Songs like Space Man by Eurielle
Based on a tempo of (+/- 10%) and a similar genre
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Kalandra
My Kingdom - Kingdom Two Crowns: Norse L...
130 bpm • A min • 02:04 • -14.66db
48% Popularity • 48% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
48% Popularity • 48% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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XOMA
Arrival of The Birds
130 bpm • D# min • 02:37 • -11.53db
41% Popularity • 45% Danceability • 29% Energy • 9% Liveness
79% Instrumentalness • 8% Positiveness
41% Popularity • 45% Danceability • 29% Energy • 9% Liveness
79% Instrumentalness • 8% Positiveness
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Logan Epic Canto
Tir Nan Og
130 bpm • A min • 02:40 • -5.06db
30% Popularity • 44% Danceability • 86% Energy • 33% Liveness
9% Instrumentalness • 52% Positiveness
30% Popularity • 44% Danceability • 86% Energy • 33% Liveness
9% Instrumentalness • 52% Positiveness
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IMAscore
Where Do We Go
130 bpm • E min • 02:54 • -9db
24% Popularity • 20% Danceability • 42% Energy • 11% Liveness
7% Instrumentalness • 5% Positiveness
24% Popularity • 20% Danceability • 42% Energy • 11% Liveness
7% Instrumentalness • 5% Positiveness
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Marcus Warner
The Captain's Dance
130 bpm • E min • 03:35 • -6.27db
40% Popularity • 63% Danceability • 77% Energy • 26% Liveness
83% Instrumentalness • 49% Positiveness
40% Popularity • 63% Danceability • 77% Energy • 26% Liveness
83% Instrumentalness • 49% Positiveness
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Claire Wyndham
Kingdom Fall
130 bpm • G min • 03:33 • -10.99db
45% Popularity • 53% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
45% Popularity • 53% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Fia Orädd
Davy Jones
130 bpm • A min • 03:16 • -15db
45% Popularity • 39% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
45% Popularity • 39% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Bellabeth
Lullaby of Woe
130 bpm • G min • 02:30 • -10db
37% Popularity • 56% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
37% Popularity • 56% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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James Paget
Believe
130 bpm • D min • 04:10 • -8.18db
28% Popularity • 43% Danceability • 40% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
28% Popularity • 43% Danceability • 40% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
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IMAscore
Winterstorm
130 bpm • G# min • 03:19 • -9db
30% Popularity • 31% Danceability • 70% Energy • 15% Liveness
94% Instrumentalness • 7% Positiveness
30% Popularity • 31% Danceability • 70% Energy • 15% Liveness
94% Instrumentalness • 7% Positiveness
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IVEEN
Celtic Creed
130 bpm • D Maj • 04:27 • -9.31db
31% Popularity • 46% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
31% Popularity • 46% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Eurielle
Raindrops
130 bpm • C min • 04:28 • -10db
37% Popularity • 31% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
37% Popularity • 31% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Michael Maas
We All Fall Down
130 bpm • A# min • 03:04 • -11.04db
21% Popularity • 30% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
21% Popularity • 30% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Hidden Citizens
Immortalized
129 bpm • A min • 03:48 • -8.84db
42% Popularity • 27% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
42% Popularity • 27% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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![Mendi Haietatik Haratago (Beyond These Mountains) [feat. Eurielle, Ivan Allue] cover art](https://i.scdn.co/image/ab67616d00001e021c82d8edcbe6ebfa1b1aada5)
Fernando Velázquez
Mendi Haietatik Haratago (Beyond These M...
