Songs like Stabat Mater: 1. Stabat Mater by Giovanni Battista Pergolesi
Based on a tempo of (+/- 10%) and a similar genre
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Gabriel Fauré
Requiem in D Minor, Op. 48: In Paradisum
88 bpm • D Maj • 03:35 • -32.17db
35% Popularity • 17% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
35% Popularity • 17% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Henry Purcell
Purcell: Dido and Aeneas, Z. 626, Act II...
88 bpm • F# min • 03:50 • -21db
25% Popularity • 23% Danceability • 9% Energy • 13% Liveness
28% Instrumentalness • 4% Positiveness
25% Popularity • 23% Danceability • 9% Energy • 13% Liveness
28% Instrumentalness • 4% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater: 1. Stabat Mater
88 bpm • E min • 04:31 • -24.88db
35% Popularity • 17% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
35% Popularity • 17% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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Claudio Monteverdi
Cantate Domino, SV 293
88 bpm • F Maj • 01:43 • -19db
37% Popularity • 14% Danceability • 17% Energy • 12% Liveness
87% Instrumentalness • 16% Positiveness
37% Popularity • 14% Danceability • 17% Energy • 12% Liveness
87% Instrumentalness • 16% Positiveness
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Johann Sebastian Bach
Bach, JS: Matthäus-Passion, BWV 244, Pt...
88 bpm • E min • 07:32 • -22db
22% Popularity • 16% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
22% Popularity • 16% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
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Vincenzo Bellini
Dido and Aeneas: Dido's Lament
89 bpm • C min • 04:49 • -15.19db
17% Popularity • 31% Danceability • 22% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
17% Popularity • 31% Danceability • 22% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Requiem, Op. 48: 1. Introit et Kyrie (Ch...
87 bpm • A# Maj • 07:50 • -27db
12% Popularity • 9% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
12% Popularity • 9% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Antonio Vivaldi
Stabat Mater, RV621: 4. Quis est homo 5....
89 bpm • E min • 06:25 • -19db
14% Popularity • 19% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Stabat Mater: III. O quam tri...
88 bpm • F min • 02:21 • -17db
12% Popularity • 24% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 24% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
L'Orfeo, Prologo: Ritornello - Dal mio p...
89 bpm • D min • 06:31 • -24db
25% Popularity • 20% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 9% Positiveness
25% Popularity • 20% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 9% Positiveness
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Henry Purcell
Dido and Aeneas / Act 1: Overture
89 bpm • B min • 02:04 • -27db
21% Popularity • 48% Danceability • 28% Energy • 50% Liveness
79% Instrumentalness • 47% Positiveness
21% Popularity • 48% Danceability • 28% Energy • 50% Liveness
79% Instrumentalness • 47% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244, Pt. 1: No....
89 bpm • D# min • 06:58 • -16db
34% Popularity • 16% Danceability • 22% Energy • 15% Liveness
16% Instrumentalness • 17% Positiveness
34% Popularity • 16% Danceability • 22% Energy • 15% Liveness
16% Instrumentalness • 17% Positiveness
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Gabriel Fauré
Cantique de Jean Racine, Op. 11 (Arr. Ru...
87 bpm • C# Maj • 04:15 • -19db
23% Popularity • 17% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
23% Popularity • 17% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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César Franck
Messe a 3 voix (Mass in 3 voices), Op. 1...
89 bpm • A Maj • 05:01 • -28db
27% Popularity • 17% Danceability • 3% Energy • 9% Liveness
21% Instrumentalness • 4% Positiveness
27% Popularity • 17% Danceability • 3% Energy • 9% Liveness
21% Instrumentalness • 4% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater in F Minor, P. 77: Quando c...
89 bpm • A min • 04:39 • -16.94db
8% Popularity • 23% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
8% Popularity • 23% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Requiem, K. 626: V. Sanctus (Compl. Süs...
