Songs like South of the Border by Earl Backus
Based on a tempo of (+/- 10%) and a similar genre
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Evan Carville
Island Tour
112 bpm • G# min • 03:32 • -18.8db
8% Popularity • 95% Danceability • 22% Energy • 33% Liveness
2% Instrumentalness • 59% Positiveness
8% Popularity • 95% Danceability • 22% Energy • 33% Liveness
2% Instrumentalness • 59% Positiveness
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Felix Slatkin
The Lonesome Road
112 bpm • F Maj • 02:03 • -10.87db
13% Popularity • 24% Danceability • 35% Energy • 11% Liveness
91% Instrumentalness • 37% Positiveness
13% Popularity • 24% Danceability • 35% Energy • 11% Liveness
91% Instrumentalness • 37% Positiveness
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Roberto Delgado
Trudie
112 bpm • A# min • 01:56 • -7.71db
15% Popularity • 68% Danceability • 50% Energy • 12% Liveness
3% Instrumentalness • 68% Positiveness
15% Popularity • 68% Danceability • 50% Energy • 12% Liveness
3% Instrumentalness • 68% Positiveness
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Orchestra Charlie Steinmann
Miss Your Kiss
112 bpm • C Maj • 02:16 • -12.82db
21% Popularity • 74% Danceability • 27% Energy • 10% Liveness
81% Instrumentalness • 30% Positiveness
21% Popularity • 74% Danceability • 27% Energy • 10% Liveness
81% Instrumentalness • 30% Positiveness
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Valentino
Spring Caprice
113 bpm • F Maj • 01:37 • -14.53db
17% Popularity • 38% Danceability • 28% Energy • 34% Liveness
60% Instrumentalness • 55% Positiveness
17% Popularity • 38% Danceability • 28% Energy • 34% Liveness
60% Instrumentalness • 55% Positiveness
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Earl Backus
South of the Border
112 bpm • D# Maj • 02:28 • -11.29db
0% Popularity • 54% Danceability • 34% Energy • 10% Liveness
68% Instrumentalness • 66% Positiveness
0% Popularity • 54% Danceability • 34% Energy • 10% Liveness
68% Instrumentalness • 66% Positiveness
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Billy Mure
Sleep Walk
111 bpm • C# Maj • 02:03 • -16.71db
9% Popularity • 57% Danceability • 30% Energy • 15% Liveness
8% Instrumentalness • 48% Positiveness
9% Popularity • 57% Danceability • 30% Energy • 15% Liveness
8% Instrumentalness • 48% Positiveness
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Franz Waxman
Lisa Theme
113 bpm • A# Maj • 02:49 • -11.89db
9% Popularity • 17% Danceability • 30% Energy • 22% Liveness
95% Instrumentalness • 5% Positiveness
9% Popularity • 17% Danceability • 30% Energy • 22% Liveness
95% Instrumentalness • 5% Positiveness
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Neal Hefti
Mom Arrives For Dinner
111 bpm • G Maj • 01:38 • -21.52db
14% Popularity • 37% Danceability • 13% Energy • 7% Liveness
89% Instrumentalness • 15% Positiveness
14% Popularity • 37% Danceability • 13% Energy • 7% Liveness
89% Instrumentalness • 15% Positiveness
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Hollyridge Strings
Penny Lane
113 bpm • F Maj • 02:29 • -12.63db
12% Popularity • 42% Danceability • 32% Energy • 44% Liveness
92% Instrumentalness • 53% Positiveness
12% Popularity • 42% Danceability • 32% Energy • 44% Liveness
92% Instrumentalness • 53% Positiveness
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Ted Dicks
For a Lost Friend
111 bpm • E min • 01:24 • -11.59db
11% Popularity • 55% Danceability • 33% Energy • 20% Liveness
9% Instrumentalness • 43% Positiveness
11% Popularity • 55% Danceability • 33% Energy • 20% Liveness
9% Instrumentalness • 43% Positiveness
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銀河大樂隊
