Songs like Spend My Money by Little Daddy Walton & Sons
Based on a tempo of (+/- 10%) and a similar genre
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Hasil Adkins
The Banana Boat Song
137 bpm • C# Maj • 02:08 • -7.86db
10% Popularity • 70% Danceability • 81% Energy • 16% Liveness
25% Instrumentalness • 71% Positiveness
10% Popularity • 70% Danceability • 81% Energy • 16% Liveness
25% Instrumentalness • 71% Positiveness
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Red Prysock
Hide Away
137 bpm • F Maj • 02:20 • -4.59db
8% Popularity • 57% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
8% Popularity • 57% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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Lightnin' Slim
Rooster Blues
137 bpm • A Maj • 02:32 • -10db
8% Popularity • 64% Danceability • 52% Energy • 60% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 64% Danceability • 52% Energy • 60% Liveness
0% Instrumentalness • 70% Positiveness
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Little Daddy Walton & Sons
Spend My Money
137 bpm • C Maj • 02:32 • -4.5db
2% Popularity • 48% Danceability • 88% Energy • 20% Liveness
92% Instrumentalness • 90% Positiveness
2% Popularity • 48% Danceability • 88% Energy • 20% Liveness
92% Instrumentalness • 90% Positiveness
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Stitch
Terp
137 bpm • C Maj • 02:40 • -19.84db
10% Popularity • 64% Danceability • 38% Energy • 16% Liveness
55% Instrumentalness • 86% Positiveness
10% Popularity • 64% Danceability • 38% Energy • 16% Liveness
55% Instrumentalness • 86% Positiveness
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The Kokomo Kings
Standing in the Cold Rain
137 bpm • G Maj • 02:41 • -4.91db
8% Popularity • 69% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
8% Popularity • 69% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
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Jimmy Soul
When Matilda Comes Back
137 bpm • G# Maj • 02:37 • -7.29db
15% Popularity • 50% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 50% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
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Dusty Wilson
Can't Do Without You
137 bpm • C Maj • 02:25 • -5.98db
10% Popularity • 68% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 68% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Huey "Piano" Smith
Well I'll Be John Brown
137 bpm • C min • 02:29 • -4.59db
16% Popularity • 66% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
16% Popularity • 66% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Snooks Eaglin
(Mama) Talk to Your Daughter
136 bpm • C Maj • 02:17 • -12.43db
17% Popularity • 61% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
17% Popularity • 61% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Big Walter Horton
Gonna Bring It On Home
138 bpm • A Maj • 03:07 • -12.68db
7% Popularity • 57% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
7% Popularity • 57% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
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Little Willie John
(I've Got) Spring Fever
138 bpm • C Maj • 02:10 • -8.94db
14% Popularity • 72% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 72% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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Anna Dukke
Comfortable Crap
136 bpm • F Maj • 02:22 • -5.83db
9% Popularity • 83% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 83% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 97% Positiveness
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Eddie Banks
Sugar Diabetes
136 bpm • C min • 02:39 • -6db
10% Popularity • 66% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
10% Popularity • 66% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Lonnie Johnson
Another Night To Cry
136 bpm • G Maj • 03:11 • -5.68db
14% Popularity • 62% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 62% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
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The Mellows
It's My Life
136 bpm • G# Maj • 02:22 • -4.58db
11% Popularity • 59% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 59% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
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The Walker Brothers
Don't Fight It
136 bpm • D Maj • 01:55 • -13.83db
9% Popularity • 68% Danceability • 65% Energy • 10% Liveness
17% Instrumentalness • 96% Positiveness
9% Popularity • 68% Danceability • 65% Energy • 10% Liveness
17% Instrumentalness • 96% Positiveness
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The Kingsmen
Over You
136 bpm • C Maj • 02:05 • -18.67db
8% Popularity • 63% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 63% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Los Moonlights
El Rebeldón "Don't Fight It"
136 bpm • G# Maj • 02:12 • -22.82db
7% Popularity • 65% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
7% Popularity • 65% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Rosco Gordon
Just A Little Bit
138 bpm • C Maj • 02:03 • -14.01db
