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Spooks
Songs like
Spooks
by
Louis Armstrong
Based on a tempo of (+/- 10%) and a similar genre
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Dinah Shore
"Murder", He Says
73 bpm • G# Maj • 03:12 • -12db
29% Popularity • 66% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Dinah Washington
Teach Me Tonight
73 bpm • F min • 02:47 • -11.44db
61% Popularity • 56% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Billie Holiday
Crazy He Calls Me
73 bpm • C# Maj • 03:05 • -14.42db
57% Popularity • 48% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
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Louis Armstrong
Spooks
73 bpm • D# min • 02:36 • -12db
29% Popularity • 60% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Helen Gross & The Kansas City Five
Undertaker's Blues
73 bpm • A Maj • 04:12 • -14.82db
13% Popularity • 38% Danceability • 5% Energy • 24% Liveness
7% Instrumentalness • 30% Positiveness
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Bob Mcfadden & Dor
The Mummy
73 bpm • G# Maj • 01:59 • -8.34db
13% Popularity • 59% Danceability • 61% Energy • 10% Liveness
4% Instrumentalness • 93% Positiveness
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Screaming Lord Sutch & The Savages
Jack the Ripper
72 bpm • A Maj • 02:46 • -11.03db
25% Popularity • 49% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
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Glenn Miller Orchestra
At Last
72 bpm • F# min • 03:05 • -20.58db
33% Popularity • 17% Danceability • 8% Energy • 37% Liveness
87% Instrumentalness • 19% Positiveness
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Jeff Alexander
Music To Be Murdered By
72 bpm • C Maj • 04:10 • -19.66db
14% Popularity • 20% Danceability • 10% Energy • 27% Liveness
27% Instrumentalness • 5% Positiveness
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Louis Armstrong
Ten Feet Off The Ground
72 bpm • F Maj • 02:47 • -16.07db
21% Popularity • 60% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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Billie Holiday
Autumn In New York
72 bpm • A# min • 03:44 • -15.2db
55% Popularity • 59% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Fanny Brice
Toot, Toot, Tootsie (Goodbye)
75 bpm • E Maj • 02:29 • -12.19db
11% Popularity • 57% Danceability • 21% Energy • 19% Liveness
1% Instrumentalness • 70% Positiveness
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Bessie Smith
Devil's Gonna Git You
71 bpm • A# min • 03:10 • -12.27db
33% Popularity • 65% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Glenn Miller Orchestra
Knit One, Purl Two
71 bpm • D Maj • 02:39 • -11.77db
19% Popularity • 44% Danceability • 12% Energy • 22% Liveness
6% Instrumentalness • 28% Positiveness
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The Spiders
Witchcraft - 2002 Remastered
75 bpm • D# Maj • 02:37 • -7.67db
15% Popularity • 59% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
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Louis Armstrong
The Skeleton In The Closet - Single Vers...
74 bpm • G min • 03:11 • -10.44db
25% Popularity • 64% Danceability • 35% Energy • 51% Liveness
0% Instrumentalness • 68% Positiveness
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The Bell Sisters
Baby Count Ten (The Counting Song)
76 bpm • D# Maj • 02:02 • -12db
13% Popularity • 76% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Nick Lucas
Tiptoe Through the Tulips
76 bpm • G Maj • 03:46 • -10db
22% Popularity • 57% Danceability • 24% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
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Bo Diddley
Bo Meets The Monster
76 bpm • C Maj • 03:07 • -7.95db
10% Popularity • 66% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Anita O'Day
You're The Top
76 bpm • F# min • 02:25 • -13db
41% Popularity • 76% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Whispering Jack Smith
Me & My Shadow
76 bpm • D Maj • 03:12 • -14db
18% Popularity • 43% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Louis Armstrong
When It's Sleepy Time Down South
71 bpm • C Maj • 03:14 • -14.69db
24% Popularity • 29% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Bessie Smith
Graveyard Dream Blues
76 bpm • A# Maj • 02:43 • -14.19db
14% Popularity • 43% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Bob & Lucille
Demon Lover
70 bpm • B min • 02:41 • -10.29db
11% Popularity • 71% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Billie Holiday
As Time Goes By
69 bpm • E min • 03:14 • -15.21db
58% Popularity • 59% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Shirley & Lee
The Flirt
77 bpm • C Maj • 01:59 • -9.5db
12% Popularity • 72% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Duke Ellington And His Kentucky Club Orchestra
New Orleans Low-Down
77 bpm • D# Maj • 03:00 • -12.89db
9% Popularity • 48% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Louis Armstrong
That Lucky Old Sun (Just Rolls Around He...
