Songs like Spend Some Money by CAL
Based on a tempo of (+/- 10%) and a similar genre
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Clubhouse
Dive In
115 bpm • G min • 03:12 • -6.39db
24% Popularity • 74% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 74% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Free Arlo
getting over u
115 bpm • A Maj • 02:35 • -3.78db
37% Popularity • 66% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
37% Popularity • 66% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Durow
Saturn
115 bpm • C Maj • 03:13 • -8.9db
32% Popularity • 82% Danceability • 64% Energy • 30% Liveness
3% Instrumentalness • 76% Positiveness
32% Popularity • 82% Danceability • 64% Energy • 30% Liveness
3% Instrumentalness • 76% Positiveness
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Porsche Love
Reaching Out
115 bpm • B min • 02:44 • -8.1db
26% Popularity • 81% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 81% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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CAL
Spend Some Money
115 bpm • E min • 02:14 • -5.88db
30% Popularity • 90% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 90% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Jack Gray
Practically Strangers
115 bpm • G Maj • 02:10 • -5.61db
27% Popularity • 76% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
27% Popularity • 76% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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mathijs.iv
Undershare
115 bpm • A min • 03:39 • -6.59db
32% Popularity • 82% Danceability • 72% Energy • 37% Liveness
1% Instrumentalness • 89% Positiveness
32% Popularity • 82% Danceability • 72% Energy • 37% Liveness
1% Instrumentalness • 89% Positiveness
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Rence
Track Shoes
115 bpm • F# Maj • 03:06 • -4db
37% Popularity • 85% Danceability • 64% Energy • 3% Liveness
0% Instrumentalness • 69% Positiveness
37% Popularity • 85% Danceability • 64% Energy • 3% Liveness
0% Instrumentalness • 69% Positiveness
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gianni & kyle
lame ass
115 bpm • C Maj • 01:59 • -5.94db
33% Popularity • 94% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
33% Popularity • 94% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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BYRNE
You'll Love It
115 bpm • C Maj • 02:36 • -4.62db
37% Popularity • 84% Danceability • 60% Energy • 11% Liveness
37% Instrumentalness • 72% Positiveness
37% Popularity • 84% Danceability • 60% Energy • 11% Liveness
37% Instrumentalness • 72% Positiveness
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Nox Holloway
Montana
115 bpm • A# Maj • 03:15 • -6.84db
28% Popularity • 72% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
28% Popularity • 72% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Ni/Co
Stupid.
115 bpm • D Maj • 02:36 • -5.91db
30% Popularity • 76% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 76% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Group Project
pretty house
115 bpm • D Maj • 02:40 • -6.92db
27% Popularity • 68% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
27% Popularity • 68% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
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Zach Oliver
Know Myself
115 bpm • C Maj • 03:20 • -8.3db
25% Popularity • 80% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
25% Popularity • 80% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Fudasca
Last One Standing
115 bpm • C# Maj • 03:04 • -8.25db
28% Popularity • 65% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 65% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Blake and Miles
hi ur hot
114 bpm • C# Maj • 02:37 • -10.92db
31% Popularity • 82% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
31% Popularity • 82% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
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19&YOU
Paradise
114 bpm • G Maj • 03:09 • -7.36db
10% Popularity • 82% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 82% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Kyd the Band
Booby Trap
116 bpm • C Maj • 02:47 • -9.82db
12% Popularity • 86% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
12% Popularity • 86% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Dreamer Boy
OVER EVERYTHING
114 bpm • F# Maj • 03:11 • -5.56db
22% Popularity • 69% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 69% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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Sleeping Lion
CTFO
114 bpm • G# Maj • 03:23 • -5.47db
33% Popularity • 79% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
33% Popularity • 79% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
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Bandi
WGMI
116 bpm • D# min • 03:03 • -5.48db
26% Popularity • 77% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
26% Popularity • 77% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Spencer Sutherland
Jealousy
114 bpm • C Maj • 03:10 • -4.53db
37% Popularity • 72% Danceability • 65% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
37% Popularity • 72% Danceability • 65% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
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Anthony Watts
SWEAT!
