Songs like Southampton Sunset by Jane Leslie
Based on a tempo of (+/- 10%) and a similar genre
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Jane Leslie
Flowing Waters
109 bpm • D# Maj • 03:49 • -23.23db
34% Popularity • 36% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 15% Positiveness
34% Popularity • 36% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 15% Positiveness
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Brad Jacobsen
Tender Willow
109 bpm • D# Maj • 04:40 • -22.21db
10% Popularity • 32% Danceability • 14% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
10% Popularity • 32% Danceability • 14% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
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Denise Young
Above the Clouds
109 bpm • C min • 04:31 • -21.64db
31% Popularity • 32% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 19% Positiveness
31% Popularity • 32% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 19% Positiveness
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Fiona Joy Hawkins
Escarpment Dreaming
110 bpm • E min • 03:25 • -21db
33% Popularity • 35% Danceability • 7% Energy • 18% Liveness
95% Instrumentalness • 9% Positiveness
33% Popularity • 35% Danceability • 7% Energy • 18% Liveness
95% Instrumentalness • 9% Positiveness
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Chester Tan
Our Sunken Prayers
110 bpm • F min • 03:31 • -20.48db
31% Popularity • 56% Danceability • 4% Energy • 12% Liveness
94% Instrumentalness • 17% Positiveness
31% Popularity • 56% Danceability • 4% Energy • 12% Liveness
94% Instrumentalness • 17% Positiveness
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Keith Martinson
Till There Was You
110 bpm • D Maj • 02:32 • -22db
33% Popularity • 55% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 62% Positiveness
33% Popularity • 55% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 62% Positiveness
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Jane Leslie
Southampton Sunset
109 bpm • D# Maj • 03:24 • -24db
42% Popularity • 47% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 12% Positiveness
42% Popularity • 47% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 12% Positiveness
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Andy Tallent
Chariots of Fire
110 bpm • D Maj • 03:44 • -21.83db
39% Popularity • 45% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
39% Popularity • 45% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
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Wayne Jones
I'm with You
110 bpm • E Maj • 03:47 • -21db
29% Popularity • 66% Danceability • 5% Energy • 10% Liveness
84% Instrumentalness • 32% Positiveness
29% Popularity • 66% Danceability • 5% Energy • 10% Liveness
84% Instrumentalness • 32% Positiveness
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Fiona Joy Hawkins
Freedom
110 bpm • D Maj • 01:51 • -21.18db
44% Popularity • 31% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 13% Positiveness
44% Popularity • 31% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 13% Positiveness
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Jon Dahlander
Lost Maples
108 bpm • F# Maj • 04:03 • -18.61db
19% Popularity • 37% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
19% Popularity • 37% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Chester Tan
On The Treetops
110 bpm • E Maj • 03:17 • -17.5db
39% Popularity • 56% Danceability • 25% Energy • 12% Liveness
89% Instrumentalness • 12% Positiveness
39% Popularity • 56% Danceability • 25% Energy • 12% Liveness
89% Instrumentalness • 12% Positiveness
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Jane Leslie
Rainbow Over Cannon Mountain
110 bpm • D min • 02:59 • -24.75db
12% Popularity • 43% Danceability • 5% Energy • 11% Liveness
85% Instrumentalness • 12% Positiveness
12% Popularity • 43% Danceability • 5% Energy • 11% Liveness
85% Instrumentalness • 12% Positiveness
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Attila Fias
More Than Words - Piano Instrumental
108 bpm • G Maj • 04:11 • -15db
37% Popularity • 54% Danceability • 27% Energy • 12% Liveness
88% Instrumentalness • 24% Positiveness
37% Popularity • 54% Danceability • 27% Energy • 12% Liveness
88% Instrumentalness • 24% Positiveness
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Michael Dulin
Prelude
110 bpm • C Maj • 05:12 • -16.25db
19% Popularity • 37% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 15% Positiveness
19% Popularity • 37% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 15% Positiveness
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David Hicken
Uriel
111 bpm • F# Maj • 04:18 • -24.3db
18% Popularity • 46% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
18% Popularity • 46% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
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Rachel Currea
Desert Night
107 bpm • B min • 03:41 • -21.28db
19% Popularity • 35% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
19% Popularity • 35% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
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Joe Bongiorno
Once a Child
111 bpm • C Maj • 03:01 • -26.19db
30% Popularity • 44% Danceability • 2% Energy • 22% Liveness
92% Instrumentalness • 18% Positiveness
30% Popularity • 44% Danceability • 2% Energy • 22% Liveness
92% Instrumentalness • 18% Positiveness
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Jane Leslie
Greensleeves
111 bpm • A min • 01:49 • -18.28db
17% Popularity • 51% Danceability • 9% Energy • 8% Liveness
97% Instrumentalness • 32% Positiveness
17% Popularity • 51% Danceability • 9% Energy • 8% Liveness
97% Instrumentalness • 32% Positiveness
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Anne Trenning
Silent Night II
111 bpm • F Maj • 03:06 • -19.12db
23% Popularity • 34% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 26% Positiveness
23% Popularity • 34% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 26% Positiveness
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Rediscovered
Skye Boat Song - Piano Version
111 bpm • D Maj • 02:05 • -24.85db
44% Popularity • 55% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
44% Popularity • 55% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
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John Fluker
A Long Way Home
111 bpm • A# Maj • 02:11 • -16.11db
23% Popularity • 43% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
23% Popularity • 43% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
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Karen Marie Garrett
It's About the Rose in the Vase on the T...
