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Spem in Alium (Pro Cantione augmented): Spem in Al...
Songs like
Spem in Alium (Pro Cantione augmented): Spem in Alium (Pro Cantione augmented)
by
Thomas Tallis
Based on a tempo of (+/- 10%) and a similar genre
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Valentin Silvestrov
Liturgical Chants: 4 Spiritual Songs: Ch...
80 bpm • A Maj • 02:34 • -32db
32% Popularity • 12% Danceability • 1% Energy • 8% Liveness
80% Instrumentalness • 3% Positiveness
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Carlo Gesualdo
Io parto e non piu dissi
80 bpm • A min • 03:06 • -27db
23% Popularity • 12% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for Double Choir: I. Kyrie
80 bpm • E min • 05:16 • -23db
14% Popularity • 13% Danceability • 7% Energy • 6% Liveness
18% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: O Lord, Give Thy Holy Spirit
80 bpm • A# min • 02:17 • -26.94db
31% Popularity • 19% Danceability • 9% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Pēteris Vasks
Klusas dziemas (silent songs): II. Dusi ...
80 bpm • A Maj • 01:35 • -35.5db
30% Popularity • 16% Danceability • 2% Energy • 9% Liveness
38% Instrumentalness • 4% Positiveness
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Giovanni Pierluigi da Palestrina
Osculetur me
80 bpm • C min • 03:23 • -24.13db
17% Popularity • 16% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
80 bpm • D Maj • 03:13 • -19.54db
13% Popularity • 12% Danceability • 15% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
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Gregorio Allegri
Messe vidi turbam magnam: No. 2, Kyrie
80 bpm • F Maj • 02:39 • -16.68db
25% Popularity • 20% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Lumen Valo
Ralph Vaughan Williams: Rest
80 bpm • D# Maj • 04:03 • -22.98db
14% Popularity • 9% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 3% Positiveness
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Carlo Gesualdo
Tenebrae Responsories, Feria quinta: I. ...
80 bpm • A min • 04:19 • -22.35db
14% Popularity • 9% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Domenico Scarlatti
Stabat mater: V. Sancta mater, istud aga...
80 bpm • A# Maj • 03:03 • -18.59db
11% Popularity • 13% Danceability • 15% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
Alma Redemptoris Mater
80 bpm • F Maj • 02:09 • -24.16db
13% Popularity • 19% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Musica Amphion
Motet Jesu Meine Freude (Bwv 227)
80 bpm • D# min • 01:15 • -22.18db
33% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Calmus Ensemble
Abendlied Op. 693
80 bpm • D# Maj • 02:32 • -20db
17% Popularity • 11% Danceability • 14% Energy • 12% Liveness
10% Instrumentalness • 5% Positiveness
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John Taverner
Taverner: Missa Corona spinea - 08. Hosa...
80 bpm • D# Maj • 01:35 • -18db
23% Popularity • 12% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Antoine Busnois
Alleluya
80 bpm • D# Maj • 01:25 • -20.8db
36% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
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Anton Bruckner
Os justi, WAB 30
80 bpm • C Maj • 04:10 • -26.02db
17% Popularity • 17% Danceability • 3% Energy • 6% Liveness
33% Instrumentalness • 3% Positiveness
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Sven-David Sandström
4 Songs of Love: No. 1, Let Him Kiss Me
80 bpm • D# Maj • 02:10 • -28.49db
28% Popularity • 19% Danceability • 1% Energy • 11% Liveness
57% Instrumentalness • 3% Positiveness
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Jacobus Gallus
Ecce quomodo moritur justus
80 bpm • E Maj • 04:05 • -28db
11% Popularity • 14% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Johannes Eccard
Maria wallt zum Heiligtum
81 bpm • C min • 03:21 • -18.84db
18% Popularity • 17% Danceability • 15% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
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William Byrd
Non, Nobis Domine
79 bpm • D Maj • 01:18 • -34.99db
25% Popularity • 28% Danceability • 1% Energy • 6% Liveness
97% Instrumentalness • 5% Positiveness
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Christopher Tye
In nomine: Rachell’s Weepinge
81 bpm • C# min • 02:50 • -26db
32% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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Johannes Ockeghem
Missa Prolationum: Kyrie
79 bpm • F# Maj • 03:48 • -28.06db
16% Popularity • 10% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
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Thomas Tallis
O nata lux de lumine
81 bpm • G min • 01:49 • -23.52db
6% Popularity • 20% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1a. K...