黃昏城
113 bpm • C Maj • 02:34 • -13.37db
8% Popularity • 46% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 56% Positiveness
8% Popularity • 46% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 56% Positiveness
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Johnny Howard
Moonlight And Roses - Remastered 1985
111 bpm • G Maj • 02:49 • -10.61db
35% Popularity • 55% Danceability • 46% Energy • 11% Liveness
58% Instrumentalness • 48% Positiveness
35% Popularity • 55% Danceability • 46% Energy • 11% Liveness
58% Instrumentalness • 48% Positiveness
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Revea
Late Night Reflections
111 bpm • A# Maj • 02:00 • -13.27db
8% Popularity • 70% Danceability • 52% Energy • 28% Liveness
90% Instrumentalness • 92% Positiveness
8% Popularity • 70% Danceability • 52% Energy • 28% Liveness
90% Instrumentalness • 92% Positiveness
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Earl Backus
South Of The Boarder
113 bpm • D# Maj • 02:30 • -19.3db
0% Popularity • 52% Danceability • 19% Energy • 17% Liveness
45% Instrumentalness • 71% Positiveness
0% Popularity • 52% Danceability • 19% Energy • 17% Liveness
45% Instrumentalness • 71% Positiveness
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Gordon Jenkins And Orchestra
Paris Canaille
114 bpm • G Maj • 02:36 • -11.11db
8% Popularity • 69% Danceability • 31% Energy • 22% Liveness
89% Instrumentalness • 75% Positiveness
8% Popularity • 69% Danceability • 31% Energy • 22% Liveness
89% Instrumentalness • 75% Positiveness
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Armando Trovajoli
The Unwitting Bait
110 bpm • F min • 00:48 • -12.54db
9% Popularity • 58% Danceability • 35% Energy • 15% Liveness
10% Instrumentalness • 96% Positiveness
9% Popularity • 58% Danceability • 35% Energy • 15% Liveness
10% Instrumentalness • 96% Positiveness
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Hollyridge Strings
If I Fell
114 bpm • D Maj • 02:19 • -16.12db
19% Popularity • 21% Danceability • 34% Energy • 11% Liveness
74% Instrumentalness • 25% Positiveness
19% Popularity • 21% Danceability • 34% Energy • 11% Liveness
74% Instrumentalness • 25% Positiveness
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The Palladium Orchestra
Lonely
114 bpm • D# Maj • 02:01 • -14.74db
19% Popularity • 86% Danceability • 27% Energy • 12% Liveness
27% Instrumentalness • 83% Positiveness
19% Popularity • 86% Danceability • 27% Energy • 12% Liveness
27% Instrumentalness • 83% Positiveness
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Orquesta Casino De La Habana
Flores Negras - Desesperadamente
114 bpm • C Maj • 03:00 • -14.72db
17% Popularity • 82% Danceability • 17% Energy • 9% Liveness
76% Instrumentalness • 71% Positiveness
17% Popularity • 82% Danceability • 17% Energy • 9% Liveness
76% Instrumentalness • 71% Positiveness
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Klaus Wunderlich
Gummi-Mambo
114 bpm • A# Maj • 01:43 • -18.99db
11% Popularity • 71% Danceability • 20% Energy • 40% Liveness
86% Instrumentalness • 83% Positiveness
11% Popularity • 71% Danceability • 20% Energy • 40% Liveness
86% Instrumentalness • 83% Positiveness
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Frank Chacksfield Orchestra
Just Walkin' In The Rain
110 bpm • G# Maj • 03:11 • -13.7db
9% Popularity • 39% Danceability • 28% Energy • 12% Liveness
80% Instrumentalness • 56% Positiveness
9% Popularity • 39% Danceability • 28% Energy • 12% Liveness
80% Instrumentalness • 56% Positiveness
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Musique de Noel Playlist
Nous vous Souhaitons un Joyeux Noël - A...