129 bpm • E min • 01:33 • -7.24db
8% Popularity • 16% Danceability • 68% Energy • 13% Liveness
16% Instrumentalness • 15% Positiveness
8% Popularity • 16% Danceability • 68% Energy • 13% Liveness
16% Instrumentalness • 15% Positiveness
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Umeå Bodø
Deep Sweet Dreams
130 bpm • E min • 01:41 • -12.1db
39% Popularity • 29% Danceability • 58% Energy • 8% Liveness
3% Instrumentalness • 47% Positiveness
39% Popularity • 29% Danceability • 58% Energy • 8% Liveness
3% Instrumentalness • 47% Positiveness
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Efisio Cross
Lettre à élise
129 bpm • C min • 04:42 • -15.59db
39% Popularity • 22% Danceability • 34% Energy • 12% Liveness
89% Instrumentalness • 22% Positiveness
39% Popularity • 22% Danceability • 34% Energy • 12% Liveness
89% Instrumentalness • 22% Positiveness
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CLANN
Her & the Sea
132 bpm • C# min • 03:42 • -17.75db
50% Popularity • 18% Danceability • 18% Energy • 38% Liveness
18% Instrumentalness • 4% Positiveness
50% Popularity • 18% Danceability • 18% Energy • 38% Liveness
18% Instrumentalness • 4% Positiveness
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Adriana Figueroa
Wanderers Lullaby
131 bpm • C# Maj • 04:29 • -13.88db
40% Popularity • 45% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
40% Popularity • 45% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Raney Shockne
I Am the One
128 bpm • F# Maj • 01:58 • -8db
37% Popularity • 72% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 72% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Sonya Belousova
The Song of the White Wolf
132 bpm • B Maj • 03:45 • -7.84db
42% Popularity • 21% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
42% Popularity • 21% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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SVRCINA
Battlefield
128 bpm • A min • 04:20 • -6.54db
51% Popularity • 38% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
51% Popularity • 38% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Karpov Kinrade
Of Dreams and Dragons
128 bpm • A min • 02:43 • -12db
35% Popularity • 32% Danceability • 31% Energy • 15% Liveness
92% Instrumentalness • 6% Positiveness
35% Popularity • 32% Danceability • 31% Energy • 15% Liveness
92% Instrumentalness • 6% Positiveness
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Efisio Cross
Thy Sleep Shall Be Sweet
128 bpm • A# min • 04:22 • -15.38db
22% Popularity • 52% Danceability • 43% Energy • 38% Liveness
96% Instrumentalness • 35% Positiveness
22% Popularity • 52% Danceability • 43% Energy • 38% Liveness
96% Instrumentalness • 35% Positiveness
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John Lunn
Destiny Is All
132 bpm • A# Maj • 04:44 • -18db
35% Popularity • 48% Danceability • 31% Energy • 8% Liveness
90% Instrumentalness • 22% Positiveness
35% Popularity • 48% Danceability • 31% Energy • 8% Liveness
90% Instrumentalness • 22% Positiveness
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Raney Shockne
Fall of the Magister
132 bpm • A min • 03:01 • -4.16db
44% Popularity • 65% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
44% Popularity • 65% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Randall Jermaine
Eternal Flame
132 bpm • G Maj • 04:15 • -10.46db
39% Popularity • 29% Danceability • 51% Energy • 31% Liveness
5% Instrumentalness • 11% Positiveness
39% Popularity • 29% Danceability • 51% Energy • 31% Liveness
5% Instrumentalness • 11% Positiveness
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SVRCINA
Meet Me on the Battlefield
128 bpm • A min • 04:24 • -12.88db
48% Popularity • 49% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
48% Popularity • 49% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Erutan
The Willow Maid
132 bpm • E min • 05:49 • -15.88db
51% Popularity • 35% Danceability • 19% Energy • 5% Liveness
0% Instrumentalness • 8% Positiveness
51% Popularity • 35% Danceability • 19% Energy • 5% Liveness
0% Instrumentalness • 8% Positiveness
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Efisio Cross
Can I Keep You
128 bpm • F# min • 03:57 • -18.04db
28% Popularity • 45% Danceability • 35% Energy • 11% Liveness
98% Instrumentalness • 21% Positiveness
28% Popularity • 45% Danceability • 35% Energy • 11% Liveness
98% Instrumentalness • 21% Positiveness
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Zyrah
Oblivion
128 bpm • E min • 04:01 • -9.74db
24% Popularity • 34% Danceability • 50% Energy • 10% Liveness
10% Instrumentalness • 6% Positiveness
24% Popularity • 34% Danceability • 50% Energy • 10% Liveness
10% Instrumentalness • 6% Positiveness
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Peter Roe
Shared Tears
128 bpm • A min • 04:28 • -14.12db
19% Popularity • 22% Danceability • 26% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
19% Popularity • 22% Danceability • 26% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
