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Southern Nights
Songs like
Southern Nights
by
Whitney
Based on a tempo of (+/- 10%) and a similar genre
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Reverend Baron
Sweet Moon
84 bpm • F Maj • 05:13 • -11.06db
25% Popularity • 58% Danceability • 33% Energy • 53% Liveness
9% Instrumentalness • 47% Positiveness
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Fruit Bats
Cazadera
84 bpm • C min • 03:25 • -12db
50% Popularity • 68% Danceability • 31% Energy • 8% Liveness
7% Instrumentalness • 37% Positiveness
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Whitney
Southern Nights
84 bpm • G min • 03:32 • -7.87db
45% Popularity • 57% Danceability • 30% Energy • 14% Liveness
50% Instrumentalness • 42% Positiveness
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Kevin Morby
Farewell Transmission
84 bpm • C# Maj • 06:57 • -10db
42% Popularity • 53% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
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Liz Cooper
Kaleidoscope Eyes
84 bpm • D# Maj • 04:28 • -10db
10% Popularity • 52% Danceability • 64% Energy • 21% Liveness
25% Instrumentalness • 42% Positiveness
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Waxahatchee
Fire
85 bpm • G Maj • 03:37 • -11.81db
53% Popularity • 50% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Khruangbin
Two Fish and an Elephant
85 bpm • D Maj • 03:33 • -11.09db
60% Popularity • 45% Danceability • 58% Energy • 64% Liveness
89% Instrumentalness • 93% Positiveness
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Loving
The Not Real Lake
85 bpm • G# Maj • 03:06 • -8db
47% Popularity • 50% Danceability • 70% Energy • 6% Liveness
46% Instrumentalness • 34% Positiveness
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Whitney
Something Happen
84 bpm • B min • 01:59 • -13.95db
29% Popularity • 28% Danceability • 29% Energy • 9% Liveness
91% Instrumentalness • 24% Positiveness
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Kevin Morby
Oh My God
83 bpm • E Maj • 04:05 • -9db
31% Popularity • 32% Danceability • 26% Energy • 16% Liveness
44% Instrumentalness • 8% Positiveness
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Sylvan Esso
Rewind - Echo Mountain Sessions
83 bpm • A Maj • 04:50 • -14db
41% Popularity • 42% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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STRFKR
Kahlil Gibran
85 bpm • A Maj • 03:59 • -8db
56% Popularity • 68% Danceability • 65% Energy • 10% Liveness
26% Instrumentalness • 38% Positiveness
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TOLEDO
Sunday Funday
83 bpm • G# Maj • 04:16 • -8.44db
48% Popularity • 43% Danceability • 70% Energy • 13% Liveness
29% Instrumentalness • 69% Positiveness
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Night Moves
Keep Me In Mind
85 bpm • D Maj • 03:14 • -12db
26% Popularity • 54% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Oracle Sisters
The Dandelion
83 bpm • B min • 03:39 • -8db
54% Popularity • 64% Danceability • 76% Energy • 14% Liveness
85% Instrumentalness • 60% Positiveness
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Andrew Bird
Sisyphus
83 bpm • C min • 04:07 • -4.36db
60% Popularity • 63% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Ty Segall
My Lady's On Fire
83 bpm • D# Maj • 03:52 • -9.11db
52% Popularity • 32% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Sugar Candy Mountain
Windows
83 bpm • F Maj • 03:12 • -8db
51% Popularity • 53% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Twin Peaks
Tossing Tears
82 bpm • B Maj • 04:10 • -7.12db
31% Popularity • 42% Danceability • 49% Energy • 9% Liveness
60% Instrumentalness • 68% Positiveness
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Marlon Williams
Dark Child
82 bpm • G# min • 03:57 • -8.16db
34% Popularity • 46% Danceability • 42% Energy • 22% Liveness
7% Instrumentalness • 24% Positiveness
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Kurt Vile
Baby's Arms
82 bpm • B min • 04:44 • -6db
42% Popularity • 49% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
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Angelo De Augustine
Tomb
86 bpm • A# Maj • 04:18 • -14.95db
43% Popularity • 64% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
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Whitney
For A While
86 bpm • A# min • 04:13 • -9.64db
31% Popularity • 61% Danceability • 39% Energy • 12% Liveness
1% Instrumentalness • 60% Positiveness
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Jack Symes
Cool God
82 bpm • C# Maj • 04:11 • -9db
37% Popularity • 69% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Andrew Bird
Bloodless
82 bpm • E min • 06:29 • -5.2db
45% Popularity • 55% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Bedouine
