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Spinning Away
Songs like
Spinning Away
by
Brian Eno
Based on a tempo of (+/- 10%) and a similar genre
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Jon Hopkins
Deep In The Glowing Heart
115 bpm • F Maj • 08:51 • -15.04db
40% Popularity • 17% Danceability • 33% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Roedelius
Wenn der Südwind weht
115 bpm • D Maj • 04:13 • -16db
29% Popularity • 45% Danceability • 18% Energy • 10% Liveness
86% Instrumentalness • 23% Positiveness
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Fennesz
Rivers of Sand
115 bpm • D Maj • 04:42 • -14.34db
27% Popularity • 19% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Brian Eno
The Lost Day - Remastered 2004
115 bpm • B Maj • 09:12 • -34.1db
30% Popularity • 18% Danceability • 6% Energy • 10% Liveness
83% Instrumentalness • 7% Positiveness
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Nala Sinephro
Space 1
114 bpm • G min • 04:08 • -26.46db
47% Popularity • 27% Danceability • 7% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
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Tim Hecker
The Piano Drop
114 bpm • C# min • 02:53 • -12db
36% Popularity • 58% Danceability • 85% Energy • 14% Liveness
96% Instrumentalness • 3% Positiveness
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Cluster
Ho Renomo
114 bpm • D Maj • 05:11 • -17.29db
35% Popularity • 47% Danceability • 18% Energy • 6% Liveness
86% Instrumentalness • 6% Positiveness
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Susumu Yokota
I Imagine
117 bpm • C Maj • 02:34 • -20.59db
36% Popularity • 35% Danceability • 10% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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GAS
Pop 2
113 bpm • G# Maj • 08:33 • -20db
34% Popularity • 16% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 14% Positiveness
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Brian Eno
A Clearing - Remastered 2004
116 bpm • F Maj • 04:07 • -32.37db
33% Popularity • 17% Danceability • 0% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Slow Attack Ensemble
Ninety Seconds for Celeste
113 bpm • B min • 01:31 • -23.7db
48% Popularity • 31% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 40% Positiveness
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Harmonia & Eno '76
Almost
117 bpm • D Maj • 05:29 • -18.71db
17% Popularity • 41% Danceability • 20% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
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Cluster
In Ewigkeit
113 bpm • A# Maj • 07:24 • -21db
26% Popularity • 25% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Josiah Steinbrick
Blue Age
118 bpm • A# Maj • 01:16 • -23.4db
49% Popularity • 17% Danceability • 8% Energy • 44% Liveness
71% Instrumentalness • 6% Positiveness
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Laraaji
The Dance No. 1
118 bpm • F# min • 09:15 • -10db
32% Popularity • 35% Danceability • 87% Energy • 9% Liveness
94% Instrumentalness • 27% Positiveness
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Brian Eno
Matta - Remastered 2005
116 bpm • G# min • 04:19 • -36.06db
35% Popularity • 17% Danceability • 6% Energy • 29% Liveness
90% Instrumentalness • 13% Positiveness
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Robert Wyatt
The Whole Point Of No Return
112 bpm • A min • 01:25 • -18.49db
31% Popularity • 30% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Susumu Yokota
Kodomotachi
118 bpm • C# min • 04:06 • -9.65db
37% Popularity • 69% Danceability • 59% Energy • 11% Liveness
91% Instrumentalness • 39% Positiveness
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E Ruscha V
The Hostess
112 bpm • F Maj • 02:04 • -14.28db
37% Popularity • 51% Danceability • 26% Energy • 53% Liveness
97% Instrumentalness • 8% Positiveness
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Kaitlyn Aurelia Smith
Unbraiding Boundless Energy Within Bound...