110 bpm • D# Maj • 03:16 • -11.05db
9% Popularity • 71% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 71% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Ernesto Vallini
Loved by World
110 bpm • E min • 03:10 • -17.67db
9% Popularity • 51% Danceability • 14% Energy • 12% Liveness
85% Instrumentalness • 21% Positiveness
9% Popularity • 51% Danceability • 14% Energy • 12% Liveness
85% Instrumentalness • 21% Positiveness
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銀河大樂隊
港都夜雨
110 bpm • G# min • 03:04 • -14.35db
10% Popularity • 28% Danceability • 20% Energy • 22% Liveness
93% Instrumentalness • 27% Positiveness
10% Popularity • 28% Danceability • 20% Energy • 22% Liveness
93% Instrumentalness • 27% Positiveness
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Peidorise
Rosebud
110 bpm • A# Maj • 02:09 • -12.47db
10% Popularity • 82% Danceability • 38% Energy • 7% Liveness
87% Instrumentalness • 79% Positiveness
10% Popularity • 82% Danceability • 38% Energy • 7% Liveness
87% Instrumentalness • 79% Positiveness
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Russ Morgan and His Orchestra
Josephine
115 bpm • G Maj • 02:47 • -9.82db
11% Popularity • 76% Danceability • 26% Energy • 26% Liveness
1% Instrumentalness • 70% Positiveness
11% Popularity • 76% Danceability • 26% Energy • 26% Liveness
1% Instrumentalness • 70% Positiveness
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Luiz Bonfá
A Voz do Morro
115 bpm • E min • 01:33 • -12.94db
17% Popularity • 56% Danceability • 24% Energy • 10% Liveness
18% Instrumentalness • 70% Positiveness
17% Popularity • 56% Danceability • 24% Energy • 10% Liveness
18% Instrumentalness • 70% Positiveness
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John Barry
Goldfinger
109 bpm • F Maj • 02:16 • -13.85db
11% Popularity • 46% Danceability • 30% Energy • 19% Liveness
91% Instrumentalness • 36% Positiveness
11% Popularity • 46% Danceability • 30% Energy • 19% Liveness
91% Instrumentalness • 36% Positiveness
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Earl Backus
Haunted Guitar
115 bpm • F min • 02:58 • -22.46db
1% Popularity • 55% Danceability • 5% Energy • 16% Liveness
93% Instrumentalness • 43% Positiveness
1% Popularity • 55% Danceability • 5% Energy • 16% Liveness
93% Instrumentalness • 43% Positiveness
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銀河大樂隊
黃昏嶺
115 bpm • A min • 02:41 • -13.41db
9% Popularity • 30% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 42% Positiveness
9% Popularity • 30% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 42% Positiveness
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Peppino De Luca
Amore in Piccadilly - 4° Version
109 bpm • B min • 02:14 • -15db
12% Popularity • 43% Danceability • 29% Energy • 11% Liveness
82% Instrumentalness • 32% Positiveness
12% Popularity • 43% Danceability • 29% Energy • 11% Liveness
82% Instrumentalness • 32% Positiveness
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Webley Edwards
Maiji Girl
115 bpm • C Maj • 02:28 • -17.2db
13% Popularity • 59% Danceability • 11% Energy • 8% Liveness
91% Instrumentalness • 55% Positiveness
13% Popularity • 59% Danceability • 11% Energy • 8% Liveness
91% Instrumentalness • 55% Positiveness
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Luis Arcaraz
Solitude
115 bpm • D# min • 03:05 • -12.03db
10% Popularity • 50% Danceability • 43% Energy • 9% Liveness
86% Instrumentalness • 43% Positiveness
10% Popularity • 50% Danceability • 43% Energy • 9% Liveness
86% Instrumentalness • 43% Positiveness
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Paul Mauriat
The Last Waltz
115 bpm • C Maj • 02:57 • -16.23db
3% Popularity • 57% Danceability • 20% Energy • 11% Liveness
89% Instrumentalness • 44% Positiveness
3% Popularity • 57% Danceability • 20% Energy • 11% Liveness
89% Instrumentalness • 44% Positiveness
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Antonio Rossi & His Orchestra
It Was Night
109 bpm • F Maj • 03:27 • -15.2db
24% Popularity • 22% Danceability • 23% Energy • 34% Liveness
90% Instrumentalness • 26% Positiveness
24% Popularity • 22% Danceability • 23% Energy • 34% Liveness
90% Instrumentalness • 26% Positiveness
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Bent Fabricius-Bjerre
Bye Bye Blackbird
115 bpm • F min • 02:01 • -8.57db
9% Popularity • 75% Danceability • 56% Energy • 8% Liveness