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Leah
Do Not Stand at My Grave and Weep
133 bpm • E Maj • 04:37 • -7.64db
27% Popularity • 36% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
27% Popularity • 36% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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Eurielle
Eurielle
127 bpm • D# min • 04:56 • -15.42db
33% Popularity • 19% Danceability • 16% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
33% Popularity • 19% Danceability • 16% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
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Erutan
No One But You
132 bpm • A# min • 04:34 • -15.31db
34% Popularity • 54% Danceability • 13% Energy • 10% Liveness
8% Instrumentalness • 11% Positiveness
34% Popularity • 54% Danceability • 13% Energy • 10% Liveness
8% Instrumentalness • 11% Positiveness
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Marcus Warner
This Is a Story of the Sea
127 bpm • C# min • 01:39 • -15.22db
27% Popularity • 19% Danceability • 20% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
27% Popularity • 19% Danceability • 20% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
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Sound Adventures
Danse Macabre
127 bpm • D min • 02:44 • -7.27db
33% Popularity • 23% Danceability • 79% Energy • 10% Liveness
84% Instrumentalness • 13% Positiveness
33% Popularity • 23% Danceability • 79% Energy • 10% Liveness
84% Instrumentalness • 13% Positiveness
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Peter Gundry
Lady of the Dawn
127 bpm • A min • 08:31 • -12.62db
34% Popularity • 47% Danceability • 43% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
34% Popularity • 47% Danceability • 43% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
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Twisted Jukebox
Angels Will Rise
127 bpm • F Maj • 02:12 • -9.57db
49% Popularity • 60% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
49% Popularity • 60% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
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Eurielle
The Wish
127 bpm • C# min • 04:41 • -11.53db
17% Popularity • 21% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
17% Popularity • 21% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Globus
In Memoriam
133 bpm • G min • 04:24 • -8.04db
26% Popularity • 30% Danceability • 54% Energy • 42% Liveness
0% Instrumentalness • 6% Positiveness
26% Popularity • 30% Danceability • 54% Energy • 42% Liveness
0% Instrumentalness • 6% Positiveness
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Erutan
Round and Round
132 bpm • E min • 04:09 • -13.06db
30% Popularity • 55% Danceability • 29% Energy • 22% Liveness
1% Instrumentalness • 29% Positiveness
30% Popularity • 55% Danceability • 29% Energy • 22% Liveness
1% Instrumentalness • 29% Positiveness
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Trevor Morris
The Dawn Will Come
133 bpm • A min • 01:58 • -23.78db
41% Popularity • 20% Danceability • 8% Energy • 13% Liveness
3% Instrumentalness • 6% Positiveness
41% Popularity • 20% Danceability • 8% Energy • 13% Liveness
3% Instrumentalness • 6% Positiveness
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Peter Gundry
Lady of the Dawn (Nordic)
127 bpm • A min • 04:29 • -19.24db
37% Popularity • 38% Danceability • 29% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
37% Popularity • 38% Danceability • 29% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
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Gary Stadler
Fairy Nightsongs
133 bpm • D min • 05:17 • -14db
35% Popularity • 45% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
35% Popularity • 45% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Inon Zur
Leliana's Song
134 bpm • C min • 00:59 • -8.33db
26% Popularity • 48% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 48% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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John Lunn
Lívstræðrir
133 bpm • A min • 05:17 • -19.09db
49% Popularity • 23% Danceability • 14% Energy • 6% Liveness
60% Instrumentalness • 8% Positiveness
49% Popularity • 23% Danceability • 14% Energy • 6% Liveness
60% Instrumentalness • 8% Positiveness
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Erutan
Butterfly's Dream
127 bpm • A# min • 03:10 • -16.94db
34% Popularity • 53% Danceability • 12% Energy • 10% Liveness
4% Instrumentalness • 17% Positiveness
34% Popularity • 53% Danceability • 12% Energy • 10% Liveness
4% Instrumentalness • 17% Positiveness
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Marcus Warner
A Tale of Sea Dragons
126 bpm • E Maj • 03:37 • -4.93db
40% Popularity • 45% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 45% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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NATI.
