Songs like Speed The Plough/Toss The Feathers (Reels) by Paul Brady
Based on a tempo of (+/- 10%) and a similar genre
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Music At Matt Molloy's
Rolling in the Ryegrass / The Killavil F...
124 bpm • G Maj • 02:15 • -9.6db
17% Popularity • 53% Danceability • 66% Energy • 78% Liveness
73% Instrumentalness • 96% Positiveness
17% Popularity • 53% Danceability • 66% Energy • 78% Liveness
73% Instrumentalness • 96% Positiveness
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Mary Bergin
The Flogging Reel / The Ivy Leaf / Trim ...
124 bpm • C# Maj • 02:28 • -13.78db
29% Popularity • 60% Danceability • 55% Energy • 12% Liveness
88% Instrumentalness • 97% Positiveness
29% Popularity • 60% Danceability • 55% Energy • 12% Liveness
88% Instrumentalness • 97% Positiveness
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Stockton's Wing
The Concert Reel: The High Road To Linto...
124 bpm • D Maj • 02:57 • -10.68db
12% Popularity • 43% Danceability • 36% Energy • 17% Liveness
76% Instrumentalness • 96% Positiveness
12% Popularity • 43% Danceability • 36% Energy • 17% Liveness
76% Instrumentalness • 96% Positiveness
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Solas
The Big Reel of Ballynacally / The High ...
124 bpm • D Maj • 04:29 • -6.82db
21% Popularity • 38% Danceability • 79% Energy • 17% Liveness
76% Instrumentalness • 96% Positiveness
21% Popularity • 38% Danceability • 79% Energy • 17% Liveness
76% Instrumentalness • 96% Positiveness
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MacDara Ó Raghallaigh
Haunted House Selection
124 bpm • D Maj • 03:29 • -12.64db
12% Popularity • 52% Danceability • 54% Energy • 21% Liveness
79% Instrumentalness • 96% Positiveness
12% Popularity • 52% Danceability • 54% Energy • 21% Liveness
79% Instrumentalness • 96% Positiveness
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Paul Brady
Speed The Plough/Toss The Feathers (Reel...
124 bpm • E min • 01:53 • -7.12db
24% Popularity • 55% Danceability • 55% Energy • 79% Liveness
0% Instrumentalness • 91% Positiveness
24% Popularity • 55% Danceability • 55% Energy • 79% Liveness
0% Instrumentalness • 91% Positiveness
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Liz Carroll
Rolling in the Barrel / The Laurel Tree ...
124 bpm • D Maj • 03:48 • -7.81db
16% Popularity • 47% Danceability • 72% Energy • 10% Liveness
2% Instrumentalness • 72% Positiveness
16% Popularity • 47% Danceability • 72% Energy • 10% Liveness
2% Instrumentalness • 72% Positiveness
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Planxty
Bean Phaidin
125 bpm • D Maj • 03:43 • -13.62db
19% Popularity • 35% Danceability • 50% Energy • 37% Liveness
0% Instrumentalness • 75% Positiveness
19% Popularity • 35% Danceability • 50% Energy • 37% Liveness
0% Instrumentalness • 75% Positiveness
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Mary Bergin
Mick Hand's / The Reel of Mullinavat
125 bpm • F min • 02:57 • -20.13db
17% Popularity • 66% Danceability • 15% Energy • 10% Liveness
79% Instrumentalness • 98% Positiveness
17% Popularity • 66% Danceability • 15% Energy • 10% Liveness
79% Instrumentalness • 98% Positiveness
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Noel Hill
Scotsman Over The Border / Tom Billy's J...
123 bpm • G# Maj • 02:41 • -11.54db
13% Popularity • 59% Danceability • 39% Energy • 24% Liveness
95% Instrumentalness • 97% Positiveness
13% Popularity • 59% Danceability • 39% Energy • 24% Liveness
95% Instrumentalness • 97% Positiveness
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Danú
Cutting a Slide / The Fiddle Cushion
123 bpm • D Maj • 03:18 • -5.84db
19% Popularity • 57% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 57% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Muireann Nic Amhlaoibh
RÃleanna / Reels: Ormond Sound, The Tor...
