Songs like Stabat Mater dolorosa by Giovanni Battista Pergolesi
Based on a tempo of (+/- 10%) and a similar genre
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Francesco Cavalli
Cavalli: La Rosinda, Act 3: "Vieni, vien...
98 bpm • G min • 03:39 • -17.75db
16% Popularity • 34% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
16% Popularity • 34% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Wolfgang Amadeus Mozart
Vorrei spiegarvi, oh Dio, K.418
98 bpm • A Maj • 06:38 • -18.41db
27% Popularity • 30% Danceability • 8% Energy • 11% Liveness
13% Instrumentalness • 5% Positiveness
27% Popularity • 30% Danceability • 8% Energy • 11% Liveness
13% Instrumentalness • 5% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44, Nouvelle ent...
98 bpm • F# min • 03:40 • -14.38db
32% Popularity • 47% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 47% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater dolorosa
98 bpm • E min • 04:07 • -18.87db
29% Popularity • 20% Danceability • 12% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
29% Popularity • 20% Danceability • 12% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
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Andreas Scholl
Eia Mater
98 bpm • A# Maj • 01:22 • -14.58db
31% Popularity • 21% Danceability • 14% Energy • 17% Liveness
16% Instrumentalness • 10% Positiveness
31% Popularity • 21% Danceability • 14% Energy • 17% Liveness
16% Instrumentalness • 10% Positiveness
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Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: Ad pedes. ...
98 bpm • C min • 00:59 • -21db
27% Popularity • 20% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 20% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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Henry Purcell
If music be the food of love, Z.379
99 bpm • E Maj • 02:15 • -17db
24% Popularity • 36% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 36% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Simone Kermes
Giulio Cesare, HWV 17: Act III - "Piange...
97 bpm • D# Maj • 07:02 • -20.72db
14% Popularity • 19% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 5% Positiveness
14% Popularity • 19% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 5% Positiveness
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Alessandro Stradella
San Giovanni Battista: Queste lagrime e ...
99 bpm • E min • 04:42 • -20db
12% Popularity • 20% Danceability • 4% Energy • 15% Liveness
1% Instrumentalness • 6% Positiveness
12% Popularity • 20% Danceability • 4% Energy • 15% Liveness
1% Instrumentalness • 6% Positiveness
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Johann Sebastian Bach
Matthäuspassion, BWV 244: Kommt, ihr T�...
97 bpm • B min • 07:41 • -18db
3% Popularity • 18% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
3% Popularity • 18% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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George Frideric Handel
Rinaldo: Act II, scene 4: Almirena : "La...
97 bpm • E Maj • 06:10 • -26.6db
26% Popularity • 21% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
26% Popularity • 21% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44, Act III: Dan...
97 bpm • F# min • 01:39 • -19.39db
30% Popularity • 50% Danceability • 24% Energy • 20% Liveness
8% Instrumentalness • 71% Positiveness
30% Popularity • 50% Danceability • 24% Energy • 20% Liveness
8% Instrumentalness • 71% Positiveness
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Henry Purcell
Abdelazer, Z.570: 2. Rondeau
97 bpm • C# min • 01:38 • -20db
49% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
49% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
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Giovanni Battista Pergolesi
Salve Regina in C minor (1736): 1. Salve...
99 bpm • E min • 03:44 • -20db
21% Popularity • 16% Danceability • 9% Energy • 15% Liveness
1% Instrumentalness • 5% Positiveness
21% Popularity • 16% Danceability • 9% Energy • 15% Liveness
1% Instrumentalness • 5% Positiveness
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Gabriel Fauré
Pavane, Op. 50
97 bpm • F# min • 04:37 • -32.66db
37% Popularity • 12% Danceability • 2% Energy • 18% Liveness
49% Instrumentalness • 4% Positiveness
37% Popularity • 12% Danceability • 2% Energy • 18% Liveness
49% Instrumentalness • 4% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: III. "Te aeternum Patre...