One of These Days
82 bpm • G Maj • 02:58 • -12.57db
52% Popularity • 72% Danceability • 42% Energy • 11% Liveness
9% Instrumentalness • 74% Positiveness
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Lomelda
Interstate Vision
82 bpm • E min • 02:42 • -14db
48% Popularity • 61% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Cass McCombs
There Can Be Only One
86 bpm • A Maj • 04:17 • -13.59db
40% Popularity • 61% Danceability • 69% Energy • 24% Liveness
22% Instrumentalness • 86% Positiveness
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Beach Fossils
Social Jetlag
82 bpm • A# Maj • 03:02 • -9db
43% Popularity • 60% Danceability • 55% Energy • 19% Liveness
4% Instrumentalness • 28% Positiveness
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Kate Bollinger
A Couple Things
81 bpm • C# Maj • 02:40 • -11.21db
27% Popularity • 69% Danceability • 38% Energy • 10% Liveness
41% Instrumentalness • 50% Positiveness
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Whitney
Before I Know It
81 bpm • D Maj • 02:33 • -6.95db
28% Popularity • 58% Danceability • 56% Energy • 10% Liveness
68% Instrumentalness • 56% Positiveness
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Bedouine
Back To You
86 bpm • A min • 04:27 • -12.78db
28% Popularity • 47% Danceability • 53% Energy • 33% Liveness
32% Instrumentalness • 39% Positiveness
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Hope Sandoval & The Warm Inventions
Let Me Get There
81 bpm • D Maj • 07:30 • -8db
43% Popularity • 55% Danceability • 52% Energy • 46% Liveness
57% Instrumentalness • 35% Positiveness
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Sharon Van Etten
Our Love
81 bpm • C# min • 03:52 • -9.87db
47% Popularity • 61% Danceability • 51% Energy • 11% Liveness
68% Instrumentalness • 40% Positiveness
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Night Moves
Border On Border
81 bpm • D# min • 03:34 • -5db
37% Popularity • 48% Danceability • 66% Energy • 8% Liveness
7% Instrumentalness • 24% Positiveness
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Angelo De Augustine
Santa Barbara
81 bpm • G min • 03:14 • -17.2db
45% Popularity • 53% Danceability • 16% Energy • 11% Liveness
3% Instrumentalness • 50% Positiveness
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Mutual Benefit
Advanced Falconry
81 bpm • D Maj • 05:05 • -12.43db
39% Popularity • 15% Danceability • 34% Energy • 34% Liveness
58% Instrumentalness • 17% Positiveness
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Liz Cooper
The Night
81 bpm • D Maj • 04:53 • -9.36db
7% Popularity • 18% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Runnner
Eggshell
87 bpm • G Maj • 03:24 • -9db
40% Popularity • 65% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Bon Iver
29 #Strafford APTS
81 bpm • E Maj • 04:05 • -14.68db
52% Popularity • 29% Danceability • 23% Energy • 11% Liveness
41% Instrumentalness • 16% Positiveness
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Big Thief
Cattails
81 bpm • C# Maj • 04:05 • -6.93db
49% Popularity • 56% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
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Jesse Woods
Ugly Dress
81 bpm • F# Maj • 02:29 • -9.57db
42% Popularity • 55% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Buck Meek
Candle
80 bpm • E Maj • 03:43 • -8.68db
36% Popularity • 62% Danceability • 35% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
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Babe Rainbow
Something New
88 bpm • B Maj • 03:15 • -9db
55% Popularity • 63% Danceability • 67% Energy • 38% Liveness
4% Instrumentalness • 73% Positiveness
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Oracle Sisters
Asc. Scorpio
80 bpm • D Maj • 02:46 • -7db
69% Popularity • 76% Danceability • 60% Energy • 10% Liveness
1% Instrumentalness • 82% Positiveness
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Sun June
Bad girl
88 bpm • G# Maj • 04:07 • -10db
38% Popularity • 70% Danceability • 37% Energy • 11% Liveness
12% Instrumentalness • 43% Positiveness
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Whitney
Take Me Home, Country Roads
80 bpm • D Maj • 02:45 • -10.94db
46% Popularity • 57% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
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Palace
I Want What You Got
88 bpm • D Maj • 04:02 • -9db
47% Popularity • 38% Danceability • 39% Energy • 14% Liveness
1% Instrumentalness • 18% Positiveness
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Sylvan Esso
Rooftop Dancing
80 bpm • C Maj • 03:03 • -13.46db
44% Popularity • 68% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Beach Fossils
Sleep Apnea
80 bpm • D Maj • 02:26 • -10.62db
59% Popularity • 55% Danceability • 68% Energy • 14% Liveness
86% Instrumentalness • 49% Positiveness