Scarborough Fair
134 bpm • A# min • 02:35 • -12.29db
40% Popularity • 43% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 43% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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Meadows at Night
Seven for a Secret (Not to Be Told)
134 bpm • A min • 03:19 • -15.36db
33% Popularity • 37% Danceability • 20% Energy • 11% Liveness
24% Instrumentalness • 10% Positiveness
33% Popularity • 37% Danceability • 20% Energy • 11% Liveness
24% Instrumentalness • 10% Positiveness
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Anúna
Mononoke Hime
134 bpm • C min • 03:49 • -15.6db
40% Popularity • 22% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
40% Popularity • 22% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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Ursine Vulpine
Lovers Death
134 bpm • D min • 05:47 • -10.31db
42% Popularity • 25% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
42% Popularity • 25% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Erutan
You're Not Alone - Final Fantasy IX
134 bpm • B min • 04:18 • -15db
37% Popularity • 45% Danceability • 25% Energy • 35% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 45% Danceability • 25% Energy • 35% Liveness
0% Instrumentalness • 22% Positiveness
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Fernando Velázquez
Amaia (All You Are)
134 bpm • C# min • 03:38 • -11.42db
5% Popularity • 16% Danceability • 42% Energy • 12% Liveness
3% Instrumentalness • 9% Positiveness
5% Popularity • 16% Danceability • 42% Energy • 12% Liveness
3% Instrumentalness • 9% Positiveness
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John Lunn
My England
125 bpm • A min • 05:23 • -19db
40% Popularity • 18% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
40% Popularity • 18% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Emma Thompson
Noble Maiden Fair (A Mhaighdean Bhan Uas...
125 bpm • B min • 02:36 • -23.9db
52% Popularity • 29% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
52% Popularity • 29% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Eurielle
All I Want
125 bpm • C min • 04:09 • -14db
21% Popularity • 25% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
21% Popularity • 25% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Adam Balazs
Vox Humana (As Featured By Digic Picture...
125 bpm • A min • 02:03 • -8db
43% Popularity • 22% Danceability • 63% Energy • 11% Liveness
88% Instrumentalness • 18% Positiveness
43% Popularity • 22% Danceability • 63% Energy • 11% Liveness
88% Instrumentalness • 18% Positiveness
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Really Slow Motion
I Am Yours
135 bpm • A# Maj • 04:39 • -11.67db
22% Popularity • 16% Danceability • 64% Energy • 9% Liveness
74% Instrumentalness • 15% Positiveness
22% Popularity • 16% Danceability • 64% Energy • 9% Liveness
74% Instrumentalness • 15% Positiveness
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Antti Martikainen
Snow Dancer
135 bpm • D min • 07:18 • -10.37db
26% Popularity • 36% Danceability • 62% Energy • 7% Liveness
88% Instrumentalness • 10% Positiveness
26% Popularity • 36% Danceability • 62% Energy • 7% Liveness
88% Instrumentalness • 10% Positiveness
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Quinn Starwatch
Parables of the Starborn Sage
135 bpm • D min • 01:53 • -19.39db
13% Popularity • 51% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 51% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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James Paget
The Hero Within
125 bpm • C# Maj • 04:11 • -8.02db
38% Popularity • 43% Danceability • 63% Energy • 22% Liveness
48% Instrumentalness • 4% Positiveness
38% Popularity • 43% Danceability • 63% Energy • 22% Liveness
48% Instrumentalness • 4% Positiveness
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Eurielle
You Said
135 bpm • D# Maj • 05:34 • -15.44db
26% Popularity • 26% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
26% Popularity • 26% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Raney Shockne
Nightengales Eyes
135 bpm • A min • 01:52 • -6.53db
34% Popularity • 66% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
34% Popularity • 66% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Ella Roberts
Errigal
125 bpm • F Maj • 04:09 • -8.49db
27% Popularity • 48% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
27% Popularity • 48% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Tommee Profitt
Tomorrow We Fight
125 bpm • D# min • 03:20 • -5db
47% Popularity • 53% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
47% Popularity • 53% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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David Schweitzer
Wild Spaces
124 bpm • G Maj • 02:22 • -16.16db
19% Popularity • 33% Danceability • 30% Energy • 12% Liveness
93% Instrumentalness • 11% Positiveness
19% Popularity • 33% Danceability • 30% Energy • 12% Liveness
93% Instrumentalness • 11% Positiveness
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Patty Gurdy
Over the Hills and Far Away - Hurdy Gurd...