123 bpm • G Maj • 02:17 • -13.11db
32% Popularity • 66% Danceability • 36% Energy • 9% Liveness
12% Instrumentalness • 86% Positiveness
32% Popularity • 66% Danceability • 36% Energy • 9% Liveness
12% Instrumentalness • 86% Positiveness
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Liz Carroll
Paddy Glackin's Trip to Dingle / On the ...
125 bpm • G Maj • 05:01 • -9.43db
12% Popularity • 54% Danceability • 72% Energy • 9% Liveness
64% Instrumentalness • 84% Positiveness
12% Popularity • 54% Danceability • 72% Energy • 9% Liveness
64% Instrumentalness • 84% Positiveness
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Martin Hayes
The Crooked Road/The Foxhunter's Reel
123 bpm • D Maj • 03:21 • -12.08db
12% Popularity • 65% Danceability • 57% Energy • 25% Liveness
5% Instrumentalness • 96% Positiveness
12% Popularity • 65% Danceability • 57% Energy • 25% Liveness
5% Instrumentalness • 96% Positiveness
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Seamus Glackin
The Glen Road to Carrick
125 bpm • D Maj • 02:12 • -28.24db
17% Popularity • 45% Danceability • 22% Energy • 72% Liveness
91% Instrumentalness • 87% Positiveness
17% Popularity • 45% Danceability • 22% Energy • 72% Liveness
91% Instrumentalness • 87% Positiveness
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Téada
Jigs / Slip Jig: The Jig of the Dead / I...
123 bpm • B min • 04:10 • -6.83db
17% Popularity • 60% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
17% Popularity • 60% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Danú
MaCahill's Reel / Dohery's / Reel Gan Ai...
125 bpm • D Maj • 03:01 • -10.71db
21% Popularity • 61% Danceability • 57% Energy • 7% Liveness
2% Instrumentalness • 96% Positiveness
21% Popularity • 61% Danceability • 57% Energy • 7% Liveness
2% Instrumentalness • 96% Positiveness
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Tommy Peoples
The Kid On The Mountain, O'Farrell's Wel...
123 bpm • G Maj • 04:02 • -10.8db
14% Popularity • 71% Danceability • 37% Energy • 39% Liveness
94% Instrumentalness • 78% Positiveness
14% Popularity • 71% Danceability • 37% Energy • 39% Liveness
94% Instrumentalness • 78% Positiveness
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Liz Carroll
The Golden Legs/The Flogging Reel (Reels...
123 bpm • D Maj • 02:56 • -9.23db
11% Popularity • 60% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 60% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 97% Positiveness
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Solas
The White Petticoat / Stan Chapman's / T...
125 bpm • G Maj • 03:45 • -6.57db
21% Popularity • 56% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 56% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
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Altan
Medley: Tommy Peoples / The Road to Cash...
123 bpm • D Maj • 03:46 • -8.2db
8% Popularity • 41% Danceability • 68% Energy • 12% Liveness
2% Instrumentalness • 94% Positiveness
8% Popularity • 41% Danceability • 68% Energy • 12% Liveness
2% Instrumentalness • 94% Positiveness
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Caladh Nua
The Templehouse Reels
125 bpm • G Maj • 02:44 • -7.27db
31% Popularity • 54% Danceability • 78% Energy • 10% Liveness
89% Instrumentalness • 93% Positiveness
31% Popularity • 54% Danceability • 78% Energy • 10% Liveness
89% Instrumentalness • 93% Positiveness
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Tulla Céilà Band
The Hole In The Hedge/Seamus Cooley's/Ke...
123 bpm • G Maj • 03:13 • -16.72db
12% Popularity • 57% Danceability • 37% Energy • 13% Liveness
89% Instrumentalness • 96% Positiveness
12% Popularity • 57% Danceability • 37% Energy • 13% Liveness
89% Instrumentalness • 96% Positiveness
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Paul Brady
The Limerick Lasses/The Foxhunters (Reel...
