Songs like Spanish Moon by Little Feat
Based on a tempo of (+/- 10%) and a similar genre
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North Mississippi Allstars
Up and Rolling
90 bpm • D Maj • 05:03 • -7.47db
46% Popularity • 81% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
46% Popularity • 81% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Joe Cocker
Feelin' Alright
90 bpm • F Maj • 04:10 • -10.14db
61% Popularity • 54% Danceability • 82% Energy • 30% Liveness
4% Instrumentalness • 90% Positiveness
61% Popularity • 54% Danceability • 82% Energy • 30% Liveness
4% Instrumentalness • 90% Positiveness
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Little Feat
Spanish Moon
90 bpm • B Maj • 03:06 • -15.68db
52% Popularity • 57% Danceability • 42% Energy • 6% Liveness
61% Instrumentalness • 74% Positiveness
52% Popularity • 57% Danceability • 42% Energy • 6% Liveness
61% Instrumentalness • 74% Positiveness
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Shuggie Otis
Inspiration Information
90 bpm • G Maj • 04:12 • -7db
51% Popularity • 80% Danceability • 65% Energy • 14% Liveness
1% Instrumentalness • 84% Positiveness
51% Popularity • 80% Danceability • 65% Energy • 14% Liveness
1% Instrumentalness • 84% Positiveness
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Orgone
Who Knows Who
90 bpm • A# Maj • 03:36 • -9db
37% Popularity • 72% Danceability • 67% Energy • 8% Liveness
4% Instrumentalness • 86% Positiveness
37% Popularity • 72% Danceability • 67% Energy • 8% Liveness
4% Instrumentalness • 86% Positiveness
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R.L. Burnside
Someday Baby
90 bpm • C Maj • 03:16 • -3.8db
52% Popularity • 71% Danceability • 87% Energy • 33% Liveness
3% Instrumentalness • 87% Positiveness
52% Popularity • 71% Danceability • 87% Energy • 33% Liveness
3% Instrumentalness • 87% Positiveness
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The Neville Brothers
Yellow Moon
90 bpm • G Maj • 04:04 • -15db
49% Popularity • 69% Danceability • 58% Energy • 31% Liveness
2% Instrumentalness • 89% Positiveness
49% Popularity • 69% Danceability • 58% Energy • 31% Liveness
2% Instrumentalness • 89% Positiveness
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Lee Dorsey
Get out of My Life Woman
90 bpm • F# Maj • 02:26 • -11db
44% Popularity • 84% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
44% Popularity • 84% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Little Feat
Spanish Moon (Alternate Version)
90 bpm • B Maj • 03:43 • -11.13db
3% Popularity • 75% Danceability • 34% Energy • 8% Liveness
17% Instrumentalness • 64% Positiveness
3% Popularity • 75% Danceability • 34% Energy • 8% Liveness
17% Instrumentalness • 64% Positiveness
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Delaney & Bonnie
Comin' Home
89 bpm • D Maj • 03:13 • -10db
29% Popularity • 44% Danceability • 76% Energy • 14% Liveness
1% Instrumentalness • 45% Positiveness
29% Popularity • 44% Danceability • 76% Energy • 14% Liveness
1% Instrumentalness • 45% Positiveness
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John Hiatt
Memphis In The Meantime
91 bpm • E Maj • 03:59 • -11db
40% Popularity • 64% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
40% Popularity • 64% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Bill Withers
Better off Dead
91 bpm • F Maj • 02:14 • -10db
52% Popularity • 63% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
52% Popularity • 63% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Grand Funk Railroad
Feelin' Alright - Remastered 2002
91 bpm • G Maj • 04:27 • -7db
43% Popularity • 44% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
43% Popularity • 44% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Ry Cooder
Down in Hollywood
91 bpm • A# min • 04:19 • -12.91db
28% Popularity • 80% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 80% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Little Feat
Down Below the Borderline
91 bpm • C Maj • 03:45 • -17.48db
20% Popularity • 72% Danceability • 36% Energy • 8% Liveness
1% Instrumentalness • 92% Positiveness
20% Popularity • 72% Danceability • 36% Energy • 8% Liveness
1% Instrumentalness • 92% Positiveness
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Captain Beefheart & His Magic Band
Her Eyes Are a Blue Million Miles
89 bpm • E min • 02:57 • -15.84db
46% Popularity • 79% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
46% Popularity • 79% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Odetta
Hit Or Miss
89 bpm • D Maj • 03:54 • -13.34db
51% Popularity • 80% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
51% Popularity • 80% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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Little Feat
Spanish Moon
91 bpm • G# min • 02:41 • -8.62db
27% Popularity • 60% Danceability • 58% Energy • 7% Liveness
2% Instrumentalness • 80% Positiveness
27% Popularity • 60% Danceability • 58% Energy • 7% Liveness
2% Instrumentalness • 80% Positiveness
