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St. Teresa
Songs like
St. Teresa
by
Joan Osborne
Based on a tempo of (+/- 10%) and a similar genre
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Robbie Robertson
In The Blood
83 bpm • E min • 04:35 • -11.51db
19% Popularity • 62% Danceability • 49% Energy • 8% Liveness
4% Instrumentalness • 39% Positiveness
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Mary Gauthier
Last Of The Hobo Kings
83 bpm • C# Maj • 05:50 • -12.16db
16% Popularity • 53% Danceability • 46% Energy • 8% Liveness
2% Instrumentalness • 44% Positiveness
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October Project
Paths of Desire
83 bpm • G# min • 04:32 • -10.98db
16% Popularity • 45% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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The Waybacks
Working on the Highway
83 bpm • C Maj • 04:58 • -14.77db
0% Popularity • 53% Danceability • 53% Energy • 53% Liveness
0% Instrumentalness • 93% Positiveness
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Joan Osborne
St. Teresa
83 bpm • A min • 05:20 • -8db
40% Popularity • 58% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Dar Williams
Farewell to the Old Me
83 bpm • C Maj • 02:45 • -7.03db
34% Popularity • 44% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Tori Amos
Crucify - 2015 Remaster
83 bpm • B Maj • 04:59 • -9.73db
48% Popularity • 51% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Sinéad O'Connor
Last Day of Our Acquaintance
83 bpm • D# Maj • 04:38 • -13db
51% Popularity • 34% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Jewel
Kiss The Flame
83 bpm • C Maj • 03:17 • -11.28db
25% Popularity • 45% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Lisa Loeb & Nine Stories
Sandalwood
83 bpm • E Maj • 02:38 • -12.32db
31% Popularity • 55% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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John Hiatt
Cry Love
83 bpm • C Maj • 04:20 • -7.22db
39% Popularity • 56% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Paula Cole
Feelin' Love
82 bpm • A# Maj • 05:37 • -9.97db
43% Popularity • 71% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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The Waybacks
I'm on Fire
84 bpm • E Maj • 06:00 • -22.19db
1% Popularity • 48% Danceability • 26% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
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The Infamous Stringdusters
Listen
82 bpm • E min • 03:44 • -7.4db
7% Popularity • 52% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Jeff Talmadge
Take a Drive With Me
82 bpm • F# min • 04:01 • -14.14db
13% Popularity • 57% Danceability • 31% Energy • 14% Liveness
44% Instrumentalness • 34% Positiveness
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Jewel
Near You Always
84 bpm • C# Maj • 03:09 • -14db
39% Popularity • 30% Danceability • 18% Energy • 74% Liveness
0% Instrumentalness • 37% Positiveness
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Antje Duvekot
Dandelion
82 bpm • D# Maj • 04:00 • -7.41db
19% Popularity • 51% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Paula Cole
Eloise
82 bpm • G Maj • 04:13 • -11.23db
19% Popularity • 52% Danceability • 68% Energy • 12% Liveness
38% Instrumentalness • 45% Positiveness
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Lisa Loeb & Nine Stories
When All The Stars Were Falling
82 bpm • F Maj • 02:51 • -9.68db
25% Popularity • 49% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Teddy Thompson
Tonight Will Be Fine
84 bpm • F# Maj • 03:36 • -9db
38% Popularity • 30% Danceability • 35% Energy • 69% Liveness
0% Instrumentalness • 11% Positiveness
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Robbie Robertson
Somewhere Down The Crazy River
82 bpm • F min • 04:55 • -17.76db
47% Popularity • 54% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Dar Williams
Iowa
85 bpm • A# Maj • 04:47 • -11.87db
23% Popularity • 53% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Joan Osborne
Let's Just Get Naked
85 bpm • F Maj • 05:09 • -10.46db
20% Popularity • 57% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Jonatha Brooke
How Deep Is Your Love?