125 bpm • B Maj • 02:09 • -5.78db
10% Popularity • 60% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
10% Popularity • 60% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
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Liz Carroll
Clarke's Favorite/Pigeon On The Gate
125 bpm • E min • 02:12 • -17.93db
22% Popularity • 59% Danceability • 26% Energy • 10% Liveness
42% Instrumentalness • 89% Positiveness
22% Popularity • 59% Danceability • 26% Energy • 10% Liveness
42% Instrumentalness • 89% Positiveness
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Téada
Reels: The Reel with the Birl / Carraig�...
123 bpm • E min • 03:13 • -8db
27% Popularity • 48% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 48% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Stockton's Wing
The Humours Of Tulla: The Bucks Of Oranm...
125 bpm • D Maj • 02:11 • -9db
18% Popularity • 59% Danceability • 66% Energy • 16% Liveness
57% Instrumentalness • 93% Positiveness
18% Popularity • 59% Danceability • 66% Energy • 16% Liveness
57% Instrumentalness • 93% Positiveness
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Altan
Yellow Tinker / Lady Montgomery / The Ma...
123 bpm • D Maj • 02:46 • -13.07db
8% Popularity • 62% Danceability • 42% Energy • 8% Liveness
18% Instrumentalness • 92% Positiveness
8% Popularity • 62% Danceability • 42% Energy • 8% Liveness
18% Instrumentalness • 92% Positiveness
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Tommy Peoples
Two Jigs
125 bpm • D Maj • 02:34 • -26.84db
21% Popularity • 60% Danceability • 19% Energy • 69% Liveness
1% Instrumentalness • 97% Positiveness
21% Popularity • 60% Danceability • 19% Energy • 69% Liveness
1% Instrumentalness • 97% Positiveness
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Paul Brady
The Graf Spee (Reel)
123 bpm • B Maj • 02:06 • -8.04db
8% Popularity • 58% Danceability • 55% Energy • 35% Liveness
0% Instrumentalness • 93% Positiveness
8% Popularity • 58% Danceability • 55% Energy • 35% Liveness
0% Instrumentalness • 93% Positiveness
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Paddy Glackin
Reels: The Mountain Road / The Congress ...
123 bpm • D Maj • 02:57 • -12db
12% Popularity • 34% Danceability • 34% Energy • 22% Liveness
89% Instrumentalness • 93% Positiveness
12% Popularity • 34% Danceability • 34% Energy • 22% Liveness
89% Instrumentalness • 93% Positiveness
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Téada
RÃleanna: Bonnie Ann/ John Kelly's/ the...
123 bpm • F min • 03:47 • -8.01db
17% Popularity • 48% Danceability • 74% Energy • 20% Liveness
51% Instrumentalness • 97% Positiveness
17% Popularity • 48% Danceability • 74% Energy • 20% Liveness
51% Instrumentalness • 97% Positiveness
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Boys Of The Lough
Out On The Ocean, Mooney's Jig, Isabelle...
125 bpm • D Maj • 04:37 • -10.19db
8% Popularity • 34% Danceability • 38% Energy • 23% Liveness
3% Instrumentalness • 82% Positiveness
8% Popularity • 34% Danceability • 38% Energy • 23% Liveness
3% Instrumentalness • 82% Positiveness
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Liz Carroll
Northern Jig / The Box Man (Jigs)
123 bpm • D Maj • 03:23 • -7.09db
10% Popularity • 61% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 61% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Tommy Peoples
Port Shean Tseain (Old John's Jig), The ...
125 bpm • G Maj • 03:10 • -11.24db
5% Popularity • 72% Danceability • 32% Energy • 25% Liveness
10% Instrumentalness • 95% Positiveness
5% Popularity • 72% Danceability • 32% Energy • 25% Liveness
10% Instrumentalness • 95% Positiveness
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Brian McGrath
The Boys of Tandragee / The Wandering Mi...
125 bpm • D Maj • 03:42 • -9.63db
13% Popularity • 37% Danceability • 62% Energy • 26% Liveness
97% Instrumentalness • 97% Positiveness
13% Popularity • 37% Danceability • 62% Energy • 26% Liveness
97% Instrumentalness • 97% Positiveness
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De Dannan
Coleraine Jig / Derrane's / John Stenson...