90 bpm • D Maj • 02:07 • -13db
42% Popularity • 37% Danceability • 39% Energy • 18% Liveness
82% Instrumentalness • 36% Positiveness
42% Popularity • 37% Danceability • 39% Energy • 18% Liveness
82% Instrumentalness • 36% Positiveness
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Jean-Philippe Rameau
Castor et Pollux, RCT 32, Acte I, Scène...
86 bpm • D Maj • 07:33 • -28.99db
32% Popularity • 9% Danceability • 1% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
32% Popularity • 9% Danceability • 1% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Matthäuspassion, BWV 244: Kommt, ihr To...
87 bpm • E min • 06:36 • -19.8db
47% Popularity • 18% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 13% Positiveness
47% Popularity • 18% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 13% Positiveness
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Giovanni Legrenzi
Lumi, potete piangere
86 bpm • G min • 03:12 • -21.66db
21% Popularity • 25% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
21% Popularity • 25% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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William Boyce
Symphony No. 1 in B-Flat Major, Op. 2, "...
86 bpm • A Maj • 02:55 • -23.37db
39% Popularity • 43% Danceability • 13% Energy • 25% Liveness
93% Instrumentalness • 69% Positiveness
39% Popularity • 43% Danceability • 13% Energy • 25% Liveness
93% Instrumentalness • 69% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater: 4. Quae moerabat
90 bpm • D Maj • 02:24 • -22db
16% Popularity • 31% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 31% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Charles Gounod
Ave Maria
90 bpm • D# Maj • 02:47 • -24.1db
19% Popularity • 28% Danceability • 3% Energy • 8% Liveness
49% Instrumentalness • 10% Positiveness
19% Popularity • 28% Danceability • 3% Energy • 8% Liveness
49% Instrumentalness • 10% Positiveness
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Andreas Scholl
Fac Me Cruce
90 bpm • B min • 03:21 • -19db
25% Popularity • 51% Danceability • 1% Energy • 6% Liveness
19% Instrumentalness • 8% Positiveness
25% Popularity • 51% Danceability • 1% Energy • 6% Liveness
19% Instrumentalness • 8% Positiveness
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Henryk Górecki
Symphony No. 3, Op. 36 "Symphony of Sorr...
90 bpm • A# min • 08:54 • -24db
23% Popularity • 15% Danceability • 4% Energy • 16% Liveness
72% Instrumentalness • 3% Positiveness
23% Popularity • 15% Danceability • 4% Energy • 16% Liveness
72% Instrumentalness • 3% Positiveness
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Jean-Philippe Rameau
Rameau: Les Indes Galantes: "Viens, Hyme...
86 bpm • F# Maj • 03:52 • -25.96db
8% Popularity • 18% Danceability • 3% Energy • 54% Liveness
1% Instrumentalness • 6% Positiveness
8% Popularity • 18% Danceability • 3% Energy • 54% Liveness
1% Instrumentalness • 6% Positiveness
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Johann Sebastian Bach
Matthäuspassion, BWV 244: Erbarme dich
90 bpm • F# Maj • 06:31 • -23.89db
6% Popularity • 16% Danceability • 7% Energy • 31% Liveness
0% Instrumentalness • 6% Positiveness
6% Popularity • 16% Danceability • 7% Energy • 31% Liveness
0% Instrumentalness • 6% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: I. Stabat Mater dol...
86 bpm • E min • 04:27 • -22db
12% Popularity • 10% Danceability • 7% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
12% Popularity • 10% Danceability • 7% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
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Erik Satie
Je te veux (I want you) [arr. E. Blackwo...
90 bpm • A Maj • 03:41 • -23.23db
17% Popularity • 22% Danceability • 9% Energy • 28% Liveness
0% Instrumentalness • 13% Positiveness
17% Popularity • 22% Danceability • 9% Energy • 28% Liveness
0% Instrumentalness • 13% Positiveness
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Wolfgang Amadeus Mozart
Requiem in D Minor, K. 626 (Süssmayr - ...