112 bpm • C# Maj • 05:04 • -20.05db
21% Popularity • 36% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
21% Popularity • 36% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Rhonda Mackert
Dreamer's Lament
112 bpm • E min • 04:29 • -20.93db
15% Popularity • 38% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
15% Popularity • 38% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
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Manon Clément
Before Stars Sleeping
112 bpm • F Maj • 02:32 • -17db
32% Popularity • 46% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 26% Positiveness
32% Popularity • 46% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 26% Positiveness
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Yanni
To Take ...To Hold
112 bpm • G Maj • 04:02 • -18.98db
46% Popularity • 36% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 8% Positiveness
46% Popularity • 36% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 8% Positiveness
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Fiona Joy Hawkins
From the Outside
112 bpm • G Maj • 04:32 • -15.82db
31% Popularity • 33% Danceability • 16% Energy • 16% Liveness
98% Instrumentalness • 18% Positiveness
31% Popularity • 33% Danceability • 16% Energy • 16% Liveness
98% Instrumentalness • 18% Positiveness
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Denise Young
Passionata
112 bpm • D min • 05:21 • -19.75db
29% Popularity • 34% Danceability • 19% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 34% Danceability • 19% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Charles Bolt
Coming Home
112 bpm • D# Maj • 02:19 • -26.15db
27% Popularity • 54% Danceability • 5% Energy • 9% Liveness
96% Instrumentalness • 32% Positiveness
27% Popularity • 54% Danceability • 5% Energy • 9% Liveness
96% Instrumentalness • 32% Positiveness
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Joseph Akins
Watertank Hill
106 bpm • G Maj • 04:43 • -18db
32% Popularity • 47% Danceability • 28% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
32% Popularity • 47% Danceability • 28% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
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The Piano Guys
All Good
106 bpm • G Maj • 02:23 • -28.59db
46% Popularity • 23% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
46% Popularity • 23% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
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Peter Jennison
Hold Me in Your Heart (For My Son)
106 bpm • C Maj • 03:51 • -16db
16% Popularity • 44% Danceability • 12% Energy • 16% Liveness
94% Instrumentalness • 8% Positiveness
16% Popularity • 44% Danceability • 12% Energy • 16% Liveness
94% Instrumentalness • 8% Positiveness
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Annie Locke
A Perfect Love
112 bpm • B min • 03:13 • -21.01db
20% Popularity • 38% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
20% Popularity • 38% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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![Deschutes River Sunrise (Oboe, Cello, Piano) [feat. Nancy Rumble & Emil Miland] cover art](https://i.scdn.co/image/ab67616d00001e023876d8aa5f9eb09e4d1265be)
Karen Marie Garrett
Deschutes River Sunrise (Oboe, Cello, Pi...
