Maj • 03:46 • -5.51db
12% Popularity • 40% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
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Brandon Santini
Raise Your Window
140 bpm • A Maj • 04:09 • -6.2db
11% Popularity • 64% Danceability • 62% Energy • 8% Liveness
2% Instrumentalness • 80% Positiveness
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Billy Branch & The Sons of Blues
Rock Me Baby
134 bpm • D Maj • 03:54 • -8.97db
20% Popularity • 88% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Mighty Joe Young
Wishy Washy Woman
141 bpm • D Maj • 03:04 • -7.32db
13% Popularity • 64% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 89% Positiveness
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The Gay Barbarians
Crazy Love + Fast Cars
132 bpm • B Maj • 01:46 • -13.58db
0% Popularity • 36% Danceability • 69% Energy • 10% Liveness
3% Instrumentalness • 37% Positiveness
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Gary Smith
Minor Mambo
135 bpm • C Maj • 05:29 • -6.93db
19% Popularity • 67% Danceability • 70% Energy • 96% Liveness
60% Instrumentalness • 91% Positiveness
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Karsen Edwards
Love Prison
132 bpm • A min • 04:21 • -6.2db
24% Popularity • 28% Danceability • 79% Energy • 15% Liveness
1% Instrumentalness • 55% Positiveness
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Kim Wilson
Don't Bite the Hand That Feeds You
132 bpm • C min • 04:16 • -7.8db
19% Popularity • 62% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Big Pete
I Was Fooled
132 bpm • B min • 05:12 • -3.86db
14% Popularity • 44% Danceability • 90% Energy • 15% Liveness
8% Instrumentalness • 51% Positiveness
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Lazy Lester
Bye Bye Baby
142 bpm • G Maj • 02:43 • -11.72db
23% Popularity • 50% Danceability • 72% Energy • 36% Liveness
10% Instrumentalness • 82% Positiveness
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Zuzu Bollin
Why Don't You Eat Where You Slept Last N...
132 bpm • A# Maj • 02:54 • -16db
39% Popularity • 61% Danceability • 39% Energy • 8% Liveness
69% Instrumentalness • 83% Positiveness
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Gary Smith
The Toddle
135 bpm • B min • 02:51 • -8.29db
1% Popularity • 71% Danceability • 55% Energy • 18% Liveness
80% Instrumentalness • 90% Positiveness
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Little Arthur Duncan
44 Blues
132 bpm • A Maj • 03:46 • -11.15db
29% Popularity • 74% Danceability • 41% Energy • 75% Liveness
5% Instrumentalness • 56% Positiveness
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Steve Freund
You Got Me (Where You Want Me)
142 bpm • C Maj • 02:54 • -4.21db
9% Popularity • 56% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Paul Butterfield's Better Days
Too Many Drivers
132 bpm • D min • 03:21 • -13db
18% Popularity • 51% Danceability • 55% Energy • 29% Liveness
27% Instrumentalness • 76% Positiveness
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Nick Moss Band
Lucky Guy
132 bpm • D Maj • 04:32 • -3db
30% Popularity • 49% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
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Flávio Guimarães
Gary's Swing
131 bpm • C Maj • 03:07 • -5.11db
0% Popularity • 56% Danceability • 64% Energy • 35% Liveness
1% Instrumentalness • 79% Positiveness
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Gary Smith
Extreme Fantasy
133 bpm • G min • 02:31 • -20.84db
0% Popularity • 85% Danceability • 11% Energy • 7% Liveness
86% Instrumentalness • 24% Positiveness
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Aubrey"Bluesdog"Dunham
I Used To Be A Dog Baby
132 bpm • F min • 05:54 • -6.27db
17% Popularity • 51% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Larry Garner
Someone New
131 bpm • A Maj • 03:20 • -9.84db
11% Popularity • 72% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 91% Positiveness
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Henry Gray
Let's Get High
131 bpm • C Maj • 03:52 • -7db
17% Popularity • 70% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Phillip Walker
Dressin' Tasty
131 bpm • G# Maj • 03:51 • -9.15db
14% Popularity • 48% Danceability • 80% Energy • 19% Liveness
1% Instrumentalness • 94% Positiveness
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Bernard Carllyle
Boogie's Back in Texas
143 bpm • C# Maj • 04:15 • -11.5db
9% Popularity • 55% Danceability • 50% Energy • 41% Liveness
0% Instrumentalness • 44% Positiveness
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Gary Smith
Too Late
142 bpm • F Maj • 03:46 • -8.92db
3% Popularity • 65% Danceability • 66% Energy • 13% Liveness
85% Instrumentalness • 68% Positiveness
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Snooky Pryor
Bottle It Up and Go
131 bpm • G# Maj • 03:02 • -12db
38% Popularity • 66% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Cedric Burnside
Mad Man Blues
