Songs like St. Peter Blues by Jimmie Gordon
Based on a tempo of (+/- 10%) and a similar genre
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Piano Red
Rockin' with Red - Remastered 2002
89 bpm • C# min • 02:30 • -9db
19% Popularity • 78% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 78% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Hamp Garnett
Kansas City Bounce
89 bpm • F Maj • 02:05 • -11db
13% Popularity • 62% Danceability • 50% Energy • 17% Liveness
88% Instrumentalness • 90% Positiveness
13% Popularity • 62% Danceability • 50% Energy • 17% Liveness
88% Instrumentalness • 90% Positiveness
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Jimmie Gordon
St. Peter Blues
89 bpm • G Maj • 02:55 • -7.64db
0% Popularity • 59% Danceability • 40% Energy • 13% Liveness
1% Instrumentalness • 62% Positiveness
0% Popularity • 59% Danceability • 40% Energy • 13% Liveness
1% Instrumentalness • 62% Positiveness
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Arthur "Big Boy" Crudup
Katie May
89 bpm • A# Maj • 02:51 • -16.37db
21% Popularity • 72% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 72% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Earl Hooker
I'm Going Down the Line
90 bpm • G Maj • 02:21 • -10.99db
15% Popularity • 62% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
15% Popularity • 62% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
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Joe Liggins
Rhythm In The Barnyard
88 bpm • C min • 04:46 • -12.1db
18% Popularity • 70% Danceability • 41% Energy • 12% Liveness
2% Instrumentalness • 71% Positiveness
18% Popularity • 70% Danceability • 41% Energy • 12% Liveness
2% Instrumentalness • 71% Positiveness
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Memphis Minnie
I Got to Make a Change Blues
88 bpm • C Maj • 02:59 • -13.46db
6% Popularity • 76% Danceability • 13% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
6% Popularity • 76% Danceability • 13% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
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The Big Three Trio
I'll be right some day
88 bpm • B min • 02:31 • -16.27db
8% Popularity • 59% Danceability • 25% Energy • 10% Liveness
8% Instrumentalness • 39% Positiveness
8% Popularity • 59% Danceability • 25% Energy • 10% Liveness
8% Instrumentalness • 39% Positiveness
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Jimmie Gordon
Don't Take Away My P.W.A.
89 bpm • D# Maj • 02:57 • -13.88db
0% Popularity • 70% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
0% Popularity • 70% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Pee Wee Crayton
Daybreak
88 bpm • C Maj • 02:41 • -13.74db
12% Popularity • 65% Danceability • 28% Energy • 11% Liveness
10% Instrumentalness • 68% Positiveness
12% Popularity • 65% Danceability • 28% Energy • 11% Liveness
10% Instrumentalness • 68% Positiveness
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Bunk Johnson
2.19 Blues
90 bpm • A# Maj • 03:15 • -10db
9% Popularity • 54% Danceability • 40% Energy • 21% Liveness
92% Instrumentalness • 65% Positiveness
9% Popularity • 54% Danceability • 40% Energy • 21% Liveness
92% Instrumentalness • 65% Positiveness
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Big Maceo
County Jail Blues
90 bpm • A# Maj • 02:55 • -13db
8% Popularity • 71% Danceability • 19% Energy • 12% Liveness
3% Instrumentalness • 75% Positiveness
8% Popularity • 71% Danceability • 19% Energy • 12% Liveness
3% Instrumentalness • 75% Positiveness
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Eddie Boyd
Lovesick Soul
88 bpm • D Maj • 03:56 • -7.81db
28% Popularity • 61% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
28% Popularity • 61% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Tampa Red
You Missed a Good Man
87 bpm • G# Maj • 03:34 • -14.23db
17% Popularity • 75% Danceability • 26% Energy • 13% Liveness
5% Instrumentalness • 77% Positiveness
17% Popularity • 75% Danceability • 26% Energy • 13% Liveness
5% Instrumentalness • 77% Positiveness
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Jimmie Gordon
Lookin' For The Blues
90 bpm • F Maj • 02:55 • -13.71db
0% Popularity • 63% Danceability • 15% Energy • 8% Liveness
3% Instrumentalness • 45% Positiveness
0% Popularity • 63% Danceability • 15% Energy • 8% Liveness
3% Instrumentalness • 45% Positiveness
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Slim Harpo
I'm Gonna Miss You (Like The Devil) - Si...