126 bpm • D# Maj • 05:39 • -8db
33% Popularity • 45% Danceability • 72% Energy • 34% Liveness
14% Instrumentalness • 96% Positiveness
33% Popularity • 45% Danceability • 72% Energy • 34% Liveness
14% Instrumentalness • 96% Positiveness
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Téada
Poirt: Delia Keane's/ the Horse's Leotar...
122 bpm • D Maj • 04:55 • -6db
29% Popularity • 52% Danceability • 70% Energy • 8% Liveness
9% Instrumentalness • 87% Positiveness
29% Popularity • 52% Danceability • 70% Energy • 8% Liveness
9% Instrumentalness • 87% Positiveness
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Paul Brady
John Brennan's (Silver Spire)/Drag Her R...
122 bpm • E Maj • 01:56 • -7.72db
9% Popularity • 63% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 63% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
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Comhaltas
Caileach An Airgid
122 bpm • D Maj • 01:03 • -6.48db
16% Popularity • 55% Danceability • 50% Energy • 12% Liveness
96% Instrumentalness • 99% Positiveness
16% Popularity • 55% Danceability • 50% Energy • 12% Liveness
96% Instrumentalness • 99% Positiveness
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La Bottine Souriante
Le Lys Vert
122 bpm • D Maj • 05:40 • -5.08db
37% Popularity • 51% Danceability • 89% Energy • 7% Liveness
86% Instrumentalness • 95% Positiveness
37% Popularity • 51% Danceability • 89% Energy • 7% Liveness
86% Instrumentalness • 95% Positiveness
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Altan
Brenda Stubbert's / Breen's / The Red Bo...
122 bpm • G Maj • 04:55 • -13.83db
7% Popularity • 48% Danceability • 30% Energy • 9% Liveness
53% Instrumentalness • 96% Positiveness
7% Popularity • 48% Danceability • 30% Energy • 9% Liveness
53% Instrumentalness • 96% Positiveness
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De Dannan
Cameronian Reel, Doon Reel
122 bpm • D# Maj • 03:17 • -9db
34% Popularity • 63% Danceability • 78% Energy • 12% Liveness
96% Instrumentalness • 98% Positiveness
34% Popularity • 63% Danceability • 78% Energy • 12% Liveness
96% Instrumentalness • 98% Positiveness
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John Doyle
Tie the Bonnet / Monahan Twig / A Fair W...
122 bpm • D Maj • 03:58 • -7db
10% Popularity • 56% Danceability • 82% Energy • 9% Liveness
71% Instrumentalness • 96% Positiveness
10% Popularity • 56% Danceability • 82% Energy • 9% Liveness
71% Instrumentalness • 96% Positiveness
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Paul Brady
Mick Finn's/The Blackthorn (Reels)
122 bpm • E Maj • 01:55 • -11.54db
11% Popularity • 50% Danceability • 36% Energy • 12% Liveness
97% Instrumentalness • 96% Positiveness
11% Popularity • 50% Danceability • 36% Energy • 12% Liveness
97% Instrumentalness • 96% Positiveness
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Comhaltas
The Blackthorn Stick
122 bpm • D Maj • 01:02 • -6db
21% Popularity • 51% Danceability • 54% Energy • 30% Liveness
96% Instrumentalness • 96% Positiveness
21% Popularity • 51% Danceability • 54% Energy • 30% Liveness
96% Instrumentalness • 96% Positiveness
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Ashley MacIsaac
My Home/The Contradiction/Julia Delaney
126 bpm • A Maj • 04:14 • -6.35db
14% Popularity • 40% Danceability • 76% Energy • 10% Liveness
30% Instrumentalness • 53% Positiveness
14% Popularity • 40% Danceability • 76% Energy • 10% Liveness
30% Instrumentalness • 53% Positiveness
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Caladh Nua
The Lisnagun Set
126 bpm • D Maj • 03:41 • -10.24db
24% Popularity • 75% Danceability • 44% Energy • 9% Liveness
53% Instrumentalness • 99% Positiveness
24% Popularity • 75% Danceability • 44% Energy • 9% Liveness
53% Instrumentalness • 99% Positiveness
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De Dannan
Mulvihill's Reel, The Dawn
122 bpm • D# Maj • 04:04 • -11db
28% Popularity • 59% Danceability • 66% Energy • 9% Liveness
92% Instrumentalness • 98% Positiveness
28% Popularity • 59% Danceability • 66% Energy • 9% Liveness
92% Instrumentalness • 98% Positiveness
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Dylan Carlos
The Castle / The Green Fields of Woodfor...