118 bpm • A# Maj • 01:07 • -21.68db
43% Popularity • 40% Danceability • 26% Energy • 55% Liveness
50% Instrumentalness • 46% Positiveness
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Clark
Omni Vignette
112 bpm • C# Maj • 02:18 • -25db
38% Popularity • 27% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
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Brian Eno
The Big Ship - 2004 Remaster
118 bpm • C Maj • 03:01 • -15.71db
49% Popularity • 38% Danceability • 26% Energy • 12% Liveness
88% Instrumentalness • 5% Positiveness
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Mary Lattimore
Pine Trees
111 bpm • B min • 03:20 • -27.49db
36% Popularity • 52% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 31% Positiveness
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Susumu Yokota
Saku
118 bpm • D Maj • 05:45 • -18db
39% Popularity • 39% Danceability • 16% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
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Meitei
Ike
119 bpm • C# Maj • 03:28 • -17.13db
37% Popularity • 74% Danceability • 18% Energy • 10% Liveness
79% Instrumentalness • 40% Positiveness
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Kaitlyn Aurelia Smith
Brush
112 bpm • C# Maj • 01:20 • -19.2db
45% Popularity • 42% Danceability • 20% Energy • 11% Liveness
96% Instrumentalness • 35% Positiveness
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Ana Roxanne
Immortality
111 bpm • C min • 04:04 • -21.94db
33% Popularity • 17% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 5% Positiveness
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Brian Eno
Becalmed - 2004 Remaster
119 bpm • F# min • 03:56 • -26.3db
34% Popularity • 18% Danceability • 4% Energy • 34% Liveness
89% Instrumentalness • 5% Positiveness
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David Sylvian
The Healing Place
120 bpm • B min • 05:28 • -22db
29% Popularity • 30% Danceability • 12% Energy • 10% Liveness
70% Instrumentalness • 4% Positiveness
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Tom Rogerson
An Iken Loop
110 bpm • B min • 03:04 • -23.55db
19% Popularity • 32% Danceability • 0% Energy • 10% Liveness
84% Instrumentalness • 15% Positiveness
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Fennesz
Shisheido
120 bpm • A Maj • 02:57 • -12db
26% Popularity • 60% Danceability • 32% Energy • 9% Liveness
79% Instrumentalness • 21% Positiveness
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Kaitlyn Aurelia Smith
Mt Baker
120 bpm • C# min • 05:12 • -15.74db
38% Popularity • 42% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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K. Leimer
Shettle Wood
110 bpm • D# min • 03:05 • -20.55db
24% Popularity • 34% Danceability • 17% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Ana Roxanne
Nocturne
110 bpm • C Maj • 05:36 • -17.97db
31% Popularity • 18% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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David Sylvian
Silver Moon Over Sleeping Steeples
120 bpm • D Maj • 02:21 • -19.83db
42% Popularity • 25% Danceability • 20% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Aphex Twin
Jynweythek
120 bpm • D# min • 02:23 • -20db
48% Popularity • 72% Danceability • 25% Energy • 10% Liveness
89% Instrumentalness • 12% Positiveness
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Biosphere
Addio
120 bpm • D Maj • 01:30 • -28.02db
31% Popularity • 46% Danceability • 12% Energy • 13% Liveness
99% Instrumentalness • 69% Positiveness
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Susumu Yokota
Genshi
120 bpm • F Maj • 04:57 • -17.47db
31% Popularity • 44% Danceability • 57% Energy • 7% Liveness
93% Instrumentalness • 21% Positiveness
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Clark
Pleen 1930's
120 bpm • G min • 01:31 • -15db
48% Popularity • 65% Danceability • 29% Energy • 15% Liveness
85% Instrumentalness • 71% Positiveness
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Kaitlyn Aurelia Smith
Stratus
120 bpm • F# min • 03:04 • -22db
42% Popularity • 49% Danceability • 7% Energy • 6% Liveness
97% Instrumentalness • 4% Positiveness
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Brian Eno
Ship In A Bottle
110 bpm • G# Maj • 02:40 • -23.75db
33% Popularity • 43% Danceability • 17% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Jon Hassell
Blue Period
110 bpm • D min • 07:58 • -28db
24% Popularity • 17% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Dylan Henner
The Peach Tree Next Door Grew over Our F...
110 bpm • C# Maj • 05:38 • -17db
33% Popularity • 52% Danceability • 33% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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A Winged Victory for the Sullen
The Slow Descent Has Begun
109 bpm • A min • 04:55 • -21db
37% Popularity • 16% Danceability • 5% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
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Deux Filles
Oakwood Green - Remastered
122 bpm • D Maj • 02:04 • -19.51db
26% Popularity • 22% Danceability • 30% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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yes/and
Ugly Orange
109 bpm • D Maj • 04:19 • -17db
31% Popularity • 56% Danceability • 23% Energy • 8% Liveness
91% Instrumentalness • 40% Positiveness
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Fred again..
Radio
108 bpm • C Maj • 04:04 • -28.24db
49% Popularity • 45% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Jon Hassell
Chemistry
108 bpm • E min • 06:54 • -29db
21% Popularity • 62% Danceability • 18% Energy • 13% Liveness
88% Instrumentalness • 29% Positiveness
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Cluster
Die Bunge
122 bpm • C# Maj • 03:47 • -20.61db
28% Popularity • 58% Danceability • 17% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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A Winged Victory for the Sullen
We Played Some Open Chords and Rejoiced,...
108 bpm • A# Maj • 06:18 • -22.84db
34% Popularity • 26% Danceability • 2% Energy • 14% Liveness
91% Instrumentalness • 3% Positiveness
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Brian Eno
Unfamiliar Wind (Leeks Hills) - Remaster...