87 bpm • D Maj • 02:20 • -11.77db
35% Popularity • 63% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
35% Popularity • 63% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Lonnie Johnson
Friendless Blues
87 bpm • G# Maj • 03:02 • -8.2db
14% Popularity • 55% Danceability • 62% Energy • 9% Liveness
52% Instrumentalness • 77% Positiveness
14% Popularity • 55% Danceability • 62% Energy • 9% Liveness
52% Instrumentalness • 77% Positiveness
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Caroline Dahl
Bluegrass Boogie Woogie
91 bpm • F Maj • 03:20 • -11db
19% Popularity • 42% Danceability • 81% Energy • 10% Liveness
98% Instrumentalness • 85% Positiveness
19% Popularity • 42% Danceability • 81% Energy • 10% Liveness
98% Instrumentalness • 85% Positiveness
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Lowell Fulson
Blue Shadows - 1960 Single Version
87 bpm • F Maj • 02:27 • -7.13db
21% Popularity • 55% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
21% Popularity • 55% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
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Arthur "Big Boy" Crudup
My Mama Don't Allow Me
91 bpm • D Maj • 03:10 • -11db
22% Popularity • 62% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 62% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Jimmie Gordon
Mother Blues
87 bpm • C Maj • 02:57 • -13.51db
0% Popularity • 62% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
0% Popularity • 62% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Firehouse Five Plus Two
Fireman's Lament
91 bpm • C# Maj • 03:08 • -13.74db
15% Popularity • 40% Danceability • 21% Energy • 12% Liveness
88% Instrumentalness • 20% Positiveness
15% Popularity • 40% Danceability • 21% Energy • 12% Liveness
88% Instrumentalness • 20% Positiveness
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Kokomo Arnold
Back Door Blues
87 bpm • F# Maj • 03:25 • -16.17db
10% Popularity • 76% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 76% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Sunnyland Slim
Johnson Machine Gun (1947)
91 bpm • D Maj • 02:52 • -13.14db
7% Popularity • 71% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
7% Popularity • 71% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Tampa Red
Mean and Evil Blues
91 bpm • G Maj • 02:53 • -10.19db
17% Popularity • 75% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 75% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Albert Ammons & Pete Johnson
Boogie Woogie Man
92 bpm • C Maj • 02:42 • -11.06db
24% Popularity • 56% Danceability • 81% Energy • 28% Liveness
93% Instrumentalness • 97% Positiveness
24% Popularity • 56% Danceability • 81% Energy • 28% Liveness
93% Instrumentalness • 97% Positiveness
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Jimmie Gordon
L & N Blues
86 bpm • C Maj • 03:04 • -11.22db
0% Popularity • 56% Danceability • 28% Energy • 16% Liveness
52% Instrumentalness • 48% Positiveness
0% Popularity • 56% Danceability • 28% Energy • 16% Liveness
52% Instrumentalness • 48% Positiveness
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Lonnie Johnson
Got the Blues for Murder Only
92 bpm • D Maj • 03:22 • -17.61db
2% Popularity • 66% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
2% Popularity • 66% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Lillie Mae Kirkman
He'S Just My Size
92 bpm • A# Maj • 02:47 • -16.56db
4% Popularity • 67% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
4% Popularity • 67% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Billy Eckstine
Lonesome Lover Blues
92 bpm • F# Maj • 02:48 • -11.83db
14% Popularity • 64% Danceability • 50% Energy • 16% Liveness
81% Instrumentalness • 77% Positiveness
14% Popularity • 64% Danceability • 50% Energy • 16% Liveness
81% Instrumentalness • 77% Positiveness
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Virginia Liston
You've Got the Right Key, but the Wrong ...