60% Instrumentalness • 78% Positiveness
9% Popularity • 75% Danceability • 56% Energy • 8% Liveness
60% Instrumentalness • 78% Positiveness
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Orquestra Românticos de Cuba
Mentira / Griseta
109 bpm • C min • 02:41 • -10.17db
13% Popularity • 36% Danceability • 33% Energy • 37% Liveness
50% Instrumentalness • 33% Positiveness
13% Popularity • 36% Danceability • 33% Energy • 37% Liveness
50% Instrumentalness • 33% Positiveness
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Franco Pisano
Johnny Boat (Sigla Terza Puntata)
115 bpm • F min • 02:02 • -9.85db
11% Popularity • 62% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 62% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
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Jeri Southern
Let's Fly Away
116 bpm • D Maj • 02:29 • -6.89db
15% Popularity • 45% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 45% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Sounds Orchestral
How Soon
116 bpm • F Maj • 02:27 • -9.51db
19% Popularity • 36% Danceability • 34% Energy • 16% Liveness
86% Instrumentalness • 22% Positiveness
19% Popularity • 36% Danceability • 34% Energy • 16% Liveness
86% Instrumentalness • 22% Positiveness
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Billy May & His Orchestra
Once Again
116 bpm • G Maj • 02:00 • -12.79db
15% Popularity • 37% Danceability • 66% Energy • 20% Liveness
89% Instrumentalness • 54% Positiveness
15% Popularity • 37% Danceability • 66% Energy • 20% Liveness
89% Instrumentalness • 54% Positiveness
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Eduardo Zurita
Adoro / No
108 bpm • C Maj • 03:21 • -19.12db
15% Popularity • 72% Danceability • 16% Energy • 16% Liveness
87% Instrumentalness • 66% Positiveness
15% Popularity • 72% Danceability • 16% Energy • 16% Liveness
87% Instrumentalness • 66% Positiveness
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Manfred Minnich
Clock's Dance - Remastered
108 bpm • G Maj • 02:57 • -6.72db
7% Popularity • 39% Danceability • 47% Energy • 28% Liveness
25% Instrumentalness • 42% Positiveness
7% Popularity • 39% Danceability • 47% Energy • 28% Liveness
25% Instrumentalness • 42% Positiveness
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Roberto Inglez
Distância
116 bpm • D# Maj • 03:03 • -15.08db
15% Popularity • 44% Danceability • 26% Energy • 8% Liveness
95% Instrumentalness • 44% Positiveness
15% Popularity • 44% Danceability • 26% Energy • 8% Liveness
95% Instrumentalness • 44% Positiveness
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Johnny Howard
Me And My Shadow - Remastered 1985
116 bpm • C# Maj • 02:39 • -11.08db
25% Popularity • 56% Danceability • 46% Energy • 10% Liveness
81% Instrumentalness • 53% Positiveness
25% Popularity • 56% Danceability • 46% Energy • 10% Liveness
81% Instrumentalness • 53% Positiveness
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Klaus Wunderlich
Ich hätt‘ getanzt heut Nacht
116 bpm • C Maj • 01:16 • -15.87db
14% Popularity • 49% Danceability • 21% Energy • 17% Liveness
100% Instrumentalness • 48% Positiveness
14% Popularity • 49% Danceability • 21% Energy • 17% Liveness
100% Instrumentalness • 48% Positiveness
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RAYMOND LEFEVRE ET SON GRAND ORCHESTRE
LES FEUILLES MORTES
108 bpm • A min • 04:17 • -16.21db
1% Popularity • 33% Danceability • 23% Energy • 18% Liveness
84% Instrumentalness • 12% Positiveness
1% Popularity • 33% Danceability • 23% Energy • 18% Liveness
84% Instrumentalness • 12% Positiveness
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Nino Rota
Gary Cooper - Remastered 2021
108 bpm • F Maj • 01:20 • -16.29db
14% Popularity • 44% Danceability • 15% Energy • 10% Liveness
53% Instrumentalness • 35% Positiveness
14% Popularity • 44% Danceability • 15% Energy • 10% Liveness
53% Instrumentalness • 35% Positiveness
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Antonio Rossi & His Orchestra
Three Roses for a Nice Girl
117 bpm • C Maj • 03:30 • -14.01db
8% Popularity • 22% Danceability • 30% Energy • 11% Liveness
83% Instrumentalness • 22% Positiveness
8% Popularity • 22% Danceability • 30% Energy • 11% Liveness
83% Instrumentalness • 22% Positiveness
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Piero Umiliani
La dottoressa del distretto militare - ...
