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Squad Loadout
Songs like
Squad Loadout
by
Tim Wynn
Based on a tempo of (+/- 10%) and a similar genre
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Jeff van Dyck
Warrior March
100 bpm • A# min • 03:28 • -18.23db
29% Popularity • 59% Danceability • 52% Energy • 55% Liveness
48% Instrumentalness • 23% Positiveness
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Antti Martikainen
The Forbidden City
100 bpm • D Maj • 04:10 • -7.45db
32% Popularity • 39% Danceability • 91% Energy • 29% Liveness
83% Instrumentalness • 34% Positiveness
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Bill Brown
Raid In Progress
100 bpm • E min • 03:15 • -14.56db
24% Popularity • 60% Danceability • 65% Energy • 11% Liveness
85% Instrumentalness • 36% Positiveness
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Sarah Schachner
Into the Furnace
100 bpm • D min • 03:16 • -10db
36% Popularity • 20% Danceability • 53% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Brian Tyler
A Pirate's Life
100 bpm • C min • 02:02 • -13.51db
32% Popularity • 73% Danceability • 58% Energy • 11% Liveness
92% Instrumentalness • 59% Positiveness
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Frank Klepacki
Fight For Peace
100 bpm • C# Maj • 03:17 • -19.84db
26% Popularity • 64% Danceability • 29% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
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Stephen Barton
Demeter
100 bpm • C# Maj • 04:18 • -12.07db
20% Popularity • 44% Danceability • 64% Energy • 19% Liveness
86% Instrumentalness • 4% Positiveness
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Arnaud Roy
Together to the Stars (United Empire The...
100 bpm • G min • 05:42 • -13.61db
28% Popularity • 37% Danceability • 48% Energy • 13% Liveness
97% Instrumentalness • 25% Positiveness
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Jeff van Dyck
Oyoiyoi
100 bpm • G min • 02:33 • -8.34db
29% Popularity • 74% Danceability • 85% Energy • 9% Liveness
87% Instrumentalness • 38% Positiveness
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Tim Wynn
Rising Fire
100 bpm • F min • 02:09 • -11.4db
19% Popularity • 48% Danceability • 69% Energy • 9% Liveness
88% Instrumentalness • 56% Positiveness
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Brad Derrick
A Land of War and Poetry
100 bpm • A min • 04:01 • -12db
43% Popularity • 39% Danceability • 53% Energy • 11% Liveness
83% Instrumentalness • 9% Positiveness
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Rich Douglas
Psycho Mantis
100 bpm • C# Maj • 02:26 • -16.85db
16% Popularity • 20% Danceability • 24% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Stephen Rippy
Leisurely Brows
100 bpm • A min • 03:16 • -11.67db
23% Popularity • 34% Danceability • 31% Energy • 8% Liveness
81% Instrumentalness • 4% Positiveness
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Howard Mostrom
Prepare for War
100 bpm • E min • 01:12 • -11.19db
17% Popularity • 27% Danceability • 56% Energy • 15% Liveness
96% Instrumentalness • 17% Positiveness
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Jeff van Dyck
Journey to Rome, Pt. 2
100 bpm • C Maj • 02:00 • -10.47db
30% Popularity • 56% Danceability • 83% Energy • 8% Liveness
84% Instrumentalness • 38% Positiveness
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Michael McCann
Main Menu
99 bpm • G min • 01:50 • -22.58db
43% Popularity • 13% Danceability • 28% Energy • 9% Liveness
88% Instrumentalness • 10% Positiveness
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Tim Wynn
New World Order
100 bpm • B min • 02:22 • -15.24db
23% Popularity • 46% Danceability • 63% Energy • 13% Liveness
81% Instrumentalness • 24% Positiveness
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Rich Douglas
Metal Gear Solid Theme
100 bpm • A min • 02:29 • -14.61db
33% Popularity • 37% Danceability • 32% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Borislav Slavov
Mead, Gold and Blood - Ifan's Theme
101 bpm • C Maj • 02:40 • -14db
44% Popularity • 60% Danceability • 38% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
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Bohemia Interactive
Combined Arms
101 bpm • G Maj • 01:37 • -13.52db
20% Popularity • 66% Danceability • 72% Energy • 11% Liveness
89% Instrumentalness • 56% Positiveness
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Harry Gregson-Williams
Advanced Soldier Overture
99 bpm • D Maj • 03:26 • -10db
29% Popularity • 16% Danceability • 66% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Ramin Djawadi
Two Worlds Colliding