97 bpm • C# Maj • 03:59 • -17db
18% Popularity • 29% Danceability • 26% Energy • 23% Liveness
16% Instrumentalness • 30% Positiveness
18% Popularity • 29% Danceability • 26% Energy • 23% Liveness
16% Instrumentalness • 30% Positiveness
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Stefano Landi
Augellin
100 bpm • D min • 05:06 • -25db
22% Popularity • 37% Danceability • 9% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
22% Popularity • 37% Danceability • 9% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
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William Christie
Purcell : King Arthur : Air
96 bpm • C min • 01:03 • -30db
37% Popularity • 43% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 43% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Claudio Monteverdi
Canzonette d'amore
100 bpm • B min • 02:36 • -25db
31% Popularity • 23% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
31% Popularity • 23% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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Giovanni Battista Pergolesi
Les tendres souhaits
100 bpm • E min • 03:19 • -24db
18% Popularity • 27% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 27% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Charles Gounod
Gounod: Ave Maria, CG 89a
100 bpm • G Maj • 03:15 • -15.97db
30% Popularity • 27% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
30% Popularity • 27% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Violaine Cochard
St. Matthew Passion in E Minor, Pt. 2, B...
100 bpm • B min • 04:10 • -15.46db
13% Popularity • 36% Danceability • 26% Energy • 8% Liveness
3% Instrumentalness • 11% Positiveness
13% Popularity • 36% Danceability • 26% Energy • 8% Liveness
3% Instrumentalness • 11% Positiveness
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Francesco Cavalli
Cavalli: La Calisto, Act 2: "Erme e soli...
100 bpm • C# min • 03:39 • -16.83db
17% Popularity • 24% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 24% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Wolfgang Amadeus Mozart
Mass in C Minor, K. 427: I. Kyrie eleiso...
100 bpm • C min • 07:38 • -21.75db
11% Popularity • 15% Danceability • 7% Energy • 10% Liveness
13% Instrumentalness • 3% Positiveness
11% Popularity • 15% Danceability • 7% Energy • 10% Liveness
13% Instrumentalness • 3% Positiveness
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Marin Marais
Le Badinage - 4ème livre de Pièces de ...
96 bpm • F min • 06:59 • -26.93db
27% Popularity • 28% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
27% Popularity • 28% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater in F Minor, P. 77: Vidit su...
100 bpm • E min • 03:36 • -17.47db
10% Popularity • 22% Danceability • 10% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
10% Popularity • 22% Danceability • 10% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Ciaccona (Antonio Falconiero ca. 1585-16...
101 bpm • G Maj • 01:46 • -24db
34% Popularity • 47% Danceability • 15% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 47% Danceability • 15% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Antonio Caldara
Nitocri: “Fortuna e speranza”
101 bpm • G# min • 10:04 • -20.12db
12% Popularity • 29% Danceability • 11% Energy • 12% Liveness
30% Instrumentalness • 16% Positiveness
12% Popularity • 29% Danceability • 11% Energy • 12% Liveness
30% Instrumentalness • 16% Positiveness
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Francesco Cavalli
Misero, così va - from Eliogabalo
96 bpm • G# min • 03:41 • -10db
9% Popularity • 23% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
9% Popularity • 23% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: "Belle nu...
101 bpm • D Maj • 03:45 • -27db
30% Popularity • 22% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
30% Popularity • 22% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Marc-Antoine Charpentier
Te Deum for Soloists, Chorus and Orchest...
95 bpm • C Maj • 01:22 • -15db
27% Popularity • 50% Danceability • 55% Energy • 34% Liveness
86% Instrumentalness • 75% Positiveness
27% Popularity • 50% Danceability • 55% Energy • 34% Liveness
86% Instrumentalness • 75% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater in F Minor, P. 77: Inflamma...
101 bpm • A Maj • 02:13 • -15db
10% Popularity • 44% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 44% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Claudio Monteverdi
Lamento della ninfa, SV 163: Amor, amor
95 bpm • A min • 04:24 • -19.28db
34% Popularity • 23% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
34% Popularity • 23% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Marin Marais
L'Arabesque - 4ème livre de Pièces de ...
102 bpm • E Maj • 06:03 • -22.97db
24% Popularity • 30% Danceability • 6% Energy • 10% Liveness
83% Instrumentalness • 24% Positiveness
24% Popularity • 30% Danceability • 6% Energy • 10% Liveness
83% Instrumentalness • 24% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44, Act III: For...
