Songs like Splintered - Instrumental by Aisha Badru
Based on a tempo of (+/- 10%) and a similar genre
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Dr. Toast
Priceless
148 bpm • C min • 04:40 • -12db
33% Popularity • 55% Danceability • 55% Energy • 6% Liveness
88% Instrumentalness • 32% Positiveness
33% Popularity • 55% Danceability • 55% Energy • 6% Liveness
88% Instrumentalness • 32% Positiveness
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Coquins
Sens Plus Profond
148 bpm • F Maj • 03:42 • -17.63db
39% Popularity • 48% Danceability • 33% Energy • 13% Liveness
94% Instrumentalness • 35% Positiveness
39% Popularity • 48% Danceability • 33% Energy • 13% Liveness
94% Instrumentalness • 35% Positiveness
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Jai Gourgaud
capable
148 bpm • G Maj • 02:52 • -19.46db
39% Popularity • 45% Danceability • 47% Energy • 9% Liveness
83% Instrumentalness • 56% Positiveness
39% Popularity • 45% Danceability • 47% Energy • 9% Liveness
83% Instrumentalness • 56% Positiveness
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Aisha Badru
Splintered - Instrumental
148 bpm • C# min • 04:10 • -18.42db
38% Popularity • 51% Danceability • 29% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
38% Popularity • 51% Danceability • 29% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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David Charrier
Ephemeral
148 bpm • F# min • 03:20 • -13.53db
21% Popularity • 52% Danceability • 57% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
21% Popularity • 52% Danceability • 57% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
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Tony Anderson
Tenderness
148 bpm • C Maj • 05:20 • -29.19db
43% Popularity • 28% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 23% Positiveness
43% Popularity • 28% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 23% Positiveness
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Alex Kozobolis
Flight
149 bpm • E Maj • 01:08 • -24.15db
53% Popularity • 32% Danceability • 40% Energy • 10% Liveness
85% Instrumentalness • 26% Positiveness
53% Popularity • 32% Danceability • 40% Energy • 10% Liveness
85% Instrumentalness • 26% Positiveness
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Endel
At Ease
146 bpm • C Maj • 03:31 • -33.21db
24% Popularity • 13% Danceability • 3% Energy • 8% Liveness
99% Instrumentalness • 4% Positiveness
24% Popularity • 13% Danceability • 3% Energy • 8% Liveness
99% Instrumentalness • 4% Positiveness
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Hania Rani
Woven Song — piano reworks
147 bpm • C# min • 03:47 • -33.85db
50% Popularity • 27% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
50% Popularity • 27% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
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Aisha Badru
Splintered
147 bpm • C# min • 04:10 • -12db
40% Popularity • 37% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
40% Popularity • 37% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Dustin O'Halloran
We Move Lightly - Pataphysical Remix
150 bpm • F min • 05:20 • -17.02db
20% Popularity • 52% Danceability • 38% Energy • 13% Liveness
88% Instrumentalness • 10% Positiveness
20% Popularity • 52% Danceability • 38% Energy • 13% Liveness
88% Instrumentalness • 10% Positiveness
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Cave in the Sky
Lumali
146 bpm • D Maj • 04:57 • -17.89db
11% Popularity • 58% Danceability • 28% Energy • 7% Liveness
86% Instrumentalness • 36% Positiveness
11% Popularity • 58% Danceability • 28% Energy • 7% Liveness
86% Instrumentalness • 36% Positiveness
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Healing the soul
Kundalini Activation
150 bpm • G Maj • 02:17 • -21.71db
47% Popularity • 61% Danceability • 28% Energy • 39% Liveness
90% Instrumentalness • 63% Positiveness
47% Popularity • 61% Danceability • 28% Energy • 39% Liveness
90% Instrumentalness • 63% Positiveness
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Zach Wirchak
Morning
150 bpm • G# min • 02:12 • -14db
52% Popularity • 57% Danceability • 34% Energy • 10% Liveness
67% Instrumentalness • 18% Positiveness
52% Popularity • 57% Danceability • 34% Energy • 10% Liveness
67% Instrumentalness • 18% Positiveness
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Slow Meadow
You Felt Like Home
