Songs like St. James Infirmary by Louis Armstrong
Based on a tempo of (+/- 10%) and a similar genre
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James Brown & The Famous Flames
I Got You (I Feel Good)
143 bpm • G Maj • 02:45 • -8.78db
72% Popularity • 61% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
72% Popularity • 61% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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The Chordettes
Lollipop
143 bpm • G min • 02:10 • -6.27db
60% Popularity • 65% Danceability • 59% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
60% Popularity • 65% Danceability • 59% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
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The Andrews Sisters
In the Mood
142 bpm • G# Maj • 02:53 • -7.82db
31% Popularity • 81% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
31% Popularity • 81% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Tennessee Ernie Ford
Sixteen Tons
144 bpm • B Maj • 02:35 • -18.53db
62% Popularity • 67% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
62% Popularity • 67% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
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Stan Getz
Desafinado
144 bpm • A# Maj • 04:08 • -17.52db
58% Popularity • 50% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
58% Popularity • 50% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Brenda Lee
Danke Schoen
142 bpm • B min • 02:39 • -10.68db
46% Popularity • 62% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
46% Popularity • 62% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Johnny Mathis
Wonderful! Wonderful! - Single Version
144 bpm • G min • 02:47 • -11db
35% Popularity • 26% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
35% Popularity • 26% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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June Christy
It's A Most Unusual Day
142 bpm • G Maj • 02:23 • -13.56db
39% Popularity • 59% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
39% Popularity • 59% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Louis Armstrong
Someday
145 bpm • C# Maj • 03:41 • -11.24db
38% Popularity • 52% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
38% Popularity • 52% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
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Harry Connick, Jr.
Recipe For Love
141 bpm • C min • 02:34 • -17db
45% Popularity • 62% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
45% Popularity • 62% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Nancy Wilson
The Boy From Ipanema
141 bpm • C min • 02:14 • -11db
49% Popularity • 60% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
49% Popularity • 60% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Artie Shaw
Begin the Beguine
141 bpm • G Maj • 03:16 • -15.92db
50% Popularity • 63% Danceability • 16% Energy • 45% Liveness
38% Instrumentalness • 37% Positiveness
50% Popularity • 63% Danceability • 16% Energy • 45% Liveness
38% Instrumentalness • 37% Positiveness
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Dorothy Dandridge
Smooth Operator
140 bpm • A# min • 03:06 • -10.52db
32% Popularity • 62% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 62% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Sil Austin
Slow Walk
146 bpm • F Maj • 02:39 • -9db
52% Popularity • 61% Danceability • 53% Energy • 26% Liveness
82% Instrumentalness • 69% Positiveness
52% Popularity • 61% Danceability • 53% Energy • 26% Liveness
82% Instrumentalness • 69% Positiveness
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Louis Armstrong
High Society Calypso
141 bpm • D# Maj • 02:10 • -11db
24% Popularity • 76% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 76% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Stacey Kent
Les eaux de mars
140 bpm • C# Maj • 03:38 • -13db
62% Popularity • 74% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
62% Popularity • 74% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Shirley Horn
Hit The Road Jack
146 bpm • D min • 03:11 • -17.4db
50% Popularity • 66% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
50% Popularity • 66% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Etta Jones
Yes Sir, That's My Baby
147 bpm • G# Maj • 04:20 • -8.39db
44% Popularity • 63% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
44% Popularity • 63% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Billy Joel
Just the Way You Are
139 bpm • G Maj • 04:50 • -8.91db
72% Popularity • 59% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
72% Popularity • 59% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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June Christy
Give Me The Simple Life
139 bpm • F min • 02:17 • -12.51db
55% Popularity • 62% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
55% Popularity • 62% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Louis Armstrong
You're The Top
146 bpm • D# Maj • 02:30 • -16db
39% Popularity • 47% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
39% Popularity • 47% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Paul Anka
Diana - Remastered
138 bpm • G Maj • 02:27 • -11db
60% Popularity • 64% Danceability • 48% Energy • 37% Liveness
0% Instrumentalness • 95% Positiveness
60% Popularity • 64% Danceability • 48% Energy • 37% Liveness
0% Instrumentalness • 95% Positiveness
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Ray Noble & His Orchestra
Midnight, The Stars And You
137 bpm • D min • 03:25 • -22db
40% Popularity • 43% Danceability • 10% Energy • 14% Liveness
88% Instrumentalness • 50% Positiveness
40% Popularity • 43% Danceability • 10% Energy • 14% Liveness
88% Instrumentalness • 50% Positiveness
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Harry Connick, Jr.