81 bpm • E min • 04:02 • -6.85db
11% Popularity • 51% Danceability • 81% Energy • 77% Liveness
0% Instrumentalness • 45% Positiveness
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Peter Gabriel
Don't Give Up - New Blood Version
81 bpm • D# Maj • 06:40 • -16.36db
18% Popularity • 47% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Jackson Browne
The Next Voice You Hear
81 bpm • B min • 04:48 • -10.19db
20% Popularity • 64% Danceability • 66% Energy • 11% Liveness
3% Instrumentalness • 62% Positiveness
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Counting Crows
Sullivan Street
81 bpm • D Maj • 04:28 • -7.71db
49% Popularity • 57% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Tracy Chapman
At This Point in My Life
81 bpm • A Maj • 05:08 • -13.8db
46% Popularity • 50% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Cowboy Junkies
Something More Besides You
80 bpm • G Maj • 04:16 • -14db
31% Popularity • 36% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Lisa Loeb & Nine Stories
Stay (I Missed You)
80 bpm • C# Maj • 03:03 • -6.89db
59% Popularity • 68% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Sinéad O'Connor
Fire on Babylon
80 bpm • F# min • 05:11 • -8.3db
37% Popularity • 47% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Antje Duvekot
Scream
80 bpm • F# min • 04:43 • -6.15db
8% Popularity • 53% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
► Preview
Counting Crows
Omaha
81 bpm • A Maj • 03:39 • -9db
57% Popularity • 52% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Joan Osborne
Midnight Train to Georgia
80 bpm • A Maj • 04:16 • -9.84db
28% Popularity • 57% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Shelby Lynne
Gotta Be Better
80 bpm • E Maj • 02:50 • -8.05db
11% Popularity • 57% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Jewel
Don't
79 bpm • G Maj • 03:37 • -17.82db
32% Popularity • 27% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Sinéad O'Connor
Daddy I'm Fine
80 bpm • F# Maj • 02:59 • -3.64db
32% Popularity • 63% Danceability • 83% Energy • 12% Liveness
2% Instrumentalness • 65% Positiveness
► Preview
Lucy Kaplansky
Ten Year Night
87 bpm • A Maj • 05:12 • -12db
20% Popularity • 55% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Counting Crows
Perfect Blue Buildings
80 bpm • F Maj • 05:00 • -13db
45% Popularity • 60% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
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Joan Osborne
Little Wild One
80 bpm • C Maj • 03:31 • -10.71db
25% Popularity • 72% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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4 Non Blondes
Drifting
79 bpm • G Maj • 03:30 • -12db
37% Popularity • 44% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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Suzanne Vega
(I'll Never Be) Your Maggie May
87 bpm • A Maj • 03:47 • -10db
25% Popularity • 62% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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Sheila Nicholls
Fallen for You
79 bpm • G# Maj • 03:16 • -7.05db
20% Popularity • 50% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Sarah Harmer
Open Window (the wedding song)
88 bpm • E Maj • 04:09 • -7.59db
22% Popularity • 63% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Counting Crows
Goodnight Elisabeth
80 bpm • A Maj • 05:18 • -8.18db
44% Popularity • 56% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Joan Osborne
Ladder
87 bpm • E min • 04:12 • -7.74db
28% Popularity • 50% Danceability • 77% Energy • 12% Liveness
1% Instrumentalness • 49% Positiveness
► Preview
Kathleen Edwards
Hockey Skates
79 bpm • A# Maj • 04:28 • -11db
24% Popularity • 56% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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The Be Good Tanyas
House Of The Rising Sun
88 bpm • G Maj • 03:49 • -13.58db
33% Popularity • 65% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 50% Positiveness
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Jewel
Down So Long
79 bpm • A min • 04:15 • -9db
37% Popularity • 65% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 61% Positiveness
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Liz Phair
Polyester Bride
88 bpm • C Maj • 04:05 • -5.39db
37% Popularity • 51% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Counting Crows
Raining In Baltimore
86 bpm • F Maj • 04:40 • -14.39db
41% Popularity • 35% Danceability • 12% Energy • 31% Liveness
0% Instrumentalness • 12% Positiveness
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Suzanne Vega
Blood Makes Noise
88 bpm • B Maj • 02:28 • -12.37db
40% Popularity • 60% Danceability • 75% Energy • 8% Liveness
66% Instrumentalness • 90% Positiveness
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Natalie Imbruglia
Leave Me Alone
88 bpm • G# min • 04:23 • -8.84db
34% Popularity • 53% Danceability • 59% Energy • 13% Liveness
1% Instrumentalness • 53% Positiveness
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Duffy
Rockferry
88 bpm • G Maj • 04:12 • -3.65db
38% Popularity • 42% Danceability • 88% Energy • 24% Liveness
2% Instrumentalness • 38% Positiveness
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Shelby Lynne
If I Were Smart
78 bpm • F# min • 03:35 • -13.95db
22% Popularity • 62% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Dido
See the Sun
78 bpm • G Maj • 05:05 • -7db
37% Popularity • 53% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Joan Osborne
If I Was Your Man
89 bpm • C# Maj • 04:57 • -8.23db
9% Popularity • 53% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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Beth Orton
Thinking About Tomorrow
89 bpm • C# min • 06:40 • -14.05db
28% Popularity • 59% Danceability • 27% Energy • 6% Liveness
4% Instrumentalness • 37% Positiveness
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Paula Cole
Bethlehem
89 bpm • G Maj • 04:39 • -13.12db
13% Popularity • 57% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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The Be Good Tanyas
Human Thing
77 bpm • A Maj • 04:08 • -11.12db
43% Popularity • 68% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Dar Williams
After All
90 bpm • C Maj • 04:48 • -11.31db
32% Popularity • 51% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Fiona Apple
Criminal
90 bpm • G min • 05:41 • -7.91db
64% Popularity • 60% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
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Joan Osborne
Son Of A Preacher Man
89 bpm • C Maj • 06:01 • -5.37db
18% Popularity • 37% Danceability • 86% Energy • 97% Liveness
0% Instrumentalness • 68% Positiveness
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Big Blue Ball
Big Blue Ball
77 bpm • G Maj • 04:52 • -10.07db
15% Popularity • 60% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Sam Phillips
Go Down
90 bpm • E min • 03:38 • -15.36db
15% Popularity • 55% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Sinéad O'Connor
Dancing Lessons
90 bpm • A Maj • 04:17 • -6db
25% Popularity • 65% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Catie Curtis
Soulfully
90 bpm • G Maj • 04:32 • -9.74db
13% Popularity • 69% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Tasmin Archer
When It Comes Down to It
90 bpm • A Maj • 04:13 • -19.56db
30% Popularity • 66% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Joan Osborne
Ain't No Sunshine
77 bpm • F min • 03:11 • -10db
30% Popularity • 64% Danceability • 51% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
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Lisa Loeb & Nine Stories
Do You Sleep?