28% Popularity • 67% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 67% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Wilson Pickett
Baby Don't You Weep No More
138 bpm • C# min • 02:15 • -10.71db
11% Popularity • 56% Danceability • 53% Energy • 34% Liveness
2% Instrumentalness • 96% Positiveness
11% Popularity • 56% Danceability • 53% Energy • 34% Liveness
2% Instrumentalness • 96% Positiveness
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Jessie Hill
Scoop Scoobie Doobie
136 bpm • A Maj • 02:53 • -5.84db
8% Popularity • 49% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 49% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 88% Positiveness
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Ronnie Dawson
Congratulations to Me
135 bpm • G Maj • 02:25 • -7db
11% Popularity • 57% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
11% Popularity • 57% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Ray Charles
I'll Do Anything But Work - Take 2
139 bpm • F Maj • 02:40 • -15db
11% Popularity • 75% Danceability • 29% Energy • 14% Liveness
9% Instrumentalness • 75% Positiveness
11% Popularity • 75% Danceability • 29% Energy • 14% Liveness
9% Instrumentalness • 75% Positiveness
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The "5" Royales
Thirty Second Lover
135 bpm • C# Maj • 02:27 • -12db
14% Popularity • 64% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 64% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
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Hank Ballard
Rock And Roll Wedding
139 bpm • C Maj • 02:40 • -8.11db
8% Popularity • 67% Danceability • 50% Energy • 39% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 67% Danceability • 50% Energy • 39% Liveness
0% Instrumentalness • 96% Positiveness
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Young Jessie
Mary Lou (Alternate Take)
139 bpm • B min • 03:04 • -8db
14% Popularity • 62% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
14% Popularity • 62% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Slim Harpo
Cigarettes and Coffee Blues
135 bpm • A Maj • 02:11 • -5.75db
16% Popularity • 51% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 51% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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Ike Turner
Do You Mean It
139 bpm • D Maj • 02:16 • -8db
7% Popularity • 58% Danceability • 54% Energy • 49% Liveness
0% Instrumentalness • 93% Positiveness
7% Popularity • 58% Danceability • 54% Energy • 49% Liveness
0% Instrumentalness • 93% Positiveness
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Lightnin' Slim
It's Mighty Crazy
135 bpm • A Maj • 02:36 • -11db
8% Popularity • 60% Danceability • 71% Energy • 53% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 60% Danceability • 71% Energy • 53% Liveness
0% Instrumentalness • 57% Positiveness
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LaVern Baker
Hey Memphis
139 bpm • G min • 02:28 • -9.61db
19% Popularity • 59% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 93% Positiveness
19% Popularity • 59% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 93% Positiveness
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Eli "Paperboy" Reed
Walkin' and Talkin' (For My Baby)
139 bpm • G min • 01:55 • -2.54db
11% Popularity • 50% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 50% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Bobby Charles
Worrying over You
135 bpm • B min • 02:13 • -10.75db
9% Popularity • 74% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 74% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Slim Harpo
Cigarettes
135 bpm • A Maj • 02:10 • -9.49db
8% Popularity • 64% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
8% Popularity • 64% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
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Cedell Davis
Mistreatin Me
135 bpm • D# Maj • 01:41 • -8.4db
11% Popularity • 72% Danceability • 39% Energy • 5% Liveness
31% Instrumentalness • 68% Positiveness
11% Popularity • 72% Danceability • 39% Energy • 5% Liveness
31% Instrumentalness • 68% Positiveness
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Mable John
Ain't Giving It Up
140 bpm • C Maj • 02:49 • -10.36db
10% Popularity • 74% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 74% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Cleveland Crochet
Sugar Bee
140 bpm • D Maj • 02:36 • -7.7db
9% Popularity • 71% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 71% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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The Edsels
Twenty Four Hours
134 bpm • G# Maj • 02:00 • -8.45db
11% Popularity • 68% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
11% Popularity • 68% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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Eddie Bo
Dinky Doo
134 bpm • D# Maj • 02:16 • -10.65db
12% Popularity • 71% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 71% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Ike Turner
I'm Tore Up
134 bpm • A min • 02:23 • -8.72db