150 bpm • D Maj • 04:36 • -19.87db
25% Popularity • 14% Danceability • 8% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
25% Popularity • 14% Danceability • 8% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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PLVCES
Paris
150 bpm • F Maj • 02:58 • -10.76db
32% Popularity • 18% Danceability • 24% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
32% Popularity • 18% Danceability • 24% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Keisuke Sakai
Mizu Sumu
146 bpm • D Maj • 04:40 • -16db
45% Popularity • 51% Danceability • 26% Energy • 23% Liveness
28% Instrumentalness • 33% Positiveness
45% Popularity • 51% Danceability • 26% Energy • 23% Liveness
28% Instrumentalness • 33% Positiveness
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Cave in the Sky
The Gift
150 bpm • E min • 05:55 • -18.5db
10% Popularity • 56% Danceability • 18% Energy • 7% Liveness
88% Instrumentalness • 17% Positiveness
10% Popularity • 56% Danceability • 18% Energy • 7% Liveness
88% Instrumentalness • 17% Positiveness
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Aisha Badru
Waiting Around - Acoustic
145 bpm • C Maj • 02:32 • -15db
52% Popularity • 48% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
52% Popularity • 48% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Corre
Wash
145 bpm • A min • 02:43 • -24.28db
28% Popularity • 14% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
28% Popularity • 14% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Eskimotion
Awakenings
151 bpm • G min • 04:02 • -29.98db
38% Popularity • 45% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
38% Popularity • 45% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Klik & Frik
Boavista
152 bpm • B min • 03:49 • -21.54db
32% Popularity • 54% Danceability • 23% Energy • 7% Liveness
94% Instrumentalness • 63% Positiveness
32% Popularity • 54% Danceability • 23% Energy • 7% Liveness
94% Instrumentalness • 63% Positiveness
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Luca Longobardi
Residue
152 bpm • C min • 03:54 • -20.37db
37% Popularity • 46% Danceability • 22% Energy • 9% Liveness
83% Instrumentalness • 26% Positiveness
37% Popularity • 46% Danceability • 22% Energy • 9% Liveness
83% Instrumentalness • 26% Positiveness
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Pete Kuzma
Luella
144 bpm • G# Maj • 04:22 • -17.17db
33% Popularity • 55% Danceability • 18% Energy • 7% Liveness
91% Instrumentalness • 14% Positiveness
33% Popularity • 55% Danceability • 18% Energy • 7% Liveness
91% Instrumentalness • 14% Positiveness
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Ravid
Calm Upon You
152 bpm • D min • 08:27 • -16.12db
24% Popularity • 40% Danceability • 36% Energy • 39% Liveness
96% Instrumentalness • 6% Positiveness
24% Popularity • 40% Danceability • 36% Energy • 39% Liveness
96% Instrumentalness • 6% Positiveness
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Random Rab
The Reveal
144 bpm • A Maj • 05:16 • -17.89db
10% Popularity • 50% Danceability • 14% Energy • 8% Liveness
95% Instrumentalness • 39% Positiveness
10% Popularity • 50% Danceability • 14% Energy • 8% Liveness
95% Instrumentalness • 39% Positiveness
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Clarico
Moving Forward
144 bpm • D min • 02:22 • -25.73db
43% Popularity • 43% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
43% Popularity • 43% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Double Singularity
Watermark - Acoustic
144 bpm • B min • 02:57 • -12.16db
20% Popularity • 58% Danceability • 31% Energy • 11% Liveness
75% Instrumentalness • 34% Positiveness
20% Popularity • 58% Danceability • 31% Energy • 11% Liveness
75% Instrumentalness • 34% Positiveness
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Tim Shiel
Spirit Home - Extended Edit
152 bpm • C# Maj • 04:26 • -25.6db
29% Popularity • 26% Danceability • 14% Energy • 6% Liveness
89% Instrumentalness • 33% Positiveness
29% Popularity • 26% Danceability • 14% Energy • 6% Liveness
89% Instrumentalness • 33% Positiveness
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Stephan Moccio
À la prochaine…
152 bpm • F Maj • 02:24 • -28.38db
30% Popularity • 21% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 15% Positiveness
30% Popularity • 21% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 15% Positiveness