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Cass McCombs
Bum Bum Bum
80 bpm • A min • 04:59 • -11db
44% Popularity • 51% Danceability • 51% Energy • 10% Liveness
30% Instrumentalness • 37% Positiveness
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Cotton Jones
Where You Stop for a Minute
88 bpm • B Maj • 03:02 • -6db
30% Popularity • 53% Danceability • 65% Energy • 45% Liveness
0% Instrumentalness • 45% Positiveness
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Whitney
My Life Alone
80 bpm • A Maj • 03:10 • -5db
25% Popularity • 57% Danceability • 64% Energy • 9% Liveness
54% Instrumentalness • 72% Positiveness
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Bibio
Sleep On The Wing
80 bpm • A Maj • 03:30 • -11.51db
40% Popularity • 47% Danceability • 33% Energy • 13% Liveness
89% Instrumentalness • 36% Positiveness
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Andrew Bird
Olympians
80 bpm • G Maj • 03:58 • -7.95db
42% Popularity • 47% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 25% Positiveness
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Bedouine
Echo Park
88 bpm • E min • 02:58 • -18.86db
27% Popularity • 47% Danceability • 21% Energy • 32% Liveness
22% Instrumentalness • 24% Positiveness
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Angelo De Augustine
You Needed Love, I Needed You
89 bpm • D Maj • 03:25 • -14db
52% Popularity • 52% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
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Fruit Bats
You're Too Weird
80 bpm • G Maj • 03:46 • -7.9db
54% Popularity • 68% Danceability • 84% Energy • 32% Liveness
32% Instrumentalness • 88% Positiveness
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Whitney
Valleys (My Love)
89 bpm • B Maj • 03:56 • -7.17db
49% Popularity • 57% Danceability • 61% Energy • 10% Liveness
59% Instrumentalness • 50% Positiveness
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Kevin Morby
Valley
80 bpm • C# min • 04:04 • -6.42db
41% Popularity • 59% Danceability • 57% Energy • 13% Liveness
7% Instrumentalness • 49% Positiveness
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The Barr Brothers
You Would Have to Lose Your Mind
89 bpm • F# min • 06:21 • -8db
42% Popularity • 34% Danceability • 45% Energy • 12% Liveness
72% Instrumentalness • 24% Positiveness
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Bedouine
Sunshine Sometimes
89 bpm • A Maj • 04:22 • -18db
34% Popularity • 53% Danceability • 18% Energy • 11% Liveness
3% Instrumentalness • 13% Positiveness
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Yellow House
Better Views
89 bpm • F Maj • 03:59 • -8.95db
48% Popularity • 46% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Loving
Bowlly Goes Dancing Drunk into the Futur...
79 bpm • D# min • 02:40 • -14db
58% Popularity • 71% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Whitney
Rain
79 bpm • E min • 03:48 • -11.34db
41% Popularity • 63% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Quiet Life
Foggy
79 bpm • B min • 07:37 • -8.81db
31% Popularity • 52% Danceability • 40% Energy • 12% Liveness
68% Instrumentalness • 39% Positiveness
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TOPS
The Hollow Sound of the Morning Chimes
89 bpm • B min • 06:48 • -11db
39% Popularity • 67% Danceability • 25% Energy • 9% Liveness
31% Instrumentalness • 48% Positiveness
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Kate Bollinger
Untitled
79 bpm • G Maj • 02:59 • -10db
53% Popularity • 73% Danceability • 51% Energy • 9% Liveness
32% Instrumentalness • 66% Positiveness
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Hether
When U Loved Me
79 bpm • G# Maj • 03:11 • -13.09db
48% Popularity • 74% Danceability • 32% Energy • 30% Liveness
9% Instrumentalness • 74% Positiveness
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Twain
Little Dog Mind
79 bpm • E Maj • 03:09 • -7.5db
27% Popularity • 60% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Dr. Dog
Listening In
79 bpm • A min • 04:55 • -9.16db
38% Popularity • 64% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Palace
Bitter
79 bpm • A Maj • 03:53 • -5.49db
63% Popularity • 20% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
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Fruit Bats
Absolute Loser
90 bpm • G Maj • 03:51 • -10.39db
40% Popularity • 52% Danceability • 51% Energy • 12% Liveness
8% Instrumentalness • 40% Positiveness
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Devonté Hynes
Feelin' Lovely
90 bpm • D min • 03:51 • -6db
45% Popularity • 72% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Kate Bollinger
Talk About It
90 bpm • C Maj • 02:12 • -9.9db
52% Popularity • 86% Danceability • 34% Energy • 10% Liveness
7% Instrumentalness • 55% Positiveness