90 bpm • C# min • 03:53 • -7db
35% Popularity • 64% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 26% Positiveness
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One Eskimo
Kandi
90 bpm • D# Maj • 03:36 • -7db
33% Popularity • 80% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Patti Scialfa
Stumbling To Bethlehem
90 bpm • A# Maj • 04:08 • -8.05db
8% Popularity • 59% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Catie Curtis
The Wolf
77 bpm • C Maj • 03:16 • -8.19db
11% Popularity • 57% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Marc Cohn
Ghost Train
90 bpm • C# Maj • 04:13 • -16.43db
34% Popularity • 70% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Joan Osborne
Tangled up in Blue
90 bpm • A# Maj • 05:42 • -7.34db
15% Popularity • 61% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Jewel
Painters
76 bpm • C# Maj • 06:44 • -17.38db
30% Popularity • 25% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Billie Myers
The Shark And The Mermaid
76 bpm • C Maj • 03:49 • -6.15db
9% Popularity • 54% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Shelby Lynne
I Cry Everyday
91 bpm • G Maj • 04:18 • -10.49db
17% Popularity • 71% Danceability • 31% Energy • 10% Liveness
2% Instrumentalness • 33% Positiveness
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Catie Curtis
Radical
76 bpm • C Maj • 03:42 • -8.27db
13% Popularity • 66% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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KT Tunstall
Another Place To Fall
91 bpm • A min • 04:11 • -5.27db
35% Popularity • 50% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Joan Osborne
Spooky - 1998 Single Version
90 bpm • D Maj • 04:03 • -15.16db
16% Popularity • 73% Danceability • 33% Energy • 12% Liveness
22% Instrumentalness • 67% Positiveness
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Thea Gilmore
I Dreamed I Saw St. Augustine
76 bpm • A Maj • 04:45 • -7.59db
10% Popularity • 50% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
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Michael Penn
Coal
91 bpm • A Maj • 03:33 • -8.68db
10% Popularity • 69% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Shelby Lynne
Into My Arms
91 bpm • C Maj • 04:47 • -13.61db
31% Popularity • 64% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Catie Curtis
People Look Around
91 bpm • C# Maj • 03:58 • -7.08db
13% Popularity • 64% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Robbie Robertson
Broken Arrow
75 bpm • G Maj • 05:23 • -19.23db
35% Popularity • 24% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 39% Positiveness
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KT Tunstall
Funnyman
91 bpm • C min • 02:56 • -5.7db
32% Popularity • 51% Danceability • 83% Energy • 41% Liveness
0% Instrumentalness • 43% Positiveness
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Joan Osborne
Make You Feel My Love
75 bpm • F# Maj • 04:01 • -13db
28% Popularity • 62% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Richard Thompson
Persuasion
92 bpm • C Maj • 04:38 • -11.77db
37% Popularity • 62% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Suzanne Vega
Gypsy
75 bpm • A Maj • 04:04 • -17.62db
38% Popularity • 44% Danceability • 21% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Paula Cole
Tiger
92 bpm • G# Maj • 04:18 • -10db
23% Popularity • 60% Danceability • 40% Energy • 54% Liveness
0% Instrumentalness • 20% Positiveness
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Eliza Gilkyson
When You Walk On
74 bpm • C Maj • 03:19 • -12.73db
28% Popularity • 49% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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KT Tunstall
Miniature Disasters
92 bpm • C Maj • 03:31 • -6.99db
31% Popularity • 66% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Jewel
Angel Standing By
93 bpm • C# Maj • 02:39 • -13.78db
32% Popularity • 25% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 6% Positiveness
► Preview
Joan Osborne
Dracula Moon
75 bpm • D Maj • 06:18 • -7.62db
22% Popularity • 55% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Fiona Apple
Shadowboxer
74 bpm • D min • 05:24 • -7.3db
54% Popularity • 30% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Natalie Merchant
Kind & Generous
93 bpm • D# Maj • 04:01 • -7db
55% Popularity • 59% Danceability • 61% Energy • 60% Liveness
53% Instrumentalness • 47% Positiveness
► Preview
Kathleen Edwards
Goodnight, California
93 bpm • G min • 06:28 • -8db
34% Popularity • 46% Danceability • 58% Energy • 11% Liveness
70% Instrumentalness • 42% Positiveness
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KT Tunstall
Through The Dark
93 bpm • G Maj • 03:48 • -12.01db
28% Popularity • 64% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Lisa Loeb & Nine Stories
Snow Day
93 bpm • D Maj • 03:53 • -7db
23% Popularity • 60% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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St. Teresa