Songs like Split Stones by Maggie Rogers
Based on a tempo of (+/- 10%) and a similar genre
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WESLEE
Bathwater
136 bpm • C# Maj • 03:18 • -3.38db
35% Popularity • 76% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
35% Popularity • 76% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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The Head And The Heart
Honeybee
136 bpm • A Maj • 03:16 • -7.89db
64% Popularity • 64% Danceability • 52% Energy • 55% Liveness
0% Instrumentalness • 49% Positiveness
64% Popularity • 64% Danceability • 52% Energy • 55% Liveness
0% Instrumentalness • 49% Positiveness
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Maggie Rogers
Split Stones
136 bpm • G Maj • 03:51 • -7.46db
46% Popularity • 71% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
46% Popularity • 71% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Until The Ribbon Breaks
My Love
135 bpm • C# Maj • 02:54 • -7.11db
37% Popularity • 67% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
37% Popularity • 67% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Middle Kids
Mistake
135 bpm • D Maj • 03:32 • -2.83db
34% Popularity • 52% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 52% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Ella Vos
Down in Flames
137 bpm • G# min • 03:07 • -6db
40% Popularity • 79% Danceability • 47% Energy • 9% Liveness
2% Instrumentalness • 5% Positiveness
40% Popularity • 79% Danceability • 47% Energy • 9% Liveness
2% Instrumentalness • 5% Positiveness
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Ingrid Michaelson
Whole Lot of Heart
138 bpm • F min • 03:35 • -8.21db
30% Popularity • 61% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 61% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Prinze George
Wait Up
135 bpm • G# Maj • 04:16 • -8.67db
16% Popularity • 33% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 33% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Maggie Rogers
I've Got a Friend
135 bpm • G Maj • 03:12 • -7.77db
42% Popularity • 74% Danceability • 39% Energy • 61% Liveness
0% Instrumentalness • 45% Positiveness
42% Popularity • 74% Danceability • 39% Energy • 61% Liveness
0% Instrumentalness • 45% Positiveness
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Lennon Stella
Bad
138 bpm • G# Maj • 02:57 • -5.34db
40% Popularity • 83% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
40% Popularity • 83% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Rynn
Islands
138 bpm • B min • 03:46 • -6.06db
28% Popularity • 60% Danceability • 61% Energy • 7% Liveness
2% Instrumentalness • 33% Positiveness
28% Popularity • 60% Danceability • 61% Energy • 7% Liveness
2% Instrumentalness • 33% Positiveness
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Ella Vos
White Noise - Recorded at Spotify Studio...
138 bpm • D# Maj • 02:48 • -13db
26% Popularity • 56% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
26% Popularity • 56% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Andrew Belle
Dive Deep
138 bpm • A Maj • 03:49 • -6db
28% Popularity • 65% Danceability • 83% Energy • 22% Liveness
1% Instrumentalness • 62% Positiveness
28% Popularity • 65% Danceability • 83% Energy • 22% Liveness
1% Instrumentalness • 62% Positiveness
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Frances Cone
Arizona
133 bpm • G Maj • 03:17 • -7.27db
31% Popularity • 28% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 17% Positiveness
31% Popularity • 28% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 17% Positiveness
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Bishop Briggs
Baby
140 bpm • F# min • 03:14 • -6db
43% Popularity • 66% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 21% Positiveness
43% Popularity • 66% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 21% Positiveness
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NÄM
Shaken Tight
140 bpm • G Maj • 03:32 • -7.42db
20% Popularity • 53% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 53% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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TRACE
Low
140 bpm • F Maj • 03:26 • -8.75db
36% Popularity • 50% Danceability • 81% Energy • 22% Liveness
42% Instrumentalness • 17% Positiveness
36% Popularity • 50% Danceability • 81% Energy • 22% Liveness
42% Instrumentalness • 17% Positiveness
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San Scout
LMS
132 bpm • F# Maj • 02:52 • -5.97db
13% Popularity • 33% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 33% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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George Ogilvie
Foreign Hands
141 bpm • D# min • 04:18 • -5.58db
47% Popularity • 68% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
47% Popularity • 68% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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BØRNS
God Save Our Young Blood
131 bpm • A Maj • 03:52 • -7.59db
47% Popularity • 62% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
47% Popularity • 62% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Bien
Crowd Goes Wild
141 bpm • B Maj • 04:16 • -7.53db
20% Popularity • 59% Danceability • 52% Energy • 9% Liveness
36% Instrumentalness • 58% Positiveness
20% Popularity • 59% Danceability • 52% Energy • 9% Liveness
36% Instrumentalness • 58% Positiveness
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King Princess
Upper West Side
142 bpm • A Maj • 03:31 • -8.86db
47% Popularity • 64% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 73% Positiveness
47% Popularity • 64% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 73% Positiveness
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LA WOMEN
Hurricane Love
142 bpm • F Maj • 03:11 • -7.13db
27% Popularity • 56% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 56% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Wild Rivers
Thinking 'Bout Love
142 bpm • F Maj • 03:19 • -8.12db
73% Popularity • 73% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
73% Popularity • 73% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Local Natives
When Am I Gonna Lose You
142 bpm • B Maj • 04:24 • -4.66db
58% Popularity • 45% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
58% Popularity • 45% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Ardyn
Life Happens
130 bpm • C# Maj • 03:19 • -6db
17% Popularity • 53% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 53% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Phebe Starr
Feel My Love
130 bpm • D Maj • 03:35 • -4.52db