116 bpm • C# Maj • 03:00 • -4.24db
12% Popularity • 79% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 79% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Max Drazen
More (Like That)
113 bpm • F Maj • 03:00 • -5.49db
30% Popularity • 74% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 74% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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CAL
Cut Me Off
114 bpm • D Maj • 02:57 • -5.58db
11% Popularity • 81% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
11% Popularity • 81% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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DMAD
IN THE CLOUDS
117 bpm • B min • 02:48 • -6.14db
15% Popularity • 81% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 81% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Jake Fine
Half Light
117 bpm • F# Maj • 03:10 • -10.54db
19% Popularity • 83% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
19% Popularity • 83% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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New Friends
The Way
117 bpm • C Maj • 03:49 • -7db
17% Popularity • 75% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 75% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Huey Mack
Waste No Time
113 bpm • A Maj • 02:42 • -6.59db
33% Popularity • 83% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
33% Popularity • 83% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
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Zak James
Stop Writing Me Love Letters
113 bpm • B min • 02:28 • -7.21db
28% Popularity • 98% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
28% Popularity • 98% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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CAL
It's All Good
117 bpm • C# min • 02:22 • -7.07db
24% Popularity • 81% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 81% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Grayson DeWolfe
Priceless
113 bpm • G# Maj • 02:43 • -4.14db
28% Popularity • 80% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
28% Popularity • 80% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Trella
Deep Cut
118 bpm • D# Maj • 03:13 • -6.78db
11% Popularity • 72% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 72% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Peter Fenn
Next to Me
118 bpm • F# min • 02:49 • -6.41db
36% Popularity • 80% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
36% Popularity • 80% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Sally Boy
beautiful girls
118 bpm • B Maj • 02:47 • -7.11db
26% Popularity • 79% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
26% Popularity • 79% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Nolie
Not Coming Home
118 bpm • A# Maj • 02:37 • -4.62db
33% Popularity • 74% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 74% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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MoonLander
Outta Your League - Summer Edition
118 bpm • C min • 02:50 • -6.73db
32% Popularity • 79% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
32% Popularity • 79% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Quinn Lewis
Sixteen
118 bpm • C# Maj • 02:47 • -7.97db
12% Popularity • 78% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 78% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Streeter Jons
Retrograde
118 bpm • C# Maj • 03:09 • -6.53db
29% Popularity • 73% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
29% Popularity • 73% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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GUNNAR
One Night
118 bpm • C# min • 03:03 • -7db
40% Popularity • 82% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
40% Popularity • 82% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Strac
Flower Girl
112 bpm • C# Maj • 02:14 • -4db
35% Popularity • 75% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 63% Positiveness
35% Popularity • 75% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 63% Positiveness
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Renao
Flares
112 bpm • A# Maj • 02:53 • -5.4db
27% Popularity • 81% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 81% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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MoonLander
Outta Your League
118 bpm • C min • 02:45 • -9.42db
37% Popularity • 87% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
37% Popularity • 87% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Byron Langley
21 Days
112 bpm • F Maj • 01:53 • -4.93db
32% Popularity • 86% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
32% Popularity • 86% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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RYMAN
You're Too Cool
112 bpm • G Maj • 02:30 • -7.81db
22% Popularity • 71% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 71% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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DALE
Miss Seattle
112 bpm • G# Maj • 03:36 • -11db
28% Popularity • 78% Danceability • 41% Energy • 17% Liveness
8% Instrumentalness • 71% Positiveness
28% Popularity • 78% Danceability • 41% Energy • 17% Liveness
8% Instrumentalness • 71% Positiveness
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Cassette Tapes
Agree to Disagree
112 bpm • C# Maj • 02:21 • -8.17db
29% Popularity • 85% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 85% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Francis Karel
Call Me Out
112 bpm • E Maj • 02:37 • -5db