122 bpm • F min • 05:26 • -33.33db
30% Popularity • 20% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Steve Reich
Pulses
108 bpm • A Maj • 04:12 • -16db
29% Popularity • 65% Danceability • 69% Energy • 10% Liveness
63% Instrumentalness • 53% Positiveness
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Harold Budd
Late October - 2005 Digital Remaster
123 bpm • C# min • 04:44 • -32.85db
37% Popularity • 21% Danceability • 1% Energy • 32% Liveness
97% Instrumentalness • 5% Positiveness
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Kaitlyn Aurelia Smith
Labyrinth XII
123 bpm • C Maj • 00:58 • -19.16db
35% Popularity • 24% Danceability • 36% Energy • 14% Liveness
95% Instrumentalness • 3% Positiveness
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The Durutti Column
Requiem Again
123 bpm • E Maj • 04:01 • -8.69db
34% Popularity • 69% Danceability • 55% Energy • 11% Liveness
84% Instrumentalness • 21% Positiveness
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Popol Vuh
Aguirre I (L'Acrime Di Rei)
107 bpm • G min • 07:22 • -18.97db
26% Popularity • 25% Danceability • 15% Energy • 13% Liveness
95% Instrumentalness • 6% Positiveness
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Jean-Michel Jarre
EPICA EXTENSION
124 bpm • A# min • 04:29 • -8.18db
23% Popularity • 71% Danceability • 77% Energy • 12% Liveness
92% Instrumentalness • 28% Positiveness
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Slow Attack Ensemble
Recurring Afterimage
107 bpm • D# Maj • 01:56 • -19db
44% Popularity • 48% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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Susumu Yokota
Song Of The Sleeping Forest
107 bpm • G Maj • 04:19 • -10.18db
35% Popularity • 82% Danceability • 70% Energy • 18% Liveness
87% Instrumentalness • 79% Positiveness
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Fennesz
Before I Leave
106 bpm • B Maj • 04:08 • -20.1db
29% Popularity • 23% Danceability • 63% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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The Durutti Column
Love No More
125 bpm • D Maj • 02:47 • -14.31db
33% Popularity • 58% Danceability • 28% Energy • 11% Liveness
91% Instrumentalness • 39% Positiveness
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Joanna Brouk
Golden Cloud Layers
125 bpm • C# Maj • 06:36 • -24.05db
27% Popularity • 39% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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The Dead Texan
Aegina Airlines
106 bpm • C# min • 02:48 • -24.54db
34% Popularity • 16% Danceability • 8% Energy • 8% Liveness
74% Instrumentalness • 4% Positiveness
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Tom Rogerson
Quoit Blue
125 bpm • B min • 04:41 • -40.28db
12% Popularity • 18% Danceability • 0% Energy • 13% Liveness
96% Instrumentalness • 3% Positiveness
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Robert Fripp
An Index Of Metals V
125 bpm • A min • 04:23 • -20.37db
21% Popularity • 19% Danceability • 19% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Tim Hecker
Trade Winds, White Heat
105 bpm • B Maj • 04:22 • -27.68db
41% Popularity • 15% Danceability • 2% Energy • 30% Liveness
98% Instrumentalness • 3% Positiveness
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Susumu Yokota
Sleepy Eye
125 bpm • F# min • 02:44 • -20db
33% Popularity • 42% Danceability • 40% Energy • 28% Liveness
99% Instrumentalness • 11% Positiveness
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Yasuaki Shimizu
Kono Yoni Yomeri (Sono 2)
126 bpm • C Maj • 02:20 • -24.8db
31% Popularity • 22% Danceability • 2% Energy • 7% Liveness
7% Instrumentalness • 9% Positiveness
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Popol Vuh
Morgengruss II
126 bpm • E Maj • 02:55 • -14.46db
30% Popularity • 35% Danceability • 30% Energy • 12% Liveness
87% Instrumentalness • 11% Positiveness
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Julianna Barwick
Offing
127 bpm • D# Maj • 03:15 • -16.03db
26% Popularity • 26% Danceability • 30% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Cluster
Schöne Hände
105 bpm • B Maj • 03:05 • -24db
39% Popularity • 62% Danceability • 23% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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Fred again..
Cmon
104 bpm • C# Maj • 05:20 • -21.14db
55% Popularity • 39% Danceability • 11% Energy • 9% Liveness
88% Instrumentalness • 14% Positiveness
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Roedelius
On the Fly
104 bpm • E Maj • 04:19 • -27.21db
27% Popularity • 18% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Harmonia & Eno '76
Welcome
104 bpm • D Maj • 03:02 • -18.81db
37% Popularity • 40% Danceability • 27% Energy • 11% Liveness
74% Instrumentalness • 17% Positiveness
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Jon Hassell
Blues Nile
104 bpm • G min • 09:54 • -12.86db
27% Popularity • 16% Danceability • 34% Energy • 16% Liveness
89% Instrumentalness • 3% Positiveness
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Suso Saiz
Scrub Your Ego
127 bpm • B min • 01:54 • -28.18db
43% Popularity • 31% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 10% Positiveness
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Sigur Rós
Takk...