122 bpm • G# Maj • 03:50 • -5.19db
17% Popularity • 60% Danceability • 67% Energy • 22% Liveness
74% Instrumentalness • 96% Positiveness
17% Popularity • 60% Danceability • 67% Energy • 22% Liveness
74% Instrumentalness • 96% Positiveness
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Paul Brady
The Crosses Of Annagh/McFadden's Handsom...
126 bpm • E Maj • 02:16 • -12.38db
16% Popularity • 59% Danceability • 36% Energy • 20% Liveness
92% Instrumentalness • 92% Positiveness
16% Popularity • 59% Danceability • 36% Energy • 20% Liveness
92% Instrumentalness • 92% Positiveness
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Danú
The Gursun Who Beat His Father / Sean Mc...
126 bpm • D Maj • 03:50 • -12.1db
21% Popularity • 48% Danceability • 61% Energy • 8% Liveness
1% Instrumentalness • 97% Positiveness
21% Popularity • 48% Danceability • 61% Energy • 8% Liveness
1% Instrumentalness • 97% Positiveness
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Téada
Reels: Dinny O’Brien’s / The Sweethe...
122 bpm • G Maj • 03:56 • -7db
35% Popularity • 64% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 64% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Comhaltas
Father O’flynn
126 bpm • A Maj • 01:00 • -8.14db
20% Popularity • 57% Danceability • 58% Energy • 36% Liveness
100% Instrumentalness • 98% Positiveness
20% Popularity • 57% Danceability • 58% Energy • 36% Liveness
100% Instrumentalness • 98% Positiveness
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Cathal Hayden
The Liverpool Hornpipe
127 bpm • D Maj • 04:24 • -9.43db
16% Popularity • 39% Danceability • 63% Energy • 75% Liveness
98% Instrumentalness • 94% Positiveness
16% Popularity • 39% Danceability • 63% Energy • 75% Liveness
98% Instrumentalness • 94% Positiveness
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Kevin Burke
Morrison's Jig / Pipe on the Hob
127 bpm • D Maj • 03:07 • -7.35db
15% Popularity • 67% Danceability • 39% Energy • 23% Liveness
24% Instrumentalness • 99% Positiveness
15% Popularity • 67% Danceability • 39% Energy • 23% Liveness
24% Instrumentalness • 99% Positiveness
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Paul Brady
Matt Peoples' (Reels)
122 bpm • B Maj • 01:40 • -6.26db
34% Popularity • 55% Danceability • 54% Energy • 68% Liveness
0% Instrumentalness • 92% Positiveness
34% Popularity • 55% Danceability • 54% Energy • 68% Liveness
0% Instrumentalness • 92% Positiveness
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De Dannan
Mac's fancy, The Mist Covered Mountain
127 bpm • F Maj • 03:08 • -14db
30% Popularity • 62% Danceability • 46% Energy • 18% Liveness
96% Instrumentalness • 94% Positiveness
30% Popularity • 62% Danceability • 46% Energy • 18% Liveness
96% Instrumentalness • 94% Positiveness
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Danú
Seán Sa Cheo/John Dohertys/The Highland...
122 bpm • D Maj • 02:25 • -13.82db
31% Popularity • 62% Danceability • 42% Energy • 37% Liveness
95% Instrumentalness • 67% Positiveness
31% Popularity • 62% Danceability • 42% Energy • 37% Liveness
95% Instrumentalness • 67% Positiveness
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Téada
The Russians are Coming / The Miller's D...
126 bpm • G Maj • 03:34 • -9.15db
15% Popularity • 62% Danceability • 63% Energy • 7% Liveness
1% Instrumentalness • 78% Positiveness
15% Popularity • 62% Danceability • 63% Energy • 7% Liveness
1% Instrumentalness • 78% Positiveness
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Seán Ó Riada
Cnocáin Aitinn Liatroma (The Whinny Hil...