Come By Me
149 bpm • A# Maj • 04:00 • -7.8db
36% Popularity • 43% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 43% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Nancy Wilson
What A Little Moonlight Can Do - Remaste...
149 bpm • C min • 02:27 • -5db
45% Popularity • 59% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
45% Popularity • 59% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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Dionne Warwick
I'll Never Fall in Love Again
137 bpm • C# Maj • 02:54 • -13.81db
60% Popularity • 68% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
60% Popularity • 68% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Connie Francis
Stupid Cupid
137 bpm • D# Maj • 02:14 • -7.02db
61% Popularity • 61% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
61% Popularity • 61% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Miles Davis
So What
137 bpm • C Maj • 09:22 • -17.27db
62% Popularity • 53% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
62% Popularity • 53% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Bobby Darin
Beyond the Sea
136 bpm • D min • 02:52 • -7.46db
70% Popularity • 52% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
70% Popularity • 52% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
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Bob Howard
Easy Living
136 bpm • G# Maj • 03:02 • -16.3db
37% Popularity • 56% Danceability • 12% Energy • 22% Liveness
64% Instrumentalness • 55% Positiveness
37% Popularity • 56% Danceability • 12% Energy • 22% Liveness
64% Instrumentalness • 55% Positiveness
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Etta Jones
Till There Was You
136 bpm • G Maj • 02:06 • -16.49db
59% Popularity • 48% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
59% Popularity • 48% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Nat King Cole
Unforgettable
136 bpm • F Maj • 03:11 • -13.51db
70% Popularity • 35% Danceability • 18% Energy • 14% Liveness
2% Instrumentalness • 18% Positiveness
70% Popularity • 35% Danceability • 18% Energy • 14% Liveness
2% Instrumentalness • 18% Positiveness
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Nicola Arigliano
Ain't She Sweet
136 bpm • G Maj • 02:11 • -12db
47% Popularity • 59% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
47% Popularity • 59% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Etta James
Something's Got A Hold On Me
151 bpm • C# Maj • 02:49 • -6.11db
70% Popularity • 47% Danceability • 58% Energy • 81% Liveness
0% Instrumentalness • 66% Positiveness
70% Popularity • 47% Danceability • 58% Energy • 81% Liveness
0% Instrumentalness • 66% Positiveness
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Peggy Lee
Fever
136 bpm • E min • 03:19 • -12.61db
67% Popularity • 84% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
67% Popularity • 84% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Gene Kelly
Singin' In The Rain
136 bpm • F Maj • 04:54 • -13.81db
54% Popularity • 35% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
54% Popularity • 35% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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The Supremes
Baby Love
136 bpm • F Maj • 02:38 • -9.28db
70% Popularity • 60% Danceability • 64% Energy • 54% Liveness
0% Instrumentalness • 73% Positiveness
70% Popularity • 60% Danceability • 64% Energy • 54% Liveness
0% Instrumentalness • 73% Positiveness
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Buddy Holly
Everyday
136 bpm • D# Maj • 02:09 • -12.56db
66% Popularity • 75% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
66% Popularity • 75% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Ella Fitzgerald
Autumn In New York
135 bpm • G min • 05:56 • -18.61db
57% Popularity • 42% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
57% Popularity • 42% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Erroll Garner
I'm In The Mood For Love
135 bpm • C# Maj • 02:55 • -15.08db
51% Popularity • 56% Danceability • 10% Energy • 11% Liveness
80% Instrumentalness • 36% Positiveness
51% Popularity • 56% Danceability • 10% Energy • 11% Liveness
80% Instrumentalness • 36% Positiveness
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Louis Armstrong
When The Saints Go Marching In
152 bpm • G Maj • 03:12 • -6db