90 bpm • D min • 04:27 • -21db
23% Popularity • 17% Danceability • 14% Energy • 16% Liveness
74% Instrumentalness • 6% Positiveness
23% Popularity • 17% Danceability • 14% Energy • 16% Liveness
74% Instrumentalness • 6% Positiveness
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Richard Strauss
Strauss, R: 4 Letzte Lieder: No. 3, Beim...
90 bpm • C# Maj • 05:26 • -23db
18% Popularity • 14% Danceability • 5% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
18% Popularity • 14% Danceability • 5% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Luigi Boccherini
Bocherini / Arr. Grützmacher: Cello Con...
86 bpm • G min • 06:54 • -23.72db
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act II, Scene...
86 bpm • F# Maj • 06:21 • -24db
15% Popularity • 19% Danceability • 5% Energy • 12% Liveness
14% Instrumentalness • 4% Positiveness
15% Popularity • 19% Danceability • 5% Energy • 12% Liveness
14% Instrumentalness • 4% Positiveness
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Heinrich Ignaz Franz von Biber
L'Aria
86 bpm • D min • 01:51 • -26db
29% Popularity • 48% Danceability • 11% Energy • 11% Liveness
35% Instrumentalness • 45% Positiveness
29% Popularity • 48% Danceability • 11% Energy • 11% Liveness
35% Instrumentalness • 45% Positiveness
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Gabriel Fauré
Requiem, Op. 48: V. Pie Jesu
85 bpm • A# Maj • 03:44 • -25db
36% Popularity • 23% Danceability • 6% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
36% Popularity • 23% Danceability • 6% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Requiem, K. 626: III. Sequentia: b. Tuba...
86 bpm • A# Maj • 03:17 • -25.13db
44% Popularity • 21% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
44% Popularity • 21% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: Overture
91 bpm • B min • 01:56 • -28.34db
41% Popularity • 50% Danceability • 21% Energy • 11% Liveness
42% Instrumentalness • 49% Positiveness
41% Popularity • 50% Danceability • 21% Energy • 11% Liveness
42% Instrumentalness • 49% Positiveness
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Giovanni Battista Pergolesi
Salve Regina in C minor (1736): 2. Ad te...
85 bpm • E min • 04:15 • -19.89db
17% Popularity • 16% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
17% Popularity • 16% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Jean-Philippe Rameau
Rameau: Les Indes galantes, Quatrième e...
85 bpm • F# min • 04:46 • -17.92db
33% Popularity • 43% Danceability • 29% Energy • 42% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 43% Danceability • 29% Energy • 42% Liveness
0% Instrumentalness • 54% Positiveness
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Thomas Tallis
Spem in alium
91 bpm • C# Maj • 11:31 • -18.54db
16% Popularity • 12% Danceability • 20% Energy • 15% Liveness
96% Instrumentalness • 4% Positiveness
16% Popularity • 12% Danceability • 20% Energy • 15% Liveness
96% Instrumentalness • 4% Positiveness
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Andreas Scholl
Stabat Mater
85 bpm • F Maj • 02:01 • -11.05db
37% Popularity • 36% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
37% Popularity • 36% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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![Brandenburg Concerto No. 1 in F Major, BWV 1046: I. [Tempo giusto] cover art](https://i.scdn.co/image/ab67616d00001e026647ba531928e629171cdeca)
Johann Sebastian Bach
Brandenburg Concerto No. 1 in F Major, B...
85 bpm • D# Maj • 04:10 • -18db
25% Popularity • 45% Danceability • 27% Energy • 11% Liveness
70% Instrumentalness • 63% Positiveness
25% Popularity • 45% Danceability • 27% Energy • 11% Liveness
70% Instrumentalness • 63% Positiveness
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Wolfgang Amadeus Mozart
Mass in C Minor, K. 427 "Grosse Messe" (...