121 bpm • D Maj • 02:58 • -7.8db
13% Popularity • 51% Danceability • 84% Energy • 84% Liveness
85% Instrumentalness • 94% Positiveness
13% Popularity • 51% Danceability • 84% Energy • 84% Liveness
85% Instrumentalness • 94% Positiveness
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Solas
The Flowing Bowl / Maire Breathnach's #1...
127 bpm • D Maj • 03:52 • -6.68db
30% Popularity • 51% Danceability • 78% Energy • 37% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 51% Danceability • 78% Energy • 37% Liveness
0% Instrumentalness • 79% Positiveness
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Paul Brady
Fergal O'Gara/The Cloon (Reels)
121 bpm • E Maj • 02:11 • -5.93db
25% Popularity • 67% Danceability • 56% Energy • 52% Liveness
0% Instrumentalness • 95% Positiveness
25% Popularity • 67% Danceability • 56% Energy • 52% Liveness
0% Instrumentalness • 95% Positiveness
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Paddy Keenan
Drops of Brandy
121 bpm • D Maj • 01:20 • -5db
20% Popularity • 29% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
20% Popularity • 29% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Silly Wizard
Jack Cunningham's Farewell to Benbecula/...
121 bpm • B min • 04:33 • -17db
8% Popularity • 39% Danceability • 15% Energy • 37% Liveness
24% Instrumentalness • 59% Positiveness
8% Popularity • 39% Danceability • 15% Energy • 37% Liveness
24% Instrumentalness • 59% Positiveness
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Tulla Céilà Band
The Battering Ram/Bill Harte's/Ward's Ji...
127 bpm • G Maj • 03:38 • -16.36db
13% Popularity • 57% Danceability • 42% Energy • 32% Liveness
64% Instrumentalness • 96% Positiveness
13% Popularity • 57% Danceability • 42% Energy • 32% Liveness
64% Instrumentalness • 96% Positiveness
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Music At Matt Molloy's
Over the Moor to Maggie / Fred Finn's / ...
121 bpm • G Maj • 05:57 • -9db
9% Popularity • 54% Danceability • 82% Energy • 49% Liveness
97% Instrumentalness • 97% Positiveness
9% Popularity • 54% Danceability • 82% Energy • 49% Liveness
97% Instrumentalness • 97% Positiveness
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Caladh Nua
The Windmill Set
121 bpm • D Maj • 04:14 • -8.85db
20% Popularity • 46% Danceability • 73% Energy • 7% Liveness
42% Instrumentalness • 96% Positiveness
20% Popularity • 46% Danceability • 73% Energy • 7% Liveness
42% Instrumentalness • 96% Positiveness
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Planxty
Polkas: Dennis Murphy's Polka / The 42 P...
127 bpm • D Maj • 03:06 • -10db
32% Popularity • 60% Danceability • 48% Energy • 25% Liveness
28% Instrumentalness • 41% Positiveness
32% Popularity • 60% Danceability • 48% Energy • 25% Liveness
28% Instrumentalness • 41% Positiveness
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Andy M. Stewart
The Banks Of Sweet Dundee
121 bpm • C Maj • 05:00 • -10db
22% Popularity • 55% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 55% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Breaking Trad
The Long Drop
121 bpm • D Maj • 04:53 • -7db
11% Popularity • 68% Danceability • 71% Energy • 11% Liveness
1% Instrumentalness • 84% Positiveness
11% Popularity • 68% Danceability • 71% Energy • 11% Liveness
1% Instrumentalness • 84% Positiveness
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Noel Hill
Cooley's Jig
127 bpm • A# Maj • 03:18 • -10.61db
31% Popularity • 51% Danceability • 53% Energy • 93% Liveness
94% Instrumentalness • 98% Positiveness
31% Popularity • 51% Danceability • 53% Energy • 93% Liveness
94% Instrumentalness • 98% Positiveness
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Danú
County Down
127 bpm • F Maj • 04:50 • -14.23db
26% Popularity • 48% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 48% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Matt Molloy
The New Policeman/The Dunmore Lasses (Re...