86 bpm • C Maj • 03:21 • -12.65db
7% Popularity • 69% Danceability • 13% Energy • 18% Liveness
1% Instrumentalness • 50% Positiveness
7% Popularity • 69% Danceability • 13% Energy • 18% Liveness
1% Instrumentalness • 50% Positiveness
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Lucky Millinder
I Know Who Threw the Whiskey in the Well...
92 bpm • A# Maj • 02:46 • -8.7db
20% Popularity • 75% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 75% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Jimmie Gordon
Jumpin' At The Club Blue Flame
86 bpm • A# Maj • 02:58 • -11.08db
0% Popularity • 54% Danceability • 45% Energy • 36% Liveness
15% Instrumentalness • 85% Positiveness
0% Popularity • 54% Danceability • 45% Energy • 36% Liveness
15% Instrumentalness • 85% Positiveness
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Sippie Wallace
I'm a Mighty Tight Woman
86 bpm • C Maj • 02:50 • -12.71db
21% Popularity • 46% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 46% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Leroy Carr
How Long, How Long Blues
85 bpm • D# Maj • 03:03 • -12.26db
29% Popularity • 63% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 63% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Caroline Dahl
Caroline's Boogie
93 bpm • G Maj • 03:21 • -9db
23% Popularity • 48% Danceability • 75% Energy • 16% Liveness
95% Instrumentalness • 96% Positiveness
23% Popularity • 48% Danceability • 75% Energy • 16% Liveness
95% Instrumentalness • 96% Positiveness
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Booker T. Laury
Early in the Morning
85 bpm • G Maj • 03:05 • -14db
20% Popularity • 68% Danceability • 31% Energy • 67% Liveness
2% Instrumentalness • 77% Positiveness
20% Popularity • 68% Danceability • 31% Energy • 67% Liveness
2% Instrumentalness • 77% Positiveness
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Lil Green
Romance In The Dark
93 bpm • F Maj • 03:23 • -14.12db
7% Popularity • 65% Danceability • 28% Energy • 10% Liveness
6% Instrumentalness • 78% Positiveness
7% Popularity • 65% Danceability • 28% Energy • 10% Liveness
6% Instrumentalness • 78% Positiveness
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Jimmie Gordon
She's Doin' It Now
86 bpm • D min • 02:42 • -12.08db
0% Popularity • 73% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 69% Positiveness
0% Popularity • 73% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 69% Positiveness
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Robert Petway
Catfish Blues (Alternate Take)
93 bpm • C# Maj • 02:54 • -9db
13% Popularity • 68% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 68% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Leroy Carr
When the Sun Goes Down
93 bpm • A# Maj • 02:59 • -15db
18% Popularity • 50% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
18% Popularity • 50% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Lonnie Johnson
Jelly Roll Baker
93 bpm • D# Maj • 04:15 • -19.78db
7% Popularity • 53% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
7% Popularity • 53% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Big Maybelle
Ramblin' Blues
85 bpm • F Maj • 02:54 • -11.96db
13% Popularity • 58% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 58% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Soul Satisfiers of Philadelphia
I'm His And He's Mine
93 bpm • G# Maj • 02:36 • -6.16db
2% Popularity • 27% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
2% Popularity • 27% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
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Jimmie Gordon
Actions Speak Louder Than Words
93 bpm • F Maj • 02:50 • -12.04db
0% Popularity • 54% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
0% Popularity • 54% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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J.B. Lenoir
I Want to Go
85 bpm • C Maj • 01:39 • -9db
30% Popularity • 84% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 84% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Odetta
Yonder Come The Blues
94 bpm • G# min • 02:49 • -11.6db
10% Popularity • 67% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 67% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
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Ida Cox
Hard Times Blues
85 bpm • G# Maj • 03:00 • -8.64db
9% Popularity • 59% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 59% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Hank Ballard
Work With Me Annie
84 bpm • F min • 03:05 • -8.23db
7% Popularity • 69% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
7% Popularity • 69% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Lowell Fulson
Crying Blues (Street Walking Woman)
84 bpm • C Maj • 02:23 • -15.98db
19% Popularity • 59% Danceability • 24% Energy • 10% Liveness
15% Instrumentalness • 44% Positiveness
19% Popularity • 59% Danceability • 24% Energy • 10% Liveness
15% Instrumentalness • 44% Positiveness
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Jimmie Gordon
Bye Bye Baby Blues
85 bpm • D min • 03:03 • -9.22db
0% Popularity • 63% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
0% Popularity • 63% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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Memphis Minnie
If You See My Rooster (Please Run Him Ho...