85 bpm • D# Maj • 07:23 • -24.06db
28% Popularity • 9% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 3% Positiveness
28% Popularity • 9% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 3% Positiveness
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Henry Purcell
Oedipus: Music For A While, Z583
85 bpm • E min • 04:13 • -18db
26% Popularity • 21% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
26% Popularity • 21% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Sergei Rachmaninoff
Rachmaninov: 14 Romances, Op. 34: No. 14...
84 bpm • F# min • 05:20 • -16db
27% Popularity • 25% Danceability • 19% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
27% Popularity • 25% Danceability • 19% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Johannes Brahms
Ein deutsches Requiem, Op. 45: 5. Solo (...
92 bpm • G Maj • 07:36 • -29db
27% Popularity • 14% Danceability • 3% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
27% Popularity • 14% Danceability • 3% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
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Antonio Caldara
Stabat Mater: VI. Fac me tecum
84 bpm • A min • 01:01 • -19.28db
38% Popularity • 15% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
38% Popularity • 15% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
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Élisabeth Jacquet de La Guerre
Chamber Sonata No. 4 in G Minor: I. Grav...
84 bpm • C# min • 01:23 • -14db
42% Popularity • 22% Danceability • 16% Energy • 14% Liveness
98% Instrumentalness • 6% Positiveness
42% Popularity • 22% Danceability • 16% Energy • 14% Liveness
98% Instrumentalness • 6% Positiveness
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Johann Sebastian Bach
Concerto for Two Violins in D Minor, BWV...
92 bpm • E Maj • 06:27 • -20.16db
50% Popularity • 15% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
50% Popularity • 15% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Giovanni Battista Pergolesi
I. Stabat mater dolorosa
84 bpm • E min • 04:38 • -24.86db
8% Popularity • 14% Danceability • 4% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
8% Popularity • 14% Danceability • 4% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Léo Delibes
Lakmé / Act 1: Viens, Mallika, ... Dôm...
84 bpm • B Maj • 06:03 • -22.23db
37% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
37% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
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John Dowland
Weepe you no more, sad fountaines
93 bpm • F# min • 04:09 • -30.98db
7% Popularity • 33% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
7% Popularity • 33% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Francesco Nicola Fago
Fago: Il Faraone sommerso: "Alla gente a...
92 bpm • E Maj • 04:45 • -21db
29% Popularity • 22% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
29% Popularity • 22% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Stephen Cleobury
Matthäus Passion, Prima Parte: 27b. Cho...
93 bpm • A# min • 01:13 • -17.6db
7% Popularity • 56% Danceability • 51% Energy • 36% Liveness
92% Instrumentalness • 61% Positiveness
7% Popularity • 56% Danceability • 51% Energy • 36% Liveness
92% Instrumentalness • 61% Positiveness
► Preview
Johann Sebastian Bach
Matthäus-Passion, BWV 244, Zweiter Teil...
92 bpm • A# min • 06:38 • -27db
43% Popularity • 14% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
43% Popularity • 14% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Giovanni Battista Pergolesi
Salve Regina in F minor: 1. Salve Regina
93 bpm • A min • 04:25 • -23.92db
14% Popularity • 18% Danceability • 7% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 7% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Jean-Philippe Rameau
Rameau: Castor et Pollux: "Tristes appr�...
93 bpm • D Maj • 05:05 • -24db
13% Popularity • 17% Danceability • 4% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 4% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
► Preview
John Tavener
The Lamb
83 bpm • A min • 04:14 • -39.3db
23% Popularity • 8% Danceability • 1% Energy • 6% Liveness
11% Instrumentalness • 3% Positiveness
23% Popularity • 8% Danceability • 1% Energy • 6% Liveness
11% Instrumentalness • 3% Positiveness
► Preview
Henry Purcell
Dido and Aeneas / Act 3: "Thy Hand Belin...