76 bpm • C Maj • 03:02 • -12.95db
33% Popularity • 45% Danceability • 17% Energy • 48% Liveness
0% Instrumentalness • 20% Positiveness
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Tony Pastor And His Orchestra
Obey Your Air Raid Warden
77 bpm • G# Maj • 02:23 • -13.13db
29% Popularity • 80% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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Bessie Smith
St. Louis Blues
70 bpm • A# Maj • 03:09 • -15.97db
28% Popularity • 36% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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Vernon Dilworth
Who Said Shorty Wasn't Coming Back - Luc...
77 bpm • F# Maj • 02:39 • -9.28db
20% Popularity • 84% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 78% Positiveness
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The Coasters
The Shadow Knows - 2007 Remaster Stereo;...
69 bpm • C Maj • 02:15 • -7.11db
15% Popularity • 70% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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Bing Crosby
Muskrat Ramble
78 bpm • C Maj • 03:03 • -9.54db
16% Popularity • 56% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
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Bobby "Boris" Pickett
Monster Mash
68 bpm • B min • 03:12 • -14.19db
56% Popularity • 54% Danceability • 50% Energy • 42% Liveness
0% Instrumentalness • 71% Positiveness
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Tex Beneke
A Wonderful Guy
68 bpm • C# Maj • 01:55 • -9.84db
40% Popularity • 64% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Billie Holiday
I'm a Fool to Want You
78 bpm • A min • 03:23 • -16.58db
49% Popularity • 24% Danceability • 23% Energy • 28% Liveness
0% Instrumentalness • 26% Positiveness
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Nat King Cole Trio
(Go To Sleep) My Sleepy Head
78 bpm • D# Maj • 02:45 • -18db
38% Popularity • 48% Danceability • 11% Energy • 38% Liveness
1% Instrumentalness • 40% Positiveness
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Nat King Cole
L-O-V-E
78 bpm • E Maj • 02:35 • -7.54db
77% Popularity • 42% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Louis Armstrong
Chim Chim Cher-ee
79 bpm • G min • 06:41 • -17.98db
24% Popularity • 44% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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The Five Blobs
The Blob
79 bpm • A# Maj • 02:39 • -11db
29% Popularity • 65% Danceability • 60% Energy • 6% Liveness
25% Instrumentalness • 94% Positiveness
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The Del-Vikings
The Voodoo Man
79 bpm • F Maj • 01:46 • -10.92db
13% Popularity • 53% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Lionel Hampton
Lavender Coffin
67 bpm • C Maj • 02:45 • -9.65db
31% Popularity • 62% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
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Nat King Cole Trio
Exactly Like You - 2003 Digital Remaster
79 bpm • G# Maj • 02:42 • -16.09db
41% Popularity • 79% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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The Morrie Morrison Orchestra
Tonight In The Moonlight
80 bpm • D# Maj • 02:59 • -8db
22% Popularity • 38% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Louis Armstrong
Chloe (Song Of The Swamp) - Single Versi...
80 bpm • A# Maj • 03:03 • -12.78db
13% Popularity • 45% Danceability • 22% Energy • 58% Liveness
0% Instrumentalness • 25% Positiveness
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The Chordettes
Wait 'Till the Sun Shines, Nellie
80 bpm • F Maj • 02:35 • -18.51db
11% Popularity • 61% Danceability • 1% Energy • 23% Liveness
0% Instrumentalness • 27% Positiveness
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Bessie Smith
'Tain't Nobody's Bizness If I Do
80 bpm • B Maj • 03:27 • -18.12db
26% Popularity • 53% Danceability • 4% Energy • 16% Liveness
2% Instrumentalness • 17% Positiveness
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Billie Holiday
It Had To Be You
66 bpm • G# Maj • 04:03 • -12.26db
48% Popularity • 45% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Bobby "Boris" Pickett
Sinister Stomp
81 bpm • A min • 02:19 • -13db
17% Popularity • 52% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Red Nichols
The Peanut Vendor
81 bpm • D Maj • 02:48 • -12.67db
2% Popularity • 64% Danceability • 40% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
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Nat King Cole
Smile - Remastered 1992
82 bpm • G# Maj • 02:59 • -19.18db
64% Popularity • 21% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Russ Columbo
The House Is Haunted
82 bpm • D# min • 02:57 • -16.19db
24% Popularity • 38% Danceability • 18% Energy • 12% Liveness
91% Instrumentalness • 11% Positiveness
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Dorothy Shay The Park Avenue Hill Billie
Say That We're Sweethearts Again
82 bpm • G# Maj • 03:14 • -27.65db
13% Popularity • 53% Danceability • 2% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