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The Cinematic Orchestra
The Workers of Art - Kelly Moran Remix
153 bpm • D# min • 04:44 • -14.22db
35% Popularity • 39% Danceability • 49% Energy • 10% Liveness
97% Instrumentalness • 11% Positiveness
35% Popularity • 39% Danceability • 49% Energy • 10% Liveness
97% Instrumentalness • 11% Positiveness
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Chequerboard
Red Admiral
153 bpm • E Maj • 02:46 • -18.85db
15% Popularity • 36% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 35% Positiveness
15% Popularity • 36% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 35% Positiveness
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Ólafur Arnalds
Woven Song
154 bpm • C# min • 03:10 • -23.79db
43% Popularity • 30% Danceability • 13% Energy • 13% Liveness
81% Instrumentalness • 17% Positiveness
43% Popularity • 30% Danceability • 13% Energy • 13% Liveness
81% Instrumentalness • 17% Positiveness
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Alex Forster
Beneath the Bananas
154 bpm • E min • 04:17 • -23.03db
16% Popularity • 21% Danceability • 14% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
16% Popularity • 21% Danceability • 14% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Owen Phillips
Slowly Homeward
143 bpm • C Maj • 02:35 • -30.23db
32% Popularity • 14% Danceability • 3% Energy • 11% Liveness
77% Instrumentalness • 40% Positiveness
32% Popularity • 14% Danceability • 3% Energy • 11% Liveness
77% Instrumentalness • 40% Positiveness
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The Album Leaf
Baby Saige
142 bpm • C Maj • 04:41 • -37db
37% Popularity • 14% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
37% Popularity • 14% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
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Jackson Mullane
Into the Abyss
142 bpm • E min • 03:03 • -17.08db
32% Popularity • 18% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
32% Popularity • 18% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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Hippidion
Nuevo Lunes
142 bpm • E min • 01:56 • -26.62db
38% Popularity • 67% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 20% Positiveness
38% Popularity • 67% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 20% Positiveness
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Pete Kuzma
Mornings at CafecÃto
142 bpm • C Maj • 04:01 • -23.37db
40% Popularity • 47% Danceability • 18% Energy • 13% Liveness
92% Instrumentalness • 38% Positiveness
40% Popularity • 47% Danceability • 18% Energy • 13% Liveness
92% Instrumentalness • 38% Positiveness
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Eucalyptic
The Following
142 bpm • E Maj • 02:55 • -19.88db
24% Popularity • 38% Danceability • 3% Energy • 6% Liveness
88% Instrumentalness • 18% Positiveness
24% Popularity • 38% Danceability • 3% Energy • 6% Liveness
88% Instrumentalness • 18% Positiveness
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Eskimotion
Optimist
155 bpm • B Maj • 04:28 • -25.27db
27% Popularity • 39% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
27% Popularity • 39% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Evan Fraser
Water She Dances - Castanea Remix
155 bpm • G min • 04:30 • -14db
36% Popularity • 64% Danceability • 33% Energy • 10% Liveness
82% Instrumentalness • 57% Positiveness
36% Popularity • 64% Danceability • 33% Energy • 10% Liveness
82% Instrumentalness • 57% Positiveness
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Michael Regner
Opening Title
141 bpm • G# Maj • 01:31 • -23db
33% Popularity • 36% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
33% Popularity • 36% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Rob Lewis
The Sea
141 bpm • D Maj • 03:55 • -13.13db
34% Popularity • 22% Danceability • 21% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
34% Popularity • 22% Danceability • 21% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
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Endorf
Cigarette
156 bpm • A min • 02:54 • -11db
30% Popularity • 55% Danceability • 29% Energy • 8% Liveness
78% Instrumentalness • 18% Positiveness
30% Popularity • 55% Danceability • 29% Energy • 8% Liveness
78% Instrumentalness • 18% Positiveness
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Hector Plimmer
Still Here - Alexandra Hamilton-Ayres Re...