102 bpm • F Maj • 03:22 • -13.23db
25% Popularity • 55% Danceability • 45% Energy • 9% Liveness
83% Instrumentalness • 9% Positiveness
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Tim Wynn
Squad Loadout
100 bpm • G min • 02:23 • -12.44db
33% Popularity • 52% Danceability • 80% Energy • 15% Liveness
86% Instrumentalness • 56% Positiveness
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Frank Klepacki
Mother of All Weapons
102 bpm • D Maj • 03:20 • -13.81db
24% Popularity • 21% Danceability • 53% Energy • 12% Liveness
67% Instrumentalness • 16% Positiveness
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Brian Tyler
Call Of Duty: MW3
98 bpm • A# Maj • 02:10 • -13db
50% Popularity • 44% Danceability • 39% Energy • 10% Liveness
80% Instrumentalness • 26% Positiveness
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Sam Cardon
Might of Zandalar
102 bpm • G min • 06:05 • -14.02db
30% Popularity • 28% Danceability • 32% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
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Bill Brown
Mother of All Weapons
102 bpm • D Maj • 03:22 • -8.33db
15% Popularity • 21% Danceability • 76% Energy • 6% Liveness
74% Instrumentalness • 19% Positiveness
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Ramin Djawadi
Warcraft
102 bpm • F min • 01:58 • -11.46db
48% Popularity • 64% Danceability • 55% Energy • 12% Liveness
94% Instrumentalness • 64% Positiveness
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Stephen Barton
Cosmology
102 bpm • C# min • 01:54 • -13.58db
38% Popularity • 36% Danceability • 23% Energy • 23% Liveness
90% Instrumentalness • 8% Positiveness
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Hyperduck Soundworks
Boss Theme
98 bpm • F Maj • 01:38 • -13.08db
12% Popularity • 57% Danceability • 46% Energy • 8% Liveness
96% Instrumentalness • 34% Positiveness
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Pascal Michael Stiefel
Theme Of The North [Epic Orchestral Rem...
97 bpm • B min • 05:04 • -12.23db
12% Popularity • 30% Danceability • 66% Energy • 15% Liveness
86% Instrumentalness • 15% Positiveness
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Maclaine Diemer
Heart of Thorns Theme
97 bpm • A# Maj • 02:51 • -13.17db
34% Popularity • 25% Danceability • 45% Energy • 13% Liveness
83% Instrumentalness • 21% Positiveness
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Bohemia Interactive
In the Open
103 bpm • C min • 02:08 • -12.56db
14% Popularity • 61% Danceability • 52% Energy • 11% Liveness
86% Instrumentalness • 13% Positiveness
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Alex Cottrell
The Red Tide (Main Theme)
97 bpm • D min • 02:58 • -17.23db
19% Popularity • 51% Danceability • 34% Energy • 8% Liveness
76% Instrumentalness • 14% Positiveness
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Alex Moukala
The Landing
104 bpm • G Maj • 03:32 • -11.75db
34% Popularity • 32% Danceability • 49% Energy • 11% Liveness
8% Instrumentalness • 16% Positiveness
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Borislav Slavov
Dancing with the Source
104 bpm • F# min • 02:26 • -16.88db
39% Popularity • 70% Danceability • 55% Energy • 9% Liveness
86% Instrumentalness • 20% Positiveness
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Jason Hayes
Last Stand
104 bpm • C# Maj • 02:53 • -13.38db
22% Popularity • 33% Danceability • 31% Energy • 17% Liveness
94% Instrumentalness • 4% Positiveness
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Hans Zimmer
Code of Conduct
96 bpm • D Maj • 02:09 • -13db
41% Popularity • 47% Danceability • 65% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
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Doyle W. Donehoo
Fight Without Hope
96 bpm • A min • 03:06 • -11.32db
30% Popularity • 46% Danceability • 44% Energy • 20% Liveness
98% Instrumentalness • 8% Positiveness
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Tim Wynn
First Flight
96 bpm • G Maj • 01:22 • -13.27db
32% Popularity • 43% Danceability • 42% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
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Piotr Musiał
The Inevitable
96 bpm • F min • 04:06 • -12.66db
32% Popularity • 34% Danceability • 47% Energy • 11% Liveness
95% Instrumentalness • 21% Positiveness
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Borislav Slavov
SOS New York
104 bpm • F min • 02:06 • -12db
31% Popularity • 45% Danceability • 50% Energy • 10% Liveness
84% Instrumentalness • 13% Positiveness
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Pascal Michael Stiefel
Skyrim Main Theme [Epic Orchestral Remi...