19% Popularity • 61% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 61% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Maggie Rogers
Symphony
130 bpm • B Maj • 05:11 • -6db
41% Popularity • 50% Danceability • 76% Energy • 11% Liveness
53% Instrumentalness • 41% Positiveness
41% Popularity • 50% Danceability • 76% Energy • 11% Liveness
53% Instrumentalness • 41% Positiveness
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Angus & Julia Stone
Chateau
130 bpm • F Maj • 04:33 • -11.22db
57% Popularity • 66% Danceability • 59% Energy • 11% Liveness
86% Instrumentalness • 60% Positiveness
57% Popularity • 66% Danceability • 59% Energy • 11% Liveness
86% Instrumentalness • 60% Positiveness
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Mallrat
UFO
130 bpm • A min • 03:07 • -6db
39% Popularity • 69% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
39% Popularity • 69% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Bien
Flashback
130 bpm • F# Maj • 03:39 • -7db
13% Popularity • 64% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 64% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Poema
Forget You in LA
143 bpm • D# Maj • 04:07 • -7db
20% Popularity • 51% Danceability • 52% Energy • 38% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 51% Danceability • 52% Energy • 38% Liveness
0% Instrumentalness • 29% Positiveness
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Holly Humberstone
Scarlett
143 bpm • D Maj • 03:16 • -9db
56% Popularity • 62% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
56% Popularity • 62% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Maggie Rogers
On + Off
130 bpm • E Maj • 03:41 • -6.16db
53% Popularity • 59% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 26% Positiveness
53% Popularity • 59% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 26% Positiveness
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Birdtalker
Just This
130 bpm • C min • 04:05 • -7.7db
37% Popularity • 70% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
37% Popularity • 70% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Morgan Saint
YOU
143 bpm • G# Maj • 03:51 • -11.06db
45% Popularity • 38% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
45% Popularity • 38% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Passion Pit
Hey K
144 bpm • F# Maj • 04:02 • -6.1db
30% Popularity • 40% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
30% Popularity • 40% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Elley Duhé
Can You Touch
144 bpm • C# Maj • 03:11 • -7.52db
25% Popularity • 78% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
25% Popularity • 78% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Lennon Stella
Feelings
144 bpm • C Maj • 03:44 • -8.78db
38% Popularity • 76% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
38% Popularity • 76% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
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Maggie Rogers
Resonant Body
129 bpm • D Maj • 03:21 • -7db
42% Popularity • 52% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
42% Popularity • 52% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Woodes
Change My Mind
144 bpm • A Maj • 03:20 • -7.12db
21% Popularity • 69% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 69% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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HAIM
Nothing's Wrong
144 bpm • F Maj • 03:09 • -4.69db
36% Popularity • 55% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 55% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Ingrid Michaelson
Whole Lot of Heart
144 bpm • G min • 03:45 • -10.49db
22% Popularity • 64% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 64% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Blue Americans
Free Champagne
128 bpm • C min • 02:54 • -13.93db
18% Popularity • 39% Danceability • 27% Energy • 13% Liveness
1% Instrumentalness • 25% Positiveness
18% Popularity • 39% Danceability • 27% Energy • 13% Liveness
1% Instrumentalness • 25% Positiveness
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Bon Iver
Hey, Ma
144 bpm • C Maj • 03:36 • -10.96db
60% Popularity • 32% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
60% Popularity • 32% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Maggie Rogers
Honey
144 bpm • G Maj • 03:42 • -2.11db
41% Popularity • 32% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
41% Popularity • 32% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Wild Rivers
I Do - Bonus Track
128 bpm • B min • 03:04 • -8.87db
60% Popularity • 89% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
60% Popularity • 89% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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James Droll
Wall
128 bpm • G# Maj • 03:04 • -8.99db
21% Popularity • 61% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
21% Popularity • 61% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Eleanor Jacks
Run n Hide
128 bpm • A Maj • 02:51 • -5.96db
10% Popularity • 58% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 58% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Francis and the Lights
Friends
145 bpm • G# Maj • 03:08 • -9.32db
50% Popularity • 46% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
50% Popularity • 46% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Ella Vos
Little Brother
145 bpm • F Maj • 03:35 • -8db
31% Popularity • 75% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 75% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Maggie Rogers
Don't Forget Me
145 bpm • G# Maj • 04:25 • -4.26db
69% Popularity • 48% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
69% Popularity • 48% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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James Vincent McMorrow
Me and My Friends
145 bpm • G Maj • 03:20 • -9.25db
37% Popularity • 84% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
37% Popularity • 84% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Yoke Lore
Hold Me Down
145 bpm • D Maj • 04:29 • -7db
34% Popularity • 42% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
34% Popularity • 42% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
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Holly Humberstone
Deep End
128 bpm • C Maj • 02:51 • -8db
53% Popularity • 40% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
53% Popularity • 40% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Jade Bird
Side Effects
146 bpm • G Maj • 03:11 • -3.25db
30% Popularity • 52% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 52% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Ella Vos