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Bobby Rush
Chicken Heads
89 bpm • A Maj • 02:34 • -8.47db
36% Popularity • 85% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
36% Popularity • 85% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Joe Cocker
She Came In Through The Bathroom Window
89 bpm • D Maj • 02:36 • -9.42db
52% Popularity • 56% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
52% Popularity • 56% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Little Feat
Kokomo
91 bpm • A Maj • 03:00 • -13.45db
26% Popularity • 66% Danceability • 47% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
26% Popularity • 66% Danceability • 47% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Three Dog Night
Never Been To Spain - Single Version
89 bpm • E Maj • 03:46 • -15db
59% Popularity • 52% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
59% Popularity • 52% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
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Leon Russell
Shoot Out On The Plantation
89 bpm • F Maj • 03:13 • -10.24db
31% Popularity • 53% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
31% Popularity • 53% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
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Faces
Stay with Me
91 bpm • A Maj • 04:39 • -8.38db
60% Popularity • 46% Danceability • 87% Energy • 36% Liveness
6% Instrumentalness • 81% Positiveness
60% Popularity • 46% Danceability • 87% Energy • 36% Liveness
6% Instrumentalness • 81% Positiveness
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Led Zeppelin
Travelling Riverside Blues (BBC Session)...
92 bpm • G Maj • 05:11 • -7.08db
52% Popularity • 47% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
52% Popularity • 47% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
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Allman Brothers Band
Ain't Wastin' Time No More
91 bpm • D# Maj • 03:41 • -13.4db
54% Popularity • 45% Danceability • 61% Energy • 10% Liveness
2% Instrumentalness • 72% Positiveness
54% Popularity • 45% Danceability • 61% Energy • 10% Liveness
2% Instrumentalness • 72% Positiveness
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Cream
I Feel Free
88 bpm • A Maj • 02:51 • -14.06db
59% Popularity • 38% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
59% Popularity • 38% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Chris Robinson Brotherhood
Narcissus Soaking Wet
92 bpm • C# Maj • 07:05 • -7.08db
27% Popularity • 57% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 57% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Little Feat
Mercenary Territory
92 bpm • B min • 04:26 • -8.76db
23% Popularity • 74% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
23% Popularity • 74% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Traffic
(Roamin' Thro' The Gloamin' With) 40.000...
88 bpm • B min • 03:14 • -12.14db
36% Popularity • 47% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
36% Popularity • 47% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
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Keller Williams
West L.A. Fadeaway
92 bpm • G Maj • 06:19 • -6.37db
34% Popularity • 59% Danceability • 78% Energy • 79% Liveness
7% Instrumentalness • 74% Positiveness
34% Popularity • 59% Danceability • 78% Energy • 79% Liveness
7% Instrumentalness • 74% Positiveness
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The Doobie Brothers
Mamaloi
92 bpm • D Maj • 02:30 • -14.59db
48% Popularity • 67% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
48% Popularity • 67% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Fenton Robinson
The Getaway - Remastered
92 bpm • G# min • 03:18 • -3.41db
50% Popularity • 61% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
50% Popularity • 61% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Sopwith Camel
Coke, Suede and Waterbeds
88 bpm • A Maj • 03:36 • -10.72db
23% Popularity • 68% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 68% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Tedeschi Trucks Band
Don't Know What It Means
92 bpm • B min • 06:00 • -9.2db
45% Popularity • 65% Danceability • 62% Energy • 33% Liveness
1% Instrumentalness • 81% Positiveness
45% Popularity • 65% Danceability • 62% Energy • 33% Liveness
1% Instrumentalness • 81% Positiveness
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Little Feat
Fat Man in the Bathtub
88 bpm • G Maj • 04:31 • -8.67db
43% Popularity • 63% Danceability • 66% Energy • 4% Liveness
4% Instrumentalness • 89% Positiveness
43% Popularity • 63% Danceability • 66% Energy • 4% Liveness
4% Instrumentalness • 89% Positiveness
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The Band
Ophelia - Remastered 2000
92 bpm • C Maj • 03:32 • -7.4db
53% Popularity • 83% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
53% Popularity • 83% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
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Little Feat
Old Folks' Boogie - Live at the Rainbow ...