113 bpm • F Maj • 05:04 • -17.51db
19% Popularity • 17% Danceability • 16% Energy • 14% Liveness
84% Instrumentalness • 10% Positiveness
19% Popularity • 17% Danceability • 16% Energy • 14% Liveness
84% Instrumentalness • 10% Positiveness
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Steven Cravis
Dancing Spirits
112 bpm • D min • 04:14 • -16.76db
31% Popularity • 43% Danceability • 31% Energy • 10% Liveness
91% Instrumentalness • 30% Positiveness
31% Popularity • 43% Danceability • 31% Energy • 10% Liveness
91% Instrumentalness • 30% Positiveness
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Chester Tan
A New Sparkle
113 bpm • F Maj • 03:59 • -22.96db
25% Popularity • 44% Danceability • 6% Energy • 43% Liveness
84% Instrumentalness • 4% Positiveness
25% Popularity • 44% Danceability • 6% Energy • 43% Liveness
84% Instrumentalness • 4% Positiveness
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Rachel Currea
Epic Romance
113 bpm • C Maj • 05:09 • -22db
12% Popularity • 35% Danceability • 5% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
12% Popularity • 35% Danceability • 5% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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George Winston
Rainsong
105 bpm • C# Maj • 04:40 • -24.47db
41% Popularity • 55% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
41% Popularity • 55% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
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Tim Neumark
With Wonder
113 bpm • D# Maj • 03:46 • -19.12db
24% Popularity • 30% Danceability • 18% Energy • 14% Liveness
90% Instrumentalness • 16% Positiveness
24% Popularity • 30% Danceability • 18% Energy • 14% Liveness
90% Instrumentalness • 16% Positiveness
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Michael Gettel
Waiting
105 bpm • F Maj • 02:14 • -29.08db
39% Popularity • 34% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
39% Popularity • 34% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
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Steven Cravis
My Precious One
105 bpm • A Maj • 02:43 • -15.85db
36% Popularity • 38% Danceability • 28% Energy • 13% Liveness
89% Instrumentalness • 27% Positiveness
36% Popularity • 38% Danceability • 28% Energy • 13% Liveness
89% Instrumentalness • 27% Positiveness
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Jane Leslie
Dear Friend
105 bpm • A min • 02:04 • -24.77db
12% Popularity • 33% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 28% Positiveness
12% Popularity • 33% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 28% Positiveness
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Mike Strickland
Think Of Me
114 bpm • G# Maj • 04:45 • -17.49db
24% Popularity • 51% Danceability • 18% Energy • 8% Liveness
91% Instrumentalness • 18% Positiveness
24% Popularity • 51% Danceability • 18% Energy • 8% Liveness
91% Instrumentalness • 18% Positiveness
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CrusaderBeach
Sleeping Beauty
114 bpm • C Maj • 02:14 • -20.72db
19% Popularity • 50% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 51% Positiveness
19% Popularity • 50% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 51% Positiveness
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Gary Girouard
Invictus
114 bpm • G# Maj • 04:24 • -15.96db
17% Popularity • 26% Danceability • 21% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 26% Danceability • 21% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Silvard
Irish Sailor
104 bpm • E min • 03:30 • -16.87db
22% Popularity • 51% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
22% Popularity • 51% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
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Steven Cravis
Fields of Gold
104 bpm • D Maj • 03:22 • -19.69db
29% Popularity • 39% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
29% Popularity • 39% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
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Georg Erixon
I’m Forrest… Forrest Gump
104 bpm • G Maj • 02:32 • -11.41db
47% Popularity • 65% Danceability • 24% Energy • 8% Liveness
88% Instrumentalness • 63% Positiveness
47% Popularity • 65% Danceability • 24% Energy • 8% Liveness
88% Instrumentalness • 63% Positiveness
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Anne Trenning
The Welcome Song
104 bpm • D Maj • 03:35 • -15.49db
37% Popularity • 37% Danceability • 20% Energy • 17% Liveness
93% Instrumentalness • 13% Positiveness
37% Popularity • 37% Danceability • 20% Energy • 17% Liveness
93% Instrumentalness • 13% Positiveness
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Brad Jacobsen
Path
104 bpm • D# Maj • 03:50 • -16.33db
14% Popularity • 38% Danceability • 16% Energy • 16% Liveness
89% Instrumentalness • 14% Positiveness
14% Popularity • 38% Danceability • 16% Energy • 16% Liveness
89% Instrumentalness • 14% Positiveness
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Jiřà Horák
Princess Lullaby
104 bpm • G Maj • 01:36 • -15.25db