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Billie Holiday
Ghost of Yesterday
81 bpm • F min • 02:37 • -11.41db
17% Popularity • 50% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Wynona Carr
Please Mr. Jailer
82 bpm • B Maj • 03:02 • -12db
38% Popularity • 63% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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The Chordettes
Zorro
82 bpm • A min • 01:56 • -9.34db
13% Popularity • 44% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Ella Mae Morse
Milkman Keep Those Bottles Quiet
83 bpm • C# Maj • 02:40 • -3.02db
13% Popularity • 71% Danceability • 62% Energy • 37% Liveness
0% Instrumentalness • 85% Positiveness
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Esther Phillips
I'm A Bad, Bad Girl
83 bpm • A# Maj • 02:55 • -9db
27% Popularity • 49% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
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Louis Armstrong
The Bare Necessities
84 bpm • F Maj • 02:26 • -16.36db
41% Popularity • 63% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Billie Holiday
Lover Man
64 bpm • C Maj • 03:17 • -12db
56% Popularity • 36% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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John Zacherle
Let's Twist Again (Mummy Time Is Here)
84 bpm • G# Maj • 02:30 • -10.11db
18% Popularity • 71% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Luis Russell
Mister Ghost Goes To Town, Pt. 1 - Live
84 bpm • G# Maj • 01:05 • -10.65db
40% Popularity • 36% Danceability • 77% Energy • 35% Liveness
5% Instrumentalness • 41% Positiveness
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Bobby "Boris" Pickett
Graveyard Shift
62 bpm • G min • 02:07 • -10.52db
13% Popularity • 65% Danceability • 45% Energy • 20% Liveness
3% Instrumentalness • 31% Positiveness
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Papa Celestin
Marie La Veau
86 bpm • E min • 06:36 • -13db
16% Popularity • 41% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Louis Armstrong
Give Me Your Kisses
84 bpm • C# Maj • 01:59 • -14.38db
46% Popularity • 54% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Rita Hayworth
Put the Blame on Mame (Nightclub Version...
86 bpm • C min • 02:05 • -10db
22% Popularity • 34% Danceability • 37% Energy • 27% Liveness
85% Instrumentalness • 64% Positiveness
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John Zacherle
Happy Halloween
85 bpm • C# Maj • 02:26 • -5db
21% Popularity • 64% Danceability • 81% Energy • 70% Liveness
0% Instrumentalness • 69% Positiveness
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Fred Astaire
(I've Got) Beginner's Luck
87 bpm • C Maj • 02:51 • -11.61db
15% Popularity • 72% Danceability • 23% Energy • 32% Liveness
2% Instrumentalness • 68% Positiveness
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Count Basie
Rusty Dusty Blues
87 bpm • C# Maj • 03:07 • -10.69db
42% Popularity • 56% Danceability • 26% Energy • 6% Liveness
67% Instrumentalness • 64% Positiveness
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Harry Belafonte
Zombie Jamboree (Back To Back)
87 bpm • G Maj • 03:19 • -8.52db
27% Popularity • 72% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 95% Positiveness
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Jimmy Dorsey
So Rare
87 bpm • G Maj • 02:34 • -7db
35% Popularity • 52% Danceability • 53% Energy • 46% Liveness
1% Instrumentalness • 70% Positiveness
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Connie Francis
Who's Sorry Now
88 bpm • D# Maj • 02:16 • -6db
59% Popularity • 52% Danceability • 33% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
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Mildred Bailey
When That Man Is Dead And Gone
88 bpm • C min • 02:42 • -14db
14% Popularity • 74% Danceability • 12% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
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Louis Armstrong
Whistle While You Work
88 bpm • C Maj • 01:56 • -16.17db
26% Popularity • 62% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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The Andrews Sisters
I Can Dream, Can't I? - 1949 Single Vers...
88 bpm • A min • 02:38 • -10db
31% Popularity • 36% Danceability • 17% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
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Glenn Miller
The Little Man Who Wasn't There
88 bpm • A# Maj • 03:02 • -10.77db
27% Popularity • 73% Danceability • 42% Energy • 11% Liveness
4% Instrumentalness • 58% Positiveness
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Betty Grable
You're MY Little Pin-Up Girl
89 bpm • F# Maj • 02:41 • -9db
9% Popularity • 37% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Slim Gaillard
The Flat Foot Floogie
89 bpm • F Maj • 02:51 • -17.17db
26% Popularity • 79% Danceability • 30% Energy • 13% Liveness
84% Instrumentalness • 85% Positiveness
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Flanagan & Allen
Run, Rabbit Run!