81 bpm • B Maj • 01:36 • -25.57db
43% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Guillaume de Machaut
Messe de Notre Dame: Kyrie
79 bpm • D Maj • 06:31 • -19db
14% Popularity • 10% Danceability • 19% Energy • 20% Liveness
32% Instrumentalness • 11% Positiveness
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Giovanni Gabrieli
Deus, qui beatum Marcum a 10, C. 36
79 bpm • G# Maj • 02:32 • -19.08db
19% Popularity • 22% Danceability • 12% Energy • 10% Liveness
88% Instrumentalness • 14% Positiveness
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Benjamin Britten
A Hymn to the Virgin
81 bpm • E Maj • 02:43 • -27db
19% Popularity • 15% Danceability • 4% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Three Shakespeare Songs: II. The Cloud-c...
81 bpm • G min • 02:29 • -37db
16% Popularity • 17% Danceability • 1% Energy • 7% Liveness
86% Instrumentalness • 3% Positiveness
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Ludwig Senfl
Ach Elslein, liebes Elselein mein
81 bpm • D Maj • 02:16 • -17db
12% Popularity • 20% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Kim André Arnesen
There We Shall Rest
81 bpm • F Maj • 05:24 • -27db
20% Popularity • 8% Danceability • 8% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
O dolorosa gioia
79 bpm • G# Maj • 04:40 • -23.45db
12% Popularity • 8% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 3% Positiveness
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Tomás Luis de Victoria
Responsories for Maundy Thursday Nocturn...
79 bpm • G min • 03:00 • -22.11db
30% Popularity • 13% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Otto Nicolai
Herr, auf dich traue ich (Psalm 31)
81 bpm • D# Maj • 09:32 • -25.69db
13% Popularity • 11% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: A New Commandment
79 bpm • C# min • 02:42 • -29db
28% Popularity • 9% Danceability • 5% Energy • 8% Liveness
8% Instrumentalness • 10% Positiveness
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Alexander Agricola
Missa, "In myne zin": Agnus Dei: Agnus I
79 bpm • A min • 02:31 • -21db
31% Popularity • 18% Danceability • 17% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
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Herbert Howells
Requiem: I Heard a Voice from Heaven
79 bpm • D Maj • 04:01 • -29db
9% Popularity • 15% Danceability • 5% Energy • 9% Liveness
19% Instrumentalness • 3% Positiveness
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Luca Marenzio
Basciami Mille Volte a 5 Voci
81 bpm • G min • 02:02 • -19.35db
33% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Girolamo Frescobaldi
O Mors Illa
81 bpm • G min • 04:16 • -24db
10% Popularity • 12% Danceability • 11% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
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Chapelle du Roi
If ye love me
79 bpm • D# Maj • 02:11 • -32.31db
13% Popularity • 23% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Giovanni Gabrieli
In ecclesiis (a 14), C78
79 bpm • A min • 07:44 • -21db
16% Popularity • 11% Danceability • 11% Energy • 18% Liveness
18% Instrumentalness • 4% Positiveness
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Thomas Morley
Nolo mortem peccatoris
79 bpm • F min • 03:12 • -26.17db
13% Popularity • 18% Danceability • 7% Energy • 9% Liveness
38% Instrumentalness • 8% Positiveness
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Louis Vierne
Messe solennelle pour deux orgues et cho...
81 bpm • G# Maj • 04:49 • -28db
10% Popularity • 15% Danceability • 6% Energy • 17% Liveness
70% Instrumentalness • 3% Positiveness
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Thomas Tallis
Archbishop Parker's Psalter: O Come in O...
79 bpm • D Maj • 01:20 • -26.1db
7% Popularity • 15% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Gregorio Allegri
Motets: Repleti sunt omnes
81 bpm • D min • 01:41 • -17.4db
34% Popularity • 18% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Jacob Clemens non Papa
Adieu delices de mon ceur
79 bpm • D min • 01:58 • -33db
30% Popularity • 9% Danceability • 0% Energy • 12% Liveness
96% Instrumentalness • 23% Positiveness
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Frank Martin
Mass for Double Choir: Kyrie
81 bpm • A min • 05:55 • -26db
14% Popularity • 14% Danceability • 3% Energy • 5% Liveness
29% Instrumentalness • 4% Positiveness
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Samuel Scheidt
Surrexit Christus hodie
79 bpm • G min • 01:18 • -19db
32% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Pyotr Ilyich Tchaikovsky
Kheruvimskaya pesnya (Cherubic Hymn)
82 bpm • E min • 04:58 • -27.07db
19% Popularity • 8% Danceability • 2% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
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Thomas Weelkes
Since Robin Hood
79 bpm • F# Maj • 01:26 • -12db
10% Popularity • 44% Danceability • 34% Energy • 42% Liveness
0% Instrumentalness • 62% Positiveness
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Valentin Silvestrov
Alleluia: I. Evening
82 bpm • C Maj • 02:18 • -35db
34% Popularity • 13% Danceability • 1% Energy • 14% Liveness
78% Instrumentalness • 3% Positiveness
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Jean Mouton
Mouton: Ave Maria, Virgo Serena - 1. Ave...