22% Popularity • 54% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 54% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Etta Jones
Someday My Prince Will Come
134 bpm • C min • 03:01 • -17db
39% Popularity • 62% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 62% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Blossom Dearie
'Deed I Do
134 bpm • G Maj • 02:13 • -17db
55% Popularity • 57% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
55% Popularity • 57% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Gypsy Jazz Caravan
La Vie En Rose
134 bpm • F Maj • 03:48 • -16db
52% Popularity • 59% Danceability • 23% Energy • 8% Liveness
26% Instrumentalness • 63% Positiveness
52% Popularity • 59% Danceability • 23% Energy • 8% Liveness
26% Instrumentalness • 63% Positiveness
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Astrud Gilberto
Fly Me To The Moon
134 bpm • G Maj • 02:22 • -14.4db
65% Popularity • 60% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
65% Popularity • 60% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Fats Domino
Blueberry Hill
133 bpm • B Maj • 02:27 • -9.7db
63% Popularity • 49% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
63% Popularity • 49% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
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Chet Baker
My Funny Valentine
133 bpm • C min • 02:21 • -26.44db
67% Popularity • 44% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
67% Popularity • 44% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Jim Croce
Time in a Bottle
134 bpm • D Maj • 02:28 • -16.84db
76% Popularity • 53% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
76% Popularity • 53% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Aretha Franklin
I Say a Little Prayer
133 bpm • A Maj • 03:36 • -14.05db
77% Popularity • 59% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
77% Popularity • 59% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Dusty Springfield
I Only Want To Be With You
133 bpm • G Maj • 02:38 • -8.02db
67% Popularity • 60% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
67% Popularity • 60% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Commodores
Easy
133 bpm • A# min • 04:16 • -15.08db
78% Popularity • 59% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
78% Popularity • 59% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Frank Sinatra
The Way You Look Tonight
132 bpm • F min • 03:22 • -14.07db
69% Popularity • 62% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
69% Popularity • 62% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Stevie Wonder
You Are The Sunshine Of My Life
132 bpm • B Maj • 02:58 • -14.53db
71% Popularity • 52% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
71% Popularity • 52% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
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Charlie Parker
Summertime
133 bpm • G min • 02:47 • -7.6db
58% Popularity • 34% Danceability • 34% Energy • 16% Liveness
32% Instrumentalness • 39% Positiveness
58% Popularity • 34% Danceability • 34% Energy • 16% Liveness
32% Instrumentalness • 39% Positiveness
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Gillian Hills
Zou bisou bisou
131 bpm • G# Maj • 02:15 • -9.18db
56% Popularity • 77% Danceability • 48% Energy • 6% Liveness
1% Instrumentalness • 84% Positiveness
56% Popularity • 77% Danceability • 48% Energy • 6% Liveness
1% Instrumentalness • 84% Positiveness
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Etta James
Don't Cry Baby
132 bpm • F Maj • 02:26 • -15.87db
51% Popularity • 43% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
51% Popularity • 43% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Francis Lai
Un homme et une femme - Instrumental
131 bpm • A Maj • 02:41 • -8.68db
57% Popularity • 45% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
57% Popularity • 45% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Stan Getz
The Girl From Ipanema
130 bpm • A# min • 05:20 • -17.87db
69% Popularity • 65% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
69% Popularity • 65% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Frankie Valli & The Four Seasons
Big Girls Don't Cry
130 bpm • D Maj • 02:28 • -5.02db
62% Popularity • 76% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
62% Popularity • 76% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Harry Connick, Jr.