124 bpm • C min • 03:58 • -7.87db
44% Popularity • 44% Danceability • 43% Energy • 59% Liveness
0% Instrumentalness • 19% Positiveness
44% Popularity • 44% Danceability • 43% Energy • 59% Liveness
0% Instrumentalness • 19% Positiveness
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Eurielle
Servant To Love
136 bpm • D min • 03:29 • -11.42db
18% Popularity • 43% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
18% Popularity • 43% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Erutan
Jabberwocky
137 bpm • E min • 04:24 • -14db
41% Popularity • 64% Danceability • 27% Energy • 18% Liveness
1% Instrumentalness • 34% Positiveness
41% Popularity • 64% Danceability • 27% Energy • 18% Liveness
1% Instrumentalness • 34% Positiveness
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Marcus Warner
The Calling
136 bpm • B Maj • 04:57 • -8.72db
29% Popularity • 18% Danceability • 54% Energy • 11% Liveness
5% Instrumentalness • 12% Positiveness
29% Popularity • 18% Danceability • 54% Energy • 11% Liveness
5% Instrumentalness • 12% Positiveness
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Cullen Vance
Hound & Hare
137 bpm • E min • 02:56 • -12.96db
29% Popularity • 56% Danceability • 71% Energy • 44% Liveness
94% Instrumentalness • 44% Positiveness
29% Popularity • 56% Danceability • 71% Energy • 44% Liveness
94% Instrumentalness • 44% Positiveness
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Elane
The Vigilant Woods
123 bpm • C Maj • 05:49 • -19.12db
25% Popularity • 20% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
25% Popularity • 20% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Inon Zur
Rogue Heart
138 bpm • G# min • 03:14 • -9.09db
29% Popularity • 40% Danceability • 43% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
29% Popularity • 40% Danceability • 43% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
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Eurielle
Carry Me
137 bpm • A Maj • 04:43 • -12.08db
12% Popularity • 24% Danceability • 16% Energy • 10% Liveness
12% Instrumentalness • 11% Positiveness
12% Popularity • 24% Danceability • 16% Energy • 10% Liveness
12% Instrumentalness • 11% Positiveness
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Lindsey Stirling
Between Twilight
138 bpm • G Maj • 04:19 • -7.83db
48% Popularity • 31% Danceability • 46% Energy • 9% Liveness
11% Instrumentalness • 22% Positiveness
48% Popularity • 31% Danceability • 46% Energy • 9% Liveness
11% Instrumentalness • 22% Positiveness
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Heather Dale
Changeling Child
138 bpm • D min • 05:08 • -13.34db
28% Popularity • 28% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
28% Popularity • 28% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Phil Rey Gibbons
Beyond
138 bpm • C# min • 05:12 • -19.48db
6% Popularity • 15% Danceability • 8% Energy • 10% Liveness
39% Instrumentalness • 3% Positiveness
6% Popularity • 15% Danceability • 8% Energy • 10% Liveness
39% Instrumentalness • 3% Positiveness
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Ben Foster
Building The Space Station
122 bpm • G# Maj • 01:16 • -17.46db
15% Popularity • 69% Danceability • 9% Energy • 15% Liveness
94% Instrumentalness • 14% Positiveness
15% Popularity • 69% Danceability • 9% Energy • 15% Liveness
94% Instrumentalness • 14% Positiveness
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Dirk Ehlert
Elements
122 bpm • D min • 06:43 • -12.28db
20% Popularity • 20% Danceability • 44% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
20% Popularity • 20% Danceability • 44% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
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Eurielle
Arwen's Promise
137 bpm • D min • 04:06 • -16.15db
35% Popularity • 17% Danceability • 18% Energy • 14% Liveness
35% Instrumentalness • 5% Positiveness
35% Popularity • 17% Danceability • 18% Energy • 14% Liveness
35% Instrumentalness • 5% Positiveness
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Erutan
For the Dancing and the Dreaming
122 bpm • C Maj • 02:53 • -20db
50% Popularity • 37% Danceability • 9% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