24% Popularity • 50% Danceability • 31% Energy • 10% Liveness
13% Instrumentalness • 17% Positiveness
24% Popularity • 50% Danceability • 31% Energy • 10% Liveness
13% Instrumentalness • 17% Positiveness
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Bradley Joseph
Classical Cockatoo
115 bpm • C min • 06:14 • -20.03db
29% Popularity • 58% Danceability • 9% Energy • 13% Liveness
90% Instrumentalness • 7% Positiveness
29% Popularity • 58% Danceability • 9% Energy • 13% Liveness
90% Instrumentalness • 7% Positiveness
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Jane Leslie
Merry-Go-Round
103 bpm • F Maj • 04:36 • -21.6db
1% Popularity • 46% Danceability • 14% Energy • 6% Liveness
92% Instrumentalness • 12% Positiveness
1% Popularity • 46% Danceability • 14% Energy • 6% Liveness
92% Instrumentalness • 12% Positiveness
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Christine Brown
The Police Trilogy
115 bpm • F Maj • 05:02 • -19.05db
20% Popularity • 38% Danceability • 23% Energy • 18% Liveness
85% Instrumentalness • 9% Positiveness
20% Popularity • 38% Danceability • 23% Energy • 18% Liveness
85% Instrumentalness • 9% Positiveness
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Joseph Akins
Joy of Being
103 bpm • D# Maj • 05:23 • -17.97db
25% Popularity • 40% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
25% Popularity • 40% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Brad Jacobsen
Barren Boughs
115 bpm • A# min • 04:06 • -20.88db
14% Popularity • 39% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 10% Positiveness
14% Popularity • 39% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 10% Positiveness
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Stephen Thorpe
When You Believe
115 bpm • F# min • 04:03 • -24.98db
42% Popularity • 56% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 16% Positiveness
42% Popularity • 56% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 16% Positiveness
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Paul Machlis
Nightblossom
115 bpm • D Maj • 03:43 • -13.41db
25% Popularity • 35% Danceability • 30% Energy • 13% Liveness
86% Instrumentalness • 22% Positiveness
25% Popularity • 35% Danceability • 30% Energy • 13% Liveness
86% Instrumentalness • 22% Positiveness
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Jamie Conway
If
103 bpm • A Maj • 02:23 • -21.59db
36% Popularity • 56% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
36% Popularity • 56% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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Keith Martinson
The Hands of Time (Brian's Song)
116 bpm • G Maj • 02:20 • -21db
30% Popularity • 44% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 21% Positiveness
30% Popularity • 44% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 21% Positiveness
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Joe Bongiorno
Always With You
116 bpm • C Maj • 03:52 • -18.49db
28% Popularity • 38% Danceability • 26% Energy • 14% Liveness
91% Instrumentalness • 7% Positiveness
28% Popularity • 38% Danceability • 26% Energy • 14% Liveness
91% Instrumentalness • 7% Positiveness
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Anne Trenning
The Ash Grove
116 bpm • G Maj • 02:58 • -17db
31% Popularity • 53% Danceability • 17% Energy • 16% Liveness
55% Instrumentalness • 21% Positiveness
31% Popularity • 53% Danceability • 17% Energy • 16% Liveness
55% Instrumentalness • 21% Positiveness
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Dagmar Krug
The Flow of Love
116 bpm • A# Maj • 02:44 • -20.06db
17% Popularity • 33% Danceability • 29% Energy • 16% Liveness
95% Instrumentalness • 28% Positiveness
17% Popularity • 33% Danceability • 29% Energy • 16% Liveness
95% Instrumentalness • 28% Positiveness
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Brad Jacobsen
In a Yellow Wood
102 bpm • G# Maj • 04:47 • -22.2db
11% Popularity • 33% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 21% Positiveness
11% Popularity • 33% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 21% Positiveness
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Denise Young
There
116 bpm • A# Maj • 03:32 • -18.69db
41% Popularity • 30% Danceability • 15% Energy • 18% Liveness
90% Instrumentalness • 8% Positiveness
41% Popularity • 30% Danceability • 15% Energy • 18% Liveness
90% Instrumentalness • 8% Positiveness
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John Fluker
A Father's Love
102 bpm • C Maj • 02:04 • -15.54db
27% Popularity • 47% Danceability • 12% Energy • 13% Liveness
90% Instrumentalness • 12% Positiveness
27% Popularity • 47% Danceability • 12% Energy • 13% Liveness
90% Instrumentalness • 12% Positiveness
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Jon Dahlander
Psalm
117 bpm • D min • 03:57 • -20db
17% Popularity • 43% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
17% Popularity • 43% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
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Joe Bongiorno
Imagine This