83 bpm • F# min • 04:06 • -28.04db
39% Popularity • 14% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Requiem in D Minor, K. 626 (Süssmayr - ...
83 bpm • D Maj • 03:26 • -21db
21% Popularity • 18% Danceability • 9% Energy • 14% Liveness
1% Instrumentalness • 3% Positiveness
21% Popularity • 18% Danceability • 9% Energy • 14% Liveness
1% Instrumentalness • 3% Positiveness
► Preview
Johann Sebastian Bach
Wachet auf, ruft uns die Stimme, BWV 140...
84 bpm • D Maj • 03:36 • -23.58db
23% Popularity • 30% Danceability • 9% Energy • 11% Liveness
3% Instrumentalness • 29% Positiveness
23% Popularity • 30% Danceability • 9% Energy • 11% Liveness
3% Instrumentalness • 29% Positiveness
► Preview
Giovanni Battista Pergolesi
Pergolesi: Stabat Mater: I. Stabat mater...
84 bpm • D# min • 04:46 • -18.67db
23% Popularity • 10% Danceability • 9% Energy • 11% Liveness
29% Instrumentalness • 4% Positiveness
23% Popularity • 10% Danceability • 9% Energy • 11% Liveness
29% Instrumentalness • 4% Positiveness
► Preview
Luigi Cherubini
Requiem No. 1 in C Minor: Introitus et K...
83 bpm • C min • 07:14 • -31db
25% Popularity • 8% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
25% Popularity • 8% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Maurice Ravel
Trois chansons, M.69: 2. Trois beaux ois...
83 bpm • F min • 03:21 • -37.47db
34% Popularity • 21% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
34% Popularity • 21% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Franz Schubert
Mass No. 2 in G Major, D. 167: Agnus Dei
83 bpm • D Maj • 04:13 • -29db
34% Popularity • 20% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
34% Popularity • 20% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Grabmusik, K. 42: IV. Aria. Betracht die...
83 bpm • G min • 04:17 • -29db
39% Popularity • 22% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
39% Popularity • 22% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Johann Pachelbel
Canon and Gigue in D Major - Arr. Max Se...
94 bpm • D Maj • 07:02 • -16.73db
31% Popularity • 29% Danceability • 12% Energy • 19% Liveness
83% Instrumentalness • 17% Positiveness
31% Popularity • 29% Danceability • 12% Energy • 19% Liveness
83% Instrumentalness • 17% Positiveness
► Preview
Giovanni Battista Pergolesi
Salve Regina in C minor (1736): 3. Eja e...
93 bpm • C# min • 01:46 • -17.72db
19% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
19% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Johann Sebastian Bach
St. Matthew Passion, BWV 244, Pt. 1: No....
93 bpm • C# min • 03:03 • -18.4db
30% Popularity • 42% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
30% Popularity • 42% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
George Frideric Handel
Handel: Coronation Anthem No. 1, HWV 258...
94 bpm • C# Maj • 05:21 • -16db
26% Popularity • 31% Danceability • 19% Energy • 26% Liveness
41% Instrumentalness • 12% Positiveness
26% Popularity • 31% Danceability • 19% Energy • 26% Liveness
41% Instrumentalness • 12% Positiveness
► Preview
Reynaldo Hahn
Poème de Paul Verlaine: L'heure exquise
94 bpm • B Maj • 01:58 • -26.85db
36% Popularity • 27% Danceability • 2% Energy • 8% Liveness
2% Instrumentalness • 6% Positiveness
36% Popularity • 27% Danceability • 2% Energy • 8% Liveness
2% Instrumentalness • 6% Positiveness
► Preview
Wolfgang Amadeus Mozart
Requiem, K. 626: IV. Offertorium: a. Dom...
94 bpm • C min • 03:36 • -18.53db
43% Popularity • 32% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
43% Popularity • 32% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
► Preview
Derek Lee Ragin
Salve Regina in C Minor - Transp. in A-F...