88 bpm • C Maj • 04:28 • -7.19db
29% Popularity • 62% Danceability • 71% Energy • 66% Liveness
2% Instrumentalness • 89% Positiveness
29% Popularity • 62% Danceability • 71% Energy • 66% Liveness
2% Instrumentalness • 89% Positiveness
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The Marshall Tucker Band
Ab's Song
88 bpm • G Maj • 01:15 • -13db
53% Popularity • 53% Danceability • 27% Energy • 11% Liveness
10% Instrumentalness • 83% Positiveness
53% Popularity • 53% Danceability • 27% Energy • 11% Liveness
10% Instrumentalness • 83% Positiveness
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Derek & The Dominos
Keep On Growing
93 bpm • A# Maj • 06:20 • -6db
41% Popularity • 51% Danceability • 91% Energy • 13% Liveness
28% Instrumentalness • 72% Positiveness
41% Popularity • 51% Danceability • 91% Energy • 13% Liveness
28% Instrumentalness • 72% Positiveness
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Quicksilver Messenger Service
Who Do You Love - Pt. 1
93 bpm • E Maj • 03:32 • -13db
45% Popularity • 64% Danceability • 56% Energy • 50% Liveness
79% Instrumentalness • 83% Positiveness
45% Popularity • 64% Danceability • 56% Energy • 50% Liveness
79% Instrumentalness • 83% Positiveness
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Labi Siffre
I Got The... - 2006 Remaster
87 bpm • C min • 06:35 • -10.85db
58% Popularity • 48% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
58% Popularity • 48% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Mike Bloomfield
Stop
87 bpm • A Maj • 04:18 • -8db
36% Popularity • 48% Danceability • 61% Energy • 11% Liveness
15% Instrumentalness • 64% Positiveness
36% Popularity • 48% Danceability • 61% Energy • 11% Liveness
15% Instrumentalness • 64% Positiveness
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Widespread Panic
Pickin' Up The Pieces
93 bpm • E min • 04:24 • -12.65db
43% Popularity • 59% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
43% Popularity • 59% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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The Gregg Allman Band
Come And Go Blues
87 bpm • G Maj • 04:48 • -11db
35% Popularity • 56% Danceability • 52% Energy • 13% Liveness
1% Instrumentalness • 28% Positiveness
35% Popularity • 56% Danceability • 52% Energy • 13% Liveness
1% Instrumentalness • 28% Positiveness
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Tedeschi Trucks Band
Anyhow
93 bpm • A Maj • 06:35 • -9.29db
48% Popularity • 45% Danceability • 68% Energy • 10% Liveness
38% Instrumentalness • 52% Positiveness
48% Popularity • 45% Danceability • 68% Energy • 10% Liveness
38% Instrumentalness • 52% Positiveness
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King Floyd
I Feel Like Dynamite
93 bpm • F# Maj • 03:18 • -14db
41% Popularity • 73% Danceability • 43% Energy • 13% Liveness
56% Instrumentalness • 87% Positiveness
41% Popularity • 73% Danceability • 43% Energy • 13% Liveness
56% Instrumentalness • 87% Positiveness
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Bill Withers
Lonely Town, Lonely Street
87 bpm • F# min • 03:45 • -12.1db
46% Popularity • 81% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
46% Popularity • 81% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Little Feat
Skin It Back
93 bpm • C# min • 04:12 • -15.26db
42% Popularity • 76% Danceability • 43% Energy • 20% Liveness
1% Instrumentalness • 83% Positiveness
42% Popularity • 76% Danceability • 43% Energy • 20% Liveness
1% Instrumentalness • 83% Positiveness
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Lou Reed
Charley's Girl
87 bpm • A Maj • 02:39 • -7db
55% Popularity • 75% Danceability • 83% Energy • 5% Liveness
13% Instrumentalness • 85% Positiveness
55% Popularity • 75% Danceability • 83% Energy • 5% Liveness
13% Instrumentalness • 85% Positiveness
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The Marcus King Band
Rita Is Gone
87 bpm • F Maj • 04:25 • -8.22db
58% Popularity • 62% Danceability • 44% Energy • 9% Liveness
7% Instrumentalness • 80% Positiveness
58% Popularity • 62% Danceability • 44% Energy • 9% Liveness
7% Instrumentalness • 80% Positiveness
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Johnny Adams
Georgia Morning Dew
87 bpm • D Maj • 03:17 • -11.17db
32% Popularity • 53% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