14% Popularity • 66% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 66% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Jackie Shane
Knock On Wood
134 bpm • F Maj • 04:28 • -6.06db
7% Popularity • 57% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
7% Popularity • 57% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Johnny "Guitar" Watson
Space Guitar - (Alternate Version)
140 bpm • C Maj • 02:34 • -5.37db
10% Popularity • 47% Danceability • 84% Energy • 32% Liveness
72% Instrumentalness • 74% Positiveness
10% Popularity • 47% Danceability • 84% Energy • 32% Liveness
72% Instrumentalness • 74% Positiveness
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Huey "Piano" Smith
Havin a Good Time
134 bpm • G Maj • 02:32 • -7.93db
11% Popularity • 55% Danceability • 61% Energy • 34% Liveness
80% Instrumentalness • 75% Positiveness
11% Popularity • 55% Danceability • 61% Energy • 34% Liveness
80% Instrumentalness • 75% Positiveness
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Mickey Baker
No Good Lover
134 bpm • A Maj • 02:53 • -7db
14% Popularity • 54% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 54% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
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Freddie King
Sittin` On The Boatdock
134 bpm • F Maj • 01:56 • -9.43db
13% Popularity • 64% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
13% Popularity • 64% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Hayden Thompson
Blues Blues Blues
140 bpm • E Maj • 02:23 • -6db
14% Popularity • 53% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
14% Popularity • 53% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
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Wilson Pickett
Let's Kiss and Make Up
141 bpm • G# Maj • 02:31 • -4.37db
9% Popularity • 46% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
9% Popularity • 46% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
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James & Bobby Purify
Sixteen Tons
133 bpm • C# Maj • 02:25 • -12.68db
7% Popularity • 78% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
7% Popularity • 78% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Sam The Sham & The Pharaohs
Every Woman I Know (Crazy 'Bout An Auto)
140 bpm • E Maj • 02:10 • -13.03db
12% Popularity • 56% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
12% Popularity • 56% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Ray Sharpe
Oh, My Baby's Gone
133 bpm • C Maj • 02:08 • -6db
17% Popularity • 67% Danceability • 68% Energy • 57% Liveness
17% Instrumentalness • 84% Positiveness
17% Popularity • 67% Danceability • 68% Energy • 57% Liveness
17% Instrumentalness • 84% Positiveness
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Little Junior Parker
I'll Forget About You
133 bpm • F# min • 02:19 • -11.34db
14% Popularity • 48% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 48% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Faye Adams
Johnnie Lee
141 bpm • A Maj • 02:14 • -5.1db
8% Popularity • 74% Danceability • 80% Energy • 2% Liveness
6% Instrumentalness • 74% Positiveness
8% Popularity • 74% Danceability • 80% Energy • 2% Liveness
6% Instrumentalness • 74% Positiveness
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Professor Longhair
Oh Well
141 bpm • A# Maj • 02:26 • -9.48db
8% Popularity • 52% Danceability • 58% Energy • 13% Liveness
73% Instrumentalness • 73% Positiveness
8% Popularity • 52% Danceability • 58% Energy • 13% Liveness
73% Instrumentalness • 73% Positiveness
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The Clovers
Stay Awhile
133 bpm • G# Maj • 02:28 • -5.04db
16% Popularity • 56% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
16% Popularity • 56% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Bill Black's Combo
Blue Tango
133 bpm • G Maj • 02:04 • -2.34db
11% Popularity • 70% Danceability • 89% Energy • 24% Liveness
94% Instrumentalness • 96% Positiveness
11% Popularity • 70% Danceability • 89% Energy • 24% Liveness
94% Instrumentalness • 96% Positiveness
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Little Steve and The Big Beat
Teasin' Without Pleasin'
133 bpm • G min • 03:00 • -6.27db
14% Popularity • 65% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 65% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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B.B. King
Beautician Blues
133 bpm • G# Maj • 02:03 • -11.56db
9% Popularity • 65% Danceability • 44% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 65% Danceability • 44% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
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Bobby Fuller
Shakedown
142 bpm • G min • 01:56 • -8.11db
7% Popularity • 55% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
7% Popularity • 55% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Billy "The Kid" Emerson
Shim Sham Shimmy
142 bpm • G Maj • 02:23 • -8.82db
17% Popularity • 71% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 71% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Swing Shouters
Buckets Got A Hole In It
133 bpm • G min • 04:08 • -7.54db