96 bpm • A Maj • 03:44 • -14db
34% Popularity • 36% Danceability • 62% Energy • 22% Liveness
84% Instrumentalness • 13% Positiveness
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Hans Zimmer
Onwards
96 bpm • D Maj • 02:27 • -10db
38% Popularity • 46% Danceability • 78% Energy • 10% Liveness
73% Instrumentalness • 31% Positiveness
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Brian Tyler
In This World or the One Below
96 bpm • G Maj • 02:49 • -13.71db
36% Popularity • 34% Danceability • 44% Energy • 7% Liveness
92% Instrumentalness • 10% Positiveness
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Jon Everist
For All Mankind (Opening Cinematic)
96 bpm • F min • 01:50 • -11.61db
31% Popularity • 37% Danceability • 62% Energy • 10% Liveness
98% Instrumentalness • 23% Positiveness
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Christopher Lennertz
A Future For The Krogan
96 bpm • B min • 03:29 • -15.86db
36% Popularity • 18% Danceability • 39% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
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Raison Varner
Flamerock Refuge - Tiny Tina's Assault o...
105 bpm • E min • 04:44 • -17.55db
37% Popularity • 29% Danceability • 26% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Paul Leonard-Morgan
Arrival of the Blood Ravens
105 bpm • C Maj • 03:58 • -17.48db
26% Popularity • 35% Danceability • 50% Energy • 12% Liveness
85% Instrumentalness • 12% Positiveness
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Jeremy Soule
One They Fear
105 bpm • B min • 03:14 • -11db
48% Popularity • 46% Danceability • 52% Energy • 23% Liveness
96% Instrumentalness • 25% Positiveness
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Steve Jablonsky
Final Test
105 bpm • G Maj • 06:02 • -18.75db
35% Popularity • 49% Danceability • 59% Energy • 11% Liveness
75% Instrumentalness • 18% Positiveness
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Nicolas de Ferran
An Ocean of Doom
95 bpm • F Maj • 02:37 • -9.84db
13% Popularity • 21% Danceability • 52% Energy • 10% Liveness
87% Instrumentalness • 30% Positiveness
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Olivier Deriviere
My Quest Begins
105 bpm • A min • 02:01 • -12.15db
11% Popularity • 56% Danceability • 71% Energy • 18% Liveness
90% Instrumentalness • 28% Positiveness
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Brian Tyler
Pyrates Beware
105 bpm • D min • 03:16 • -13.07db
43% Popularity • 57% Danceability • 54% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
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Tim Wynn
The Big Apple
95 bpm • A min • 02:03 • -7.91db
23% Popularity • 73% Danceability • 90% Energy • 15% Liveness
26% Instrumentalness • 51% Positiveness
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Crouch End Festival Chorus
Batman Arkham City: Main Theme
95 bpm • B Maj • 02:57 • -16.79db
27% Popularity • 48% Danceability • 34% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Ludvig Forssell
Bloodstained Anthem
95 bpm • C Maj • 01:23 • -15.68db
32% Popularity • 39% Danceability • 58% Energy • 58% Liveness
82% Instrumentalness • 26% Positiveness
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Piotr Musiał
The City Must Survive
95 bpm • G min • 04:10 • -8.11db
48% Popularity • 40% Danceability • 72% Energy • 16% Liveness
95% Instrumentalness • 25% Positiveness
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Dmitry V. Silantyev
Light of Heaven
95 bpm • B min • 01:59 • -13.68db
24% Popularity • 36% Danceability • 52% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