00000 Million - Recorded at Spotify Stud...
146 bpm • C Maj • 02:50 • -13.07db
33% Popularity • 59% Danceability • 28% Energy • 39% Liveness
1% Instrumentalness • 11% Positiveness
33% Popularity • 59% Danceability • 28% Energy • 39% Liveness
1% Instrumentalness • 11% Positiveness
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Sjowgren
Waiting Room
146 bpm • G Maj • 04:52 • -8db
31% Popularity • 61% Danceability • 43% Energy • 13% Liveness
61% Instrumentalness • 29% Positiveness
31% Popularity • 61% Danceability • 43% Energy • 13% Liveness
61% Instrumentalness • 29% Positiveness
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Maggie Rogers
Alaska - Acoustic
126 bpm • A min • 04:23 • -9.3db
40% Popularity • 50% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 50% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Belle Mt.
Made to Find You
146 bpm • C# Maj • 03:29 • -6.98db
23% Popularity • 54% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
23% Popularity • 54% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Hayley Gene Penner
Sleep at Night
126 bpm • G Maj • 03:39 • -8db
31% Popularity • 80% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 80% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Yumi Zouma
Powder Blue / Cascine Park
147 bpm • A# Maj • 03:48 • -9db
47% Popularity • 60% Danceability • 67% Energy • 13% Liveness
35% Instrumentalness • 55% Positiveness
47% Popularity • 60% Danceability • 67% Energy • 13% Liveness
35% Instrumentalness • 55% Positiveness
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Ella Vos
I Know You Care
126 bpm • A# Maj • 03:22 • -6.73db
22% Popularity • 69% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
22% Popularity • 69% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Skott
Stay Off My Mind
126 bpm • A# min • 03:40 • -8.76db
27% Popularity • 70% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 70% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Sjowgren
Seventeen
146 bpm • G Maj • 03:45 • -5.6db
63% Popularity • 61% Danceability • 72% Energy • 5% Liveness
8% Instrumentalness • 33% Positiveness
63% Popularity • 61% Danceability • 72% Energy • 5% Liveness
8% Instrumentalness • 33% Positiveness
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Kacey Musgraves
Slow Burn
148 bpm • D Maj • 04:06 • -9.11db
69% Popularity • 56% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
69% Popularity • 56% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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The Japanese House
Something Has to Change
125 bpm • A Maj • 03:11 • -8.86db
52% Popularity • 70% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
52% Popularity • 70% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Rationale
Phenomenal
125 bpm • G min • 03:23 • -6.74db
27% Popularity • 71% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
27% Popularity • 71% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Sara Hartman
Buttons
148 bpm • B Maj • 03:33 • -5.68db
15% Popularity • 68% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
15% Popularity • 68% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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The Aces
Stuck
125 bpm • F# min • 03:26 • -4db
41% Popularity • 72% Danceability • 75% Energy • 8% Liveness
10% Instrumentalness • 70% Positiveness
41% Popularity • 72% Danceability • 75% Energy • 8% Liveness
10% Instrumentalness • 70% Positiveness
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Evalyn
Filthy Rich
125 bpm • D# min • 03:35 • -6db
39% Popularity • 61% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
39% Popularity • 61% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Maggie Rogers
Overdrive
149 bpm • G Maj • 03:14 • -6.19db
53% Popularity • 37% Danceability • 78% Energy • 8% Liveness
10% Instrumentalness • 9% Positiveness
53% Popularity • 37% Danceability • 78% Energy • 8% Liveness
10% Instrumentalness • 9% Positiveness
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Elliot Root
10,000
124 bpm • D Maj • 04:07 • -7.8db
26% Popularity • 60% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
26% Popularity • 60% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Rae Morris
Dancing with Character
124 bpm • B Maj • 04:04 • -6.78db
22% Popularity • 53% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
22% Popularity • 53% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Bien
Confetti
124 bpm • G# min • 05:18 • -9db
27% Popularity • 51% Danceability • 54% Energy • 21% Liveness
79% Instrumentalness • 15% Positiveness
27% Popularity • 51% Danceability • 54% Energy • 21% Liveness
79% Instrumentalness • 15% Positiveness
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Love You Later
Lost in Los Angeles
124 bpm • B Maj • 03:22 • -17.28db
19% Popularity • 60% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 60% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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The Aces
Physical
124 bpm • D Maj • 03:14 • -4.82db