117 bpm • C Maj • 04:35 • -7.04db
7% Popularity • 63% Danceability • 52% Energy • 11% Liveness
88% Instrumentalness • 49% Positiveness
7% Popularity • 63% Danceability • 52% Energy • 11% Liveness
88% Instrumentalness • 49% Positiveness
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Johnny Howard
Hit The Road To Dreamland - Remastered 1...
116 bpm • G Maj • 02:55 • -9.62db
25% Popularity • 54% Danceability • 60% Energy • 10% Liveness
39% Instrumentalness • 67% Positiveness
25% Popularity • 54% Danceability • 60% Energy • 10% Liveness
39% Instrumentalness • 67% Positiveness
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Enrique Morales y Grupo Tijuana
The Bell & The Bugle
117 bpm • F# Maj • 03:47 • -14.69db
8% Popularity • 59% Danceability • 24% Energy • 9% Liveness
34% Instrumentalness • 38% Positiveness
8% Popularity • 59% Danceability • 24% Energy • 9% Liveness
34% Instrumentalness • 38% Positiveness
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Bronisław Kaper
Gloria's Theme from 'Butterfield 8'
117 bpm • A# min • 02:56 • -13.36db
8% Popularity • 20% Danceability • 27% Energy • 6% Liveness
90% Instrumentalness • 9% Positiveness
8% Popularity • 20% Danceability • 27% Energy • 6% Liveness
90% Instrumentalness • 9% Positiveness
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The Gaslight Orchestra
In the Good Old Summer Time
107 bpm • F Maj • 03:06 • -10.96db
11% Popularity • 19% Danceability • 26% Energy • 31% Liveness
94% Instrumentalness • 20% Positiveness
11% Popularity • 19% Danceability • 26% Energy • 31% Liveness
94% Instrumentalness • 20% Positiveness
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The Palladium Orchestra
Mambo #5
107 bpm • C min • 02:10 • -12.16db
12% Popularity • 76% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
12% Popularity • 76% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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AMOROSA ORCHESTRA
Jalousie
117 bpm • G Maj • 03:10 • -14.23db
7% Popularity • 35% Danceability • 29% Energy • 22% Liveness
90% Instrumentalness • 43% Positiveness
7% Popularity • 35% Danceability • 29% Energy • 22% Liveness
90% Instrumentalness • 43% Positiveness
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Johnny Howard
J'Attendrai - Remastered 1985
107 bpm • A# Maj • 02:36 • -12.15db
32% Popularity • 40% Danceability • 43% Energy • 16% Liveness
3% Instrumentalness • 52% Positiveness
32% Popularity • 40% Danceability • 43% Energy • 16% Liveness
3% Instrumentalness • 52% Positiveness
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Consuelo Velázquez
Molino Rojo
107 bpm • F min • 02:28 • -21.94db
10% Popularity • 62% Danceability • 11% Energy • 12% Liveness
87% Instrumentalness • 48% Positiveness
10% Popularity • 62% Danceability • 11% Energy • 12% Liveness
87% Instrumentalness • 48% Positiveness
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Luis Arcaraz Y Su Orquesta
Ballerina
117 bpm • F Maj • 02:40 • -14.3db
10% Popularity • 55% Danceability • 19% Energy • 30% Liveness
65% Instrumentalness • 76% Positiveness
10% Popularity • 55% Danceability • 19% Energy • 30% Liveness
65% Instrumentalness • 76% Positiveness
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Winifred Atwell
Fings Ain't Wot They Used T'Be
107 bpm • G Maj • 02:02 • -4.49db
14% Popularity • 60% Danceability • 66% Energy • 14% Liveness
89% Instrumentalness • 70% Positiveness
14% Popularity • 60% Danceability • 66% Energy • 14% Liveness
89% Instrumentalness • 70% Positiveness
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Wayne King
My Buddy - Remastered
117 bpm • F min • 02:22 • -8.8db
9% Popularity • 21% Danceability • 31% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
9% Popularity • 21% Danceability • 31% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
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Giraffe Fuel