8% Popularity • 67% Danceability • 59% Energy • 12% Liveness
7% Instrumentalness • 97% Positiveness
8% Popularity • 67% Danceability • 59% Energy • 12% Liveness
7% Instrumentalness • 97% Positiveness
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Jimmy McCracklin
I Know
142 bpm • C# Maj • 02:17 • -9.49db
1% Popularity • 70% Danceability • 61% Energy • 20% Liveness
6% Instrumentalness • 90% Positiveness
1% Popularity • 70% Danceability • 61% Energy • 20% Liveness
6% Instrumentalness • 90% Positiveness
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Clarence "Frogman" Henry
It Went to Your Head
132 bpm • G Maj • 02:10 • -11.55db
14% Popularity • 64% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
14% Popularity • 64% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
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Smokey Joe Baugh
The Signifying Monkey
132 bpm • F Maj • 03:16 • -8db
10% Popularity • 76% Danceability • 95% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 76% Danceability • 95% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Bob Corritore
Big Fat Woman 480 LBS
142 bpm • D Maj • 02:50 • -6.81db
9% Popularity • 71% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 71% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 97% Positiveness
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Eddie Bo
Every Dog Has Its Day
142 bpm • G# Maj • 02:11 • -6.87db
13% Popularity • 76% Danceability • 91% Energy • 4% Liveness
6% Instrumentalness • 96% Positiveness
13% Popularity • 76% Danceability • 91% Energy • 4% Liveness
6% Instrumentalness • 96% Positiveness
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Art Neville
The Dummy
132 bpm • G# Maj • 01:53 • -9db
12% Popularity • 79% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 79% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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Willie Nix
Baker Shop Boogie
142 bpm • C Maj • 02:41 • -8.76db
16% Popularity • 60% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
16% Popularity • 60% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Harold Burrage
She Knocks Me Out (Master)
142 bpm • D# Maj • 02:16 • -9db
26% Popularity • 63% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 63% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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Trini Lopez
This Little Girl Of Mine
142 bpm • C Maj • 02:22 • -9.15db
10% Popularity • 64% Danceability • 60% Energy • 15% Liveness
91% Instrumentalness • 86% Positiveness
10% Popularity • 64% Danceability • 60% Energy • 15% Liveness
91% Instrumentalness • 86% Positiveness
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Screamin' Jay Hawkins
Do You Really Love Me
132 bpm • G Maj • 02:10 • -13.65db
12% Popularity • 63% Danceability • 55% Energy • 52% Liveness
0% Instrumentalness • 89% Positiveness
12% Popularity • 63% Danceability • 55% Energy • 52% Liveness
0% Instrumentalness • 89% Positiveness
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Sam The Sham & The Pharaohs
Mary Lee
132 bpm • G min • 02:27 • -13.45db
7% Popularity • 80% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 80% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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The "5" Royales
Right Around The Corner
132 bpm • D# Maj • 02:28 • -12db
19% Popularity • 73% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 73% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Tic & Toc
Jibba Jab
132 bpm • G min • 02:20 • -8.55db
7% Popularity • 56% Danceability • 95% Energy • 22% Liveness
8% Instrumentalness • 77% Positiveness
7% Popularity • 56% Danceability • 95% Energy • 22% Liveness
8% Instrumentalness • 77% Positiveness
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Jackie Brenston
Much Later
143 bpm • A Maj • 02:15 • -6db
12% Popularity • 65% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 65% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 83% Positiveness
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Varetta Dillard
That's Why I Cry - Alternate Take
143 bpm • D min • 02:31 • -6.16db
8% Popularity • 41% Danceability • 74% Energy • 64% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 41% Danceability • 74% Energy • 64% Liveness
0% Instrumentalness • 71% Positiveness
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Rosco Gordon
Surely I Love You
131 bpm • G# Maj • 02:25 • -14.49db
19% Popularity • 65% Danceability • 40% Energy • 10% Liveness
65% Instrumentalness • 92% Positiveness
19% Popularity • 65% Danceability • 40% Energy • 10% Liveness
65% Instrumentalness • 92% Positiveness
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Big Jay McNeely
... Back... Shack... Track
143 bpm • F# Maj • 02:39 • -9.84db
11% Popularity • 52% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
11% Popularity • 52% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Rosie & The Originals
Give Me Love
131 bpm • E Maj • 03:02 • -8.29db
11% Popularity • 61% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 61% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Little Willie John
Look What You've Done To Me