94 bpm • B min • 02:07 • -12db
19% Popularity • 46% Danceability • 39% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 46% Danceability • 39% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Domenico Scarlatti
Sonata in D Minor, K. 9
94 bpm • D min • 04:14 • -32.37db
42% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
42% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
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Wolfgang Amadeus Mozart
6 Notturni: Luci care, luci belle, K. 34...
94 bpm • F Maj • 01:36 • -19.51db
10% Popularity • 28% Danceability • 12% Energy • 13% Liveness
10% Instrumentalness • 30% Positiveness
10% Popularity • 28% Danceability • 12% Energy • 13% Liveness
10% Instrumentalness • 30% Positiveness
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Giovanni Battista Pergolesi
La serva padrona, symphonia avanti l'ope...
101 bpm • E Maj • 01:25 • -27db
19% Popularity • 36% Danceability • 1% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
19% Popularity • 36% Danceability • 1% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Claudio Monteverdi
Scherzi musicali, cioè arie, et madriga...
101 bpm • G Maj • 06:59 • -19.04db
27% Popularity • 38% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 38% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Johann Sebastian Bach
Matthäus-Passion, BWV 244 / Zweiter Tei...
94 bpm • A# min • 06:43 • -30.54db
27% Popularity • 14% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 14% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Requiem, Op. 48: 4. Pie Jesu
102 bpm • A# Maj • 04:04 • -29db
27% Popularity • 19% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
27% Popularity • 19% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Nicola Porpora
Gli orti esperidi: “Giusto Amor tu che...
102 bpm • C# Maj • 05:29 • -18.55db
12% Popularity • 40% Danceability • 17% Energy • 9% Liveness
6% Instrumentalness • 29% Positiveness
12% Popularity • 40% Danceability • 17% Energy • 9% Liveness
6% Instrumentalness • 29% Positiveness
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George Frideric Handel
Rodelinda / Act 2: Io t'abbraccio
102 bpm • F min • 06:49 • -21.74db
12% Popularity • 30% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
12% Popularity • 30% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater in F Minor, P. 77: O quam t...
95 bpm • F# min • 01:55 • -14.98db
13% Popularity • 23% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 6% Positiveness
13% Popularity • 23% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 6% Positiveness
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Reynaldo Hahn
Poème de Paul Verlaine: L'heure exquise
94 bpm • B Maj • 01:58 • -26.85db
37% Popularity • 27% Danceability • 2% Energy • 8% Liveness
2% Instrumentalness • 6% Positiveness
37% Popularity • 27% Danceability • 2% Energy • 8% Liveness
2% Instrumentalness • 6% Positiveness
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Gottfried Heinrich Stölzel
"Bist du bei mir" (formerly attrib. J.S....
102 bpm • D Maj • 02:31 • -23db
13% Popularity • 34% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 34% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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William Christie
Purcell : King Arthur : Act 2 "Shepherd,...
94 bpm • F min • 01:54 • -27db
28% Popularity • 56% Danceability • 6% Energy • 64% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 56% Danceability • 6% Energy • 64% Liveness
0% Instrumentalness • 64% Positiveness
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Johann Sebastian Bach
Christ lag in Todes Banden, BWV 4: Duet....
103 bpm • F min • 03:41 • -24.65db
22% Popularity • 20% Danceability • 3% Energy • 10% Liveness
21% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 3% Energy • 10% Liveness
21% Instrumentalness • 4% Positiveness
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George Frideric Handel
Handel: Rinaldo, HWV 7, Act 2: "Lascia c...
103 bpm • E Maj • 05:32 • -22.76db
30% Popularity • 21% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 21% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Heinrich Ignaz Franz von Biber
Harmonia Artificioso Ariosa, Partia V in...
94 bpm • F# min • 04:20 • -21.45db
27% Popularity • 33% Danceability • 12% Energy • 11% Liveness
30% Instrumentalness • 19% Positiveness
27% Popularity • 33% Danceability • 12% Energy • 11% Liveness
30% Instrumentalness • 19% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Stabat Mater: II. Cujus anima...