117 bpm • G# Maj • 04:17 • -20.42db
31% Popularity • 37% Danceability • 13% Energy • 13% Liveness
93% Instrumentalness • 9% Positiveness
31% Popularity • 37% Danceability • 13% Energy • 13% Liveness
93% Instrumentalness • 9% Positiveness
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Steven Cravis
Apricot Sunset and Cinnamon Skies
117 bpm • F Maj • 03:20 • -15.84db
27% Popularity • 33% Danceability • 30% Energy • 12% Liveness
87% Instrumentalness • 16% Positiveness
27% Popularity • 33% Danceability • 30% Energy • 12% Liveness
87% Instrumentalness • 16% Positiveness
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Brad Jacobsen
By the Banks (Loch Lomond)
116 bpm • F Maj • 03:33 • -19db
32% Popularity • 33% Danceability • 13% Energy • 14% Liveness
94% Instrumentalness • 20% Positiveness
32% Popularity • 33% Danceability • 13% Energy • 14% Liveness
94% Instrumentalness • 20% Positiveness
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Peter Jennison
Solitary Peace (For Will Ackerman)
102 bpm • F Maj • 03:45 • -22.32db
14% Popularity • 29% Danceability • 3% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
14% Popularity • 29% Danceability • 3% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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John Fluker
Asleep Beneath The Moon (Part One)
117 bpm • A min • 03:48 • -18db
24% Popularity • 36% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
24% Popularity • 36% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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Karen Marie Garrett
Mother's Prayer (With Vocals)
101 bpm • F# min • 04:11 • -20.49db
18% Popularity • 27% Danceability • 10% Energy • 8% Liveness
80% Instrumentalness • 9% Positiveness
18% Popularity • 27% Danceability • 10% Energy • 8% Liveness
80% Instrumentalness • 9% Positiveness
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Jeremy Weinglass
I Can't Help Falling in Love with You
117 bpm • F Maj • 03:33 • -23db
29% Popularity • 43% Danceability • 4% Energy • 9% Liveness
82% Instrumentalness • 11% Positiveness
29% Popularity • 43% Danceability • 4% Energy • 9% Liveness
82% Instrumentalness • 11% Positiveness
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Denise Young
Awakened
117 bpm • G min • 03:50 • -22.25db
28% Popularity • 28% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
28% Popularity • 28% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Joseph Akins
Castle Moon
117 bpm • D min • 04:16 • -14.25db
31% Popularity • 45% Danceability • 28% Energy • 15% Liveness
91% Instrumentalness • 12% Positiveness
31% Popularity • 45% Danceability • 28% Energy • 15% Liveness
91% Instrumentalness • 12% Positiveness
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Kathryn Toyama
Understanding Each Other
117 bpm • C Maj • 04:16 • -13.94db
36% Popularity • 45% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
36% Popularity • 45% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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Anne Trenning
Where Rivers Run
101 bpm • C Maj • 05:01 • -22.56db
18% Popularity • 38% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 23% Positiveness
18% Popularity • 38% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 23% Positiveness
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Brad Jacobsen
My Father's World
118 bpm • D Maj • 03:43 • -17.61db
34% Popularity • 32% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 31% Positiveness
34% Popularity • 32% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 31% Positiveness
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Jane Leslie
Morning Mist
101 bpm • A min • 02:43 • -24.73db
13% Popularity • 37% Danceability • 13% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
13% Popularity • 37% Danceability • 13% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Fiona Joy Hawkins
Bushfire Moon (Album Version)
118 bpm • G min • 05:03 • -18.19db
29% Popularity • 34% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
29% Popularity • 34% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Joe Yamada
Chasing the Dream
118 bpm • E Maj • 02:38 • -17.3db
46% Popularity • 43% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
46% Popularity • 43% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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Louis Landon
Seattle Morning
100 bpm • D Maj • 03:44 • -23.69db
39% Popularity • 40% Danceability • 21% Energy • 8% Liveness
83% Instrumentalness • 40% Positiveness
39% Popularity • 40% Danceability • 21% Energy • 8% Liveness
83% Instrumentalness • 40% Positiveness
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Michael Allen Harrison
Hidden Sanctuary
100 bpm • A min • 03:17 • -22.94db
27% Popularity • 31% Danceability • 14% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
27% Popularity • 31% Danceability • 14% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
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Brad Jacobsen
When Through the Woods (How Great Thou A...