156 bpm • D Maj • 04:04 • -18.2db
25% Popularity • 46% Danceability • 37% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
25% Popularity • 46% Danceability • 37% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Eskimotion
Ocean
142 bpm • F# Maj • 02:49 • -28.81db
45% Popularity • 42% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 21% Positiveness
45% Popularity • 42% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 21% Positiveness
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Alexandra Hamilton-Ayres
Ashridge
156 bpm • C min • 04:09 • -19db
32% Popularity • 40% Danceability • 26% Energy • 33% Liveness
89% Instrumentalness • 34% Positiveness
32% Popularity • 40% Danceability • 26% Energy • 33% Liveness
89% Instrumentalness • 34% Positiveness
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Zach Wirchak
Breathe
140 bpm • C Maj • 01:52 • -14.79db
49% Popularity • 65% Danceability • 13% Energy • 11% Liveness
79% Instrumentalness • 7% Positiveness
49% Popularity • 65% Danceability • 13% Energy • 11% Liveness
79% Instrumentalness • 7% Positiveness
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Pete Kuzma
Lullaby for Little Spoon
140 bpm • C Maj • 06:24 • -12.31db
42% Popularity • 72% Danceability • 18% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
42% Popularity • 72% Danceability • 18% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Jars Of Bees
Wandering
140 bpm • C Maj • 03:15 • -19db
39% Popularity • 22% Danceability • 13% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
39% Popularity • 22% Danceability • 13% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
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Antonio Spaziani
Never Say Impossible
140 bpm • E Maj • 03:30 • -12.1db
28% Popularity • 59% Danceability • 33% Energy • 8% Liveness
79% Instrumentalness • 39% Positiveness
28% Popularity • 59% Danceability • 33% Energy • 8% Liveness
79% Instrumentalness • 39% Positiveness
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Living Room
The Whale
140 bpm • A min • 02:52 • -27.24db
42% Popularity • 52% Danceability • 16% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
42% Popularity • 52% Danceability • 16% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
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Kumea Sound
The Mass of the Sun Caused a Tear in Tim...
158 bpm • C Maj • 03:58 • -17.74db
38% Popularity • 26% Danceability • 25% Energy • 8% Liveness
90% Instrumentalness • 11% Positiveness
38% Popularity • 26% Danceability • 25% Energy • 8% Liveness
90% Instrumentalness • 11% Positiveness
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Alex Kozobolis
Barcelona
139 bpm • E Maj • 03:43 • -31db
39% Popularity • 29% Danceability • 15% Energy • 8% Liveness
92% Instrumentalness • 36% Positiveness
39% Popularity • 29% Danceability • 15% Energy • 8% Liveness
92% Instrumentalness • 36% Positiveness
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The Book Cover
We Flow Together
139 bpm • C min • 03:03 • -20.26db
33% Popularity • 58% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
33% Popularity • 58% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
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Sean Angus Watson
Let Me in
139 bpm • D Maj • 03:01 • -19.68db
52% Popularity • 70% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 35% Positiveness
52% Popularity • 70% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 35% Positiveness
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L'Homme Moyen
In This Light
158 bpm • D# Maj • 07:36 • -16.8db
18% Popularity • 34% Danceability • 30% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
18% Popularity • 34% Danceability • 30% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Thrupence
Hakea
139 bpm • G# min • 03:05 • -29db
38% Popularity • 28% Danceability • 4% Energy • 15% Liveness
79% Instrumentalness • 8% Positiveness