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Sarah Schachner
Bayek of Siwa
95 bpm • F Maj • 02:35 • -11db
40% Popularity • 45% Danceability • 81% Energy • 11% Liveness
72% Instrumentalness • 10% Positiveness
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Tim Wynn
Refugee
95 bpm • G Maj • 02:13 • -19.36db
17% Popularity • 52% Danceability • 52% Energy • 12% Liveness
67% Instrumentalness • 37% Positiveness
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Kevin Riepl
Jacinto Prison
95 bpm • D Maj • 02:48 • -23.9db
17% Popularity • 64% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
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Nick Arundel
Arkham City Main Theme
95 bpm • C# Maj • 02:47 • -13.86db
52% Popularity • 22% Danceability • 54% Energy • 9% Liveness
67% Instrumentalness • 8% Positiveness
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Jason Hayes
The Shaping of the World
95 bpm • D min • 02:25 • -11.99db
40% Popularity • 41% Danceability • 41% Energy • 10% Liveness
97% Instrumentalness • 18% Positiveness
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Christopher Drake
Arkham Origins Main Titles
106 bpm • G min • 02:52 • -11.43db
42% Popularity • 24% Danceability • 57% Energy • 8% Liveness
83% Instrumentalness • 9% Positiveness
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Brad Derrick
Weapons Drawn
94 bpm • F Maj • 01:47 • -13db
42% Popularity • 42% Danceability • 61% Energy • 11% Liveness
82% Instrumentalness • 10% Positiveness
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Tim Wynn
Infiltrator
95 bpm • G Maj • 02:16 • -12.78db
28% Popularity • 53% Danceability • 69% Energy • 9% Liveness
62% Instrumentalness • 31% Positiveness
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Tom Salta
The Last Stand of Duke Pavel Griffin
94 bpm • A# min • 01:24 • -16.67db
37% Popularity • 15% Danceability • 28% Energy • 14% Liveness
73% Instrumentalness • 3% Positiveness
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Hans Zimmer
Deadline
93 bpm • A Maj • 03:55 • -14.36db
34% Popularity • 58% Danceability • 71% Energy • 9% Liveness
77% Instrumentalness • 23% Positiveness
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Christopher Lennertz
Surkesh
94 bpm • C Maj • 02:28 • -11.05db
27% Popularity • 12% Danceability • 55% Energy • 7% Liveness
54% Instrumentalness • 8% Positiveness
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Petri Alanko
Welcome to Bright Falls
93 bpm • G min • 04:25 • -19db
31% Popularity • 18% Danceability • 6% Energy • 5% Liveness
91% Instrumentalness • 3% Positiveness
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P.T. Adamczyk
Just Punishment
93 bpm • A# min • 02:15 • -20.2db
33% Popularity • 53% Danceability • 43% Energy • 9% Liveness
88% Instrumentalness • 62% Positiveness
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Tim Wynn
The Spark
95 bpm • A# min • 01:44 • -14.09db
17% Popularity • 44% Danceability • 85% Energy • 15% Liveness
61% Instrumentalness • 50% Positiveness
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Adam Schneider
Mission Accomplished
108 bpm • F# min • 02:28 • -3.15db
18% Popularity • 55% Danceability • 88% Energy • 21% Liveness
91% Instrumentalness • 51% Positiveness
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Hans Zimmer
Protocol
108 bpm • C# Maj • 03:47 • -15db
36% Popularity • 59% Danceability • 53% Energy • 11% Liveness
59% Instrumentalness • 10% Positiveness
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Danny Cocke
Rainbow Six Siege: Invitational Main The...