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Widowspeak
The Good Ones
90 bpm • A Maj • 04:38 • -8.03db
43% Popularity • 79% Danceability • 62% Energy • 6% Liveness
1% Instrumentalness • 60% Positiveness
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Yo La Tengo
Our Way to Fall
78 bpm • C Maj • 04:18 • -14.65db
48% Popularity • 56% Danceability • 24% Energy • 10% Liveness
77% Instrumentalness • 56% Positiveness
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Dr. Dog
The Breeze
90 bpm • A Maj • 03:59 • -7.8db
26% Popularity • 61% Danceability • 55% Energy • 67% Liveness
0% Instrumentalness • 28% Positiveness
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Allen Forrest
In Time
91 bpm • A Maj • 03:32 • -9.6db
0% Popularity • 78% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Whitney
Giving Up
91 bpm • F# Maj • 03:10 • -7.27db
42% Popularity • 64% Danceability • 60% Energy • 11% Liveness
53% Instrumentalness • 16% Positiveness
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Vetiver
Current Carry
91 bpm • G Maj • 03:54 • -8.75db
39% Popularity • 86% Danceability • 78% Energy • 6% Liveness
79% Instrumentalness • 96% Positiveness
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Damien Jurado
Hello Sunshine
77 bpm • D Maj • 03:04 • -8.64db
38% Popularity • 57% Danceability • 41% Energy • 10% Liveness
45% Instrumentalness • 53% Positiveness
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Flyte
Archie, Marry Me
77 bpm • C# Maj • 02:29 • -8.39db
43% Popularity • 24% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Fleet Foxes
Can I Believe You
77 bpm • B Maj • 04:04 • -8.46db
57% Popularity • 51% Danceability • 76% Energy • 14% Liveness
7% Instrumentalness • 60% Positiveness
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TOLEDO
Dog Has Its Day
77 bpm • B Maj • 03:10 • -9.94db
40% Popularity • 50% Danceability • 49% Energy • 36% Liveness
79% Instrumentalness • 77% Positiveness
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Whitney
Kansas
91 bpm • G Maj • 03:31 • -9.97db
35% Popularity • 54% Danceability • 50% Energy • 12% Liveness
13% Instrumentalness • 31% Positiveness
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Bahamas
No Depression
77 bpm • G min • 03:06 • -8db
48% Popularity • 84% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
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Khruangbin
White Gloves
91 bpm • D min • 03:38 • -13.96db
66% Popularity • 64% Danceability • 30% Energy • 57% Liveness
83% Instrumentalness • 77% Positiveness
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Kate Bollinger
Lady in the Darkest Hour
77 bpm • C Maj • 04:35 • -9db
41% Popularity • 67% Danceability • 41% Energy • 10% Liveness
2% Instrumentalness • 38% Positiveness
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Alice Phoebe Lou
Nostalgia
77 bpm • A Maj • 03:17 • -8.73db
49% Popularity • 34% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
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Holy Hive
The Things Themselves
92 bpm • F# min • 03:29 • -6.51db
29% Popularity • 74% Danceability • 48% Energy • 9% Liveness
1% Instrumentalness • 66% Positiveness
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Whitney
Polly
77 bpm • D Maj • 03:26 • -6.8db
37% Popularity • 56% Danceability • 31% Energy • 31% Liveness
10% Instrumentalness • 25% Positiveness
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Big Thief
Certainty
77 bpm • A Maj • 03:07 • -9db
59% Popularity • 61% Danceability • 51% Energy • 22% Liveness
1% Instrumentalness • 40% Positiveness
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M. Ward
Eyes on the Prize
92 bpm • D Maj • 02:37 • -15.8db
41% Popularity • 48% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Cass McCombs
Laughter Is The Best Medicine
76 bpm • F# min • 05:18 • -9db
30% Popularity • 62% Danceability • 52% Energy • 18% Liveness
59% Instrumentalness • 37% Positiveness
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Cotton Jones
Blood Red Sentimental Blues
93 bpm • A# Maj • 04:36 • -6.25db
55% Popularity • 56% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Tomberlin
Wasted
93 bpm • E Maj • 02:29 • -10db
55% Popularity • 77% Danceability • 57% Energy • 14% Liveness
14% Instrumentalness • 72% Positiveness
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Whitney
FTA
92 bpm • F min • 02:27 • -12db
61% Popularity • 55% Danceability • 46% Energy • 28% Liveness
80% Instrumentalness • 33% Positiveness
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Bahamas
Lost In The Light
76 bpm • D Maj • 03:56 • -8.8db
68% Popularity • 60% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Twain
Dear Mexico (Thank You for Joyce)
76 bpm • D# Maj • 04:05 • -12db
41% Popularity • 64% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Southern Nights