Your Eyes Tell the Story
118 bpm • F Maj • 02:07 • -11.11db
19% Popularity • 46% Danceability • 28% Energy • 10% Liveness
60% Instrumentalness • 46% Positiveness
19% Popularity • 46% Danceability • 28% Energy • 10% Liveness
60% Instrumentalness • 46% Positiveness
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Frank Chacksfield Orchestra
You're Getting To Be A Habbit
106 bpm • F Maj • 03:01 • -14.11db
9% Popularity • 54% Danceability • 29% Energy • 10% Liveness
84% Instrumentalness • 46% Positiveness
9% Popularity • 54% Danceability • 29% Energy • 10% Liveness
84% Instrumentalness • 46% Positiveness
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Marty Gold & His Orchestra
Symphony, No. 5 (Theme)
119 bpm • G# Maj • 02:46 • -13db
19% Popularity • 31% Danceability • 38% Energy • 6% Liveness
89% Instrumentalness • 70% Positiveness
19% Popularity • 31% Danceability • 38% Energy • 6% Liveness
89% Instrumentalness • 70% Positiveness
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シネマサウンズ・オーケストラ
旅情~ベニスの夏の日
106 bpm • A# Maj • 03:12 • -10.1db
14% Popularity • 33% Danceability • 42% Energy • 16% Liveness
88% Instrumentalness • 28% Positiveness
14% Popularity • 33% Danceability • 42% Energy • 16% Liveness
88% Instrumentalness • 28% Positiveness
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Earl Backus
Tempo Nuevo
119 bpm • E Maj • 02:30 • -12.55db
0% Popularity • 66% Danceability • 30% Energy • 14% Liveness
94% Instrumentalness • 45% Positiveness
0% Popularity • 66% Danceability • 30% Energy • 14% Liveness
94% Instrumentalness • 45% Positiveness
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Paul Mauriat
Medley (A)Sous Le Ciel De Paris (B)Padam...
105 bpm • A min • 02:41 • -6.48db
7% Popularity • 26% Danceability • 53% Energy • 14% Liveness
72% Instrumentalness • 35% Positiveness
7% Popularity • 26% Danceability • 53% Energy • 14% Liveness
72% Instrumentalness • 35% Positiveness
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Cordas Cariocas
Coffee Delight
119 bpm • F# Maj • 02:37 • -12.03db
16% Popularity • 35% Danceability • 28% Energy • 12% Liveness
57% Instrumentalness • 26% Positiveness
16% Popularity • 35% Danceability • 28% Energy • 12% Liveness
57% Instrumentalness • 26% Positiveness
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Leopoldo Silos
Irog, Ako'y Mahalin (Darling, Please Lov...
119 bpm • D min • 03:00 • -15.1db
10% Popularity • 32% Danceability • 21% Energy • 22% Liveness
3% Instrumentalness • 18% Positiveness
10% Popularity • 32% Danceability • 21% Energy • 22% Liveness
3% Instrumentalness • 18% Positiveness
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Neal Hefti
The Right One
105 bpm • D# Maj • 02:56 • -17.85db
10% Popularity • 28% Danceability • 18% Energy • 10% Liveness
93% Instrumentalness • 13% Positiveness
10% Popularity • 28% Danceability • 18% Energy • 10% Liveness
93% Instrumentalness • 13% Positiveness
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Stelvio Cipriani
Cometogether
105 bpm • G min • 01:46 • -16.54db
15% Popularity • 30% Danceability • 24% Energy • 25% Liveness
33% Instrumentalness • 34% Positiveness
15% Popularity • 30% Danceability • 24% Energy • 25% Liveness
33% Instrumentalness • 34% Positiveness
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Earl Backus
Ricky Ticky
105 bpm • F Maj • 01:58 • -17.06db
0% Popularity • 68% Danceability • 50% Energy • 13% Liveness
96% Instrumentalness • 98% Positiveness
0% Popularity • 68% Danceability • 50% Energy • 13% Liveness
96% Instrumentalness • 98% Positiveness
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Frank Chacksfield Orchestra
Higher And Higher
119 bpm • D Maj • 03:10 • -13.66db
9% Popularity • 37% Danceability • 39% Energy • 11% Liveness
77% Instrumentalness • 58% Positiveness
9% Popularity • 37% Danceability • 39% Energy • 11% Liveness
77% Instrumentalness • 58% Positiveness