103 bpm • G Maj • 02:07 • -16.32db
35% Popularity • 38% Danceability • 11% Energy • 19% Liveness
1% Instrumentalness • 10% Positiveness
35% Popularity • 38% Danceability • 11% Energy • 19% Liveness
1% Instrumentalness • 10% Positiveness
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Christoph Willibald Gluck
Melodie from "Orfeo ed Euridice" (Dance ...
103 bpm • D min • 04:42 • -34.5db
36% Popularity • 44% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
36% Popularity • 44% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
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Jean-Philippe Rameau
Rameau: Castor et Pollux: "Tristes apprďż˝...
93 bpm • D Maj • 05:05 • -24db
13% Popularity • 17% Danceability • 4% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 4% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
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Antonio Cesti
Orontea: Intorno all'idol mio
104 bpm • E min • 03:48 • -23.66db
22% Popularity • 28% Danceability • 4% Energy • 7% Liveness
1% Instrumentalness • 5% Positiveness
22% Popularity • 28% Danceability • 4% Energy • 7% Liveness
1% Instrumentalness • 5% Positiveness
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George Frideric Handel
Dixit Dominus, HWV 232: Dixit Dominus
93 bpm • F# min • 06:10 • -16.55db
21% Popularity • 45% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
21% Popularity • 45% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
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Heitor Villa-Lobos
Villa-Lobos: Bachianas Brasileiras No. 5...
104 bpm • F Maj • 06:08 • -20.47db
22% Popularity • 19% Danceability • 7% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
22% Popularity • 19% Danceability • 7% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
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Francesco Nicola Fago
Fago: Il Faraone sommerso: "Alla gente a...
92 bpm • E Maj • 04:45 • -21db
30% Popularity • 22% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
30% Popularity • 22% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice),...
103 bpm • F# Maj • 03:47 • -22.13db
25% Popularity • 31% Danceability • 5% Energy • 34% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 31% Danceability • 5% Energy • 34% Liveness
0% Instrumentalness • 12% Positiveness
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Reynaldo Hahn
Etudes latines: Néère
104 bpm • F# min • 03:16 • -20.89db
22% Popularity • 35% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
22% Popularity • 35% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Giuseppe Verdi
Verdi: Addio del passato - Violetta
92 bpm • A min • 05:34 • -26db
29% Popularity • 18% Danceability • 3% Energy • 36% Liveness
0% Instrumentalness • 5% Positiveness
29% Popularity • 18% Danceability • 3% Energy • 36% Liveness
0% Instrumentalness • 5% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia, Act I, No. 5: U...
104 bpm • E Maj • 06:08 • -20.4db
19% Popularity • 42% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
19% Popularity • 42% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Claudio Monteverdi
Madrigali amorosi: No. 9, Canzonetta by ...
104 bpm • C Maj • 01:25 • -29db
39% Popularity • 26% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
39% Popularity • 26% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Johann Sebastian Bach
Matthäus-Passion, BWV 244, Zweiter Teil...
92 bpm • A# min • 06:38 • -27db
39% Popularity • 14% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Alessandro Scarlatti
Son tutta duolo
92 bpm • G min • 02:56 • -26.33db
24% Popularity • 28% Danceability • 4% Energy • 11% Liveness
16% Instrumentalness • 7% Positiveness
24% Popularity • 28% Danceability • 4% Energy • 11% Liveness
16% Instrumentalness • 7% Positiveness
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Franz Schubert
Auf dem Wasser zu singen, Op. 72, D. 774
104 bpm • E min • 03:34 • -21.25db
9% Popularity • 45% Danceability • 8% Energy • 8% Liveness
10% Instrumentalness • 13% Positiveness
9% Popularity • 45% Danceability • 8% Energy • 8% Liveness
10% Instrumentalness • 13% Positiveness
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George Frideric Handel
Rinaldo, HWV 7b: Act I Scene 7: Aria: Ca...
92 bpm • D# min • 10:30 • -25db
28% Popularity • 18% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 18% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Luigi Cherubini
Requiem in C Minor: II. Graduale
105 bpm • G min • 01:42 • -24.55db
33% Popularity • 16% Danceability • 8% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 8% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: II. Cujus animam
105 bpm • G# Maj • 03:07 • -21.02db
37% Popularity • 27% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
37% Popularity • 27% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Giacomo Puccini
Madame Butterfly, 1. Akt: Vogliatemi ben...