94 bpm • D# Maj • 03:15 • -16db
30% Popularity • 79% Danceability • 14% Energy • 11% Liveness
18% Instrumentalness • 67% Positiveness
30% Popularity • 79% Danceability • 14% Energy • 11% Liveness
18% Instrumentalness • 67% Positiveness
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Elmore James
I Need You
84 bpm • D Maj • 02:54 • -12.5db
8% Popularity • 54% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 54% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Tampa Red
Jelly Whippin' Blues
84 bpm • F# Maj • 03:51 • -19db
8% Popularity • 66% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 66% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Blind Blake
Hastings Street
84 bpm • F Maj • 03:10 • -10db
28% Popularity • 56% Danceability • 49% Energy • 11% Liveness
88% Instrumentalness • 77% Positiveness
28% Popularity • 56% Danceability • 49% Energy • 11% Liveness
88% Instrumentalness • 77% Positiveness
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Eddie Boyd
Mr. Highway Man
84 bpm • C Maj • 03:09 • -9.22db
10% Popularity • 67% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 67% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
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Jimmie Gordon
(Roll 'Em Dorothy) Let 'Em Jump For Joy
84 bpm • C Maj • 03:01 • -7.46db
0% Popularity • 50% Danceability • 46% Energy • 16% Liveness
11% Instrumentalness • 88% Positiveness
0% Popularity • 50% Danceability • 46% Energy • 16% Liveness
11% Instrumentalness • 88% Positiveness
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Jimmy Liggins and His Drops Of Joy
Cadillac Boogie
84 bpm • F# Maj • 02:36 • -12.8db
27% Popularity • 62% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 62% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Leroy Carr
Papa's on the House Top
95 bpm • D# Maj • 02:55 • -12db
26% Popularity • 68% Danceability • 28% Energy • 12% Liveness
60% Instrumentalness • 78% Positiveness
26% Popularity • 68% Danceability • 28% Energy • 12% Liveness
60% Instrumentalness • 78% Positiveness
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Katie Webster
Mama Cat Cuttin' No Slack
95 bpm • C Maj • 03:30 • -13.02db
8% Popularity • 67% Danceability • 44% Energy • 69% Liveness
16% Instrumentalness • 70% Positiveness
8% Popularity • 67% Danceability • 44% Energy • 69% Liveness
16% Instrumentalness • 70% Positiveness
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Memphis Minnie
Down By the Riverside
83 bpm • G Maj • 02:35 • -6.68db
15% Popularity • 81% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
15% Popularity • 81% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Robert Nighthawk
Friar's Point Blues
95 bpm • E Maj • 02:54 • -6db
8% Popularity • 67% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
8% Popularity • 67% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Jimmie Gordon
Big Four Whistle Blues
84 bpm • G Maj • 03:03 • -9.88db
0% Popularity • 60% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
0% Popularity • 60% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Blind Boy Fuller
What's That Smells Like Fish
95 bpm • B min • 02:46 • -12.89db
15% Popularity • 64% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
15% Popularity • 64% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Lowell Fulson
Trouble, Trouble
95 bpm • C Maj • 02:50 • -14.76db
24% Popularity • 54% Danceability • 25% Energy • 14% Liveness
3% Instrumentalness • 49% Positiveness
24% Popularity • 54% Danceability • 25% Energy • 14% Liveness
3% Instrumentalness • 49% Positiveness
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Fannie May Goosby with Peter Harris
Dirty Moaner Blues
95 bpm • C Maj • 02:43 • -10.71db
3% Popularity • 68% Danceability • 30% Energy • 75% Liveness
0% Instrumentalness • 72% Positiveness
3% Popularity • 68% Danceability • 30% Energy • 75% Liveness
0% Instrumentalness • 72% Positiveness
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Earl Hooker
Blue Guitar
83 bpm • E Maj • 02:46 • -9.33db
29% Popularity • 26% Danceability • 47% Energy • 10% Liveness
83% Instrumentalness • 47% Positiveness
29% Popularity • 26% Danceability • 47% Energy • 10% Liveness
83% Instrumentalness • 47% Positiveness