121 bpm • F min • 02:18 • -11.18db
9% Popularity • 38% Danceability • 39% Energy • 18% Liveness
97% Instrumentalness • 87% Positiveness
9% Popularity • 38% Danceability • 39% Energy • 18% Liveness
97% Instrumentalness • 87% Positiveness
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Kevin Burke
The Mason's Apron/Laington's Reel
121 bpm • A Maj • 02:52 • -7.23db
9% Popularity • 75% Danceability • 42% Energy • 9% Liveness
18% Instrumentalness • 96% Positiveness
9% Popularity • 75% Danceability • 42% Energy • 9% Liveness
18% Instrumentalness • 96% Positiveness
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Kevin Crawford
The Hula Hoop
127 bpm • A# Maj • 03:17 • -8.93db
11% Popularity • 50% Danceability • 47% Energy • 12% Liveness
95% Instrumentalness • 91% Positiveness
11% Popularity • 50% Danceability • 47% Energy • 12% Liveness
95% Instrumentalness • 91% Positiveness
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Four Men & A Dog
Easy Club Reels
127 bpm • A# Maj • 03:52 • -12db
22% Popularity • 55% Danceability • 65% Energy • 19% Liveness
95% Instrumentalness • 97% Positiveness
22% Popularity • 55% Danceability • 65% Energy • 19% Liveness
95% Instrumentalness • 97% Positiveness
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Boys Of The Lough
Cape Breton Wedding Reel No. 2, Cape Bre...
127 bpm • D Maj • 02:56 • -11.37db
31% Popularity • 48% Danceability • 33% Energy • 12% Liveness
14% Instrumentalness • 88% Positiveness
31% Popularity • 48% Danceability • 33% Energy • 12% Liveness
14% Instrumentalness • 88% Positiveness
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Seamus Egan
Eamonn Coyne's/Longford Collector
121 bpm • G# Maj • 03:19 • -24.29db
12% Popularity • 68% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 98% Positiveness
12% Popularity • 68% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 98% Positiveness
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Dave Sheridan and Company
Reels: Mulhaire's - Kiss the Maid Behind...
121 bpm • G# Maj • 03:59 • -8db
12% Popularity • 56% Danceability • 67% Energy • 13% Liveness
69% Instrumentalness • 97% Positiveness
12% Popularity • 56% Danceability • 67% Energy • 13% Liveness
69% Instrumentalness • 97% Positiveness
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Andy Irvine
Autumn Gold
128 bpm • C min • 03:50 • -13.6db
19% Popularity • 62% Danceability • 27% Energy • 17% Liveness
5% Instrumentalness • 27% Positiveness
19% Popularity • 62% Danceability • 27% Energy • 17% Liveness
5% Instrumentalness • 27% Positiveness
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Kevin Crawford
Hardiman's Fancy / An Rogaire Dubh / Jim...
127 bpm • D Maj • 04:56 • -9.63db
7% Popularity • 41% Danceability • 45% Energy • 18% Liveness
72% Instrumentalness • 94% Positiveness
7% Popularity • 41% Danceability • 45% Energy • 18% Liveness
72% Instrumentalness • 94% Positiveness
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Great Big Sea
Lukey/Lukaloney
128 bpm • D Maj • 03:54 • -4.99db
30% Popularity • 31% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 31% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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Danú
Banish Misfortune - Trip To Athlone - Tr...
128 bpm • D Maj • 04:07 • -9db
12% Popularity • 31% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 31% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Matt Molloy
Boys Of The Lough/Tarbolton (Reels)
121 bpm • F min • 02:16 • -10.9db
15% Popularity • 56% Danceability • 42% Energy • 27% Liveness
98% Instrumentalness • 94% Positiveness
15% Popularity • 56% Danceability • 42% Energy • 27% Liveness
98% Instrumentalness • 94% Positiveness
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Four Men & A Dog
The Ashplant Set
120 bpm • F min • 03:04 • -5db
11% Popularity • 42% Danceability • 91% Energy • 18% Liveness
97% Instrumentalness • 98% Positiveness
11% Popularity • 42% Danceability • 91% Energy • 18% Liveness
97% Instrumentalness • 98% Positiveness
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Seamus Egan
The Congress Set
120 bpm • E min • 04:56 • -15db
8% Popularity • 37% Danceability • 49% Energy • 12% Liveness
91% Instrumentalness • 96% Positiveness
8% Popularity • 37% Danceability • 49% Energy • 12% Liveness
91% Instrumentalness • 96% Positiveness
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Sharon Shannon
The Bass Rock: The Bass Rock / The Road ...