91 bpm • B min • 04:30 • -19.96db
34% Popularity • 19% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
34% Popularity • 19% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Francesco Cavalli
Cavalli: Il Xerse, Act 1: "Ombra mai fu"...
91 bpm • F Maj • 03:19 • -18db
18% Popularity • 32% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
18% Popularity • 32% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Christoph Willibald Gluck
Gluck: Orfeo ed Euridice, Wq. 30, Act 2:...
91 bpm • F# min • 01:04 • -22db
35% Popularity • 40% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
35% Popularity • 40% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Domenico Gabrielli
San Sigismondo, re di Borgogna: “Aure ...
106 bpm • G# min • 06:43 • -24.12db
9% Popularity • 29% Danceability • 7% Energy • 13% Liveness
36% Instrumentalness • 10% Positiveness
9% Popularity • 29% Danceability • 7% Energy • 13% Liveness
36% Instrumentalness • 10% Positiveness
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Jean-Baptiste Lully
Ouverture
106 bpm • F# min • 03:01 • -22db
22% Popularity • 34% Danceability • 8% Energy • 15% Liveness
90% Instrumentalness • 28% Positiveness
22% Popularity • 34% Danceability • 8% Energy • 15% Liveness
90% Instrumentalness • 28% Positiveness
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Giovanni Battista Pergolesi
Miserere II in C minor: 1. Miserere mei,...
105 bpm • C min • 03:38 • -19.89db
10% Popularity • 20% Danceability • 13% Energy • 10% Liveness
10% Instrumentalness • 5% Positiveness
10% Popularity • 20% Danceability • 13% Energy • 10% Liveness
10% Instrumentalness • 5% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232 / Agnus Dei: Ag...
106 bpm • G min • 05:42 • -19.51db
16% Popularity • 20% Danceability • 20% Energy • 17% Liveness
14% Instrumentalness • 6% Positiveness
16% Popularity • 20% Danceability • 20% Energy • 17% Liveness
14% Instrumentalness • 6% Positiveness
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Alessandro Marcello
Adagio
91 bpm • D min • 02:49 • -33.56db
35% Popularity • 47% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
35% Popularity • 47% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
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Francesco Nicola Fago
Fago: Confitebor tibi Domine: I. "Confit...
90 bpm • F# Maj • 03:11 • -15.05db
21% Popularity • 38% Danceability • 18% Energy • 42% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 38% Danceability • 18% Energy • 42% Liveness
0% Instrumentalness • 56% Positiveness
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Wolfgang Amadeus Mozart
Requiem in D Minor, K. 626 (SĂĽssmayr - ...
90 bpm • D min • 04:27 • -21db
24% Popularity • 17% Danceability • 14% Energy • 16% Liveness
74% Instrumentalness • 6% Positiveness
24% Popularity • 17% Danceability • 14% Energy • 16% Liveness
74% Instrumentalness • 6% Positiveness
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Jean-Baptiste Lully
Te Deum: Symphonie
106 bpm • B Maj • 06:42 • -19.64db
11% Popularity • 37% Danceability • 23% Energy • 20% Liveness
9% Instrumentalness • 49% Positiveness
11% Popularity • 37% Danceability • 23% Energy • 20% Liveness
9% Instrumentalness • 49% Positiveness
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George Frideric Handel
Suite in D Minor, HWV 437: III. Saraband...
90 bpm • D min • 03:06 • -27.08db
24% Popularity • 24% Danceability • 8% Energy • 16% Liveness
2% Instrumentalness • 18% Positiveness
24% Popularity • 24% Danceability • 8% Energy • 16% Liveness
2% Instrumentalness • 18% Positiveness
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Johann Sebastian Bach
Tilge, Hochster, meine Sunden (Soprano, ...
106 bpm • E min • 04:00 • -17.32db
14% Popularity • 22% Danceability • 10% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
14% Popularity • 22% Danceability • 10% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
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Andreas Scholl
Fac Me Cruce
90 bpm • B min • 03:21 • -19db
25% Popularity • 51% Danceability • 1% Energy • 6% Liveness
19% Instrumentalness • 8% Positiveness
25% Popularity • 51% Danceability • 1% Energy • 6% Liveness
19% Instrumentalness • 8% Positiveness
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Anonymous
Nos esprits libres et contents
107 bpm • D min • 05:29 • -27db
25% Popularity • 20% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 20% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater in F Minor, P. 77: Quae moe...