18% Popularity • 76% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 76% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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GUS
Humid Summer
112 bpm • A# Maj • 02:53 • -7db
15% Popularity • 68% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 68% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Gomey
Lizzie
112 bpm • C# Maj • 02:08 • -4.71db
33% Popularity • 63% Danceability • 55% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
33% Popularity • 63% Danceability • 55% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
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Caye
Ear Candy
111 bpm • C Maj • 02:41 • -8db
51% Popularity • 69% Danceability • 53% Energy • 39% Liveness
1% Instrumentalness • 46% Positiveness
51% Popularity • 69% Danceability • 53% Energy • 39% Liveness
1% Instrumentalness • 46% Positiveness
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BYRNE
Nomads
111 bpm • E Maj • 02:35 • -4.94db
51% Popularity • 91% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
51% Popularity • 91% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Lostboycrow
Waving Goodbye - Reimagined
120 bpm • G Maj • 03:16 • -4.36db
31% Popularity • 66% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
31% Popularity • 66% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Jack Price
super 8
120 bpm • C# Maj • 02:47 • -6.66db
17% Popularity • 69% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
17% Popularity • 69% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Ori Rose
Flaky
120 bpm • A min • 02:31 • -7db
29% Popularity • 69% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 69% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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DYLVN
24 Roses
120 bpm • G Maj • 02:46 • -6.19db
15% Popularity • 69% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
15% Popularity • 69% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Carneyval
Flies
120 bpm • G Maj • 02:27 • -5db
42% Popularity • 78% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
42% Popularity • 78% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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BYRNE
Wherever You
119 bpm • B Maj • 02:25 • -7.91db
33% Popularity • 50% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 50% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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CAL
Goodbye, Me
120 bpm • C Maj • 02:37 • -5.94db
10% Popularity • 62% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 62% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Porsh Bet$
Whatchutrynado?
120 bpm • F Maj • 02:38 • -5.76db
19% Popularity • 68% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
19% Popularity • 68% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Little Hurt
See You Again
120 bpm • C# Maj • 03:02 • -6.21db
20% Popularity • 71% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
20% Popularity • 71% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Function Adams
Jungle Juice
120 bpm • A# Maj • 03:26 • -7db
29% Popularity • 74% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 74% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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young friend
GOOD GUY
120 bpm • E Maj • 02:36 • -6.03db
21% Popularity • 78% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
21% Popularity • 78% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Chasyn
Real
120 bpm • E Maj • 02:54 • -6db
34% Popularity • 57% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 57% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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Finn Matthews
Beautiful Stranger
120 bpm • D Maj • 02:34 • -9.36db
27% Popularity • 64% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
27% Popularity • 64% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Joseph Tilley
Already Loved
120 bpm • G Maj • 02:22 • -11.09db
18% Popularity • 82% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 82% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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Landon Conrath
Static
120 bpm • B Maj • 02:55 • -6db
44% Popularity • 85% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
44% Popularity • 85% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Lostboycrow
Strawberry Sunscreen - Rework
120 bpm • G# Maj • 02:08 • -4.01db
44% Popularity • 70% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
44% Popularity • 70% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Motel 7
Are We There Yet
120 bpm • B min • 02:59 • -6.12db
22% Popularity • 80% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
22% Popularity • 80% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
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Free Arlo
25
120 bpm • G Maj • 02:48 • -5.92db
15% Popularity • 75% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 75% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Dalton Mauldin
cherry lime
120 bpm • C Maj • 03:18 • -7.42db
28% Popularity • 80% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 80% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Mills
On The Weekend
110 bpm • D Maj • 02:52 • -12.03db
28% Popularity • 73% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 73% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Noah Guy
Saltines & Gingerale
110 bpm • C# Maj • 02:34 • -7db
40% Popularity • 81% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
40% Popularity • 81% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Suriel Hess
Feel Love
110 bpm • G Maj • 02:36 • -8db
44% Popularity • 75% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