32% Popularity • 53% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Joe Walsh
Rocky Mountain Way
86 bpm • E Maj • 05:15 • -15.05db
60% Popularity • 49% Danceability • 38% Energy • 10% Liveness
79% Instrumentalness • 42% Positiveness
60% Popularity • 49% Danceability • 38% Energy • 10% Liveness
79% Instrumentalness • 42% Positiveness
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Bill Withers
Kissing My Love
94 bpm • C# Maj • 03:51 • -13.08db
50% Popularity • 82% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
50% Popularity • 82% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Faces
As Long as You Tell Him - Single Version
94 bpm • B Maj • 04:19 • -11db
33% Popularity • 60% Danceability • 48% Energy • 11% Liveness
1% Instrumentalness • 76% Positiveness
33% Popularity • 60% Danceability • 48% Energy • 11% Liveness
1% Instrumentalness • 76% Positiveness
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Santana
Hope You're Feeling Better
94 bpm • D Maj • 04:10 • -9.75db
44% Popularity • 47% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
44% Popularity • 47% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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New Riders of the Purple Sage
Garden of Eden
86 bpm • A Maj • 04:33 • -15.49db
20% Popularity • 56% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 56% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Leon Russell
It's A Hard Rain Gonna Fall
86 bpm • F Maj • 05:10 • -14.08db
39% Popularity • 68% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
39% Popularity • 68% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Atlanta Rhythm Section
So Into You
86 bpm • F min • 04:20 • -13.48db
60% Popularity • 62% Danceability • 41% Energy • 14% Liveness
2% Instrumentalness • 78% Positiveness
60% Popularity • 62% Danceability • 41% Energy • 14% Liveness
2% Instrumentalness • 78% Positiveness
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Allman Brothers Band
Blue Sky
94 bpm • E Maj • 05:11 • -13.45db
58% Popularity • 49% Danceability • 47% Energy • 13% Liveness
75% Instrumentalness • 85% Positiveness
58% Popularity • 49% Danceability • 47% Energy • 13% Liveness
75% Instrumentalness • 85% Positiveness
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Hot Tuna
Sunny Day Strut
94 bpm • A min • 03:16 • -13.48db
16% Popularity • 41% Danceability • 65% Energy • 15% Liveness
83% Instrumentalness • 58% Positiveness
16% Popularity • 41% Danceability • 65% Energy • 15% Liveness
83% Instrumentalness • 58% Positiveness
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Black Joe Lewis & The Honeybears
I'm Broke
94 bpm • E min • 04:07 • -6.74db
38% Popularity • 78% Danceability • 56% Energy • 5% Liveness
50% Instrumentalness • 78% Positiveness
38% Popularity • 78% Danceability • 56% Energy • 5% Liveness
50% Instrumentalness • 78% Positiveness
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Warren Zevon
Lawyers, Guns and Money
94 bpm • A Maj • 03:30 • -6.68db
53% Popularity • 64% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
53% Popularity • 64% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Traffic
Medicated Goo
94 bpm • G Maj • 03:37 • -10db
43% Popularity • 50% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
43% Popularity • 50% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
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Lucinda Williams
Can't Let Go
94 bpm • G Maj • 03:28 • -8.61db
48% Popularity • 62% Danceability • 82% Energy • 7% Liveness
3% Instrumentalness • 92% Positiveness
48% Popularity • 62% Danceability • 82% Energy • 7% Liveness
3% Instrumentalness • 92% Positiveness
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Amazing Rhythm Aces
Typical American Boy - Remastered
95 bpm • G min • 03:28 • -12.27db
30% Popularity • 60% Danceability • 55% Energy • 9% Liveness
1% Instrumentalness • 83% Positiveness
30% Popularity • 60% Danceability • 55% Energy • 9% Liveness
1% Instrumentalness • 83% Positiveness
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B.B. King
The Thrill Is Gone
95 bpm • G Maj • 06:18 • -10.85db
35% Popularity • 54% Danceability • 44% Energy • 40% Liveness
1% Instrumentalness • 48% Positiveness
35% Popularity • 54% Danceability • 44% Energy • 40% Liveness
1% Instrumentalness • 48% Positiveness