93 bpm • C# Maj • 04:32 • -11.97db
37% Popularity • 35% Danceability • 40% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
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Jason Hayes
The Fall of Shakuras
92 bpm • F min • 02:23 • -16.25db
21% Popularity • 17% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Brian Tyler
Battle For New York
92 bpm • D Maj • 06:25 • -10db
29% Popularity • 22% Danceability • 79% Energy • 12% Liveness
86% Instrumentalness • 17% Positiveness
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Tim Wynn
Weapons of Choice
105 bpm • D Maj • 01:46 • -13.52db
24% Popularity • 35% Danceability • 57% Energy • 11% Liveness
78% Instrumentalness • 58% Positiveness
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Stuart Chatwood
Battle in the Warrens
92 bpm • G Maj • 01:20 • -14.3db
43% Popularity • 50% Danceability • 62% Energy • 14% Liveness
88% Instrumentalness • 55% Positiveness
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Sean Murray
Flaming Dart
92 bpm • C Maj • 03:04 • -11db
26% Popularity • 40% Danceability • 56% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
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Ramin Djawadi
The Shatterdome
92 bpm • G# Maj • 02:31 • -17.58db
33% Popularity • 61% Danceability • 29% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
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Stephen Barton
Here Be Dragons!
109 bpm • F Maj • 05:23 • -11.78db
19% Popularity • 29% Danceability • 52% Energy • 11% Liveness
83% Instrumentalness • 15% Positiveness
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Todd Masten
Machina del Diablo
109 bpm • D Maj • 04:15 • -18.23db
30% Popularity • 62% Danceability • 54% Energy • 10% Liveness
78% Instrumentalness • 22% Positiveness
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Tim Wynn
Victory
94 bpm • A min • 02:04 • -13.79db
16% Popularity • 16% Danceability • 59% Energy • 16% Liveness
89% Instrumentalness • 16% Positiveness
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Jason Hayes
Legacy
91 bpm • C Maj • 02:26 • -10db
39% Popularity • 12% Danceability • 40% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Sean Murray
Mac-V
92 bpm • D Maj • 02:17 • -12db
35% Popularity • 60% Danceability • 66% Energy • 9% Liveness
55% Instrumentalness • 8% Positiveness
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Jeff van Dyck
Shogun II: Total War
92 bpm • A min • 03:05 • -11db
30% Popularity • 33% Danceability • 61% Energy • 16% Liveness
86% Instrumentalness • 15% Positiveness
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Raison Varner
The Unassuming Happy Docks - Tiny Tina's...
110 bpm • E min • 02:18 • -16db
37% Popularity • 70% Danceability • 11% Energy • 10% Liveness
96% Instrumentalness • 68% Positiveness
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Lorne Balfe
Assassin's Creed III Main Theme Variatio...
110 bpm • D min • 01:33 • -14db
37% Popularity • 48% Danceability • 47% Energy • 6% Liveness
88% Instrumentalness • 6% Positiveness
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Daniel James
Metal Gear Online
110 bpm • F# Maj • 03:26 • -15.94db
20% Popularity • 27% Danceability • 50% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
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Elitsa Alexandrova
I Am Shay Patrick Cormac
110 bpm • D min • 01:49 • -19db
31% Popularity • 38% Danceability • 26% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Hyperduck Soundworks
Cirromon Caverns
110 bpm • D min • 06:11 • -17db
17% Popularity • 53% Danceability • 38% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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Stuart Chatwood
The Cove Battle
110 bpm • D Maj • 04:34 • -13db
39% Popularity • 51% Danceability • 74% Energy • 13% Liveness
74% Instrumentalness • 12% Positiveness
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Frank Klepacki
Rescue Ops
110 bpm • C# Maj • 03:14 • -18.23db
23% Popularity • 60% Danceability • 28% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Doyle W. Donehoo
Battlefleet Gothic Theme
110 bpm • A# Maj • 02:06 • -16.72db
29% Popularity • 41% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
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Jason Hayes
Khala's End
110 bpm • F# min • 03:06 • -15.1db
24% Popularity • 30% Danceability • 24% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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Cris Velasco
Reaper Chase
110 bpm • C min • 02:04 • -8.63db
28% Popularity • 37% Danceability • 52% Energy • 20% Liveness
13% Instrumentalness • 7% Positiveness
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P.T. Adamczyk
Retribution
110 bpm • A# Maj • 02:52 • -19.02db
33% Popularity • 63% Danceability • 47% Energy • 20% Liveness
97% Instrumentalness • 68% Positiveness
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Tim Wynn
Outpost
110 bpm • D Maj • 01:34 • -16.31db
29% Popularity • 58% Danceability • 55% Energy • 17% Liveness
92% Instrumentalness • 32% Positiveness
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Squad Loadout