38% Popularity • 28% Danceability • 4% Energy • 15% Liveness
79% Instrumentalness • 8% Positiveness
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Kumea Sound
Aureola
139 bpm • G Maj • 04:49 • -20.71db
34% Popularity • 33% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
34% Popularity • 33% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Zoë Keating
Don't Worry
138 bpm • C Maj • 05:03 • -13.79db
29% Popularity • 57% Danceability • 12% Energy • 12% Liveness
85% Instrumentalness • 21% Positiveness
29% Popularity • 57% Danceability • 12% Energy • 12% Liveness
85% Instrumentalness • 21% Positiveness
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Ravid
Calm Upon You (Hang Solo)
138 bpm • D min • 05:01 • -24.79db
38% Popularity • 55% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 63% Positiveness
38% Popularity • 55% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 63% Positiveness
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Pete Kuzma
Bus Ride to Gulu
138 bpm • D# min • 06:27 • -15db
36% Popularity • 68% Danceability • 20% Energy • 10% Liveness
93% Instrumentalness • 25% Positiveness
36% Popularity • 68% Danceability • 20% Energy • 10% Liveness
93% Instrumentalness • 25% Positiveness
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Martin Gauffin
Tidewaves
138 bpm • G Maj • 01:58 • -19.71db
43% Popularity • 31% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
43% Popularity • 31% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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Eskimotion
Lunar Rainbow
159 bpm • G Maj • 03:48 • -24.22db
47% Popularity • 26% Danceability • 12% Energy • 18% Liveness
95% Instrumentalness • 5% Positiveness
47% Popularity • 26% Danceability • 12% Energy • 18% Liveness
95% Instrumentalness • 5% Positiveness
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David Charrier
Handpanophone
138 bpm • F Maj • 04:35 • -12.44db
31% Popularity • 52% Danceability • 43% Energy • 5% Liveness
94% Instrumentalness • 51% Positiveness
31% Popularity • 52% Danceability • 43% Energy • 5% Liveness
94% Instrumentalness • 51% Positiveness
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Holloway
Euphorium
159 bpm • C# Maj • 05:14 • -16.88db
20% Popularity • 35% Danceability • 37% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
20% Popularity • 35% Danceability • 37% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Marius Nitzbon
Moody
137 bpm • C min • 03:18 • -22.5db
33% Popularity • 46% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 23% Positiveness
33% Popularity • 46% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 23% Positiveness
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Pete Kuzma
Seven and Change(S)
138 bpm • D# min • 07:09 • -14.61db
24% Popularity • 78% Danceability • 25% Energy • 9% Liveness
93% Instrumentalness • 16% Positiveness
24% Popularity • 78% Danceability • 25% Energy • 9% Liveness
93% Instrumentalness • 16% Positiveness
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Dust Follows
Baudo Guan
160 bpm • G Maj • 02:17 • -11.03db
25% Popularity • 45% Danceability • 60% Energy • 12% Liveness
89% Instrumentalness • 71% Positiveness
25% Popularity • 45% Danceability • 60% Energy • 12% Liveness
89% Instrumentalness • 71% Positiveness
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Neighborhood Libraries
Dream Jobs
160 bpm • C Maj • 03:12 • -21db
37% Popularity • 36% Danceability • 20% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
37% Popularity • 36% Danceability • 20% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
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To Life
Sunrise Terracotta
160 bpm • A min • 04:21 • -9.76db
29% Popularity • 36% Danceability • 51% Energy • 10% Liveness
96% Instrumentalness • 51% Positiveness
29% Popularity • 36% Danceability • 51% Energy • 10% Liveness
96% Instrumentalness • 51% Positiveness
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Holloway