89 bpm • D Maj • 02:44 • -14db
45% Popularity • 83% Danceability • 30% Energy • 18% Liveness
4% Instrumentalness • 68% Positiveness
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Louis Armstrong
A Kiss To Build A Dream On - Single Vers...
88 bpm • C Maj • 03:01 • -14.11db
64% Popularity • 72% Danceability • 8% Energy • 51% Liveness
0% Instrumentalness • 36% Positiveness
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Bessie Smith
Blue Spirit Blues
90 bpm • B Maj • 02:55 • -11.58db
15% Popularity • 65% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Fred Astaire
Steppin' Out With My Baby
90 bpm • C min • 02:20 • -16.98db
43% Popularity • 74% Danceability • 21% Energy • 11% Liveness
34% Instrumentalness • 71% Positiveness
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Billie Holiday
I'll Be Seeing You
90 bpm • C# Maj • 03:31 • -20.48db
69% Popularity • 36% Danceability • 3% Energy • 12% Liveness
6% Instrumentalness • 19% Positiveness
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Dinah Shore
Buttons and Bows
91 bpm • C Maj • 02:01 • -9.8db
27% Popularity • 82% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Evelyn Knight
A Little Bird Told Me [1948 Single Rema...
91 bpm • C Maj • 02:37 • -10.53db
34% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Louis Armstrong
Mack the Knife
89 bpm • C Maj • 03:21 • -14db
57% Popularity • 67% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
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The Chordettes
Hello! Ma Baby
91 bpm • G Maj • 01:42 • -15.87db
43% Popularity • 57% Danceability • 8% Energy • 59% Liveness
0% Instrumentalness • 31% Positiveness
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Nat King Cole Trio
Who Do You Know In Heaven (That Made You...
91 bpm • D Maj • 02:38 • -16.77db
46% Popularity • 56% Danceability • 10% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Glenn Miller
That Old Black Magic - 1991 Remastered
91 bpm • D# Maj • 02:59 • -16.78db
12% Popularity • 31% Danceability • 13% Energy • 12% Liveness
1% Instrumentalness • 31% Positiveness
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Big Bee Kornegay
At the House of Frankenstein
91 bpm • G# Maj • 02:11 • -7.03db
11% Popularity • 45% Danceability • 88% Energy • 55% Liveness
1% Instrumentalness • 84% Positiveness
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Prairie Ramblers
Ghost In The Graveyard
92 bpm • D# Maj • 02:41 • -9.44db
17% Popularity • 55% Danceability • 24% Energy • 40% Liveness
0% Instrumentalness • 25% Positiveness
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Louis Armstrong
My Sweet Hunk O' Trash
91 bpm • F Maj • 03:21 • -16.17db
26% Popularity • 60% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
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Louis Jordan
Jack, You're Dead
92 bpm • G# Maj • 02:34 • -7.05db
19% Popularity • 75% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Noel Coward
Party's over Now, The (Words and Music)
92 bpm • C Maj • 03:37 • -19db
32% Popularity • 33% Danceability • 13% Energy • 35% Liveness
48% Instrumentalness • 34% Positiveness
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The Verdicts
The Mummy's Ball
92 bpm • A# Maj • 02:00 • -6.65db
4% Popularity • 58% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
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Roy Brown
Butcher Pete, Pt. 1
92 bpm • D# min • 02:26 • -6.21db
36% Popularity • 76% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
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Kip Tyler
She's My Witch
92 bpm • A Maj • 02:21 • -5.63db
40% Popularity • 50% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Mae West
A Guy What Takes His Time
92 bpm • A# Maj • 02:41 • -8db
17% Popularity • 62% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 63% Positiveness
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Sam Taylor & His All Star Jazz
Real Gone
93 bpm • D# Maj • 02:54 • -7.37db
20% Popularity • 53% Danceability • 48% Energy • 24% Liveness
14% Instrumentalness • 69% Positiveness
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Allan Sherman
Eight Foot Two, Solid Blue
93 bpm • C Maj • 02:24 • -12db
21% Popularity • 47% Danceability • 54% Energy • 75% Liveness
0% Instrumentalness • 69% Positiveness
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Spooks