82 bpm • C# min • 03:48 • -22.01db
30% Popularity • 14% Danceability • 5% Energy • 31% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 14% Danceability • 5% Energy • 31% Liveness
1% Instrumentalness • 4% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater in F Minor, P. 77: I. Staba...
83 bpm • E min • 04:48 • -23.46db
23% Popularity • 18% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 18% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Franz Schubert
Winterreise, Op. 89, D. 911: No. 1, Gute...
94 bpm • C# min • 06:08 • -14.2db
13% Popularity • 41% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 41% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Johann Sebastian Bach
Matthäus-Passion, BWV 244, Zweiter Teil...
83 bpm • B min • 05:18 • -21db
39% Popularity • 10% Danceability • 13% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
39% Popularity • 10% Danceability • 13% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
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Gabriel Fauré
Fauré: Requiem, Op. 48: VI. Libera me
82 bpm • D min • 04:32 • -23.81db
20% Popularity • 11% Danceability • 4% Energy • 12% Liveness
54% Instrumentalness • 4% Positiveness
20% Popularity • 11% Danceability • 4% Energy • 12% Liveness
54% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Vesperae solennes de confessore, K. 339:...
82 bpm • F Maj • 04:16 • -25.91db
50% Popularity • 11% Danceability • 4% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
50% Popularity • 11% Danceability • 4% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": VIII...
82 bpm • C# min • 01:18 • -22db
45% Popularity • 56% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 74% Positiveness
45% Popularity • 56% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 74% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: V. Quis est homo
94 bpm • C min • 03:00 • -24.63db
38% Popularity • 18% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
38% Popularity • 18% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Karl Jenkins
The Armed Man - A Mass For Peace: III. K...
82 bpm • D min • 08:12 • -19db
29% Popularity • 8% Danceability • 19% Energy • 14% Liveness
72% Instrumentalness • 4% Positiveness
29% Popularity • 8% Danceability • 19% Energy • 14% Liveness
72% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Matthäus-Passion, BWV 244 / Zweiter Tei...
94 bpm • A# min • 06:43 • -30.54db
32% Popularity • 14% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
32% Popularity • 14% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44, Act III: For...
94 bpm • B min • 02:07 • -12db
18% Popularity • 46% Danceability • 39% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
18% Popularity • 46% Danceability • 39% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Antonio Caldara
Maddalena ai piedi di Cristo: No. 18 Ari...
82 bpm • F# min • 06:25 • -18.04db
11% Popularity • 22% Danceability • 7% Energy • 12% Liveness
6% Instrumentalness • 13% Positiveness
11% Popularity • 22% Danceability • 7% Energy • 12% Liveness
6% Instrumentalness • 13% Positiveness
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Richard Strauss
Strauss, R: 4 Letzte Lieder: No. 4, Im A...
82 bpm • A# Maj • 08:27 • -24.29db
19% Popularity • 8% Danceability • 6% Energy • 13% Liveness
55% Instrumentalness • 4% Positiveness
19% Popularity • 8% Danceability • 6% Energy • 13% Liveness
55% Instrumentalness • 4% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: XII. Quando corpus ...
94 bpm • A min • 04:32 • -21.42db
10% Popularity • 16% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Tomaso Albinoni
Albinoni / Giazotto : The Beatitudes (Ad...
95 bpm • C min • 06:15 • -15.75db
20% Popularity • 13% Danceability • 24% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
20% Popularity • 13% Danceability • 24% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Georg Philipp Telemann
Concerto for Recorder, Transverse Flute,...
82 bpm • D min • 02:29 • -14.92db
39% Popularity • 60% Danceability • 32% Energy • 15% Liveness
88% Instrumentalness • 75% Positiveness
39% Popularity • 60% Danceability • 32% Energy • 15% Liveness
88% Instrumentalness • 75% Positiveness
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Slovak Philharmonic
Requiem In D Minor, K. 626: Kyrie Eleiso...