Emergance
159 bpm • B min • 04:05 • -21.09db
28% Popularity • 28% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
28% Popularity • 28% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
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Chequerboard
Dunes
137 bpm • G# min • 07:46 • -17db
36% Popularity • 43% Danceability • 25% Energy • 35% Liveness
95% Instrumentalness • 11% Positiveness
36% Popularity • 43% Danceability • 25% Energy • 35% Liveness
95% Instrumentalness • 11% Positiveness
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Analog Heart
Transformation One
161 bpm • C# Maj • 02:59 • -20.53db
35% Popularity • 22% Danceability • 27% Energy • 9% Liveness
88% Instrumentalness • 11% Positiveness
35% Popularity • 22% Danceability • 27% Energy • 9% Liveness
88% Instrumentalness • 11% Positiveness
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Floraleda Sacchi
Primavera
136 bpm • C min • 04:13 • -12.5db
19% Popularity • 59% Danceability • 30% Energy • 9% Liveness
94% Instrumentalness • 44% Positiveness
19% Popularity • 59% Danceability • 30% Energy • 9% Liveness
94% Instrumentalness • 44% Positiveness
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Dr. Toast
Untouchable Number
136 bpm • C Maj • 04:14 • -13.84db
24% Popularity • 69% Danceability • 40% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
24% Popularity • 69% Danceability • 40% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Mt. Wolf
Hex - Instrumental
136 bpm • E min • 05:56 • -10.07db
10% Popularity • 45% Danceability • 28% Energy • 10% Liveness
58% Instrumentalness • 6% Positiveness
10% Popularity • 45% Danceability • 28% Energy • 10% Liveness
58% Instrumentalness • 6% Positiveness
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Freyr
Departure
162 bpm • E Maj • 02:45 • -15.69db
42% Popularity • 48% Danceability • 35% Energy • 7% Liveness
78% Instrumentalness • 7% Positiveness
42% Popularity • 48% Danceability • 35% Energy • 7% Liveness
78% Instrumentalness • 7% Positiveness
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Nick Box
Drifting
135 bpm • C# min • 03:39 • -19db
28% Popularity • 43% Danceability • 15% Energy • 17% Liveness
92% Instrumentalness • 10% Positiveness
28% Popularity • 43% Danceability • 15% Energy • 17% Liveness
92% Instrumentalness • 10% Positiveness
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Didacte
Voices In The Storm
135 bpm • G Maj • 03:04 • -12.42db
53% Popularity • 58% Danceability • 35% Energy • 12% Liveness
73% Instrumentalness • 16% Positiveness
53% Popularity • 58% Danceability • 35% Energy • 12% Liveness
73% Instrumentalness • 16% Positiveness
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Zach Wirchak
Goodnight
135 bpm • D Maj • 02:59 • -14.41db
37% Popularity • 42% Danceability • 29% Energy • 7% Liveness
70% Instrumentalness • 24% Positiveness
37% Popularity • 42% Danceability • 29% Energy • 7% Liveness
70% Instrumentalness • 24% Positiveness
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Carl Borg
Afterlight
135 bpm • G Maj • 04:26 • -23.42db
35% Popularity • 19% Danceability • 12% Energy • 12% Liveness
89% Instrumentalness • 5% Positiveness
35% Popularity • 19% Danceability • 12% Energy • 12% Liveness
89% Instrumentalness • 5% Positiveness
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Kumea Sound
Spring Melody
134 bpm • G Maj • 02:38 • -18.2db
48% Popularity • 36% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
48% Popularity • 36% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
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Rising Appalachia
Swoon - Acoustic
134 bpm • A min • 03:13 • -16.65db
42% Popularity • 79% Danceability • 15% Energy • 7% Liveness
42% Instrumentalness • 26% Positiveness
42% Popularity • 79% Danceability • 15% Energy • 7% Liveness
42% Instrumentalness • 26% Positiveness
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Holloway
Bloom