50% Popularity • 37% Danceability • 9% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
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Enaid
Arthur's Farewell
139 bpm • E min • 05:10 • -10.4db
25% Popularity • 22% Danceability • 33% Energy • 10% Liveness
72% Instrumentalness • 8% Positiveness
25% Popularity • 22% Danceability • 33% Energy • 10% Liveness
72% Instrumentalness • 8% Positiveness
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SKÁLD
Norðrljós
139 bpm • E min • 03:20 • -13db
50% Popularity • 65% Danceability • 37% Energy • 7% Liveness
36% Instrumentalness • 17% Positiveness
50% Popularity • 65% Danceability • 37% Energy • 7% Liveness
36% Instrumentalness • 17% Positiveness
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Globus
Diem Ex Dei
139 bpm • A min • 06:03 • -13.8db
29% Popularity • 18% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
29% Popularity • 18% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Stephan Baer
Sirens of Pandora
139 bpm • A min • 04:19 • -13.19db
17% Popularity • 14% Danceability • 27% Energy • 5% Liveness
28% Instrumentalness • 4% Positiveness
17% Popularity • 14% Danceability • 27% Energy • 5% Liveness
28% Instrumentalness • 4% Positiveness
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Alexa Ray
Across The Seas
139 bpm • C min • 04:02 • -9.54db
22% Popularity • 23% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
22% Popularity • 23% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Aron van Selm
We WIll Go Home (Song of Exile)
139 bpm • G min • 02:55 • -20.26db
37% Popularity • 34% Danceability • 4% Energy • 29% Liveness
0% Instrumentalness • 4% Positiveness
37% Popularity • 34% Danceability • 4% Energy • 29% Liveness
0% Instrumentalness • 4% Positiveness
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Enaid
Lady of the Lake
139 bpm • D Maj • 03:55 • -16db
39% Popularity • 19% Danceability • 24% Energy • 13% Liveness
93% Instrumentalness • 8% Positiveness
39% Popularity • 19% Danceability • 24% Energy • 13% Liveness
93% Instrumentalness • 8% Positiveness
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Phil Rey Gibbons
Ad Honorem
121 bpm • G# Maj • 05:02 • -16.4db
23% Popularity • 17% Danceability • 37% Energy • 8% Liveness
47% Instrumentalness • 8% Positiveness
23% Popularity • 17% Danceability • 37% Energy • 8% Liveness
47% Instrumentalness • 8% Positiveness
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IMAscore
Children of Time
140 bpm • A min • 02:56 • -8.17db
25% Popularity • 16% Danceability • 62% Energy • 11% Liveness
3% Instrumentalness • 6% Positiveness
25% Popularity • 16% Danceability • 62% Energy • 11% Liveness
3% Instrumentalness • 6% Positiveness
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Leah
The Dragonborn Comes
140 bpm • B min • 05:14 • -10.1db
32% Popularity • 32% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 32% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Really Slow Motion
Unbroken
140 bpm • A# min • 04:15 • -8.37db
34% Popularity • 47% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
34% Popularity • 47% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Bear McCreary
Dance of the Druids
140 bpm • A min • 04:38 • -14.18db
56% Popularity • 18% Danceability • 34% Energy • 13% Liveness
66% Instrumentalness • 4% Positiveness
56% Popularity • 18% Danceability • 34% Energy • 13% Liveness
66% Instrumentalness • 4% Positiveness
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Andreas Kübler
Journey to Aurora
140 bpm • B min • 02:54 • -6db
40% Popularity • 42% Danceability • 87% Energy • 19% Liveness
57% Instrumentalness • 18% Positiveness
40% Popularity • 42% Danceability • 87% Energy • 19% Liveness
57% Instrumentalness • 18% Positiveness
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Adriana Figueroa
Daughter Of The Moon
140 bpm • C# Maj • 03:43 • -17.79db
40% Popularity • 38% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
40% Popularity • 38% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Ruelle
Empires
140 bpm • C# min • 03:49 • -7.18db
50% Popularity • 51% Danceability • 66% Energy • 13% Liveness
2% Instrumentalness • 14% Positiveness
50% Popularity • 51% Danceability • 66% Energy • 13% Liveness
2% Instrumentalness • 14% Positiveness