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The Five Blazes
Chicago Boogie
95 bpm • C Maj • 02:55 • -10.82db
11% Popularity • 53% Danceability • 48% Energy • 12% Liveness
23% Instrumentalness • 88% Positiveness
11% Popularity • 53% Danceability • 48% Energy • 12% Liveness
23% Instrumentalness • 88% Positiveness
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Jimmie Gordon
Good As I Been To You
84 bpm • C# Maj • 03:06 • -14.28db
0% Popularity • 58% Danceability • 17% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
0% Popularity • 58% Danceability • 17% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
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Roosevelt Sykes with Art McKay
She Squeezed My Lemon
95 bpm • D# Maj • 02:42 • -11.74db
4% Popularity • 63% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
4% Popularity • 63% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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St. Louis Jimmy Oden
Going Down Slow
83 bpm • D# Maj • 03:11 • -12.6db
24% Popularity • 67% Danceability • 27% Energy • 16% Liveness
9% Instrumentalness • 48% Positiveness
24% Popularity • 67% Danceability • 27% Energy • 16% Liveness
9% Instrumentalness • 48% Positiveness
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Smokey Hogg
When I've Been Drinkin
96 bpm • G Maj • 02:25 • -8db
22% Popularity • 78% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
22% Popularity • 78% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Lonnie Johnson
Some Day Baby
82 bpm • D# Maj • 03:08 • -12.62db
24% Popularity • 50% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
24% Popularity • 50% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Robert Nighthawk
Kansas City Blues
96 bpm • D Maj • 02:39 • -7.88db
19% Popularity • 60% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
19% Popularity • 60% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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Jimmie Gordon
Bleeding Heart Blues
84 bpm • F# Maj • 03:06 • -15.32db
0% Popularity • 62% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
0% Popularity • 62% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Camille Howard
Fluff Boogie
96 bpm • A# Maj • 02:19 • -13.79db
25% Popularity • 55% Danceability • 46% Energy • 26% Liveness
91% Instrumentalness • 90% Positiveness
25% Popularity • 55% Danceability • 46% Energy • 26% Liveness
91% Instrumentalness • 90% Positiveness
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Jimmy Yancey
La Salle Street Breakdown
96 bpm • F min • 03:05 • -10.39db
15% Popularity • 47% Danceability • 71% Energy • 27% Liveness
86% Instrumentalness • 87% Positiveness
15% Popularity • 47% Danceability • 71% Energy • 27% Liveness
86% Instrumentalness • 87% Positiveness
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Jimmy Rogers
I Used To Have A Woman
97 bpm • C min • 03:08 • -13.26db
10% Popularity • 60% Danceability • 28% Energy • 33% Liveness
1% Instrumentalness • 57% Positiveness
10% Popularity • 60% Danceability • 28% Energy • 33% Liveness
1% Instrumentalness • 57% Positiveness
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Blind Boy Fuller
If You Don't Give Me What I Want
97 bpm • D# Maj • 02:57 • -7db
9% Popularity • 78% Danceability • 56% Energy • 17% Liveness
5% Instrumentalness • 84% Positiveness
9% Popularity • 78% Danceability • 56% Energy • 17% Liveness
5% Instrumentalness • 84% Positiveness
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Elmore James
I See My Baby
82 bpm • D Maj • 03:01 • -15.93db
11% Popularity • 63% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 92% Positiveness
11% Popularity • 63% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 92% Positiveness
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Jimmie Gordon
Beer Drinking Woman
95 bpm • G Maj • 02:44 • -12.21db
0% Popularity • 75% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
0% Popularity • 75% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Otis Spann's South Side Piano
Spann's Stomp
97 bpm • C Maj • 02:21 • -13db
29% Popularity • 50% Danceability • 65% Energy • 11% Liveness
87% Instrumentalness • 86% Positiveness
29% Popularity • 50% Danceability • 65% Energy • 11% Liveness
87% Instrumentalness • 86% Positiveness