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Kareem Taylor
Clouds
105 bpm • B Maj • 02:18 • -18.42db
8% Popularity • 66% Danceability • 11% Energy • 9% Liveness
84% Instrumentalness • 10% Positiveness
8% Popularity • 66% Danceability • 11% Energy • 9% Liveness
84% Instrumentalness • 10% Positiveness
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Melitop
Singing My Song
119 bpm • G# Maj • 02:17 • -17.16db
11% Popularity • 42% Danceability • 20% Energy • 16% Liveness
84% Instrumentalness • 55% Positiveness
11% Popularity • 42% Danceability • 20% Energy • 16% Liveness
84% Instrumentalness • 55% Positiveness
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Brice Davoli
Gli anziani
105 bpm • A# min • 01:34 • -12.33db
22% Popularity • 74% Danceability • 19% Energy • 22% Liveness
54% Instrumentalness • 45% Positiveness
22% Popularity • 74% Danceability • 19% Energy • 22% Liveness
54% Instrumentalness • 45% Positiveness
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Carmine Coppola
Every Time I Look In Your Eyes
105 bpm • A# Maj • 03:29 • -12.81db
10% Popularity • 23% Danceability • 26% Energy • 13% Liveness
88% Instrumentalness • 19% Positiveness
10% Popularity • 23% Danceability • 26% Energy • 13% Liveness
88% Instrumentalness • 19% Positiveness
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Earl Backus
Tempo Nuevo
119 bpm • E Maj • 02:33 • -20.53db
0% Popularity • 65% Danceability • 18% Energy • 4% Liveness
61% Instrumentalness • 65% Positiveness
0% Popularity • 65% Danceability • 18% Energy • 4% Liveness
61% Instrumentalness • 65% Positiveness
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Native Lounge
Nikki Beach
120 bpm • G Maj • 02:31 • -6.92db
12% Popularity • 31% Danceability • 42% Energy • 39% Liveness
47% Instrumentalness • 18% Positiveness
12% Popularity • 31% Danceability • 42% Energy • 39% Liveness
47% Instrumentalness • 18% Positiveness
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Ensemble Freesia
Theme / Polka / Finale from "Sanma no Aj...
120 bpm • C Maj • 05:25 • -12.77db
8% Popularity • 25% Danceability • 30% Energy • 12% Liveness
57% Instrumentalness • 7% Positiveness
8% Popularity • 25% Danceability • 30% Energy • 12% Liveness
57% Instrumentalness • 7% Positiveness
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Eddie Calvert
Come Prima
105 bpm • C# Maj • 02:05 • -11db
12% Popularity • 35% Danceability • 41% Energy • 48% Liveness
81% Instrumentalness • 77% Positiveness
12% Popularity • 35% Danceability • 41% Energy • 48% Liveness
81% Instrumentalness • 77% Positiveness
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Manfred Minnich
Flowers Parade - Remastered
120 bpm • A# Maj • 02:35 • -6.95db
8% Popularity • 49% Danceability • 50% Energy • 7% Liveness
45% Instrumentalness • 48% Positiveness
8% Popularity • 49% Danceability • 50% Energy • 7% Liveness
45% Instrumentalness • 48% Positiveness
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VIOLIN COVERS
Singing in the rain
120 bpm • F Maj • 02:43 • -10.43db
16% Popularity • 46% Danceability • 33% Energy • 5% Liveness
75% Instrumentalness • 50% Positiveness
16% Popularity • 46% Danceability • 33% Energy • 5% Liveness
75% Instrumentalness • 50% Positiveness
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Riz Ortolani
Forget Domain
105 bpm • G min • 02:32 • -16.44db
17% Popularity • 53% Danceability • 36% Energy • 8% Liveness
95% Instrumentalness • 73% Positiveness
17% Popularity • 53% Danceability • 36% Energy • 8% Liveness
95% Instrumentalness • 73% Positiveness
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Earl Backus
Ricky Ticky
105 bpm • F Maj • 01:56 • -11.13db
0% Popularity • 66% Danceability • 61% Energy • 16% Liveness
91% Instrumentalness • 97% Positiveness
0% Popularity • 66% Danceability • 61% Energy • 16% Liveness
91% Instrumentalness • 97% Positiveness