131 bpm • A# min • 02:13 • -6.66db
9% Popularity • 63% Danceability • 63% Energy • 21% Liveness
7% Instrumentalness • 76% Positiveness
9% Popularity • 63% Danceability • 63% Energy • 21% Liveness
7% Instrumentalness • 76% Positiveness
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Screamin' Jay Hawkins
Just Don't Care
143 bpm • G Maj • 02:30 • -12.92db
10% Popularity • 60% Danceability • 70% Energy • 32% Liveness
9% Instrumentalness • 83% Positiveness
10% Popularity • 60% Danceability • 70% Energy • 32% Liveness
9% Instrumentalness • 83% Positiveness
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Ike Turner
Cubano Jump
131 bpm • G# Maj • 02:17 • -5.82db
10% Popularity • 73% Danceability • 83% Energy • 8% Liveness
8% Instrumentalness • 84% Positiveness
10% Popularity • 73% Danceability • 83% Energy • 8% Liveness
8% Instrumentalness • 84% Positiveness
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Esther Phillips
Cherry Wine
144 bpm • F min • 02:20 • -10db
17% Popularity • 61% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 61% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Jack Scott
The Way I Walk
130 bpm • E Maj • 02:38 • -13.42db
13% Popularity • 69% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
13% Popularity • 69% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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Hank Ballard
Tore Up Over You
130 bpm • G# Maj • 02:49 • -6.94db
10% Popularity • 64% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 64% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Chuck Willis
What'cha Gonna Do (When Your Baby Leaves...
130 bpm • D min • 02:45 • -9db
26% Popularity • 72% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 72% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Chris Kenner
Sick And Tired - Remastered
144 bpm • F min • 02:31 • -10db
28% Popularity • 73% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 73% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Harold Burrage
Messed Up
145 bpm • C# Maj • 02:04 • -8db
10% Popularity • 68% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 68% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 97% Positiveness
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Rusty York
Sugaree
145 bpm • C# min • 02:40 • -11.2db
10% Popularity • 48% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 48% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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Peppermint Harris
Cadillac Funeral
130 bpm • B Maj • 01:56 • -10.7db
20% Popularity • 66% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
20% Popularity • 66% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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Roy Brown
Good Looking and Foxy Too
130 bpm • F Maj • 02:14 • -8.61db
8% Popularity • 63% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 63% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
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Jimmy Reed
Heading For A Fall (Things Ain't What Th...
145 bpm • A Maj • 03:05 • -7.09db
13% Popularity • 68% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 68% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Papa Lightfoot
Wine, Women, Whiskey
129 bpm • D Maj • 02:14 • -9.7db
9% Popularity • 74% Danceability • 62% Energy • 9% Liveness
77% Instrumentalness • 75% Positiveness
9% Popularity • 74% Danceability • 62% Energy • 9% Liveness
77% Instrumentalness • 75% Positiveness
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Smiley Lewis
Big Mamou
145 bpm • A# Maj • 02:22 • -7db
12% Popularity • 66% Danceability • 63% Energy • 33% Liveness
0% Instrumentalness • 87% Positiveness
12% Popularity • 66% Danceability • 63% Energy • 33% Liveness
0% Instrumentalness • 87% Positiveness
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Cookie & The Cupcakes
I Cried
129 bpm • C Maj • 02:36 • -6.75db
8% Popularity • 52% Danceability • 73% Energy • 47% Liveness
78% Instrumentalness • 83% Positiveness
8% Popularity • 52% Danceability • 73% Energy • 47% Liveness
78% Instrumentalness • 83% Positiveness
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Klunk’s Klan
Shakin All Over
129 bpm • F# Maj • 03:27 • -9.04db
7% Popularity • 36% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 59% Positiveness
7% Popularity • 36% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 59% Positiveness
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The Hi-Stakes
Sweetheart Of My Dreams
146 bpm • F# Maj • 03:14 • -11.25db
9% Popularity • 44% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 44% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Cat Lee King & His Cocks
I Don't Need No Money
146 bpm • C Maj • 02:04 • -5.13db
11% Popularity • 47% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
11% Popularity • 47% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Big Amos Patton
Going to Vietnam
146 bpm • D# Maj • 02:56 • -9.31db
8% Popularity • 74% Danceability • 49% Energy • 20% Liveness
1% Instrumentalness • 96% Positiveness
8% Popularity • 74% Danceability • 49% Energy • 20% Liveness
1% Instrumentalness • 96% Positiveness