The Way You Look Tonight
130 bpm • C# Maj • 03:45 • -13.7db
34% Popularity • 46% Danceability • 23% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 46% Danceability • 23% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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Chuck Berry
You Never Can Tell
157 bpm • G Maj • 02:41 • -9.52db
74% Popularity • 52% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
74% Popularity • 52% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Nat King Cole
L-O-V-E - 2000 Remaster
157 bpm • B min • 02:33 • -14.76db
60% Popularity • 45% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
60% Popularity • 45% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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The Ronettes
Be My Baby
130 bpm • E Maj • 02:40 • -7.01db
79% Popularity • 51% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
79% Popularity • 51% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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The Crew Cuts
Sh-Boom (Life Could Be A Dream)
130 bpm • D min • 02:48 • -10.93db
53% Popularity • 67% Danceability • 27% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
53% Popularity • 67% Danceability • 27% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
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Pink Martini
Sympathique
129 bpm • F Maj • 02:48 • -11.95db
56% Popularity • 57% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
56% Popularity • 57% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Herbie Hancock
Watermelon Man - Remastered 2007
129 bpm • C min • 07:09 • -8.56db
55% Popularity • 61% Danceability • 53% Energy • 18% Liveness
3% Instrumentalness • 59% Positiveness
55% Popularity • 61% Danceability • 53% Energy • 18% Liveness
3% Instrumentalness • 59% Positiveness
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Etta Jones
Don't Go To Strangers
129 bpm • G Maj • 03:48 • -13.58db
52% Popularity • 50% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
52% Popularity • 50% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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The Beatles
Here Comes The Sun - Remastered 2009
129 bpm • A Maj • 03:05 • -10.48db
86% Popularity • 56% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
86% Popularity • 56% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Artie Shaw
It Had To Be You
158 bpm • G Maj • 02:28 • -10.77db
40% Popularity • 62% Danceability • 30% Energy • 20% Liveness
9% Instrumentalness • 89% Positiveness
40% Popularity • 62% Danceability • 30% Energy • 20% Liveness
9% Instrumentalness • 89% Positiveness
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Margaret Whiting
Make Someone Happy
129 bpm • B min • 02:09 • -7.34db
48% Popularity • 55% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
48% Popularity • 55% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Jerry Herman
Hello, Dolly!
129 bpm • F Maj • 07:50 • -12.18db
37% Popularity • 46% Danceability • 21% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
37% Popularity • 46% Danceability • 21% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
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Aretha Franklin
Ac-Cent-Tchu-Ate the Positive
129 bpm • F min • 02:16 • -8db
52% Popularity • 69% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
52% Popularity • 69% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Chet Baker
I Fall In Love Too Easily
129 bpm • C min • 03:21 • -19.14db
68% Popularity • 53% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
68% Popularity • 53% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Blossom Dearie
They Say It's Spring
129 bpm • F min • 03:24 • -17.94db
37% Popularity • 54% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
37% Popularity • 54% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Nat King Cole
Orange Colored Sky
129 bpm • A# Maj • 02:33 • -15.2db
64% Popularity • 54% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
64% Popularity • 54% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Bobby Hebb
Sunny
128 bpm • E min • 02:45 • -10.99db
72% Popularity • 71% Danceability • 34% Energy • 39% Liveness
1% Instrumentalness • 67% Positiveness
72% Popularity • 71% Danceability • 34% Energy • 39% Liveness
1% Instrumentalness • 67% Positiveness
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Miles Davis
Freddie Freeloader
128 bpm • G# Maj • 09:46 • -15.83db
53% Popularity • 64% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
53% Popularity • 64% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Tony Bennett
(I Left My Heart) In San Francisco
128 bpm • C Maj • 02:50 • -17.58db
59% Popularity • 31% Danceability • 8% Energy • 17% Liveness
0% Instrumentalness • 12% Positiveness
59% Popularity • 31% Danceability • 8% Energy • 17% Liveness
0% Instrumentalness • 12% Positiveness
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Harry Nilsson
Everybody's Talkin'
128 bpm • E Maj • 02:32 • -15.19db
63% Popularity • 50% Danceability • 37% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
63% Popularity • 50% Danceability • 37% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
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Four Tops
I Can't Help Myself (Sugar Pie, Honey Bu...