118 bpm • F Maj • 04:42 • -16.45db
30% Popularity • 39% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
30% Popularity • 39% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
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VioDance
Forrest Gump: Feather Theme (Piano & Vio...
100 bpm • F Maj • 02:49 • -8.84db
37% Popularity • 45% Danceability • 32% Energy • 16% Liveness
86% Instrumentalness • 10% Positiveness
37% Popularity • 45% Danceability • 32% Energy • 16% Liveness
86% Instrumentalness • 10% Positiveness
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Janie Becker
Evening Whispers
100 bpm • F Maj • 02:09 • -22.53db
49% Popularity • 45% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 30% Positiveness
49% Popularity • 45% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 30% Positiveness
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Christine Brown
Happy Together
100 bpm • D min • 04:04 • -20.58db
27% Popularity • 44% Danceability • 15% Energy • 12% Liveness
89% Instrumentalness • 9% Positiveness
27% Popularity • 44% Danceability • 15% Energy • 12% Liveness
89% Instrumentalness • 9% Positiveness
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Jamie Conway
Open Arms
99 bpm • D Maj • 03:44 • -20.94db
23% Popularity • 36% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 6% Positiveness
23% Popularity • 36% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 6% Positiveness
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Joe Yamada
To Love Again
120 bpm • C Maj • 03:46 • -16.8db
23% Popularity • 28% Danceability • 22% Energy • 12% Liveness
95% Instrumentalness • 11% Positiveness
23% Popularity • 28% Danceability • 22% Energy • 12% Liveness
95% Instrumentalness • 11% Positiveness
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Rachel Currea
Walking to You
120 bpm • A Maj • 03:02 • -19.16db
19% Popularity • 44% Danceability • 19% Energy • 13% Liveness
94% Instrumentalness • 27% Positiveness
19% Popularity • 44% Danceability • 19% Energy • 13% Liveness
94% Instrumentalness • 27% Positiveness
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Wayne Gratz
A Time For Us
120 bpm • D# Maj • 03:53 • -23db
25% Popularity • 45% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 6% Positiveness
25% Popularity • 45% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 6% Positiveness
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Louis Landon
Court Dances
120 bpm • F Maj • 03:13 • -21db
26% Popularity • 35% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
26% Popularity • 35% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
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Henrik Janson
Capri Interlude For Guitar and Strings
120 bpm • C Maj • 01:43 • -15.3db
44% Popularity • 59% Danceability • 14% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
44% Popularity • 59% Danceability • 14% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
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Anne Trenning
Real Love
99 bpm • A min • 03:22 • -20.28db
18% Popularity • 41% Danceability • 14% Energy • 13% Liveness
92% Instrumentalness • 15% Positiveness
18% Popularity • 41% Danceability • 14% Energy • 13% Liveness
92% Instrumentalness • 15% Positiveness
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Joe Yamada
Heartfelt
120 bpm • G Maj • 03:34 • -15.65db
17% Popularity • 34% Danceability • 16% Energy • 14% Liveness
92% Instrumentalness • 7% Positiveness
17% Popularity • 34% Danceability • 16% Energy • 14% Liveness
92% Instrumentalness • 7% Positiveness
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Daniele Leoni
Rincorrere un sogno
99 bpm • C Maj • 02:36 • -23.68db
43% Popularity • 38% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 18% Positiveness
43% Popularity • 38% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 18% Positiveness
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Fiona Joy Hawkins
Antarctica
120 bpm • G min • 04:18 • -18db
27% Popularity • 35% Danceability • 12% Energy • 16% Liveness
83% Instrumentalness • 14% Positiveness
27% Popularity • 35% Danceability • 12% Energy • 16% Liveness
83% Instrumentalness • 14% Positiveness