144 bpm • C Maj • 03:02 • -7.8db
18% Popularity • 57% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Rod Piazza
4811 Watsworth
130 bpm • A min • 03:58 • -13.94db
15% Popularity • 44% Danceability • 34% Energy • 18% Liveness
27% Instrumentalness • 22% Positiveness
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Brandon Santini
Things You Putting Down
144 bpm • G Maj • 04:18 • -4.9db
12% Popularity • 59% Danceability • 68% Energy • 14% Liveness
3% Instrumentalness • 84% Positiveness
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Homesick James
It Seem Like A Dream
130 bpm • C Maj • 02:40 • -6.43db
23% Popularity • 62% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Gary Smith
Best of Friends Must Part
132 bpm • D min • 03:16 • -7.08db
1% Popularity • 64% Danceability • 76% Energy • 12% Liveness
8% Instrumentalness • 88% Positiveness
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Eddie Burns
Hastings Street Special
129 bpm • F Maj • 03:34 • -7.77db
15% Popularity • 67% Danceability • 84% Energy • 31% Liveness
91% Instrumentalness • 94% Positiveness
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Jimmy Dawkins
Kold Actions
145 bpm • C Maj • 07:17 • -20.88db
35% Popularity • 62% Danceability • 8% Energy • 6% Liveness
5% Instrumentalness • 42% Positiveness
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Rod Piazza
The Bounce
129 bpm • A Maj • 03:08 • -10db
22% Popularity • 58% Danceability • 71% Energy • 37% Liveness
86% Instrumentalness • 94% Positiveness
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Raful Neal
Blues On The Moon
145 bpm • A# min • 02:56 • -13db
29% Popularity • 58% Danceability • 65% Energy • 32% Liveness
72% Instrumentalness • 80% Positiveness
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Fillmore Slim
Big Brass Monkey
145 bpm • C Maj • 03:02 • -4.34db
0% Popularity • 65% Danceability • 86% Energy • 11% Liveness
4% Instrumentalness • 97% Positiveness
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Gary Smith
Chrome Bullet Boogie
143 bpm • A Maj • 05:15 • -8.74db
3% Popularity • 55% Danceability • 76% Energy • 35% Liveness
91% Instrumentalness • 75% Positiveness
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The Insomniacs
Hoodoo Man Blues
129 bpm • D Maj • 06:14 • -6.99db
10% Popularity • 45% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Snooky Pryor
Keyhole in Your Door
129 bpm • G# Maj • 03:40 • -11db
29% Popularity • 60% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Johnny Copeland
Catch Up With The Blues
128 bpm • F min • 05:01 • -8.9db
18% Popularity • 63% Danceability • 82% Energy • 11% Liveness
6% Instrumentalness • 68% Positiveness
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Sue Foley
Mean Old Lonesome Train
146 bpm • C min • 03:22 • -12.85db
13% Popularity • 64% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Jimmy Rogers
Rock With You Baby
128 bpm • A# Maj • 04:12 • -11.08db
23% Popularity • 57% Danceability • 55% Energy • 47% Liveness
40% Instrumentalness • 57% Positiveness
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Funkwrench Blues
Blues In The Key Of Dog
128 bpm • G Maj • 02:38 • -6db
26% Popularity • 68% Danceability • 69% Energy • 36% Liveness
85% Instrumentalness • 80% Positiveness
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Gary Smith
Scared of That Child
147 bpm • D Maj • 03:39 • -10.69db
2% Popularity • 49% Danceability • 55% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Eddie Boyd
I'm A Fool
147 bpm • G Maj • 03:04 • -8.25db
8% Popularity • 61% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Johnny Copeland
Rain
147 bpm • A Maj • 06:03 • -7db
20% Popularity • 53% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
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Lurrie Bell
Hey Hey Baby
127 bpm • C Maj • 03:11 • -4db
12% Popularity • 66% Danceability • 79% Energy • 7% Liveness
2% Instrumentalness • 66% Positiveness
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Queen Sylvia Embry
Blues This Morning
127 bpm • G Maj • 02:08 • -12db
28% Popularity • 70% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Kenny Neal
Hoodoo Moon
127 bpm • E Maj • 03:16 • -13.69db
22% Popularity • 65% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Gary Smith
Tribute to Jr.
127 bpm • G Maj • 03:11 • -6db
9% Popularity • 64% Danceability • 67% Energy • 14% Liveness
68% Instrumentalness • 77% Positiveness
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J. B. Hutto
Lulu Belle's Here
148 bpm • G Maj • 03:41 • -9.19db
25% Popularity • 56% Danceability • 59% Energy • 22% Liveness
24% Instrumentalness • 62% Positiveness
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Billy Branch
Nobody But You
148 bpm • A# Maj • 03:07 • -6.63db
26% Popularity • 57% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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Little Sonny
It's Hard Going Up (But Twice As Hard Co...