82 bpm • G Maj • 04:49 • -24db
10% Popularity • 12% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Girl Choristers
アヴェマリア(エルガー) 作品2...
82 bpm • A# Maj • 02:41 • -29db
10% Popularity • 22% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Giovanni de Macque
Io piango o filli, madrigal à 5
82 bpm • A min • 03:27 • -24.81db
30% Popularity • 14% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
82 bpm • D min • 03:18 • -28.29db
16% Popularity • 18% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Orazio Benevoli
Missa Azzolina: Agnus Dei
78 bpm • A Maj • 02:07 • -20db
31% Popularity • 18% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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The Cathedral Singers
Sicut Cervus
78 bpm • A Maj • 03:09 • -16db
36% Popularity • 10% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Antonio Lotti
Crucifixus a 8
82 bpm • C min • 02:59 • -21.38db
10% Popularity • 14% Danceability • 12% Energy • 13% Liveness
75% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Adoramus te Christe
82 bpm • G Maj • 03:39 • -20.56db
14% Popularity • 15% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Valiant for Truth
82 bpm • E min • 06:06 • -26.69db
7% Popularity • 9% Danceability • 4% Energy • 4% Liveness
1% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
All-Night Vigil, Op. 52, TH 77 (Excerpts...
78 bpm • G Maj • 06:48 • -25.56db
9% Popularity • 9% Danceability • 10% Energy • 14% Liveness
1% Instrumentalness • 11% Positiveness
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Michael Praetorius
Terpsichore*: Volte
82 bpm • F Maj • 01:20 • -27db
28% Popularity • 30% Danceability • 2% Energy • 21% Liveness
7% Instrumentalness • 88% Positiveness
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Valentin Silvestrov
Liturgical Chants: Ave Maria
82 bpm • B min • 03:20 • -36db
33% Popularity • 10% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Thomas Tallis
Audivi vocem de caelo
78 bpm • A# min • 03:42 • -25.15db
8% Popularity • 13% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Jacob Clemens non Papa
Clemens: Ego flos campi
82 bpm • G# Maj • 04:14 • -22.32db
8% Popularity • 13% Danceability • 10% Energy • 9% Liveness
4% Instrumentalness • 6% Positiveness
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Herbert Howells
Requiem aeternam (1)
78 bpm • E min • 02:53 • -32.84db
24% Popularity • 15% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Adrian Willaert
Missa super Benedicta es: Agnus Dei
78 bpm • C Maj • 04:04 • -21db
16% Popularity • 18% Danceability • 14% Energy • 12% Liveness
26% Instrumentalness • 6% Positiveness
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Gerald Finzi
God is Gone Up
82 bpm • E Maj • 04:39 • -18.82db
9% Popularity • 11% Danceability • 21% Energy • 12% Liveness
22% Instrumentalness • 10% Positiveness
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Antoine Brumel
Missa "Et ecce terrae motus" A 12 voce: ...
82 bpm • C Maj • 01:38 • -18db
21% Popularity • 15% Danceability • 26% Energy • 15% Liveness
74% Instrumentalness • 8% Positiveness
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Thomas Tallis
O nata lux de lumine
78 bpm • G# min • 01:45 • -22db
8% Popularity • 21% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Henry Purcell
Oedipus, Z.583: II. Music for a While
78 bpm • A# min • 03:57 • -21.28db
18% Popularity • 15% Danceability • 6% Energy • 11% Liveness
42% Instrumentalness • 5% Positiveness
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The Tallis Scholars
Tallis: Hear the Voice and Prayer
82 bpm • F# min • 03:02 • -27.52db
28% Popularity • 13% Danceability • 5% Energy • 11% Liveness
3% Instrumentalness • 6% Positiveness
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Orazio Benevoli
Missa si Deus pro nobis, a 16 voci: II. ...
78 bpm • A min • 02:57 • -23.03db
23% Popularity • 7% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
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George Dyson
Nunc Dimittis in F Major (1)
82 bpm • F Maj • 02:19 • -35.79db
13% Popularity • 15% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Hugo Distler
Jahrkreis, Op. 5: No. 39: Wie der Hirsch...