120 bpm • A Maj • 03:36 • -9.41db
15% Popularity • 39% Danceability • 55% Energy • 15% Liveness
14% Instrumentalness • 46% Positiveness
15% Popularity • 39% Danceability • 55% Energy • 15% Liveness
14% Instrumentalness • 46% Positiveness
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Colm Murphy
Lord Gordon's / Kiss the Maid Behind the...
128 bpm • D Maj • 03:41 • -17db
12% Popularity • 54% Danceability • 43% Energy • 11% Liveness
95% Instrumentalness • 75% Positiveness
12% Popularity • 54% Danceability • 43% Energy • 11% Liveness
95% Instrumentalness • 75% Positiveness
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Danú
Dinny O'Brien's - Tommy Peoples' - The S...
128 bpm • G Maj • 02:52 • -10.37db
8% Popularity • 64% Danceability • 69% Energy • 15% Liveness
60% Instrumentalness • 97% Positiveness
8% Popularity • 64% Danceability • 69% Energy • 15% Liveness
60% Instrumentalness • 97% Positiveness
► Preview
Matt Molloy
McDonagh’s/Toss The Feathers (Reels)
120 bpm • F min • 02:48 • -12.03db
9% Popularity • 59% Danceability • 40% Energy • 22% Liveness
99% Instrumentalness • 90% Positiveness
9% Popularity • 59% Danceability • 40% Energy • 22% Liveness
99% Instrumentalness • 90% Positiveness
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Téada
Miss Cassidy's / All Around the Roo / Th...
120 bpm • G Maj • 02:47 • -7db
25% Popularity • 64% Danceability • 67% Energy • 5% Liveness
20% Instrumentalness • 48% Positiveness
25% Popularity • 64% Danceability • 67% Energy • 5% Liveness
20% Instrumentalness • 48% Positiveness
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Stockton's Wing
The Maid Behind The Bar (Reel)
120 bpm • G Maj • 03:54 • -11db
15% Popularity • 43% Danceability • 46% Energy • 7% Liveness
16% Instrumentalness • 86% Positiveness
15% Popularity • 43% Danceability • 46% Energy • 7% Liveness
16% Instrumentalness • 86% Positiveness
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Music At Matt Molloy's
Miss Monaghan / Maggie on the Shore
128 bpm • G Maj • 02:26 • -9.7db
9% Popularity • 46% Danceability • 55% Energy • 66% Liveness
1% Instrumentalness • 87% Positiveness
9% Popularity • 46% Danceability • 55% Energy • 66% Liveness
1% Instrumentalness • 87% Positiveness
► Preview
Dave Sheridan
Jig & Reel: The Whinny Hills of Leitrim ...
128 bpm • G# Maj • 02:27 • -7db
9% Popularity • 45% Danceability • 60% Energy • 16% Liveness
33% Instrumentalness • 97% Positiveness
9% Popularity • 45% Danceability • 60% Energy • 16% Liveness
33% Instrumentalness • 97% Positiveness
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Noel Hill
The Ash Plant
120 bpm • G# Maj • 03:17 • -11db
15% Popularity • 51% Danceability • 78% Energy • 32% Liveness
82% Instrumentalness • 88% Positiveness
15% Popularity • 51% Danceability • 78% Energy • 32% Liveness
82% Instrumentalness • 88% Positiveness
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Danú
The Moving Cloud / Ril Gan Ainm
120 bpm • A# Maj • 03:34 • -9.35db
16% Popularity • 77% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 98% Positiveness
16% Popularity • 77% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 98% Positiveness
► Preview
Ciaran Tourish
Lucy Campbell's / The Flogging (Reels)
120 bpm • D Maj • 02:32 • -6.41db
29% Popularity • 56% Danceability • 73% Energy • 5% Liveness
16% Instrumentalness • 92% Positiveness
29% Popularity • 56% Danceability • 73% Energy • 5% Liveness
16% Instrumentalness • 92% Positiveness