126 bpm • D Maj • 03:54 • -9db
11% Popularity • 70% Danceability • 68% Energy • 16% Liveness
5% Instrumentalness • 88% Positiveness
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Mark Hodgson
Panning for Gold In the Gutter
126 bpm • E min • 02:59 • -7db
11% Popularity • 58% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 88% Positiveness
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J.B. Lenoir
Talk to Your Daughter
126 bpm • G Maj • 02:45 • -7db
27% Popularity • 82% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Gary Smith
Shake Dancer
127 bpm • A Maj • 02:48 • -10.69db
3% Popularity • 70% Danceability • 51% Energy • 26% Liveness
41% Instrumentalness • 83% Positiveness
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Lazy Lester
Sugar Coates Love
126 bpm • A Maj • 05:52 • -6.54db
12% Popularity • 65% Danceability • 85% Energy • 84% Liveness
0% Instrumentalness • 84% Positiveness
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The Gay Barbarians
The Beats
149 bpm • A# min • 01:36 • -8.74db
0% Popularity • 43% Danceability • 97% Energy • 5% Liveness
89% Instrumentalness • 34% Positiveness
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Lurrie Bell
I Feel so Good
126 bpm • F Maj • 04:14 • -5db
25% Popularity • 70% Danceability • 75% Energy • 28% Liveness
10% Instrumentalness • 86% Positiveness
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Johnny B. Moore
Knockin At Your Door
125 bpm • E Maj • 03:12 • -12.51db
10% Popularity • 71% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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Larry Garner
Miss boss
125 bpm • A Maj • 03:54 • -8.78db
12% Popularity • 69% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Gary Smith
Up All Night With the Blues
149 bpm • A min • 05:20 • -10.16db
3% Popularity • 48% Danceability • 32% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
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Chris Cain
Middle Name Is Trouble
125 bpm • C Maj • 03:08 • -10.07db
12% Popularity • 64% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Frank Frost
Crawl Back
125 bpm • A# Maj • 02:01 • -11.82db
13% Popularity • 60% Danceability • 59% Energy • 32% Liveness
85% Instrumentalness • 96% Positiveness
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Bob Margolin
Moving South
125 bpm • B min • 03:57 • -8.06db
15% Popularity • 53% Danceability • 87% Energy • 24% Liveness
19% Instrumentalness • 92% Positiveness
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Billy Branch
My Babe
150 bpm • F Maj • 04:54 • -6.55db
8% Popularity • 49% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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Paul Lenart
Armadillo Shuffle
125 bpm • E min • 02:01 • -6.87db
27% Popularity • 63% Danceability • 89% Energy • 7% Liveness
14% Instrumentalness • 64% Positiveness
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David Barrett
Dark Night
150 bpm • A min • 08:49 • -7.41db
12% Popularity • 46% Danceability • 42% Energy • 9% Liveness
80% Instrumentalness • 35% Positiveness
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Mississippi Heat
Jean's Jive
125 bpm • G min • 03:08 • -5db
18% Popularity • 76% Danceability • 81% Energy • 8% Liveness
93% Instrumentalness • 98% Positiveness
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Lil Ed & The Blues Imperials
Deep In My Soul
125 bpm • A# Maj • 04:33 • -5db
19% Popularity • 60% Danceability • 57% Energy • 23% Liveness
1% Instrumentalness • 65% Positiveness
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Jimmy Dawkins
Ruff Times
124 bpm • G Maj • 05:32 • -16.7db
23% Popularity • 72% Danceability • 44% Energy • 14% Liveness
30% Instrumentalness • 80% Positiveness
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Pat Ramsey
It's About Time
124 bpm • D Maj • 03:27 • -4.85db
12% Popularity • 53% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Diunna Greenleaf
Sunny Day Friends
124 bpm • C Maj • 03:40 • -4.66db
31% Popularity • 60% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Joe "Guitar" Hughes
A Blue Song
124 bpm • G Maj • 05:14 • -12db
29% Popularity • 78% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Harmonica Shah
Who's the Fool
124 bpm • F# min • 05:37 • -6db
14% Popularity • 53% Danceability • 66% Energy • 59% Liveness
0% Instrumentalness • 56% Positiveness
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Lil Ed & The Blues Imperials
You Don't Exist Any More
124 bpm • A Maj • 04:03 • -10.96db
23% Popularity • 72% Danceability • 58% Energy • 42% Liveness
1% Instrumentalness • 64% Positiveness
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Mighty Mo Rodgers
The Boogie Man
124 bpm • G Maj • 02:27 • -10db
29% Popularity • 76% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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The Siegel-Schwall Band
Going Back To Alabama
124 bpm • A# min • 03:39 • -7db
16% Popularity • 67% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Roomful Of Blues
It All Went Down The Drain
123 bpm • C Maj • 05:28 • -4.04db
22% Popularity • 65% Danceability • 83% Energy • 97% Liveness
0% Instrumentalness • 88% Positiveness
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South Bay Beatdown