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The Flying Burrito Brothers
Just Can't Be
95 bpm • D Maj • 04:58 • -12db
42% Popularity • 54% Danceability • 36% Energy • 7% Liveness
38% Instrumentalness • 49% Positiveness
42% Popularity • 54% Danceability • 36% Energy • 7% Liveness
38% Instrumentalness • 49% Positiveness
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Steely Dan
Pretzel Logic
95 bpm • A min • 04:31 • -14.04db
54% Popularity • 60% Danceability • 40% Energy • 15% Liveness
7% Instrumentalness • 66% Positiveness
54% Popularity • 60% Danceability • 40% Energy • 15% Liveness
7% Instrumentalness • 66% Positiveness
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Traffic
You Can All Join In
95 bpm • D Maj • 03:36 • -10db
41% Popularity • 72% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
41% Popularity • 72% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
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NRBQ
Magnet
85 bpm • F Maj • 03:30 • -9.76db
37% Popularity • 73% Danceability • 82% Energy • 12% Liveness
13% Instrumentalness • 97% Positiveness
37% Popularity • 73% Danceability • 82% Energy • 12% Liveness
13% Instrumentalness • 97% Positiveness
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Little Feat
Fat Man In The Bathtub - Live at Lisner ...
85 bpm • G Maj • 04:53 • -8.64db
36% Popularity • 52% Danceability • 88% Energy • 64% Liveness
0% Instrumentalness • 78% Positiveness
36% Popularity • 52% Danceability • 88% Energy • 64% Liveness
0% Instrumentalness • 78% Positiveness
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B.B. King
King's Special - Single Version
95 bpm • D Maj • 05:10 • -15db
31% Popularity • 57% Danceability • 46% Energy • 11% Liveness
62% Instrumentalness • 53% Positiveness
31% Popularity • 57% Danceability • 46% Energy • 11% Liveness
62% Instrumentalness • 53% Positiveness
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Otis Redding
Hard to Handle
96 bpm • A# Maj • 02:21 • -8.67db
68% Popularity • 67% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
68% Popularity • 67% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Little Feat
Two Trains
95 bpm • F min • 03:07 • -7.65db
47% Popularity • 63% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
47% Popularity • 63% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Traffic
Feelin' Alright?
95 bpm • F Maj • 04:17 • -10.78db
51% Popularity • 47% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
51% Popularity • 47% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
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Bill Withers
Sweet Wanomi
96 bpm • A Maj • 02:32 • -11.71db
52% Popularity • 76% Danceability • 33% Energy • 11% Liveness
20% Instrumentalness • 93% Positiveness
52% Popularity • 76% Danceability • 33% Energy • 11% Liveness
20% Instrumentalness • 93% Positiveness
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Sly & The Family Stone
In Time
96 bpm • A# min • 05:47 • -13db
38% Popularity • 85% Danceability • 54% Energy • 14% Liveness
4% Instrumentalness • 90% Positiveness
38% Popularity • 85% Danceability • 54% Energy • 14% Liveness
4% Instrumentalness • 90% Positiveness
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Stevie Ray Vaughan
Life by the Drop
96 bpm • F# min • 02:27 • -11.86db
56% Popularity • 66% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
56% Popularity • 66% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Robin Trower
Bridge of Sighs - 2007 Remaster
96 bpm • E min • 05:01 • -10db
48% Popularity • 34% Danceability • 52% Energy • 66% Liveness
41% Instrumentalness • 33% Positiveness
48% Popularity • 34% Danceability • 52% Energy • 66% Liveness
41% Instrumentalness • 33% Positiveness
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R.L. Burnside
Let My Baby Ride
96 bpm • G Maj • 03:00 • -9.73db
45% Popularity • 77% Danceability • 68% Energy • 32% Liveness
13% Instrumentalness • 51% Positiveness
45% Popularity • 77% Danceability • 68% Energy • 32% Liveness
13% Instrumentalness • 51% Positiveness
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Sea Level
It Hurts To Want It So Bad
84 bpm • A Maj • 03:39 • -9.74db
32% Popularity • 59% Danceability • 61% Energy • 35% Liveness
0% Instrumentalness • 85% Positiveness
32% Popularity • 59% Danceability • 61% Energy • 35% Liveness
0% Instrumentalness • 85% Positiveness