107 bpm • D Maj • 02:05 • -16.44db
11% Popularity • 40% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 40% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492 / Act 4: “Ge...
90 bpm • G Maj • 04:01 • -18.88db
11% Popularity • 23% Danceability • 14% Energy • 9% Liveness
16% Instrumentalness • 6% Positiveness
11% Popularity • 23% Danceability • 14% Energy • 9% Liveness
16% Instrumentalness • 6% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
90 bpm • D Maj • 03:49 • -28.46db
34% Popularity • 20% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
34% Popularity • 20% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Johann Sebastian Bach
Matthäuspassion, BWV 244: Erbarme dich
90 bpm • F# Maj • 06:31 • -23.89db
6% Popularity • 16% Danceability • 7% Energy • 31% Liveness
0% Instrumentalness • 6% Positiveness
6% Popularity • 16% Danceability • 7% Energy • 31% Liveness
0% Instrumentalness • 6% Positiveness
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Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: Ib. Ad ped...
107 bpm • B min • 01:21 • -22.64db
33% Popularity • 35% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
33% Popularity • 35% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Tomaso Albinoni
Albinoni: Adagio in G Minor
90 bpm • C min • 05:53 • -20.28db
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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George Frideric Handel
Giulio Cesare in Egitto, HWV 17, Act II,...
107 bpm • F min • 07:50 • -19.05db
29% Popularity • 25% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 25% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Jean-Philippe Rameau
Rameau: Platée, Act 2: "Aux langueurs d...
107 bpm • C# Maj • 05:01 • -17.98db
11% Popularity • 41% Danceability • 25% Energy • 13% Liveness
1% Instrumentalness • 18% Positiveness
11% Popularity • 41% Danceability • 25% Energy • 13% Liveness
1% Instrumentalness • 18% Positiveness
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Carl Philipp Emanuel Bach
Cello Concerto No. 3 in A Major, Wq. 172...
107 bpm • E Maj • 05:25 • -20.23db
39% Popularity • 44% Danceability • 25% Energy • 15% Liveness
84% Instrumentalness • 49% Positiveness
39% Popularity • 44% Danceability • 25% Energy • 15% Liveness
84% Instrumentalness • 49% Positiveness
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Domenico Scarlatti
Keyboard Sonata in D Minor, Kk. 1
107 bpm • D min • 02:30 • -33db
49% Popularity • 50% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 55% Positiveness
49% Popularity • 50% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 55% Positiveness
► Preview
Johann Sebastian Bach
Matthäuspassion, BWV 244: No. 47, Erbar...
108 bpm • D# min • 06:18 • -14.73db
10% Popularity • 25% Danceability • 20% Energy • 11% Liveness
25% Instrumentalness • 6% Positiveness
10% Popularity • 25% Danceability • 20% Energy • 11% Liveness
25% Instrumentalness • 6% Positiveness
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Christoph Willibald Gluck
Gluck: Orfeo ed Euridice, Wq. 30, Act 1:...
89 bpm • B min • 02:46 • -17db
12% Popularity • 21% Danceability • 16% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
12% Popularity • 21% Danceability • 16% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
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George Frideric Handel
Handel: Dixit Dominus, HWV 232: I. Dixit...
107 bpm • F# min • 05:17 • -17db
11% Popularity • 44% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 44% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Henry Purcell
Come ye sons of art: Sound the Trumpet
108 bpm • C# Maj • 03:00 • -12.32db
24% Popularity • 54% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 54% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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CĂ©sar Franck
Messe a 3 voix (Mass in 3 voices), Op. 1...
89 bpm • A Maj • 05:01 • -28db
28% Popularity • 17% Danceability • 3% Energy • 9% Liveness
21% Instrumentalness • 4% Positiveness
28% Popularity • 17% Danceability • 3% Energy • 9% Liveness
21% Instrumentalness • 4% Positiveness