134 bpm • D Maj • 06:19 • -22.3db
36% Popularity • 18% Danceability • 5% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
36% Popularity • 18% Danceability • 5% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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amiina
Café
134 bpm • D min • 03:25 • -14.29db
35% Popularity • 71% Danceability • 39% Energy • 11% Liveness
91% Instrumentalness • 46% Positiveness
35% Popularity • 71% Danceability • 39% Energy • 11% Liveness
91% Instrumentalness • 46% Positiveness
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Hiss Golden Messenger
Hat of Rain
164 bpm • G Maj • 02:16 • -16.08db
37% Popularity • 37% Danceability • 61% Energy • 8% Liveness
94% Instrumentalness • 45% Positiveness
37% Popularity • 37% Danceability • 61% Energy • 8% Liveness
94% Instrumentalness • 45% Positiveness
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Carl Borg
Seeds
163 bpm • C Maj • 01:28 • -21.31db
36% Popularity • 55% Danceability • 54% Energy • 20% Liveness
96% Instrumentalness • 96% Positiveness
36% Popularity • 55% Danceability • 54% Energy • 20% Liveness
96% Instrumentalness • 96% Positiveness
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Elskavon
Itasca
133 bpm • G Maj • 02:46 • -17.85db
53% Popularity • 61% Danceability • 14% Energy • 19% Liveness
94% Instrumentalness • 28% Positiveness
53% Popularity • 61% Danceability • 14% Energy • 19% Liveness
94% Instrumentalness • 28% Positiveness
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John Hayes
Sweet Solitude
133 bpm • C# Maj • 02:35 • -21.28db
37% Popularity • 42% Danceability • 13% Energy • 34% Liveness
94% Instrumentalness • 28% Positiveness
37% Popularity • 42% Danceability • 13% Energy • 34% Liveness
94% Instrumentalness • 28% Positiveness
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Aisha Badru
Road to Self
133 bpm • F Maj • 04:11 • -21.81db
28% Popularity • 54% Danceability • 18% Energy • 11% Liveness
20% Instrumentalness • 21% Positiveness
28% Popularity • 54% Danceability • 18% Energy • 11% Liveness
20% Instrumentalness • 21% Positiveness
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Mitsch Kohn
On the Move
133 bpm • G# min • 00:58 • -21.83db
44% Popularity • 36% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 10% Positiveness
44% Popularity • 36% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 10% Positiveness
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Tony Anderson
Deep Waters
165 bpm • G Maj • 04:17 • -28.51db
38% Popularity • 22% Danceability • 1% Energy • 14% Liveness
91% Instrumentalness • 12% Positiveness
38% Popularity • 22% Danceability • 1% Energy • 14% Liveness
91% Instrumentalness • 12% Positiveness
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Stimming x Lambert
Grande
132 bpm • B min • 02:32 • -15.63db
35% Popularity • 50% Danceability • 50% Energy • 12% Liveness
95% Instrumentalness • 42% Positiveness
35% Popularity • 50% Danceability • 50% Energy • 12% Liveness
95% Instrumentalness • 42% Positiveness
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Broken Legacy
Closed Captions
132 bpm • F# min • 02:54 • -10.65db
26% Popularity • 70% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
26% Popularity • 70% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
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Pete Kuzma
A Night At the Cathedral
132 bpm • G Maj • 08:41 • -18.14db
25% Popularity • 39% Danceability • 9% Energy • 36% Liveness
76% Instrumentalness • 4% Positiveness
25% Popularity • 39% Danceability • 9% Energy • 36% Liveness
76% Instrumentalness • 4% Positiveness
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Worldtraveller
Just a Little Interlude
132 bpm • A# min • 03:29 • -23.88db
27% Popularity • 62% Danceability • 18% Energy • 10% Liveness
82% Instrumentalness • 28% Positiveness
27% Popularity • 62% Danceability • 18% Energy • 10% Liveness
82% Instrumentalness • 28% Positiveness