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Trey Anastasio
In Rounds
96 bpm • G Maj • 05:46 • -8.17db
26% Popularity • 57% Danceability • 82% Energy • 18% Liveness
1% Instrumentalness • 97% Positiveness
26% Popularity • 57% Danceability • 82% Energy • 18% Liveness
1% Instrumentalness • 97% Positiveness
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Link Wray
Juke Box Mama
96 bpm • G# Maj • 04:27 • -12db
33% Popularity • 59% Danceability • 56% Energy • 20% Liveness
42% Instrumentalness • 57% Positiveness
33% Popularity • 59% Danceability • 56% Energy • 20% Liveness
42% Instrumentalness • 57% Positiveness
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Sharon Jones & The Dap-Kings
Midnight Rider
96 bpm • D Maj • 03:17 • -3.89db
45% Popularity • 68% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
45% Popularity • 68% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Ray LaMontagne
Three More Days
84 bpm • A# Maj • 03:36 • -8.36db
52% Popularity • 56% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
52% Popularity • 56% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Eugene McDaniels
Outlaw
84 bpm • D Maj • 04:44 • -8.67db
23% Popularity • 41% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 41% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Paul Pena
Woke Up This Morning
97 bpm • G Maj • 04:54 • -14.76db
18% Popularity • 31% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
18% Popularity • 31% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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The Radiators
Zigzagging Through Ghostland
97 bpm • B min • 03:41 • -10.31db
26% Popularity • 56% Danceability • 73% Energy • 8% Liveness
5% Instrumentalness • 86% Positiveness
26% Popularity • 56% Danceability • 73% Energy • 8% Liveness
5% Instrumentalness • 86% Positiveness
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Blood, Sweat & Tears
Spinning Wheel
97 bpm • G Maj • 04:07 • -9.31db
51% Popularity • 70% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
51% Popularity • 70% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Steely Dan
Kid Charlemagne
97 bpm • C Maj • 04:38 • -9.67db
52% Popularity • 55% Danceability • 70% Energy • 65% Liveness
1% Instrumentalness • 76% Positiveness
52% Popularity • 55% Danceability • 70% Energy • 65% Liveness
1% Instrumentalness • 76% Positiveness
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Gene Clark
No Other
97 bpm • D Maj • 05:08 • -14db
42% Popularity • 47% Danceability • 62% Energy • 14% Liveness
72% Instrumentalness • 55% Positiveness
42% Popularity • 47% Danceability • 62% Energy • 14% Liveness
72% Instrumentalness • 55% Positiveness
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Led Zeppelin
Down by the Seaside - Remaster
97 bpm • C Maj • 05:15 • -11db
48% Popularity • 40% Danceability • 49% Energy • 13% Liveness
26% Instrumentalness • 45% Positiveness
48% Popularity • 40% Danceability • 49% Energy • 13% Liveness
26% Instrumentalness • 45% Positiveness
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The Marshall Tucker Band
Take the Highway
97 bpm • G Maj • 06:15 • -5.62db
43% Popularity • 38% Danceability • 74% Energy • 8% Liveness
8% Instrumentalness • 61% Positiveness
43% Popularity • 38% Danceability • 74% Energy • 8% Liveness
8% Instrumentalness • 61% Positiveness
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Widespread Panic
Up All Night
97 bpm • C Maj • 03:46 • -4db
45% Popularity • 54% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
45% Popularity • 54% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Ian Hunter
All American Alien Boy
97 bpm • C# Maj • 07:07 • -10db
20% Popularity • 62% Danceability • 75% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
20% Popularity • 62% Danceability • 75% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
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Little Feat
Down on the Farm
97 bpm • G Maj • 04:21 • -15.93db
31% Popularity • 71% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
31% Popularity • 71% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Jim Ford
I'm Gonna Make Her Love Me
97 bpm • A# min • 03:06 • -5.63db
31% Popularity • 70% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
31% Popularity • 70% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