44% Popularity • 75% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Group Project
WAKE UP
110 bpm • G# Maj • 03:36 • -6.44db
30% Popularity • 55% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 55% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Tiger La Flor
best u ever had <3
110 bpm • G Maj • 02:57 • -6.54db
34% Popularity • 74% Danceability • 65% Energy • 12% Liveness
2% Instrumentalness • 44% Positiveness
34% Popularity • 74% Danceability • 65% Energy • 12% Liveness
2% Instrumentalness • 44% Positiveness
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joan
nervous
110 bpm • G Maj • 02:58 • -7db
29% Popularity • 92% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 92% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Nicholas Cloud
Brand New Eyes
110 bpm • C# min • 02:21 • -7db
35% Popularity • 75% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
35% Popularity • 75% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Max Drazen
Love and War
110 bpm • F# min • 03:06 • -6.81db
32% Popularity • 82% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 82% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Matthew Zeitler
Boomerang
110 bpm • C Maj • 02:55 • -9.24db
27% Popularity • 70% Danceability • 48% Energy • 42% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 70% Danceability • 48% Energy • 42% Liveness
0% Instrumentalness • 59% Positiveness
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Isabel Wood
Run & Hide
110 bpm • A# Maj • 03:00 • -5.85db
29% Popularity • 80% Danceability • 75% Energy • 19% Liveness
2% Instrumentalness • 69% Positiveness
29% Popularity • 80% Danceability • 75% Energy • 19% Liveness
2% Instrumentalness • 69% Positiveness
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nobody likes you pat
maybe money
110 bpm • B Maj • 02:23 • -5db
32% Popularity • 74% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
32% Popularity • 74% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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southernwade
concussion
121 bpm • G# min • 02:58 • -5.84db
23% Popularity • 74% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
23% Popularity • 74% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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contradash
beep
109 bpm • G# Maj • 01:56 • -4.31db
32% Popularity • 71% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
32% Popularity • 71% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Adam Turley
what a relief!
109 bpm • F# min • 02:58 • -6.83db
27% Popularity • 70% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 70% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
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Ben Kessler
I Could Do This All Night
122 bpm • D Maj • 03:08 • -8.93db
29% Popularity • 82% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 82% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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CAL
Dressed Up In White - Slowed + Reverbed
121 bpm • C Maj • 02:35 • -11.47db
4% Popularity • 66% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
4% Popularity • 66% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Jake Miller
Leave My Heart Alone
122 bpm • C Maj • 02:49 • -8db
32% Popularity • 66% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
32% Popularity • 66% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Lostboycrow
Candy Wine
122 bpm • C# Maj • 03:03 • -4.76db
47% Popularity • 75% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
47% Popularity • 75% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Dylan Dunlap
Talk to You
122 bpm • G# min • 02:56 • -6db
40% Popularity • 67% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 67% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
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Chris James
Is It Too Soon
122 bpm • A Maj • 02:33 • -4.83db
36% Popularity • 81% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
36% Popularity • 81% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Melon's House Party
All Me
122 bpm • F# min • 02:50 • -6.21db
1% Popularity • 73% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
1% Popularity • 73% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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BYRNE
Hush
122 bpm • A Maj • 02:20 • -3.91db
35% Popularity • 94% Danceability • 68% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
35% Popularity • 94% Danceability • 68% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
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The Roosevelts
Trippin' on Your Love
122 bpm • A Maj • 03:02 • -6.85db
31% Popularity • 81% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 81% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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David Alexander
Heartbeat
108 bpm • C# Maj • 03:31 • -7db
33% Popularity • 73% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 73% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Jefferson Clay
Only Eyes
122 bpm • F# min • 02:05 • -9.3db
34% Popularity • 88% Danceability • 41% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
34% Popularity • 88% Danceability • 41% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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CAL
Better by Now
108 bpm • G min • 02:58 • -8db
17% Popularity • 56% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 56% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Citycreed
Daydreamin
108 bpm • B Maj • 03:16 • -5.91db
34% Popularity • 68% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
34% Popularity • 68% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