128 bpm • C Maj • 02:40 • -9db
79% Popularity • 67% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
79% Popularity • 67% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Emilie-Claire Barlow
C'est si bon - 2012
128 bpm • G# Maj • 03:16 • -10.74db
60% Popularity • 65% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
60% Popularity • 65% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Roy Orbison
Oh, Pretty Woman
127 bpm • A Maj • 02:58 • -9.48db
78% Popularity • 62% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
78% Popularity • 62% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Dizzy Gillespie
All The Things You Are
127 bpm • G# Maj • 02:49 • -17.66db
52% Popularity • 56% Danceability • 8% Energy • 11% Liveness
58% Instrumentalness • 48% Positiveness
52% Popularity • 56% Danceability • 8% Energy • 11% Liveness
58% Instrumentalness • 48% Positiveness
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Louis Armstrong
Cabaret - Single Version
161 bpm • G# Maj • 02:45 • -15.43db
45% Popularity • 40% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
45% Popularity • 40% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Frank Sinatra
I've Got You Under My Skin - Remastered ...
127 bpm • C# Maj • 03:43 • -13db
67% Popularity • 58% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
67% Popularity • 58% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Natalie Cole
This Will Be (An Everlasting Love)
127 bpm • G# Maj • 02:51 • -11.15db
77% Popularity • 68% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
77% Popularity • 68% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
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The Andrews Sisters
Rum And Coca Cola
161 bpm • A# Maj • 03:03 • -14db
32% Popularity • 76% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
32% Popularity • 76% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Dave Brubeck
Besame Mucho
127 bpm • A# min • 05:58 • -18db
42% Popularity • 64% Danceability • 26% Energy • 98% Liveness
71% Instrumentalness • 30% Positiveness
42% Popularity • 64% Danceability • 26% Energy • 98% Liveness
71% Instrumentalness • 30% Positiveness
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Harry Connick, Jr.
You Didn't Know Me When
162 bpm • C Maj • 03:09 • -12.84db
33% Popularity • 48% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
33% Popularity • 48% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Louis Armstrong And The All-Stars
High Society
126 bpm • C min • 03:59 • -13.55db
24% Popularity • 61% Danceability • 41% Energy • 6% Liveness
26% Instrumentalness • 94% Positiveness
24% Popularity • 61% Danceability • 41% Energy • 6% Liveness
26% Instrumentalness • 94% Positiveness
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Etta Jones
Bye Bye Blackbird
126 bpm • C min • 03:14 • -9db
56% Popularity • 71% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
56% Popularity • 71% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Velma Middleton
You're Just In Love - Single Version
163 bpm • F# Maj • 02:40 • -12.87db
33% Popularity • 69% Danceability • 18% Energy • 39% Liveness
0% Instrumentalness • 87% Positiveness
33% Popularity • 69% Danceability • 18% Energy • 39% Liveness
0% Instrumentalness • 87% Positiveness
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Frank Sinatra
You Make Me Feel So Young - Remastered 1...
125 bpm • A Maj • 02:57 • -11.56db
65% Popularity • 58% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
65% Popularity • 58% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Harry Nilsson
Everybody's Talkin'
125 bpm • E Maj • 02:43 • -15.57db
66% Popularity • 44% Danceability • 35% Energy • 42% Liveness
0% Instrumentalness • 68% Positiveness
66% Popularity • 44% Danceability • 35% Energy • 42% Liveness
0% Instrumentalness • 68% Positiveness
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Billie Holiday
Blue Moon
125 bpm • G# Maj • 03:27 • -11.44db
67% Popularity • 64% Danceability • 27% Energy • 14% Liveness
12% Instrumentalness • 54% Positiveness
67% Popularity • 64% Danceability • 27% Energy • 14% Liveness
12% Instrumentalness • 54% Positiveness
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Diana Krall
Let's Fall In Love
125 bpm • F min • 04:18 • -16.93db
60% Popularity • 62% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
60% Popularity • 62% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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The Andrews Sisters
Bei Mir Bist Du Schoen - 1937 Single Ver...
164 bpm • C Maj • 03:06 • -9.79db
40% Popularity • 64% Danceability • 34% Energy • 60% Liveness
0% Instrumentalness • 80% Positiveness
40% Popularity • 64% Danceability • 34% Energy • 60% Liveness
0% Instrumentalness • 80% Positiveness
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Bill Evans
Skating In Central Park
124 bpm • C Maj • 05:24 • -25db
59% Popularity • 48% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
59% Popularity • 48% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