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N-Nicole
Remember Tanzania
120 bpm • A# Maj • 01:27 • -13.42db
19% Popularity • 45% Danceability • 48% Energy • 22% Liveness
95% Instrumentalness • 46% Positiveness
19% Popularity • 45% Danceability • 48% Energy • 22% Liveness
95% Instrumentalness • 46% Positiveness
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Harry James
Dedos De Oro
120 bpm • G min • 01:59 • -10db
28% Popularity • 33% Danceability • 47% Energy • 41% Liveness
94% Instrumentalness • 66% Positiveness
28% Popularity • 33% Danceability • 47% Energy • 41% Liveness
94% Instrumentalness • 66% Positiveness
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Frank Chacksfield Orchestra
How Deep Is Your Love
105 bpm • D# Maj • 02:56 • -15db
12% Popularity • 34% Danceability • 34% Energy • 18% Liveness
94% Instrumentalness • 41% Positiveness
12% Popularity • 34% Danceability • 34% Energy • 18% Liveness
94% Instrumentalness • 41% Positiveness
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François de Roubaix
Les Survivants tango
104 bpm • C# Maj • 01:17 • -19.89db
14% Popularity • 54% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 53% Positiveness
14% Popularity • 54% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 53% Positiveness
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Cozy Power
Arrange Jazz in Book Store
120 bpm • F Maj • 01:00 • -15.88db
13% Popularity • 73% Danceability • 38% Energy • 10% Liveness
93% Instrumentalness • 73% Positiveness
13% Popularity • 73% Danceability • 38% Energy • 10% Liveness
93% Instrumentalness • 73% Positiveness
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Earl Backus
The Way You Look Tonight
104 bpm • F min • 02:36 • -20.51db
0% Popularity • 79% Danceability • 13% Energy • 9% Liveness
93% Instrumentalness • 56% Positiveness
0% Popularity • 79% Danceability • 13% Energy • 9% Liveness
93% Instrumentalness • 56% Positiveness
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Armando Trovajoli
Just Another Ending
104 bpm • F min • 01:14 • -13.88db
10% Popularity • 40% Danceability • 32% Energy • 7% Liveness
46% Instrumentalness • 17% Positiveness
10% Popularity • 40% Danceability • 32% Energy • 7% Liveness
46% Instrumentalness • 17% Positiveness
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Joaquin Borges
Arrivederci Roma
104 bpm • G# Maj • 03:08 • -16.09db
13% Popularity • 21% Danceability • 19% Energy • 7% Liveness
1% Instrumentalness • 9% Positiveness
13% Popularity • 21% Danceability • 19% Energy • 7% Liveness
1% Instrumentalness • 9% Positiveness
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Piero Umiliani
Omicron - Beguine
104 bpm • F Maj • 00:49 • -13.74db
11% Popularity • 66% Danceability • 19% Energy • 11% Liveness
92% Instrumentalness • 56% Positiveness
11% Popularity • 66% Danceability • 19% Energy • 11% Liveness
92% Instrumentalness • 56% Positiveness
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Johnny Howard
Lollipops And Roses - Remastered 1985
104 bpm • F Maj • 03:01 • -12.84db
25% Popularity • 37% Danceability • 37% Energy • 13% Liveness
85% Instrumentalness • 33% Positiveness
25% Popularity • 37% Danceability • 37% Energy • 13% Liveness
85% Instrumentalness • 33% Positiveness
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Valentino
Shuffling- Bells
121 bpm • F Maj • 01:05 • -20.23db
12% Popularity • 68% Danceability • 21% Energy • 28% Liveness
42% Instrumentalness • 71% Positiveness
12% Popularity • 68% Danceability • 21% Energy • 28% Liveness
42% Instrumentalness • 71% Positiveness
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Earl Backus
The Way You Look Tonight
104 bpm • F min • 02:35 • -13.15db
0% Popularity • 77% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 56% Positiveness
0% Popularity • 77% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 56% Positiveness