128 bpm • G Maj • 01:57 • -18.56db
44% Popularity • 18% Danceability • 20% Energy • 64% Liveness
80% Instrumentalness • 4% Positiveness
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Susumu Yokota
Kirakiraboshi
104 bpm • C# Maj • 01:55 • -18db
40% Popularity • 41% Danceability • 33% Energy • 39% Liveness
95% Instrumentalness • 12% Positiveness
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Harold Budd
Not Yet Remembered - Remastered 2004
103 bpm • C# min • 03:50 • -23.49db
38% Popularity • 26% Danceability • 6% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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John Martyn
Small Hours
103 bpm • G# Maj • 08:45 • -23.61db
33% Popularity • 25% Danceability • 4% Energy • 19% Liveness
60% Instrumentalness • 10% Positiveness
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Aphex Twin
#1
103 bpm • A# min • 07:27 • -20db
45% Popularity • 63% Danceability • 3% Energy • 9% Liveness
72% Instrumentalness • 8% Positiveness
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Brian Eno
Slow Water - Remastered 2005
128 bpm • D min • 03:16 • -24.26db
26% Popularity • 22% Danceability • 14% Energy • 20% Liveness
96% Instrumentalness • 6% Positiveness
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Colleen
November
129 bpm • C# min • 02:08 • -16db
32% Popularity • 34% Danceability • 30% Energy • 20% Liveness
92% Instrumentalness • 36% Positiveness
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Michael Brook
Distant Village
129 bpm • G# min • 04:03 • -28.02db
28% Popularity • 60% Danceability • 16% Energy • 13% Liveness
92% Instrumentalness • 44% Positiveness
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Robert Fripp
The Heavenly Music Corporation V
129 bpm • D Maj • 04:15 • -22.78db
20% Popularity • 16% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Ernest Hood
Gloaming
129 bpm • C# Maj • 08:32 • -17.07db
23% Popularity • 35% Danceability • 39% Energy • 18% Liveness
1% Instrumentalness • 10% Positiveness
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Julianna Barwick
Labyrinthine
129 bpm • D Maj • 04:32 • -16db
36% Popularity • 17% Danceability • 27% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Huerco S.
A Sea Of Love
102 bpm • A# min • 07:17 • -28.72db
38% Popularity • 14% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
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Brian Eno
Aragon - Remastered 2005
103 bpm • G min • 01:37 • -33.6db
31% Popularity • 32% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
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Daniel Lanois
Sirens
129 bpm • D# Maj • 03:07 • -24.18db
18% Popularity • 26% Danceability • 25% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Steve Reich
Music for 18 Musicians: Section I
102 bpm • D Maj • 03:58 • -17db
30% Popularity • 59% Danceability • 30% Energy • 15% Liveness
93% Instrumentalness • 19% Positiveness
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Domenique Dumont
Sunshine in 1929
130 bpm • G Maj • 03:45 • -19.1db
39% Popularity • 46% Danceability • 25% Energy • 11% Liveness
96% Instrumentalness • 33% Positiveness
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Cluster
Umleitung
130 bpm • C# min • 03:28 • -16.89db
25% Popularity • 56% Danceability • 19% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Michael Brook
Earth Floor
130 bpm • D# min • 04:50 • -31.48db
11% Popularity • 17% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Brian Eno
Top Boy Theme
130 bpm • G min • 02:46 • -18.92db
35% Popularity • 38% Danceability • 25% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
► Preview
Biosphere
Poa Alpina
130 bpm • G min • 04:11 • -35.2db
44% Popularity • 22% Danceability • 3% Energy • 15% Liveness
94% Instrumentalness • 11% Positiveness
► Preview
Aphex Twin
aisatsana [102]
101 bpm • E min • 05:21 • -33db
60% Popularity • 26% Danceability • 1% Energy • 13% Liveness
84% Instrumentalness • 3% Positiveness
► Preview
Domenique Dumont
Merry-Go-Round
131 bpm • E min • 01:47 • -16.56db
49% Popularity • 67% Danceability • 19% Energy • 12% Liveness
96% Instrumentalness • 72% Positiveness
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Jon Hopkins
Love Flows Over Us In Prismatic Waves
130 bpm • F Maj • 06:52 • -22.29db
40% Popularity • 18% Danceability • 27% Energy • 10% Liveness
81% Instrumentalness • 8% Positiveness
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Roedelius
Sonnengeflecht
101 bpm • B Maj • 03:29 • -18db
18% Popularity • 36% Danceability • 48% Energy • 16% Liveness
96% Instrumentalness • 20% Positiveness
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Spinning Away