28% Popularity • 62% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 62% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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GROUPLOVE
Remember That Night - SAINT WKND Remix
124 bpm • G Maj • 02:48 • -4.08db
16% Popularity • 68% Danceability • 71% Energy • 74% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 68% Danceability • 71% Energy • 74% Liveness
0% Instrumentalness • 24% Positiveness
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Maggie Rogers
Begging for Rain
124 bpm • F# Maj • 04:13 • -6.17db
46% Popularity • 48% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
46% Popularity • 48% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Cub Sport
Come On Mess Me Up
150 bpm • E Maj • 03:23 • -5.6db
51% Popularity • 33% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
51% Popularity • 33% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Lizzy McAlpine
Drunk, Running
124 bpm • C Maj • 04:05 • -9.59db
63% Popularity • 31% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
63% Popularity • 31% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Caroline Pennell
Drive Me Home
150 bpm • C Maj • 03:17 • -6.91db
27% Popularity • 51% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 51% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Hey Ocean!
Can't Let Go
150 bpm • F# Maj • 04:20 • -5db
16% Popularity • 56% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
16% Popularity • 56% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Lennon Stella
La Di Da
150 bpm • G Maj • 03:29 • -5.89db
53% Popularity • 69% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 69% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Maggie Rogers
Anywhere With You
123 bpm • A Maj • 04:57 • -5.33db
52% Popularity • 39% Danceability • 73% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
52% Popularity • 39% Danceability • 73% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Great Good Fine Ok
Shapeshifting
150 bpm • D Maj • 03:55 • -6.06db
24% Popularity • 60% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
24% Popularity • 60% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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HAIM
Right Now
150 bpm • C Maj • 04:15 • -6.43db
32% Popularity • 39% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 39% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Bleachers
Let's Get Married
150 bpm • C Maj • 03:06 • -5.99db
51% Popularity • 61% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
51% Popularity • 61% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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The Aces
Fake Nice
123 bpm • D Maj • 03:23 • -4db
37% Popularity • 73% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
37% Popularity • 73% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Zach Bryan
Dawns
123 bpm • C Maj • 04:50 • -7.66db
82% Popularity • 45% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
82% Popularity • 45% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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Maggie Rogers
Shatter
150 bpm • A Maj • 03:40 • -2db
58% Popularity • 57% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
58% Popularity • 57% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Betty Who
Friend Like Me
122 bpm • B Maj • 03:37 • -11.93db
21% Popularity • 61% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 61% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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TOMI
Long Time Coming
122 bpm • F Maj • 03:14 • -9.03db
21% Popularity • 74% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 74% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Martin Luke Brown
Grit Your Teeth
122 bpm • F min • 03:52 • -6db
27% Popularity • 81% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 81% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Holly Humberstone
Falling Asleep At The Wheel
122 bpm • C Maj • 03:23 • -8db
52% Popularity • 67% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 31% Positiveness
52% Popularity • 67% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 31% Positiveness
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James Bay
Wanderlust
152 bpm • F Maj • 04:16 • -4.23db
42% Popularity • 49% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
42% Popularity • 49% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Shallou
Friends - Recorded at Spotify Studios NY...
152 bpm • G# Maj • 03:00 • -8.96db
32% Popularity • 43% Danceability • 53% Energy • 9% Liveness
52% Instrumentalness • 30% Positiveness
32% Popularity • 43% Danceability • 53% Energy • 9% Liveness
52% Instrumentalness • 30% Positiveness
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Toulouse
It Is Well
152 bpm • D min • 03:48 • -8.46db
23% Popularity • 58% Danceability • 67% Energy • 12% Liveness
3% Instrumentalness • 48% Positiveness
23% Popularity • 58% Danceability • 67% Energy • 12% Liveness
3% Instrumentalness • 48% Positiveness