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Ann Rabson
Ain't That A Shame
82 bpm • C Maj • 03:27 • -12.63db
11% Popularity • 59% Danceability • 35% Energy • 8% Liveness
2% Instrumentalness • 57% Positiveness
11% Popularity • 59% Danceability • 35% Energy • 8% Liveness
2% Instrumentalness • 57% Positiveness
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Tampa Red
It Hurts Me Too
97 bpm • A# Maj • 02:33 • -8db
23% Popularity • 63% Danceability • 46% Energy • 13% Liveness
1% Instrumentalness • 71% Positiveness
23% Popularity • 63% Danceability • 46% Energy • 13% Liveness
1% Instrumentalness • 71% Positiveness
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Jan Preston
You're the One for Me
97 bpm • A Maj • 03:03 • -14.67db
22% Popularity • 79% Danceability • 25% Energy • 7% Liveness
89% Instrumentalness • 58% Positiveness
22% Popularity • 79% Danceability • 25% Energy • 7% Liveness
89% Instrumentalness • 58% Positiveness
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Kokomo Arnold
Cause You're Dirty
97 bpm • D# Maj • 03:03 • -19.47db
1% Popularity • 58% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
1% Popularity • 58% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Jimmie Gordon
Little Red Dress (Mary Usta Wear)
95 bpm • D Maj • 02:53 • -13.46db
0% Popularity • 61% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
0% Popularity • 61% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Elmore James
Whose Muddy Shoes
81 bpm • D Maj • 03:15 • -14.38db
10% Popularity • 46% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 46% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Meade "Lux" Lewis
Meade'S Blues
81 bpm • C Maj • 04:18 • -10db
9% Popularity • 66% Danceability • 64% Energy • 10% Liveness
87% Instrumentalness • 70% Positiveness
9% Popularity • 66% Danceability • 64% Energy • 10% Liveness
87% Instrumentalness • 70% Positiveness
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Floyd Dixon
Getting' Ready
97 bpm • A# Maj • 02:49 • -14.06db
22% Popularity • 71% Danceability • 35% Energy • 24% Liveness
13% Instrumentalness • 75% Positiveness
22% Popularity • 71% Danceability • 35% Energy • 24% Liveness
13% Instrumentalness • 75% Positiveness
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Sonny Terry and Brownie McGhee
Robbie-Doby Boogie
81 bpm • C min • 02:22 • -10db
10% Popularity • 67% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 67% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Roy Milton
Big Fat Mama
98 bpm • F Maj • 02:43 • -12db
27% Popularity • 66% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
27% Popularity • 66% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Jimmie Gordon
She Sells Good Meat
83 bpm • D# Maj • 02:35 • -11.12db
0% Popularity • 64% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
0% Popularity • 64% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
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Jimmy Rogers
Money, Marbles And Chalk - Single Versio...
98 bpm • B min • 03:20 • -14db
27% Popularity • 57% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 57% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Black Bottom Stompers
Black Snake Blues
98 bpm • C Maj • 04:14 • -15.62db
25% Popularity • 66% Danceability • 14% Energy • 5% Liveness
70% Instrumentalness • 46% Positiveness
25% Popularity • 66% Danceability • 14% Energy • 5% Liveness
70% Instrumentalness • 46% Positiveness
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Josh White
Nobody Knows You When Your Down and Out
81 bpm • B min • 03:00 • -15.17db
19% Popularity • 60% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 60% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Bumble Bee Slim
When Somebody Loses
98 bpm • C Maj • 02:49 • -12.47db
8% Popularity • 65% Danceability • 26% Energy • 26% Liveness
82% Instrumentalness • 84% Positiveness
8% Popularity • 65% Danceability • 26% Energy • 26% Liveness
82% Instrumentalness • 84% Positiveness
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J.B. Lenoir
Shot on Meredith
98 bpm • C Maj • 02:47 • -9.44db
9% Popularity • 67% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 67% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