82 bpm • F Maj • 02:44 • -20db
44% Popularity • 33% Danceability • 21% Energy • 17% Liveness
85% Instrumentalness • 61% Positiveness
44% Popularity • 33% Danceability • 21% Energy • 17% Liveness
85% Instrumentalness • 61% Positiveness
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Arcangelo Corelli
Sonata "Follia" Op. 5, No. 12: Adagio
82 bpm • C# min • 02:12 • -24db
36% Popularity • 20% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 21% Positiveness
36% Popularity • 20% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 21% Positiveness
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Marc-Antoine Charpentier
Te Deum for Soloists, Chorus and Orchest...
95 bpm • C Maj • 01:22 • -15db
26% Popularity • 50% Danceability • 55% Energy • 34% Liveness
86% Instrumentalness • 75% Positiveness
26% Popularity • 50% Danceability • 55% Energy • 34% Liveness
86% Instrumentalness • 75% Positiveness
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Giovanni Battista Pergolesi
Salve Regina in C minor (1736): 4. Et Je...
95 bpm • A Maj • 02:44 • -21.73db
19% Popularity • 15% Danceability • 6% Energy • 17% Liveness
15% Instrumentalness • 11% Positiveness
19% Popularity • 15% Danceability • 6% Energy • 17% Liveness
15% Instrumentalness • 11% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244: No. 3, Cho...
81 bpm • B min • 01:28 • -28db
31% Popularity • 10% Danceability • 12% Energy • 18% Liveness
96% Instrumentalness • 6% Positiveness
31% Popularity • 10% Danceability • 12% Energy • 18% Liveness
96% Instrumentalness • 6% Positiveness
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Claudio Monteverdi
Lamento della ninfa, SV 163: Amor, amor
95 bpm • A min • 04:24 • -19.28db
33% Popularity • 23% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
33% Popularity • 23% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Jean-Philippe Rameau
Rameau: "Feuillages verts naissez"
81 bpm • G# Maj • 01:53 • -26db
13% Popularity • 33% Danceability • 4% Energy • 63% Liveness
0% Instrumentalness • 6% Positiveness
13% Popularity • 33% Danceability • 4% Energy • 63% Liveness
0% Instrumentalness • 6% Positiveness
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William Boyce
Symphony No. 4 in F Major: 1. Allegro
95 bpm • E Maj • 03:11 • -20.39db
22% Popularity • 52% Danceability • 19% Energy • 28% Liveness
45% Instrumentalness • 80% Positiveness
22% Popularity • 52% Danceability • 19% Energy • 28% Liveness
45% Instrumentalness • 80% Positiveness
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Wolfgang Amadeus Mozart
Requiem, K. 626: I. Introitus. Requiem a...
95 bpm • G min • 04:31 • -18.54db
49% Popularity • 20% Danceability • 19% Energy • 36% Liveness
87% Instrumentalness • 6% Positiveness
49% Popularity • 20% Danceability • 19% Energy • 36% Liveness
87% Instrumentalness • 6% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater: 4. Quae moerabat
95 bpm • D Maj • 02:14 • -20.9db
23% Popularity • 45% Danceability • 6% Energy • 25% Liveness
0% Instrumentalness • 25% Positiveness
23% Popularity • 45% Danceability • 6% Energy • 25% Liveness
0% Instrumentalness • 25% Positiveness
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Johann Sebastian Bach
Brandenburg Concerto No. 1 in F Major, B...
81 bpm • C min • 03:09 • -27db
37% Popularity • 8% Danceability • 7% Energy • 64% Liveness
84% Instrumentalness • 8% Positiveness
37% Popularity • 8% Danceability • 7% Energy • 64% Liveness
84% Instrumentalness • 8% Positiveness