78 bpm • G min • 02:02 • -25db
19% Popularity • 21% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 5% Positiveness
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Thomas Tallis
Dorian Service: Preces I
82 bpm • D Maj • 01:08 • -23.69db
6% Popularity • 16% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Henry Purcell
Thou Knowest, Lord, The Secrets of Our H...
78 bpm • B Maj • 02:44 • -26.88db
14% Popularity • 25% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Anton Bruckner
Os justi, WAB 30
82 bpm • C Maj • 04:14 • -29db
17% Popularity • 13% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Tallis: Lamentations of Jeremiah I - 2. ...
83 bpm • F min • 02:37 • -28.03db
37% Popularity • 8% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Jacob Obrecht
Missa Malheur me bat a 4: Kyrie
77 bpm • F# min • 01:16 • -20db
24% Popularity • 18% Danceability • 19% Energy • 19% Liveness
76% Instrumentalness • 7% Positiveness
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Thomas Weelkes
The Short Service: Nunc Dimittis
83 bpm • B min • 01:37 • -18.78db
8% Popularity • 16% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Thomas Tallis
Tallis: In manus tuas
82 bpm • A# min • 02:06 • -24.91db
10% Popularity • 24% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Gregorio Allegri
Motets: Cantate domino
77 bpm • F Maj • 03:11 • -18db
21% Popularity • 18% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Bob Chilcott
The lily and the rose (version for mixed...
77 bpm • A min • 04:08 • -29.26db
10% Popularity • 15% Danceability • 6% Energy • 6% Liveness
83% Instrumentalness • 6% Positiveness
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The Tallis Scholars
Allegri: Miserere - 06. Cor Mundum Crea ...
77 bpm • G Maj • 01:14 • -38db
35% Popularity • 16% Danceability • 2% Energy • 12% Liveness
22% Instrumentalness • 3% Positiveness
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Herbert Howells
Requiem: Psalm 23
83 bpm • D min • 02:43 • -31db
12% Popularity • 13% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Farrant
Lord, for Thy Tender Mercy's Sake
77 bpm • G# Maj • 02:36 • -28db
22% Popularity • 11% Danceability • 7% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
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Thomas Tallis
Homo quidam fecit coenam
83 bpm • A Maj • 05:29 • -17.75db
9% Popularity • 10% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Nordic Chamber Choir - Nicol Matt
In Te, Domine, Spreavi
83 bpm • D min • 04:28 • -36db
5% Popularity • 12% Danceability • 1% Energy • 10% Liveness
73% Instrumentalness • 3% Positiveness
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Valentin Silvestrov
The Lord's Prayer
83 bpm • C Maj • 05:40 • -29.82db
26% Popularity • 16% Danceability • 4% Energy • 19% Liveness
90% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Allegri: Miserere - 03. Tibi Soli Peccav...
77 bpm • A# Maj • 01:04 • -23db
38% Popularity • 24% Danceability • 10% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Heinrich Isaac
Missa Presulem ephebeatum: I. Kyrie
83 bpm • D min • 01:09 • -17.68db
39% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
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William Byrd
Ave verum corpus - (Motet)
83 bpm • G min • 04:24 • -26.53db
20% Popularity • 10% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Alonso Lobo
Versa est in luctum
77 bpm • E min • 04:54 • -23db
7% Popularity • 9% Danceability • 17% Energy • 8% Liveness
46% Instrumentalness • 4% Positiveness
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Johannes Brahms
Schaffe in mir, Gott, ein rein Herz, Op....
83 bpm • G Maj • 06:22 • -23.95db
11% Popularity • 21% Danceability • 11% Energy • 13% Liveness
2% Instrumentalness • 6% Positiveness
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Thomas Tallis
Tallis: Lamentations of Jeremiah 1 - 1. ...
77 bpm • C min • 01:21 • -28.82db
16% Popularity • 21% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Claudio Monteverdi
Quel augellin che canta
83 bpm • A# Maj • 02:06 • -23.74db
16% Popularity • 15% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 17% Positiveness
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Gregorio Allegri
Miserere mei, Deus
76 bpm • G min • 11:23 • -22db
13% Popularity • 12% Danceability • 12% Energy • 11% Liveness
18% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
83 bpm • G Maj • 04:07 • -22.57db
13% Popularity • 9% Danceability • 3% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
76 bpm • D# Maj • 04:52 • -25db
16% Popularity • 10% Danceability • 7% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
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Spem in Alium (Pro Cantione augmented): Spem in Al...